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Death of Artist Jack Butler Yeats

jack-butler-yeats

John “Jack” Butler Yeats, artist, Olympic medalist and brother of William Butler Yeats, dies in Dublin on March 28, 1957.

Butler’s early style is that of an illustrator. He only begins to work regularly in oils in 1906. His early pictures are simple lyrical depictions of landscapes and figures, predominantly from the west of Ireland, especially of his boyhood home of Sligo. His work contains elements of Romanticism.

Yeats is born in London on August 29, 1871. He is the youngest son of Irish portraitist John Butler Yeats. He grows up in Sligo with his maternal grandparents, before returning to his parents’ home in London in 1887. Early in his career he works as an illustrator for magazines like The Boy’s Own Paper and Judy, draws comic strips, including the Sherlock Holmes parody “Chubb-Lock Homes” for Comic Cuts, and writes articles for Punch under the pseudonym “W. Bird.” In 1894 he marries Mary Cottenham, also a native of England and two years his senior and resides in Wicklow according to the Census of Ireland, 1911.

From around 1920, Yeats develops into an intensely Expressionist artist, moving from illustration to Symbolism. He is sympathetic to the Irish Republican cause, but not politically active. However, he believes that “a painter must be part of the land and of the life he paints,” and his own artistic development, as a Modernist and Expressionist, helps articulate a modern Dublin of the 20th century, partly by depicting specifically Irish subjects, but also by doing so in the light of universal themes such as the loneliness of the individual, and the universality of the plight of man. Samuel Beckett writes that “Yeats is with the great of our time… because he brings light, as only the great dare to bring light, to the issueless predicament of existence.” The Marxist art critic and author John Berger also pays tribute to Yeats from a very different perspective, praising the artist as a “great painter” with a “sense of the future, an awareness of the possibility of a world other than the one we know.”

Yeats’s favourite subjects include the Irish landscape, horses, circus and travelling players. His early paintings and drawings are distinguished by an energetic simplicity of line and colour, his later paintings by an extremely vigorous and experimental treatment of often thickly applied paint. He frequently abandons the brush altogether, applying paint in a variety of different ways, and is deeply interested in the expressive power of colour. Despite his position as the most important Irish artist of the 20th century, he takes no pupils and allows no one to watch him work, so he remains a unique figure. The artist closest to him in style is his friend, the Austrian painter, Oskar Kokoschka.

Besides painting, Yeats has a significant interest in theatre and in literature. He is a close friend of Samuel Beckett. He designs sets for the Abbey Theatre, and three of his own plays are also produced there. He writes novels in a stream of consciousness style that James Joyce acknowledges, and also many essays. His literary works include The Careless Flower, The Amaranthers, Ah Well, A Romance in Perpetuity, And To You Also, and The Charmed Life. His paintings usually bear poetic and evocative titles. He is elected a member of the Royal Hibernian Academy (RHA) in 1916.

Yeats holds the distinction of being Ireland’s first medalist at the Olympic Games in the wake of creation of the Irish Free State. At the 1924 Summer Olympics in Paris, his painting The Liffey Swim wins a silver medal in the arts and culture segment of the Games. In the competition records the painting is simply entitled Swimming.

Yeats dies in Dublin on March 28, 1957, and is buried in Mount Jerome Cemetery.


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Death of Sir Horace Curzon Plunkett

Sir Horace Curzon Plunkett, Anglo-Irish agricultural reformer, pioneer of agricultural cooperatives, Unionist Member of Parliament (MP), supporter of Home Rule, Irish Senator and author, dies in Weybridge, Surrey, England on March 26, 1932.

Plunkett, the third son of Admiral the 16th Baron of Dunsany, of Dunsany Castle, Dunsany, near Dunshaughlin, County Meath, and the Honourable Anne Constance Dutton, daughter of John Dutton, 2nd Baron Sherborne, is born on October 24, 1854. He is educated at Eton College and University College, Oxford, of which he becomes an honorary fellow in 1909.

Threatened by lung trouble in 1879, Plunkett goes to the United States and spends ten years as a cattle rancher in the Bighorn Mountains of Wyoming. He returns to Ireland in 1889 and devotes himself to the agricultural cooperative movement, first organizing creameries and then, in 1894, the Irish Agricultural Organisation Society, a forerunner of similar societies in England, Wales, and Scotland. A moderate Unionist member of Parliament for South County Dublin from 1892 to 1900, he becomes vice president (1899–1907) of the new Department of Agriculture and Technical Instruction for Ireland, which he has been instrumental in creating.

Plunkett’s later experience convinces him of the need for the independence of an Ireland without partition inside the Commonwealth, and he fights strongly for this goal, as chairman of the Irish Convention (1917–18) and, in 1919, as founder of the Irish Dominion League and of the Plunkett Foundation for Cooperative Studies, an agricultural research and information centre. He is appointed to the first Senate of the Irish Free State (1922–23). His house in Dublin is bombed and burned during in the Irish Civil War and he lives in England thereafter. In 1924 the Plunkett Foundation also moves to England. In 1924 he presides over a conference in London on agricultural co-operation in the British Commonwealth and in 1925 he visits South Africa to help the movement there.

Plunkett is made a Fellow of the Royal Society in 1902 and Knight Commander of the Royal Victorian Order in 1903. His writings include Ireland in the New Century (1904) and The Rural Life Problem of the United States (1910).

Sir Horace Plunkett dies at Weybridge, Surrey, England on March 26, 1932.


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Birth of Actor Patrick Joseph McGoohan

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Patrick Joseph McGoohan, American-born actor who is raised in Ireland and Great Britain, is born in Astoria, Queens, New York on March 19, 1928. He establishes an extensive stage and film career.

McGoohan is the son of Rose (Fitzpatrick) and Thomas McGoohan, who are living in the United States after emigrating from Ireland to seek work. He is brought up as a Catholic. Shortly after he is born, his parents move back to Mullaghmore, County Leitrim. Seven years later they emigrate to Sheffield, England.

McGoohan attends St. Vincent’s School and De La Salle College in Sheffield. During World War II, he is evacuated to Loughborough, Leicestershire. There he attends Ratcliffe College, where he excels in mathematics and boxing. He leaves school at the age of 16 and returns to Sheffield, where he works as a chicken farmer, a bank clerk, and a lorry driver before getting a job as a stage manager at Sheffield Repertory Theatre. When one of the actors becomes ill, McGoohan is substituted for him, launching his acting career.

McGoohan is most closely identified with two 1960s British television series, Danger Man and The Prisoner. The espionage drama Danger Man, which runs in the United States as Secret Agent, runs for 86 episodes during 1960–1961 and 1964–1967. The cult hit The Prisoner runs for 17 episodes in 1967–1968.

In Danger Man McGoohan puts a new spin on the secret agent formula by refusing to allow his character, John Drake, to carry a gun or indulge in sexual dalliances. The show’s success makes him Britain’s highest-paid TV actor.

McGoohan is one of several actors considered for the role of James Bond in Dr. No. While McGoohan turns down the role on moral grounds, the success of the Bond films is generally cited as the reason for Danger Man being revived in 1964. He is later considered for the Bond role in Live and Let Die but again turns it down.

The success of Danger Man provides McGoohan the leverage he needs to produce The Prisoner, an allegorical Kafkaesque series in which he portrays Number Six, an unnamed agent, thought by many to represent Drake, who angrily resigns and is then held captive in a superficially banal place called The Village, where the mysterious unseen Number One, the ever-changing Number Two, and others try to overcome the fiercely individualistic Number Six’s escape attempts and pry information from him.

McGoohan’s later works include the short-lived medical mystery series Rafferty (1977), such films as Ice Station Zebra (1968), Escape from Alcatraz (1979), and Braveheart (1995), the Broadway spy drama Pack of Lies (1985), and a record four guest-villain appearances on the American detective series Columbo, two of which earned him Emmy Awards. He also directs and writes several episodes of The Prisoner and Columbo. One of his last roles is as Number Six in a 2000 episode of the animated TV comedy The Simpsons.

Patrick McGoohan dies on January 13, 2009, at Saint John’s Health Center in Santa Monica, California, following a brief illness. His body is cremated.


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Birth of Writer Pádraig Ó Siochfhradha

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Pádraig Ó Siochfhradha, writer under the pseudonym An Seabhac and promoter of the Irish language, is born in the Gaeltacht near Dingle, County Kerry on March 10, 1883. His brother, Mícheál Ó Siochfhradha is also a writer, teacher, and Irish language storyteller.

Ó Siochfhradha becomes an organiser for Conradh na Gaeilge, cycling all over the countryside to set up branches and promote the Irish language. As a writer, he takes the penname An Seabhac, the Hawk, writing books including An Baile Seo Gainne (1913) and Jimín Mháire Thaidhg (1921), both of which draw on his Dingle youth and are later published in one volume as Seoda an tSeabhaic (1974).

Ó Siochfhradha is a prominent and influential figure of early 20th century Irish culture, a key populariser of the Irish Revival. He is an author, storyteller, folklorist, activist and politician.

Ó Siochfhradha’s nickname is thought to be a consequence of his years as a travelling teacher, when he adopts it as a pseudonym for the writing of his most famous book Jimín Mháire Thaidhg. This book, known in its English translation as Jimeen, is a fictionalised account of life growing up in the country, which follows the tribulations and misadventures of a young boy who cannot stay out of trouble.

Ó Siochfhradha works as a teacher from 1910 until 1922 in Kildare and in the Fermoy region of Kerry. He also works as an editor of The Light, a bilingual magazine which lasts six years, from 1907 to 1913. He is a member of Conradh na Gaeilge from early in his life and a frequent member of the League of Employment, which is an outgrowth of Conradh na Gaeilge. In 1911, a resolution, proposed by him and a colleague, is adopted that helps set the agenda for the ongoing revival of the Irish language. The proposal is to teach Irish to children of secondary school age as a living language rather than an antique one. This strategy persists to the present day.

Ó Siochfhradha becomes an active organiser for the Irish Volunteers in 1913 and is imprisoned three times for his activities. He spends time in Durham Prison in England and on Bere Island, County Cork.

In 1922 Ó Siochfhradha moves to Dublin under the auspices of the Department of Education. It is around this time that he is thought to have taken up residence in 119 Morehampton Road, Donnybrook, where he remains for the rest of his life. He continues to stay active in a large number of writing and political projects. He is secretary to the Irish Manuscripts Commission from October 1928 to October 1932.

During the Irish Civil War, it is said Ó Siochfhradha does his best to reconcile the opposing sides of the conflict. His political sympathies are primarily republican, and he spends a great deal of energy in the 1920s establishing Irish-speaking schools in Dublin. He is a member of Seanad Éireann from 1946–1948, 1951–1954 and 1957–1964, being personally nominated by his friend Taoiseach Éamon de Valera, on each occasion.

Ó Siochfhradha dies on November 19, 1964. His personal papers are on loan to Tralee Library and his archive has been digitised and stored by the University of Limerick.

(From: Stair na hÉireann/History of Ireland (https://stairnaheireann.net), “Pádraig Ó Siochfhradha – An Seabhac”)


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Frederick A. Sterling’s Ambassadorship to Ireland Ends

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Frederick Augustine Sterling, United States diplomat and first U.S. Ambassador to Ireland, completes his mission in Ireland on March 7, 1934. He later serves as U.S. minister to Bulgaria and Sweden.

Sterling is born in St. Louis, Missouri on August 13, 1876 and is an 1898 graduate of Harvard University. After working on a ranch in Texas and manufacturing woolen goods, he becomes a career Foreign Service Officer in 1911. Assignments include work in Peru, China, Russia, and England.

On July 27, 1927, Sterling is the first person appointed U.S. minister to the Irish Free State. After confirmation by the United States Senate, and presentation of his credentials to Irish leaders W. T. Cosgrave and Timothy Healy in July, he holds the formal title of Envoy Extraordinary and Minister Plenipotentiary.

Sterling’s post in Ireland ends on March 7, 1934, when he becomes U.S. minister to Bulgaria, a position he remains in until 1936. In 1937, he is appointed to minister roles for both Latvia and Estonia, however he does not accept the post. In 1938, he becomes U.S. minister to Sweden and remains in that role until 1941.

For years Sterling owns a summer house in Newport, Rhode Island, which he shares with his wife, two sons and one daughter. He dies in Washington, D.C., on August 21, 1957, and is buried in Falls Church, Virginia.


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Death of Thomas Moore, Poet, Singer & Songwriter

thomas-moore

Thomas Moore, Irish poet, singer, songwriter, and entertainer, dies at Sloperton Cottage, Bromham, Wiltshire, England on February 25, 1852. He is best remembered for the lyrics of “The Minstrel Boy” and “The Last Rose of Summer.” He is a close friend of Lord Byron and Percy Bysshe Shelley.

The son of a Roman Catholic wine merchant, Moore is born at 12 Aungier Street in Dublin on May 28, 1779. From a relatively early age he shows an interest in music and other performing arts. He attends several Dublin schools including Samuel Whyte’s English Grammar School in Grafton Street where he learns the English accent with which he speaks for the rest of his life. In 1795 he graduates from Trinity College, Dublin in an effort to fulfill his mother’s dream of his becoming a lawyer.

Upon graduation from Trinity, Moore studies law in London. His major poetic work, Irish Melodies (1807–34), earns him an income of £500 annually for a quarter of a century. It contains such titles as “The Last Rose of Summer” and “Oft in the Stilly Night.” The Melodies, a group of 130 poems set to the music of Moore and Sir John Andrew Stevenson and performed for London’s aristocracy, arouses sympathy and support for the Irish nationalists, among whom Moore is a popular hero.

Lalla-Rookh (1817), a narrative poem set in an atmosphere of Oriental splendour, gives Moore a reputation among his contemporaries rivaling that of Byron and Sir Walter Scott. It is perhaps the most translated poem of its time, and it earns what is up until then the highest price paid by an English publisher for a poem (£3,000). His many satirical works, such as The Fudge Family in Paris (1818), portray the politics and manners of the Regency era.

In 1824 Moore becomes a participant in one of the most celebrated episodes of the Romantic era. He is the recipient of Byron’s memoirs, but he and the publisher John Murray burn them, presumably to protect Byron. He later brings out the Letters and Journals of Lord Byron: With Notices of his Life (1830), in which he includes a life of the poet. His lifelong espousal of the Catholic cause leads him to produce such brilliant works as his parody of agrarian insurgency, The Memoirs of Captain Rock (1824), and his courageous biography of the revolutionary leader of the Irish Rebellion of 1798, The Life and Death of Lord Edward Fitzgerald (1831).

Moore finally settles in Sloperton Cottage at Bromham, Wiltshire, England, and becomes a novelist and biographer as well as a successful poet. Around the time of the Reform Act he is invited to stand for parliament, and considers it, but nothing comes of it. In 1829 he is painted by Thomas Lawrence, one of the last works completed by the artist before his death.

Moore’s personal life is dogged by tragedy including the deaths of all five of his children within his lifetime and a stroke in later life, which disables him from performances – the activity for which he is most renowned. He dies being cared for by his wife at Sloperton on February 25, 1852. His remains are in a vault at St. Nicholas churchyard, Bromham, within view of his cottage-home, beside his daughter Anastasia.


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Birth of George Moore, Writer, Poet & Dramatist

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George Augustus Moore, novelist, short story writer, poet, art critic, memoirist, and dramatist, is born in Moore Hall, near Lough Carra, County Mayo on February 24, 1852. He is considered an innovator in fiction in his day.

Moore comes from a distinguished Catholic family of Irish landholders. When he is 21, he leaves Ireland for Paris to become a painter. His Reminiscences of the Impressionist Painters (1906) vividly describes the Café Nouvelle-Athènes and the circle of Impressionist painters who frequent it. He is particularly friendly with Édouard Manet, who sketches three portraits of him. Another account of the years in Paris, in which he introduces the younger generation in England to his version of fin de siècle decadence, is his first autobiography, Confessions of a Young Man (1888).

Deciding that he has no talent for painting, Moore returns to London in 1882 to write. His first novels, A Modern Lover (1883) and A Mummer’s Wife (1885), introduce a new note of French Naturalism into the English scene, and he later adopts the realistic techniques of Gustave Flaubert and Honoré de Balzac. Esther Waters (1894), his best novel, deals with the plight of a servant girl who has a baby out of wedlock. It is a story of hardship and humiliation illumined by the novelist’s compassion. It is an immediate success, and he follows it with works in a similar vein: Evelyn Innes (1898) and Sister Teresa (1901).

In 1901 Moore moves to Dublin, partly because of his loathing for the South African War and partly because of the Irish Literary Revival spearheaded by his friend, the poet William Butler Yeats. In Dublin he contributes notably to the planning of the Abbey Theatre. He also produces The Untilled Field (1903), a volume of fine short stories reminiscent of Ivan Turgenev’s writing that focuses on the drudgery of Irish rural life, and a short poetic novel, The Lake (1905). The real fruits of his life in Ireland, however, come with the trilogy Hail and Farewell (Ave, 1911; Salve, 1912; Vale, 1914). Discursive, affectionate, and satirical by turns, it reads like a sustained monologue that is both a carefully studied piece of self-revelation and an acute, though not always reliable, portrait gallery of his Irish acquaintance, which included Yeats, George William Russell, and Lady Gregory. Above all it is a perfectly modulated display of the comic spirit.

The increasing narrowness of the Irish mind, politics, and clericalism sends Moore back to England in 1911. After Hail and Farewell, he makes another literary departure. Aiming at epic effect he produces The Brook Kerith (1916), an elaborate and stylish retelling of the Gospel story that is surprisingly effective despite some dull patches. He continues his attempts to find a prose style worthy of epic theme in Héloïse and Abélard (1921). His other works include A Story-Teller’s Holiday (1918), a blend of autobiography, anecdote, Irish legend, and satire, Conversations in Ebury Street (1924), autobiography, The Pastoral Loves of Daphnis and Chloe (1924) and Ulick and Soracha (1926), an Irish legendary romance.

George Moore dies at his home at Ebury Street in the London district of Belgravia on January 21, 1933, leaving a fortune of £70,000. He is cremated in London at a service attended by Ramsay MacDonald among others. An urn containing his ashes is interred on Castle Island in Lough Carra in view of the ruins of Moore Hall, which had been burned by anti-treaty forces in 1923, during the final months of the Irish Civil War.


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Paddington & Victoria Stations Bombings

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The Provisional Irish Republican Army (PIRA) explodes two bombs at London mainline stations on February 18, 1991, one at Victoria station and the other at Paddington station, killing one person and injuring 38 others all at Victoria station. It is the IRA’s second major attack in London in February 1991 after the Downing Street mortar attack eleven days earlier which is an attempt to wipe out the British war cabinet and British prime minister John Major. It is also the first IRA attack on civilians since the 1983 Harrods bombing, marking a strategic change in their bombing campaign.

The Paddington bomb, which goes off at 4:20 AM, is much smaller than the second bomb at Victoria and is designed to make sure the security services will take the Victoria bomb seriously and not as a hoax. There are no deaths or injuries at Paddington station, but the roof is badly damaged.

Sometime before 7:00 AM, a caller with an Irish accent says, “We are the Irish Republican Army. Bombs to go off in all mainline stations in 45 minutes.” The Victoria station bomb, which is hidden in a rubbish bin inside the station, goes off at 7:40 AM. Despite a 45-minute warning and the Paddington bomb three hours earlier, the security services are slow to act. The bomb kills one person instantly and injures 38 others from flying glass and other debris. This is the worst attack suffered by civilians in England by the IRA since the 1983 Harrods bombing which killed three policemen, three civilians and injured 50 people. All London’s rail terminals are closed, disrupting the journeys of almost half a million commuters and bringing chaos to London, which is the IRA’s intended goal. There is also a hoax call made to Heathrow Airport, causing the airport’s closure.

That night the Provisional IRA claims responsibility for the bombings but blames the British police for the casualties. A statement from the Provisional IRA GHQ says, “The cynical decision of senior security personnel not to evacuate railway stations named in secondary warnings, even three hours after the warning device had exploded at Paddington in the early hours of this morning was directly responsible for the casualties at Victoria.” The statement goes on, “All future warnings should be acted upon.” The main purpose of the bombings in the overall IRA strategy is to keep pressure up on John Major, his Government and to make sure he acts on the Irish Troubles.

Police defend the decision not to close all stations after receiving warning that bombs had been planted. Commander George Churchill-Coleman, head of Scotland Yard‘s anti-terrorist squad, says that dozens of hoax calls are received every day. “It is very easy with hindsight to be critical.” Churchill-Coleman also says that the bomb was “quite deliberately intended to maim and kill.”

A year later, a French TV crew interviews an IRA Commander who says he speaks on behalf of the IRA’s GHQ Staff. The commander of the unit says of the Victoria station bombing that warnings were given by telephone naming nine railroad stations in London and that a 50-minute warning was given. He goes on to say that the attack was not aimed at hurting anybody but to disrupt the British transport system.

This bombing marks the IRA’s shift to targeting civilian areas following the July 1990 London Stock Exchange bombing. It is also the first IRA attack on the London transport system since 1976. The IRA keeps bombing targets in England for the remainder of the year.

(Pictured: London Victoria Station – The main station building for this terminus, with trains servicing the south and south-eastern destinations, as well as Gatwick. In front is the bus station.)


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Birth of Marie Dolores Eliza Rosanna Gilbert, Dancer & Actress

lola-montez

Marie Dolores Eliza Rosanna Gilbert, Countess of Landsfeld, Irish dancer and actress better known by the stage name Lola Montez, is born in Grange, County Sligo, on February 17, 1821. She becomes famous as a “Spanish dancer,” courtesan, and mistress of King Ludwig I of Bavaria, who makes her Countess of Landsfeld. She uses her influence to institute liberal reforms. At the start of the German revolutions of 1848-1849, she is forced to flee. She proceeds to the United States via Switzerland, France, and London, returning to her work as an entertainer and lecturer.

Gilbert’s family makes their residence at King House in Boyle, County Roscommon, until early 1823, when they journey to Liverpool, thence departing for India on March 14. Gilbert spends much of her childhood in India but is educated in Scotland and England. At age 19 she elopes with Lieutenant Thomas James. The couple separates five years later, and, in 1843, Gilbert launches a career as a dancer. Her London debut in June 1843 as “Lola Montez, the Spanish dancer” is disrupted when she is recognized as Mrs. James. The fiasco would probably have ended the career of anyone less beautiful and determined, but Gilbert receives additional dancing engagements throughout Europe. During her travels she reputedly forms liaisons with Franz Liszt and Alexandre Dumas, among many others.

Late in 1846, Gilbert dances in Munich and Ludwig I of Bavaria is so struck by her beauty that he offers her a castle. She accepts, becomes Baroness Rosenthal and Countess of Lansfeld, and remains as his mistress. Under Gilbert’s influence, Louis inaugurates liberal and anti-Jesuit governmental policies, but his infatuation with her helps to bring about the collapse of his regime in the revolution of 1848. In March of that year Ludwig abdicates in favour of his son. Gilbert flees to London, where in 1849 she marries Lieutenant George Heald, although she has never been divorced from James. Heald later leaves her.

From 1851 to 1853 Gilbert performs in the United States. Her third marriage, to Patrick P. Hull of San Francisco in 1853, ends in divorce soon after she moves to Grass Valley, California. There, among other amusements, she coaches young Lotta Crabtree in singing and dancing. She settles in New York City after an unsuccessful tour of Australia in 1855–1856 and gathers a following as a lecturer on such topics as fashion, gallantry, and beautiful women. An apparently genuine religious conversion leads her to take up various personal philanthropies.

Gilbert publishes Anecdotes of Love; Being a True Account of the Most Remarkable Events Connected with the History of Love; in All Ages and among All Nations (1858), The Arts of Beauty, or, Secrets of a Lady’s Toilet with Hints to Gentlemen on the Art of Fascination (1858), and Lectures of Lola Montez, Including Her Autobiography (1858). The international notoriety of her heyday persists long after her death and inspires numerous literary and balletic allusions.

Gilbert spends her last days in rescue work among women. By November 1859 she is showing the tertiary effects of syphilis, and her body begins to waste away. She dies at the age of 39 on January 17, 1861. She is buried in Green-Wood Cemetery in Brooklyn, New York.


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Death of Robert Hobart, 4th Earl of Buckinghamshire

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Robert Hobart, 4th Earl of Buckinghamshire and former Member of Parliament (MP) for Portarlington and Armagh Borough, dies from a fall from his horse in St. James’s Park, London on February 4, 1816. He is styled Lord Hobart from 1793 to 1804.

Hobart is born at Hampden House on May 6, 1760, the son of George Hobart, 3rd Earl of Buckinghamshire and Albinia, daughter of Lord Vere Bertie, younger son of Robert Bertie, 1st Duke of Ancaster and Kesteven. He is educated at Westminster School, London, and later serves in the American Revolutionary War. He acts as aide-de-camp to successive lord lieutenants of Ireland from 1784 onwards.

Hobart is a Member of Parliament (MP) in the Irish House of Commons for Portarlington from 1784 to 1790 and thereafter for Armagh Borough from 1790 to 1797. He sits also in the House of Commons of the United Kingdom for the rotten borough of Bramber in 1788, a seat he holds until 1790, and then for Lincoln from 1790 to 1796. In 1793 he is invested a member of the Privy Council, and appointed Governor of Madras. In 1798 he is recalled to England by the President of the Board of Control responsible for Indian affairs, Henry Dundas, and summoned to the House of Lords through a writ of acceleration in his father’s junior title of Baron Hobart.

Hobart later serves as Secretary of State for War and the Colonies from 1801 to 1804 when it is said he had “a better grasp of the local or colonial conditions, and a more active spirit than did some of his successors.” He is Chancellor of the Duchy of Lancaster in 1805 and again in 1812, Postmaster General from 1806 to 1807 and President of the Board of Control from 1812 to 1816. Hobart, the capital of Tasmania, is named after him.

Hobart marries firstly Margaretta, daughter of Edmund Bourke, in 1792. They have one son, who dies in infancy, and a daughter, Lady Sarah, who marries Prime Minister Lord Goderich and is the mother of George Robinson, 1st Marquess of Ripon. After Margaretta’s death in 1796 he marries secondly the Hon. Eleanor Agnes, daughter of William Eden, 1st Baron Auckland, in 1799. There are no children from this marriage.

Robert Hobart dies at Hamilton Place, London, on February 4, 1816 at the age of 55, after falling from his horse. He is succeeded in the earldom by his nephew, George. Lady Buckinghamshire dies in October 1851, at the age of 74.