Brennan moves to Melbourne, Australia in 1861 with his parents. He starts his career as a watchmaker and a few years later is articled to Alexander Kennedy Smith, a renowned civil and mechanical engineer of the period. He serves as a sergeant in the Victorian Engineers under the command of Captain John James Clark. He invents the idea of a steerable torpedo in 1874, from observing that if a thread is pulled on a reel at an angle with suitable leverage, the reel will move away from the thread side. He spends some years working out his invention and receives a grant of £700 from the Victorian government towards his expenses. He patents the Brennan torpedo in 1877. The idea is trialed at Camden Fort near Crosshaven, County Cork.
Brennan goes to England in 1880 and brings his invention before the War Office. Sir Andrew Clarke alerts the authorities to the possibilities of the torpedo if used in the defence of harbours and channels, and the patent is eventually bought for a sum believed to be more than £100,000 (£ 9,331,100 in 2019). In 1887 he is appointed superintendent of the Brennan torpedo factory and is consulting engineer from 1896 to 1907.
Brennan does much work on a gyro monorail locomotive which is kept upright by a gyrostat. In 1903 he patents a gyroscopically balanced monorail system that he designs for military use. He successfully demonstrates the system on November 10, 1909, at Gillingham, England, but fears that the gyroscopes might fail prevents adoption of the system for widespread use.
From 1916 to 1919 Brennan serves in the munition invention department. From 1919 to 1926 he is engaged by the air ministry in aircraft research work at the Royal Aircraft Establishment, Farnborough, and gives much time to the invention of a helicopter. The government spends a large sum of money on it, but in 1926 the air ministry gives up working on it, much to Brennan’s disappointment.
Brennan marries Anna Quinn on 10 September 10, 1892. The marriage results in a son and a daughter. He is created a Companion of the Order of the Bath in 1892 and is foundation member of the National Academy of Ireland in 1922.
In January 1932 Brennan is knocked down by a car at Montreux, Switzerland, and dies on January 17, 1932. He is buried at St. Mary’s Catholic Cemetery, Kensal Green, London, in an unmarked plot numbered 2454 that is opposite the Chapel record office. On March 11, 2014, TaoiseachEnda Kenny unveils a new gravestone for Brennan at St. Mary’s in a ceremony honouring the inventor’s life and career.
Gillingham Library retains the archive of his papers.
Joan Denise Moriarty, Irish ballet dancer, choreographer, teacher of ballet and traditional Irish dancer and musician, dies on January 24, 1992. She is a key figure in the development of both amateur and professional ballet in Ireland.
Little is known of Moriarty’s early life. Her year of birth is estimated between 1910 and 1913 but no documentation has been found. The place of her birth is also unknown, and even the country is uncertain. She grows up as the daughter of Michael Augustus Moriarty, an alumnus of Stonyhurst College and contemporary of Sir Arthur Conan Doyle, and his wife, Marion (née McCarthy). The Moriartys are originally from Mallow, County Cork, where her grandfather John Moriarty was a successful solicitor.
Moriarty is brought up in England. She studies ballet until her early teens with Dame Marie Rambert. She is an accomplished Irish step-dancer and traditional musician and becomes the champion Irish step-dancer of Britain on April 24, 1931. She also wins a swimming championship. She is a member of the Liverpool branch of the Conradh na Gaeilge.
In the autumn of 1933 Moriarty returns with her family to their native Mallow in County Cork. In 1934, she sets up her first school of dance there. From 1938 she also gives weekly classes in Cork in the Gregg Hall and Windsor School. During the 1930s she takes part in the Cork Feis, annual arts competitions with a focus on traditional dance and music, competing in Irish step-dancing, warpipes and operatic solo singing. She performs on the warpipes in various public concerts and gives at least two broadcasts. In 1938 she is invited by Seán Neeson, lecturer in Irish music at University College Cork, to perform at a summer school which the Music Department organises for primary school teachers.
Moriarty’s mother dies in February 1940. The following November she moves to Cork where she sets up the Moriarty School of Dancing. The early years during the war are very difficult financially. In the early 1940s she performs with her dancers in musicals and variety shows at the Cork Opera House.
In 1945 the composer Aloys Fleischmann invites Moriarty to perform in his Clare’s Dragoons for baritone, war pipes, choir and orchestra, which had been commissioned by the national broadcasting company, Radio Éireann, for the Thomas Davis centenary. Moriarty agrees on condition that his Cork Symphony Orchestra would play for her Ballet Company’s annual performances, which marks the beginning of a lifelong collaboration.
Branches of the Moriarty School of Dance are established in Bandon, Clonmel, Fermoy, Killarney, Mallow, Tralee, Waterford, and Youghal. Moriarty bequeaths her Cork school to Breda Quinn, a long-standing member of the Cork Ballet Company, who runs it with another Moriarty student, Sinéad Murphy, who creates a new dance school, Cork School of Dance, after Breda’s death in 2009.
Moriarty founds the Cork Ballet Group in 1947, the members recruited from her school. It gives its first performance in June of that year at the Cork Opera House. In 1954 the group is registered as a company under the name “Cork Ballet Company.” The company’s final season is 1993, the year following Moriarty’s death.
Irish Theatre Ballet is founded by Moriarty in the summer of 1959, and gives its first performance in December 1959. It is a small touring company of 10 to 12 dancers, which travels all over Ireland, going to some 70 venues annually with extracts from the classical ballets, contemporary works and folk ballets. In an attempt to resolve the constant financial difficulties, the Arts Council in 1963 insists on a merger with Patricia Ryan’s Dublin National Ballet. The amalgamation does not bring a solution to the financial problems besetting both companies and, after one joint season, the amalgamated company, Irish National Ballet, has to be disbanded in March 1964.
In 1973, the Irish government decides to fund a professional ballet company, the Irish Ballet Company, and entrusts it to Moriarty. Like Irish Theatre Ballet, it is a touring company which travels all over Ireland in two annual seasons. The company has a number of striking successes between 1978 and 1981. In 1983 the name of the company is changed to Irish National Ballet. The severe recession in Ireland during the 1980s and shrinking funds force the Irish National Ballet to disband in 1989.
Moriarty spends almost 60 years working for ballet in Ireland. Her amateur Cork Ballet Company is still the longest-lasting ballet company the country’s history. Her two professional touring companies bring ballet to all parts of Ireland for 21 years. She receives numerous awards for her work, among them an honorary doctorate from the National University of Ireland in 1979.
During the last years of her life, Moriarty suffers ill-health, but continues her work with the Cork Ballet Company, bringing the shows to towns in the county. She dies on January 24, 1992, in Dublin.
Sackville serves twice as Lord Lieutenant of Ireland, from 1731 to 1737 and again from 1751 to 1755. In 1739, at the foundation of the Foundling Hospital, he is one of that charity’s original governors. His first term as Lord Lieutenant is uneventful. His second takes place at a time of acute political tension between the two main factions in the Irish Government, one led by Henry Boyle, the Speaker of the Irish House of Commons, the other by George Stone, the Anglican Archbishop of Armagh. Sackville, now heavily influenced by his son George Sackville, makes the mistake of openly backing the archbishop. He is unable to oust Boyle from power and is accused of being the archbishop’s tool. He becomes extremely unpopular, leading to his eventual recall.
Sackville’s last years are uneventful, apart from a riot in 1757 caused by the passage of the Militia Act to raise an army for the Seven Years’ War, in which he narrowly escapes injury. He dies at Knole, a country house in west Kent, on October 9, 1765, and is buried at Withyham in East Sussex.
(Pictured: Oil on canvas Portrait of Lionel Sackville, 1st Duke of Dorset (1688-1765) by Godfrey Kneller (1646-1723), 1719, currently displayed at Commonwealth Secretariat, Marlborough House, London)
Brontë is the youngest of six children of Patrick Brontë, a poor Irish clergyman in the Church of England, and Marie Brontë. She lives most of her life with her family at the parish of Haworth on the Yorkshire moors and is taught in the family’s Haworth home and at Roe Head School. With her sister Emily, she invents the imaginary kingdom of Gondal, about which they write verse and prose, the latter now lost, from the early 1830s until 1845.
Brontë takes a position as governess briefly in 1839 and then again for four years, 1841–45, with the Robinsons, the family of a clergyman, at Thorpe Green, near York. There her irresponsible brother, Branwell, joins her in 1843, intending to serve as a tutor. Anne returns home in 1845 and is followed shortly by her brother, who has been dismissed, charged with making love to his employer’s wife.
In 1846 Brontë contributes 21 poems to Poems by Currer, Ellis and Acton Bell, a joint work with her sisters Charlotte and Emily. Her first novel, Agnes Grey, is published together with Emily’s Wuthering Heights in three volumes, of which Agnes Grey is the third, in December 1847. The reception to these volumes, associated in the public mind with the immense popularity of Charlotte’s Jane Eyre (October 1847), lead to quick publication of Anne’s second novel, again as Acton Bell, The Tenant of Wildfell Hall, published in three volumes in June 1848. It sells well.
Emily’s death in December 1848 deeply affects Brontë and her grief undermines her physical health. Over Christmas, she comes down with influenza. Her symptoms intensify and her father sends for a Leeds physician in early January. The doctor diagnoses her condition as consumption (tuberculosis) and intimates that it is quite advanced, leaving little hope of recovery. Anne meets the news with characteristic determination and self-control.
In February 1849, Brontë seems somewhat better and decides to make a return visit to Scarborough in the hope that the change of location and fresh sea air might initiate a recovery. On May 24, 1849, she sets off for Scarborough with Charlotte and Ellen Nussey. However, it is clear that Anne has little strength left.
On Sunday, May 27, Brontë asks Charlotte whether it would be easier if she returned home to die instead of remaining in Scarborough. A doctor, consulted the next day, indicates that death is close. Conscious and calm, she dies in the afternoon of Monday, May 28, 1849, at the age of 29. She is buried in Scarborough in St. Mary’s churchyard, beneath the castle walls, overlooking the bay.
Her novel Agnes Grey, probably begun at Thorpe Green, records with limpidity and some humour the life of a governess. George Moore calls it “simple and beautiful as a muslin dress.” The Tenant of Wildfell Hall presents an unsoftened picture of the debauchery and degradation of the heroine’s first husband and sets against it the Arminian belief, opposed to Calvinist predestination, that no soul shall be ultimately lost. Her outspokenness raised some scandal, and Charlotte deplored the subject as morbid and out of keeping with her sister’s nature, but the vigorous writing indicates that Brontë found in it not only a moral obligation but also an opportunity of artistic development.
(Pictured: A sketch of Anne Brontë by sister Charlotte, circa 1834)
The characteristics of de Vere’s poetry are high seriousness and a fine religious enthusiasm. His research in questions of faith leads him to the Roman Catholic Church where in 1851 he is received into the Church by CardinalHenry Edward Manning in Avignon. In many of his poems, notably in the volume of sonnets called St. Peters Chains (1888), he makes rich additions to devotional verse. For a few years he holds a professorship, under Newman, in the Catholic University in Dublin.
In A Book of Irish Verse, W. B. Yeats describes de Vere’s poetry as having “less architecture than the poetry of Ferguson and Allingham, and more meditation. Indeed, his few but ever memorable successes are enchanted islands in gray seas of stately impersonal reverie and description, which drift by and leave no definite recollection. One needs, perhaps, to perfectly enjoy him, a Dominican habit, a cloister, and a breviary.”
de Vere also visits the Lake Country of England, and stays under Wordsworth’s roof, which he calls the greatest honour of his life. His veneration for Wordsworth is singularly shown in later life, when he never omits a yearly pilgrimage to the grave of the poet until advanced age makes the journey impossible.
de Vere is of tall and slender physique, thoughtful and grave in character, of exceeding dignity and grace of manner, and retains his vigorous mental powers to a great age. According to Helen Grace Smith, he is one of the most profoundly intellectual poets of his time. His census return for 1901 lists his profession as “Author.”
Aubrey de Vere dies at Curraghchase on January 20, 1902, at the age of eighty-eight. As he never married, the name of de Vere at his death becomes extinct for the second time and is assumed by his nephew.
Boyle is born on January 25, 1627, at Lismore Castle, in County Waterford. At age eight, he begins his formal education at Eton College, where his studious nature quickly becomes apparent. In 1639 he and his brother Francis embark on a grand tour of the continent together with their tutor Isaac Marcombes. In 1642, owing to the Irish rebellion, Francis returns home while Robert remains with his tutor in Geneva and pursues further studies.
Boyle returns to England in 1644, where he takes up residence at his hereditary estate of Stalbridge in Dorset. There he begins a literary career writing ethical and devotional tracts, some of which employ stylistic and rhetorical models drawn from French popular literature, especially romance writings. In 1649 he begins investigating nature via scientific experimentation. From 1647 until the mid-1650s, he remains in close contact with a group of natural philosophers and social reformers gathered around the intelligencer Samuel Hartlib. This group, the Hartlib Circle, includes several chemists who heighten his interest in experimental chemistry.
Boyle spends much of 1652–1654 in Ireland overseeing his hereditary lands and performing some anatomic dissections. In 1654 he is invited to Oxford, and he takes up residence at the university until 1668. In Oxford he is exposed to the latest developments in natural philosophy and becomes associated with a group of notable natural philosophers and physicians, including John Wilkins, Christopher Wren, and John Locke. These individuals, together with a few others, form the “Experimental Philosophy Club.” Much of Boyle’s best known work dates from this period.
In 1659 Boyle and Robert Hooke, the clever inventor and subsequent curator of experiments for the Royal Society, complete the construction of their famous air pump and use it to study pneumatics. Their resultant discoveries regarding air pressure and the vacuum appear in Boyle’s first scientific publication, New Experiments Physico-Mechanicall, Touching the Spring of the Air and Its Effects (1660). Boyle and Hooke discover several physical characteristics of air, including its role in combustion, respiration, and the transmission of sound. One of their findings, published in 1662, later becomes known as “Boyle’s law.” This law expresses the inverse relationship that exists between the pressure and volume of a gas, and it is determined by measuring the volume occupied by a constant quantity of air when compressed by differing weights of mercury.
Among Boyle’s most influential writings are The Sceptical Chymist (1661), which assails the then-current Aristotelian and especially Paracelsian notions about the composition of matter and methods of chemical analysis, and the Origine of Formes and Qualities (1666), which uses chemical phenomena to support the corpuscularian hypothesis. He argues so strongly for the need of applying the principles and methods of chemistry to the study of the natural world and to medicine that he later gains the appellation of the “father of chemistry.”
Boyle is a devout and pious Anglican who keenly champions his faith. He sponsors educational and missionary activities and writes a number of theological treatises. He is deeply concerned about the widespread perception that irreligion and atheism are on the rise, and he strives to demonstrate ways in which science and religion are mutually supportive. For Boyle, studying nature as a product of God’s handiwork is an inherently religious duty. He argues that this method of study would, in return, illuminate God’s omnipresence and goodness, thereby enhancing a scientist’s understanding of the divine. The Christian Virtuoso (1690) summarizes these views and may be seen as a manifesto of his own life as the model of a Christian scientist.
In 1668 Boyle leaves Oxford and takes up residence with his sister Katherine Jones, Vicountess Ranelagh, in her house on Pall Mall in London. There he sets up an active laboratory, employs assistants, receives visitors, and publishes at least one book nearly every year. Living in London also provides him the opportunity to participate actively in the Royal Society.
Boyle is a genial man who achieves both national and international renown during his lifetime. He is offered the presidency of the Royal Society and the episcopacy but declines both. Throughout his adult life, he is sickly, suffering from weak eyes and hands, recurring illnesses, and one or more strokes. He dies at age 64 on December 31, 1691, after a short illness exacerbated by his grief over Katherine’s death a week earlier. He leaves his papers to the Royal Society and a bequest for establishing a series of lectures in defense of Christianity. These lectures, now known as the Boyle Lectures, continue to this day.
Blackley is the second son of Travers Robert Blackley of Ashtown Lodge, County Dublin and Eliza, daughter of Colonel Lewery, who is taken prisoner by the French at Verdun. His maternal grandfather is Travers Hartley, MP for Dublin (1776-1790) and governor of the Bank of Ireland.
In boyhood Blackley is sent with his brother John to a school at Brussels kept by Dr. Carl Martin Friedlander, a Polish political refugee, whose daughter, Amelia Jeanne Josephine, he subsequently marries on July 24, 1855. There he acquires proficiency in French, German, and other foreign languages. In 1847 he returns to Ireland, entered Trinity College, Dublin, graduating B.A. in 1850, M.A. in 1854, and takes holy orders. In 1854 he becomes curate of St. Peter’s, Southwark, but an attack of cholera compels his retirement from London. From 1855 to 1867 he has charge of two churches at Frensham, near Farnham, Surrey. He is rector of North Waltham, Hampshire (1867-1883), and King’s Somborne (1883-1889). In 1883 he is made honorary canon of Winchester.
Blackley, who is an energetic parish priest and is keenly interested in social questions, carefully elaborates a scheme for the cure of pauperism by a statutory enforcement of thrift which has far-reaching results at home and abroad. In November 1878 he contributes to the Nineteenth Century an essay entitled National Insurance a Cheap, Practical, and Popular Way of Preventing Pauperism, and thenceforth strenuously advocates a scheme of compulsory insurance, which the National Providence League, with the Earl of Shaftesbury as president, is formed in 1880 to carry into effect. At the same time he recommends temperance as a means of social regeneration. His views reach a wide public through his writings, which include How to teach Domestic Economy (1879), Collected Essays on the Prevention of Pauperism (1880), Social Economy Reading Book, adapted to the New Code (1881), Thrift and Independence; a Word for Working-men (1884).
Blackley’s scheme provides that all persons between eighteen and twenty should subscribe to a national fund, and should receive in return a week in time of sickness, and a week after the age of seventy. The plan is urged on the House of Lords by the Earl of Carnarvon in 1880, and is the subject of inquiry by a select committee of the House of Commons from 1885 to 1887. The majority of the boards of guardians in England and Wales support the proposals, but the commons’ committee, while acknowledging Blackley’s ingenuity and knowledge, reports adversely on administrative and actuarial grounds. At the same time the friendly societies, which Blackley has censured in his Thrift and Independence, regards the principle of compulsion as a menace to their own growth, and their historian and champion, the Rev. John Frome Wilkinson, sharply criticises Blackley’s plan in The Blackley National Providence Insurance Scheme; a Protest and Appeal (1887). Blackley’s plan, although rejected for the time, stimulates kindred movements in the colonies and in foreign countries, and leads directly to the adoption of old age pensions in England by legislation in 1908, while the national insurance scheme which receives parliamentary sanction in 1911 bears some trace of Blackley’s persistent agitation.
In 1887 Blackley, who is director of the Clergy Mutual Insurance Company, makes proposals to the church congress which lead to the formation of the “Clergy Pension Scheme” and of a society for ecclesiastical fire insurance. In the autumn of 1889 Blackley, whose active propagandism brings him constantly to London, becomes vicar of St. James the Less, Vauxhall Bridge Road. There he enlarges the schools and builds a parish hall and a vicarage.
William Lewery Blackley dies after a brief illness at 79 St. George’s Square, on July 25, 1902. Brasses are put up in Blackley’s memory in the churches of St. James the Less, North Waltham, and Frensham.
William Stephen “Billy” Wright, named after his grandfather, is born in Wolverhampton, England on July 7, 1960, to David Wright and Sarah McKinley, Ulster Protestants from Portadown, Northern Ireland. The family returns to Northern Ireland in 1964. While attending Markethill High School, Wright takes a part-time job as a farm labourer where he comes into contact with a number of staunchly unionist and loyalist farmers who serve with the Royal Ulster Constabulary (RUC) Reserve or the Ulster Defence Regiment (UDR). The conflict known as the Troubles has been raging across Northern Ireland for about five years by this stage, and many young men such as Wright are swept up in the maelstrom of violence as the Provisional Irish Republican Army ramps up its bombing campaign and sectarian killings of Catholics by loyalists continue to escalate. During this time his opinions move towards loyalism and soon he gets into trouble for writing the initials “UVF” on a local Catholic primary school wall. When he refuses to clean off the vandalism, he is transferred from the area and sent to live with an aunt in Portadown.
Wright joins the Ulster Volunteer Force (UVF) in 1975. After spending several years in prison and becoming a born-again Christian, he resumes his UVF activities and becomes commander of its Mid-Ulster Brigade in the early 1990s, taking over from Robin “the Jackal” Jackson. According to the Royal Ulster Constabulary, he is involved in the sectarian killings of up to 20 Catholics, although he is never convicted for any. It is alleged that Wright, like his predecessor, is an agent of the RUC Special Branch.
Wright attracts considerable media attention during the Drumcree standoff, when he supports the ProtestantOrange Order‘s desire to march its traditional route through the Catholic/Irish nationalist area of his hometown of Portadown. In 1994, the UVF and other paramilitary groups call ceasefires. However, in July 1996, Wright’s unit breaks the ceasefire and carries out a number of attacks, including a sectarian killing. For this, Wright and his Portadown unit of the Mid-Ulster Brigade are stood down by the UVF leadership. He is expelled from the UVF and threatened with execution if he does not leave Northern Ireland. He ignores the threats and, along with many of his followers, defiantly forms the breakaway Loyalist Volunteer Force (LVF), becoming its leader.
The LVF carries out a string of killings of Catholic civilians. In March 1997 Wright is sent to the HM Prison Maze for having threatened the life of a woman. While imprisoned, Wright continues to direct the LVF’s activities. On the morning of December 27, 1997, he is assassinated inside the prison by three INLA volunteers – Christopher “Crip” McWilliams, John “Sonny” Glennon and John Kennaway – armed with two smuggled pistols, a FEG PA-63 semi-automatic and a .22 Derringer. The LVF carries out a wave of sectarian attacks in retaliation. There is speculation that the authorities collude in his killing as he is a threat to the peace process. An inquiry finds no evidence of this but concludes there are serious failings by the prison authorities.
Owing to his uncompromising stance as an upholder of Ulster loyalism and opposition to the Northern Ireland peace process, Wright is regarded as a cult hero, icon, and martyr by hardline loyalists. His image adorns murals in loyalist housing estates and many of his devotees have tattoos bearing his likeness. His death is greeted with relief and no little satisfaction, however, from the Irish nationalist community.
Shee is born into an old Irish Catholic family, the son of Martin Shee, a merchant, who regards the profession of a painter as an unsuitable occupation for a descendant of the Shees. He nevertheless studies art in the Royal Dublin Society and comes to London. There, in 1788, he is introduced by Edmund Burke to Joshua Reynolds, on whose advice he studies in the schools of the Royal Academy of Arts.
In 1789 Shee exhibits his first two pictures, the “Head of an Old Man” and “Portrait of a Gentleman.” Over the next ten years he steadily increases in practice. In 1798 he is chosen an associate of the Royal Academy and in 1800 he is elected a Royal Academician. He moves to George Romney‘s former house at 32 Cavendish Square and sets up as his successor.
Shee continues to paint with great readiness of hand and fertility of invention, although his portraits are eclipsed by more than one of his contemporaries, and especially by Thomas Lawrence. His earlier portraits are carefully finished, easy in action, with good drawing and excellent discrimination of character. They show an undue tendency to redness in the flesh painting, a defect which is still more apparent in his later works, in which the handling is less square, crisp and forcible. In addition to his portraits, he executes various subjects and historical works, such as Lavinia, Belisarius, his diploma picture “Prospero and Miranda,” and the “Daughter of Jephthah.”
In 1805 Shee publishes a poem consisting of Rhymes on Art, and a second part follows in 1809. Lord Byron speaks well of it in his English Bards and Scotch Reviewers. He publishes another small volume of verse in 1814, entitled The Commemoration of Sir Joshua Reynolds, and other Poems, but this is less successful. He also produces a tragedy, Alasco, set in Poland. The play is accepted at Covent Garden, but is refused a licence, on the grounds that it contains treasonable allusions, and Shee angrily resolves to make his appeal to the public. He carries out his threat in 1824, but Alasco is still on the list of unacted dramas in 1911. He also publishes two novels – Oldcourt (1829, in three volumes) and Cecil Hyde (1834).
On the death of Sir Thomas Lawrence in 1830, Shee is chosen president of the Royal Academy in his stead and shortly afterwards receives a knighthood. In 1831 he is elected a Fellow of the Royal Society. In an examination before the parliamentary committee of 1836 concerning the functions of the Royal Academy, he ably defends its rights. He continues to paint until 1845, when illness makes him retire to Brighton. He is deputised for at the Academy by J. M. W. Turner, who had appointed him a trustee of the projected Turner almshouse.
Martin Archer Shee dies in Brighton, Sussex, England on August 13, 1850, and is buried in the western extension to St. Nicholas’ Churchyard in Brighton. His headstone remains but has been laid flat and moved to the perimeter of the site.
A Provisional Irish Republican Army (PIRA) car bomb kills six and injures ninety outside London‘s Harrods department store, a large, upmarket department store in the affluent Knightsbridge district near Buckingham Palace on December 17, 1983. The IRA Army Council claims that it has not authorised the attack and expresses regret for the civilian casualties. After the bombing, the IRA changes its tactic to focus on military targets on the mainland.
Harrods had been the target of an earlier IRA bomb on December 21, 1974, which was placed in the northeast corner of the first floor. There was a very short warning, and the store was in the process of being cleared when it exploded. It was also the target of a much smaller IRA bomb almost ten years later, in January 1993, which injured four people.
From 1973 the Provisional IRA has carried out waves of bombing attacks on commercial targets in London and elsewhere in England as part of its “economic war.” The goal is to damage the economy and cause disruption, which would put pressure on the British government to withdraw from Northern Ireland. On December 10, 1983, the IRA carries out its first attack in London in some time when a bomb explodes at the Royal Artillery Barracks, injuring three British soldiers.
One week later, on the afternoon of December 17, IRA members park a car bomb near the side entrance of Harrods, on Hans Crescent. The bomb contains 25 to 30 lbs. of explosives and is set to be detonated by a timer. It is left in a 1972 blue Austin 1300 GT four-door sedan. At 12:44 PM a man using an IRA codeword phones the central London branch of the Samaritans charity. The caller says there is a car bomb outside Harrods and another bomb inside Harrods and gives the car’s registration plate. According to police, he does not give any other description of the car.
The bomb explodes at about 1:21 PM, as four police officers in a car, an officer on foot and a police dog-handler near the suspect vehicle. Three officers and three bystanders are killed, and 90 others are injured, including 14 police officers. The blast damages 24 cars and all five floors on the side of Harrods, sending a shower of glass down onto the street. The police car absorbs much of the blast and this likely prevents further casualties.
Five people die at the scene of the bombing and a sixth later dies in the hospital. The bystanders who die are Philip Geddes (24), a journalist who had heard about the alert and went to the scene, Jasmine Cochrane-Patrick (25) and Kenneth Salvesen (28), a United States citizen. The Metropolitan Police Service officers killed are Sergeant Noel Lane (28) and Constable Jane Arbuthnot (22). A third officer, Inspector Stephen Dodd (34), dies in the hospital from his injuries on December 24. Constable Jon Gordon survives but loses both legs and part of a hand in the blast.
At the time of the explosion, a second warning call is made by the IRA. The caller says that a bomb has been left in the C&A department store at the east end of Oxford Street. Police clear the area and cordon it off, but this claim is found to be false. In the aftermath of the attack, hundreds of extra police and mobile bomb squads are drafted into London. Aleck Craddock, chairman of Harrods, reports that £1 million in turnover has been lost as a result of the bombing. Despite the damage, Harrods re-opens three days later, proclaiming it will not be “defeated by acts of terrorism.” Denis Thatcher, the husband of British Prime MinisterMargaret Thatcher, visits the store and tells reporters “no damned Irishman is going to stop me going there.”
seamus dubhghaill 