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George Bernard Shaw Refuses Nobel Prize Money

On November 18, 1926, George Bernard Shaw refuses to accept the Nobel Prize in Literature prize money of £7,000 awarded to him a year earlier. He says, “I can forgive Alfred Nobel for his invention of the explosive but only the devil can think of the Nobel Prize.”

Shaw is born in Dublin on July 26, 1856, the third child of George Carr Shaw, a civil servant who later turns to a failed grain business to become an alcoholic, and Lucinda Elizabeth Shaw, a professional singer and sister of the famous opera singer Lucinda Frances. He is initially poor but is gifted with music and soon understands and loves the work of famous musicians and learns more about painting in Dublin. At the age of 15, he works as an apprentice and cashier for a real estate firm.

In 1876, Shaw follows his mother and two sisters to London. There he writes music reviews for newspapers to earn money, self-studies and actively participates in social activities. In 1884, he joins the founding of Fabian Society, an organization of British intellectuals advocating transition from capitalism to socialism by way of peace. From 1879 to 1883, he writes his first novel, Immaturity, and five other works that are not printed. An Unsocial Socialist is the first novel to be printed in 1887. Considered the father of “conceptual drama,” he begins writing plays in 1885, but achieves initial fame with Widowers’ Houses (1892). By 1903, his drama takes over the American and German stage, and in 1904 dominates the domestic stage. He becomes even more famous when Edward VII, the King of England, attends the performance of John Bull’s Other Island (1904), after which his drama spreads to European countries.

In addition, Shaw is also considered the best playwright in Britain at the time. He wants to use art to awaken people first to require changing the bourgeoisie order with all its institutions and customs. He emphasizes the educational function of the theater, but seeing the function of education is not an imposition from the playwright but arousing the aesthetic needs of the audience. The harsh problems of contemporary society such as the island’s predominant power, exploitative patterns, and the poverty of the people lead to social evils clearly reflected in his drama. His drama style tends to be satirical, sarcastic, finding its way to truth through paradoxes.

Shaw’s youngest dream is to earn a sum of money, then marry a wealthy wife. However, before becoming so wealthy that he can spend $ 35,000 on charity and enough money to travel around the world, he goes through many years of hardship. In the first nine years of his career, he receives only $30 USD in royalties. He is so poor that he does not even have the toll to get his manuscript to publishers. His clothes are tattered, his shoes open. All of his spending comes from his mother’s allowance. When he gets his name and remembers the miserable days, he often frowns, “I should have supported my family, the results are the opposite. I have never done anything for my family, and my mother has to work, raising me even though I was an adult.” Shaw, however, decides not to give up writing.

Realizing that, Shaw looks at the real royalties by publishing novels and the journey to the desired destination seems far away. He then turns to writing plays. He calculates that if the script is made public, the author will have revenue through the number of tickets issued and the number of shows. At the same time, the name of the author is also quickly known to the public. On the other hand, he says, only theater can “awaken people before the change of modern social order with all its institutions and customs.” He also judges that in addition to entertainment functions, the drama also contains the function of education, through arousing the aesthetic needs of the audience. He does not hesitate to bring to the stage all the most pressing issues of contemporary society such as the money’s inertia, the poverty of the people, and the social evils.

Saint Joan (1923) is judged to be the culmination of Shaw’s writing career. It is performed throughout European stages and is very popular. Two years after the release of Saint Joan, he is awarded the Nobel Prize for “the ideological and highly humanistic compositions, especially the spectacular satirical plays, combined with looks. Strange beauty of poetry.” When notified of his winning of the Nobel Prize, he humorously says, “The Nobel Prize for literature is like a float thrown to a swimmer.” Although he thinks he is the “swimmer to the shore,” he never leaves the pen. Thirteen years after receiving the Nobel Prize, Pygmalion, a script he wrote in 1912, is made into a film and receives the Academy Award for Best Adapted Screenplay.

In terms of scenario remuneration, Shaw receives an average of $100,000 a year, enough to spend on life, “reproduce” writing and traveling. It is only possible to marry a wealthy wife until the age of 40 years old. He always thinks that he “has no marriage status because he always worries others.” In terms of form, he is not very attractive because of his skinny body, but watching as the sisters do not allow him to carry out his intention to preserve his “absolute freedom.” Many beautiful female actors actively proclaim marriage proposal to Shaw, but he always uses humorous sentences to refuse.

Describing the George Bernard Shaw, Albert Einstein‘s physical genius after having met him has to say, “There are rare people who are so independent that they can see the weaknesses and absurdities of contemporaries. and at the same time do not let me get into it, but even so, when I encounter the hardships of life, these lonely people often lose their courage in helping humanity, with subtle humor and gentleness, can enthrall contemporaries and deserve to be torchbearers on the way of art’s unfavorable ways, today, with a passionate affection, I salute celebrate the biggest teacher on that path – the one who taught us and made us all feel happy.” It is a rare meeting of two great people in London in the fall of 1930.

(From: “November 18, 1926 – George Bernard Shaw refuses to receive a Nobel prize,” ScienceInfo.net, updated December 17, 2018)


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Death of Irish Playwright George Bernard Shaw

George Bernard Shaw, Irish playwright, critic, and polemicist, dies at the age of 94 on November 2, 1950, at Ayot St. Lawrence, Hertfordshire, England. His influence on Western theatre, culture, and politics extends from the 1880s to his death and beyond.

Shaw writes more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1912) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, he becomes the leading dramatist of his generation, and in 1925 is awarded the Nobel Prize in Literature.

Shaw is born on July 26, 1856, at 3 Upper Synge Street in Portobello, a lower-middle-class area of Dublin. The Shaw family is of English descent and belong to the dominant Protestant Ascendancy in Ireland. Between 1865 and 1871, Shaw attends four schools, all of which he hates. His experiences as a schoolboy leave him disillusioned with formal education. In October 1871 he leaves school to become a junior clerk in a Dublin firm of land agents, where he works hard and quickly rises to become head cashier. During this period, he is known as “George Shaw”; after 1876, he drops the “George” and styles himself “Bernard Shaw.”

Shaw moves to London in 1876, where he struggles to establish himself as a writer and novelist and embarks on a rigorous process of self-education. By the mid-1880s he has become a respected theatre and music critic. Following a political awakening, he joins the gradualist Fabian Society and becomes its most prominent pamphleteer. He has been writing plays for years before his first public success, Arms and the Man in 1894. Influenced by Henrik Ibsen, he seeks to introduce a new realism into English-language drama, using his plays as vehicles to disseminate his political, social, and religious ideas. By the early twentieth century his reputation as a dramatist is secured with a series of critical and popular successes that include Major Barbara, The Doctor’s Dilemma, and Caesar and Cleopatra.

Shaw’s expressed views are often contentious. He promotes eugenics and alphabet reform and opposes vaccination and organised religion. He courts unpopularity by denouncing both sides in World War I as equally culpable, and although not a republican, castigates British policy on Ireland in the postwar period. These stances have no lasting effect on his standing or productivity as a dramatist.

The inter-war years see a series of often ambitious plays, which achieve varying degrees of popular success. In 1938 Shaw provides the screenplay for a filmed version of Pygmalion for which he receives an Academy Award. His appetite for politics and controversy remains undiminished. By the late 1920s he has largely renounced Fabian gradualism and often writes and speaks favourably of dictatorships of the right and left — he expresses admiration for both Mussolini and Stalin. In the final decade of his life, he makes fewer public statements, but continues to write prolifically until shortly before his death, refusing all state honours including the Order of Merit in 1946.

During his later years, Shaw enjoys tending the gardens at Shaw’s Corner. He dies on November 2, 1950, at the age of 94 of renal failure precipitated by injuries incurred when falling while pruning a tree. His body is cremated at Golders Green Crematorium on November 6, 1950. His ashes, mixed with those of his wife Charlotte, are scattered along footpaths and around the statue of Saint Joan in their garden.

Since Shaw’s death scholarly and critical opinion has varied about his works, but he has regularly been rated as second only to Shakespeare among English-language dramatists. Analysts recognise his extensive influence on generations of playwrights. The word “Shavian” has entered the language as encapsulating Shaw’s ideas and his means of expressing them.


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Birth of Poet John Harold Hewitt

john-harold-hewitt

Poet John Harold Hewitt is born in Belfast on October 28, 1907. He is the most significant Belfast poet to emerge prior to the 1960s generation of Northern Irish poets that includes Seamus Heaney, Derek Mahon and Michael Longley.

After attending Agnes Street National School, Hewitt attends the Royal Belfast Academical Institution from 1919 to 1920 before moving to Methodist College Belfast, where he is a keen cricketer. In 1924, he starts an English degree at Queen’s University Belfast, obtaining a BA in 1930, which he follows by obtaining a teaching qualification from Stranmillis College, Belfast.

From November 1930 to 1957, Hewitt holds positions in the Belfast Museum & Art Gallery. His radical socialist ideals prove unacceptable to the Belfast Unionist establishment and he is passed over for promotion in 1953. Instead in 1957 he moves to Coventry, a city still rebuilding following its devastation during World War II. He is appointed Director of the Herbert Art Gallery & Museum where he works until retirement in 1972.

Hewitt is appointed the first writer-in-residence at Queen’s University Belfast in 1976. His collections includes The Day of the Corncrake (1969) and Out of My Time: Poems 1969 to 1974 (1974). He is also made a Freeman of the City of Belfast in 1983, and is awarded honorary doctorates at the University of Ulster and Queen’s University Belfast.

Hewitt has an active political life, describing himself as “a man of the left,” and is involved in the British Labour Party, the Fabian Society and the Belfast Peace League. He is attracted to the Ulster dissenting tradition and is drawn to a concept of regional identity within the island of Ireland, describing his identity as Ulster, Irish, British and European. He officially opens the Belfast Unemployed Resource Centre (BURC) Offices on May Day 1985.

John Hewitt dies in Belfast on June 22, 1987. His life and work are celebrated in two prominent ways – the annual John Hewitt International Summer School and, less conventionally, the John Hewitt Bar and Restaurant, a Belfast pub is named after him. The bar is named after him as he officially opens the Belfast Unemployed Resource Centre, which owns the establishment. It is a popular meeting place for local writers, musicians, journalists, students and artists. Both the Belfast Festival at Queen’s and the Belfast Film Festival use the venue to stage events.


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Bloody Sunday 1887 in London

Bloody Sunday takes place in London on November 13, 1887, when a march against unemployment and coercion in Ireland, as well as demanding the release of Member of Parliament (MP) William O’Brien, is attacked by the Metropolitan Police Service and the British Army. The demonstration is organised by the Social Democratic Federation (SDF) and the Irish National League. Violent clashes take place between the police and demonstrators, many “armed with iron bars, knives, pokers and gas pipes.” A contemporary report notes that 400 are arrested and 75 persons are badly injured, including many police, two policemen being stabbed, and one protester bayonetted.

William Ewart Gladstone‘s espousal of the cause of Irish home rule has split the Liberal Party and makes it easy for the Conservatives to gain a majority in the House of Commons of the United Kingdom. The period from 1885 to 1906 is one of Tory dominance, with short intermissions. Coercion Acts are the answer of British governments perturbed by rural unrest in Ireland, and they involve various degrees of suspension of civil rights. Although one purpose of the November 13 demonstration is to protest about the handling of the Irish situation by the Conservative government of Robert Arthur Talbot Gascoyne-Cecil, 3rd Marquess of Salisbury, it has a much wider context.

The Long Depression, starting in 1873 and lasting almost to the end of the century, creates difficult social conditions in Britain, similar to the economic problems that drive rural agitation in Ireland. Falling food prices create rural unemployment, which results in both emigration and internal migration. Workers move to the towns and cities in thousands, eroding employment, wages and working conditions. By November 1887, unemployed workers’ demonstrations from the East End of London have been building up for more than two years. There have already been clashes with the police and with the members of upper-class clubs. Trafalgar Square is seen symbolically as the point at which the working-class East End meets the upper-class West End of London, a focus of class conflict and an obvious flashpoint.

This attracts the attention of the small but growing socialist movement – the Marxists of both the Social Democratic Federation and Socialist League, and the reformist socialists of the Fabian Society. Police and government attempt to suppress or divert the demonstrations also bring in the radical wing of the Liberal Party and free speech activists from the National Secular Society.

Some 30,000 persons encircle Trafalgar Square as at least 10,000 protesters march in from several different directions, led by Elizabeth Reynolds, John Burns, William Morris, Annie Besant and Robert Bontine Cunninghame Graham, who are primarily leaders of the Social Democratic Federation. Also marching are the Fabian playwright George Bernard Shaw and Charlotte Wilson. Two thousand police and 400 troops are deployed to halt the demonstration. Burns and Cunninghame Graham are arrested and imprisoned for six weeks. Annie Besant, who is a Marxist, Fabian and secularist, speaks at the rally and offers herself for arrest, but the police decline to do so. Of the 400 arrested, 50 are detained in custody.

In the fighting, many rioters are injured by police truncheons and under the hooves of police horses. There are both infantry and cavalry present. Although the infantry is marched into position with bayonets fixed, they are not ordered to open fire and the cavalry are not ordered to draw their swords.

The following Sunday, November 20, sees another demonstration and more casualties. According to a report in the partisan Socialist Review, among them is a young clerk named Alfred Linnell, who is run down by a police horse, dying in hospital a fortnight later from complications of a shattered thigh.

The funeral of Linnell on December 18 provides another focus for the unemployed and Irish movements. William Morris, leader of the Socialist League, gives the main speech and advocates a holy war to prevent London from being turned into a huge prison. A smaller but similar event marks the burial of another of those killed, W. B. Curner, which takes place in January. The release of those imprisoned is celebrated on February 20, 1888, with a large public meeting. Henry Hyndman, leader of the SDF, violently denounces the Liberal Party and the Radicals who are present.

(Pictured: Bloody Sunday, 1887. This engraving from The Illustrated London News depicts a policeman being clubbed by a demonstrator as he wrests a banner from a female protester.)


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George Bernard Shaw Wins the Nobel Prize in Literature

George Bernard Shaw, Irish playwright, critic and polemicist, wins the Nobel Prize in Literature on November 11, 1925. Born in Dublin on July 26, 1856, Shaw is the only person to receive both a Nobel Prize in Literature and an Oscar (1938), for his work on the film Pygmalion, the adaptation of his play of the same name.

Shaw’s influence on Western theatre, culture and politics extends from the 1880s to his death and beyond. He writes more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1912) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw becomes the leading dramatist of his generation, culminating in 1925 with his awarding of the Nobel Prize in Literature.

Shaw moves to London in 1876, where he struggles to establish himself as a writer and novelist and embarks on a rigorous process of self-education. By the mid-1880s he has become a respected theatre and music critic. Following a political awakening, he joins the gradualist Fabian Society and becomes its most prominent pamphleteer. He has been writing plays for years before his first public success, Arms and the Man, in 1894. Influenced by Henrik Ibsen, he seeks to introduce a new realism into English-language drama, using his plays as vehicles to disseminate his political, social and religious ideas. By the early twentieth century his reputation as a dramatist is secured with a series of critical and popular successes that included Major Barbara, The Doctor’s Dilemma and Caesar and Cleopatra.

Shaw’s expressed views are often contentious. He promotes eugenics and alphabet reform and opposes vaccination and organised religion. He courts unpopularity by denouncing both sides in World War I as equally culpable, and although not a republican, castigates British policy on Ireland in the postwar period. These stances have no lasting effect on his standing or productivity as a dramatist. The inter-war years see a series of often ambitious plays, which achieve varying degrees of popular success. In 1938 he provides the screenplay for a filmed version of Pygmalion for which he receives an Academy Award.

Shaw’s appetite for politics and controversy remains undiminished. By the late 1920s he has largely renounced Fabian gradualism and often writes and speaks favourably of dictatorships of the right and left. He expresses admiration for both Benito Mussolini and Joseph Stalin. In the final decade of his life, he makes fewer public statements, but continues to write prolifically until shortly before his death on November 2, 1950, refusing all state honours including the Order of Merit in 1946.

Since Shaw’s death scholarly and critical opinion has varied about his works, but he has regularly been rated as second only to William Shakespeare among British dramatists. Analysts recognise his extensive influence on generations of English-language playwrights. The word “Shavian” has entered the language as encapsulating Shaw’s ideas and his means of expressing them.


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Birth of Playwright George Bernard Shaw

george-bernard-shaw

George Bernard Shaw, Irish playwright, critic, and polemicist, is born on July 26, 1856, at 3 Upper Synge Street in Portobello, a lower-middle-class area of Dublin. Shaw’s influence on Western theatre, culture, and politics extends from the 1880s to his death and beyond.

Shaw writes more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1912) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw becomes the leading dramatist of his generation, and in 1925 is awarded the Nobel Prize in Literature.

Shaw moves to London in 1876, where he struggles to establish himself as a writer and novelist and embarks on a rigorous process of self-education. By the mid-1880s he has become a respected theatre and music critic. Following a political awakening, he joins the gradualist Fabian Society and becomes its most prominent pamphleteer. Shaw has been writing plays for years before his first public success, Arms and the Man in 1894. Influenced by Henrik Ibsen, he seeks to introduce a new realism into English-language drama, using his plays as vehicles to disseminate his political, social, and religious ideas. By the early twentieth century his reputation as a dramatist is secured with a series of critical and popular successes that include Major Barbara, The Doctor’s Dilemma, and Caesar and Cleopatra.

Shaw’s expressed views are often contentious. He promotes eugenics and alphabet reform and opposes vaccination and organised religion. He courts unpopularity by denouncing both sides in World War I as equally culpable, and although not a republican, castigates British policy on Ireland in the postwar period. These stances have no lasting effect on his standing or productivity as a dramatist.

The inter-war years see a series of often ambitious plays, which achieve varying degrees of popular success. In 1938 he provides the screenplay for a filmed version of Pygmalion for which he receives an Academy Award. His appetite for politics and controversy remains undiminished. By the late 1920s he has largely renounced Fabian gradualism and often writes and speaks favourably of dictatorships of the right and left — he expresses admiration for both Mussolini and Stalin. In the final decade of his life, he makes fewer public statements but continues to write prolifically until shortly before his death, refusing all state honours including the Order of Merit in 1946.

During his later years, Shaw enjoys tending the gardens at Shaw’s Corner. He dies on November 2, 1950, at the age of 94 of renal failure precipitated by injuries incurred when falling while pruning a tree. His body is cremated at Golders Green Crematorium on November 6, 1950. His ashes, mixed with those of his wife Charlotte, are scattered along footpaths and around the statue of Saint Joan in their garden.

Since Shaw’s death scholarly and critical opinion has varied about his works, but he has regularly been rated as second only to Shakespeare among English-language dramatists. Analysts recognise his extensive influence on generations of playwrights. The word “Shavian” has entered the language as encapsulating Shaw’s ideas and his means of expressing them.