The third Irish Race Convention is held in New York City on March 4, 1916, and serves as an immediate call for the Easter Rebellion in Dublin. Previous conventions were held in Chicago (1881) and Dublin (1896). The Irish Race Conventions are a disconnected series of conventions held in Europe and the Americas between 1881 and 1994. The main participants and financial supporters of the conventions are usually Irish Americans.
The 1916 convention, comprising 2,300 delegates at the Hotel Astor, is held six weeks before the Easter Rising, and considers the division between the home Rule parties and the more militant nationalists. The Rising would be supported by Clan na Gael, but other members remain hopeful that the 1914 Home Rule Act, which had been passed but suspended during World War I, might work.
A majority at the convention support the American policy of neutrality during the war and are opposed to any alliance with Britain. Woodrow Wilson wins the United States presidential election in 1916 with help from Irish Americans and his campaign slogan of “He kept us out of War.”
An important result is the formation of the “Friends of Irish Freedom” that work as a coordinating body to support “the independence of Ireland, the industrial development of Ireland, the use and sale of Irish products, and to revive Irish culture.”
(Pictured: Hotel Astor, located in the Times Square area of Manhattan, New York City. The hotel was demolished in 1967 and replaced with the 54-story high-rise office tower One Astor Plaza.)
Hill is born at Southampton, Hampshire, on December 6, 1916, the son of a wealthy sugar trader. He first works as a theatre designer in Leningrad in the 1930s and later as an historian. In World War II he registers as a conscientious objector and works on a farm.
Hill’s long association with Ireland begins when he visits Glenveagh Castle in County Donegal to paint the portrait of the Irish American art collector Henry McIlhenny, whose grandfather had emigrated to the United States from the nearby village of Milford, and who subsequently made a fortune from his patent gas meter.
Hill begins to enjoy increased success as a portrait painter from the 1960s. His subjects include many notable composers, musicians, politicians and statesmen, such as broadcaster Gay Byrne, Jerusalem mayor Teddy Kollek and The Prince of Wales. He is also an enthusiastic art collector and traveller, with a wide range of friends such as Bryan Guinness and Isaiah Berlin. Greta Garbo visits Hill in the 1970s, a visit which forms inspiration for Frank McGuinness‘ 2010 play Greta Garbo Came to Donegal.
An exhibition of his work and personal art collection can be seen at the House and associated Glebe Gallery at Churchill, near Letterkenny. Another collection of his work is held at Mottisfont Abbey. Many of his landscapes portray scenes from Tory Island, where he has a painting hut for years, and starts and then mentors the artists’ community there, teaching the local fishermen how to paint. This leads to the informal but busy “Tory School” of artists such as James Dixon and Anton Meenan, who find that they have the time to paint and use their wild surroundings as a dramatic subject.
Hill is made a CBE in 1997. A Retrospective exhibition is arranged for and by him at the Royal Hibernian Academy (RHA) in 1998. On January 13, 1999, he is made an honorary Irish citizen by the President of Ireland Mary McAleese.
Arthur Derek Hill dies at the age of 83 at a London hospital on July 30, 2000. He is buried in Hampshire in the South of England with his parents. Memorial services are held for him in Dublin at St. Patrick’s Cathedral, as well as St. James’s Church, Piccadilly, London, and his local Church in Trentagh, County Donegal.
Quarry is born on May 15, 1945, in Bakersfield, California and first puts on a pair of boxing gloves when he is three years old. By the time he is eight, he has won the Junior Golden Gloves at the 45 lb. class. He continues to fight as an amateur until 1964 when he culminates a great amateur career by winning the National Golden Gloves Heavyweight Championship and is the tournament’s most outstanding fighter. He sets a record that is still standing today. He wins the title by knocking out all five opponents over a three-day span.
Under the watchful eyes of his co-managers, his dad and veteran fight manager Johnnie Flores, Quarry turns professional in May 1965. He runs off twelve wins in a row before running into Tony Doyle and is held to his first draw. He also has two draws with Tony Alongi. His first loss comes in his 21st pro bout, against the tough veteran Eddie Machen. His loss is attributed to poor conditioning and at the time Jerry promises that poor conditioning will never cost him another bout. He defeats Joey Orbillo, Alex Miteff, Billy Daniels, Floyd Patterson, Buster Mathis, Brian London, Jack Bodell, Mac Foster, Ron Lyle, and Thad Spencer just to name a few.
Boxing Illustrated names Quarry the most popular professional boxer in the world in 1968, 1969 and in 1970 is tied with Muhammad Ali to share the honor. He fights Muhammad Ali in what is billed as the return of the champ. Quarry gets cut early in the fight and receives eighteen stitches as a result of the loss.
Quarry comes along in a boxing era that many consider to be the best of all time. In the middle 1970’s he manages himself and is trained by Gil Clancy. He continues to fight on occasion until 1992. His record over his 28-year career is 53-9-4 with 32 knockouts. He is inducted into the World Boxing Hall of Fame in 1995.
Within a few years of his final bout, Quarry is diagnosed with dementia and is soon unable to feed or dress himself and has to be cared for by relatives, primarily his brother James, the only one of the four Quarry brothers not to box professionally. He is hospitalized with pneumonia on December 28, 1998, and then suffers cardiac arrest. He never regains consciousness and dies on January 3, 1999. He is interred at Shafter Cemetery in Shafter, California. A foundation is established in his honor to battle boxing-related dementia, a condition that has afflicted many boxers and brought Quarry’s life to an early end.
The American Committee for Relief in Ireland (ACRI) is founded through the initiative of Dr. William J. Maloney and others on December 16, 1920, with the intention of giving financial assistance to civilians in Ireland who have been injured or suffer severe financial hardship due to the ongoing Irish War of Independence.
The Committee is only one of several U.S. based philanthropic organisations that emerge following World War I with a view to influencing the post-war settlement from their perspective of social justice, economic development and long term stability in Europe. Some of them concentrate their efforts on events in Ireland, and while activists of Irish ethnicity are well represented, membership is far from confined to Americans of Irish heritage. Apart from the ACRI, bodies such as the American Commission on Irish Independence and the American Commission on Conditions in Ireland raise money and attempt to influence U.S. foreign policy in a manner sympathetic to the goal of Irish secession from the United Kingdom.
This period of Irish political radicalism coincides with a Red Scare in the United States. Jim Larkin, an Irish trade unionist, who has been closely associated with James Connolly in Ireland and with the Wobblies in the U.S., is serving a five-year sentence in Sing Sing prison for promoting his socialist agenda. While his political views differ fundamentally from most of the Sinn Féin leadership, Irish republicanism is seen by many of the American establishment as based on a questionable ideology. During the Irish War of Independence, the activities of Irish-American fund-raising organisations are viewed with suspicion and kept under close scrutiny by the intelligence services including J. Edgar Hoover, head of the General Intelligence Division of the Federal Bureau of Investigation. U.S. policy towards Irish concerns, initially hostile or at best indifferent, become somewhat less so following the 1920 U.S. presidential election and the landslide victory of Warren G. Harding over James M. Cox.
Following the burning of parts of Cork on December 11, 1920 by elements of the British security forces known as the Black and Tans, approaches are made by the city’s Lord Mayor, Donal O’Callaghan, to the American Red Cross for humanitarian assistance. The society, having taken advice from President Woodrow Wilson, the British embassy, the Foreign Office and the British Red Cross, decline at this time to act on his appeal. Numerous organisations and committees across the United States, operating independently in raising humanitarian aid money for Ireland realise that their funds will not be channelled through the U.S. Committee of the Red Cross and so another distribution channel is needed.
Five days after the inferno at Cork, a widely publicised meeting takes place at the Banker’s Club in New York City. It is organised by William Maloney with the intention of establishing a single nationwide organisation. It will have as its goal, explicitly and solely for the purpose of humanitarian relief, the raising and distribution in Ireland of $10 million. The body which soon emerges styles itself “The American Committee for Relief in Ireland.” One of its founding members, Levi Hollingsworth Wood, approaches a Dublin-based businessman and fellow Quaker, James Douglas, requesting his assistance in the local distribution of the funds on a non-partisan basis. In Ireland, Douglas speaks with Laurence O’Neill, the Lord Mayor of Dublin, who in turn contacts senior members of Sinn Féin to inform them of the wishes of the American Committee. These meetings culminate in the establishment of the Irish White Cross, for the purpose of local distribution of the Committee’s funds.
Collins makes the decision to become an astronaut after watching John Glenn‘s Mercury-Atlas 6 flight. He applies for the second group of astronauts that same year but is not accepted. Disappointed, but undaunted, Collins enters the USAF Aerospace Research Pilot School as the Air Force begins to research space. That year, NASA once again calls for astronaut applications, and Collins is more prepared than ever. In 1963 he is chosen by NASA to be part of the third group of astronauts.
Collins makes two spaceflights. The first, on July 18, 1966, is the Gemini 10 mission, where Collins performs a spacewalk. The second is the Apollo 11 mission on July 20, 1969, the first lunar landing in history. Collins, accompanied by Neil Armstrong and Edwin “Buzz” Aldrin, remains in the Command Module while his partners walk on the moon’s surface. Collins continues circling the moon until July 21, when Armstrong and Aldrin rejoin him. The next day, he and his fellow astronauts leave lunar orbit. They land in the Pacific Ocean on July 24. Collins, Armstrong and Aldrin are all awarded the Presidential Medal of Freedom by Richard Nixon. However, Aldrin and Armstrong end up receiving a majority of the public credit for the historic event, although Collins is also on the flight.
Collins leaves NASA in January 1970, and one year later, he joins the administrative staff of the Smithsonian Institution in Washington, D.C. In 1980, he enters the private sector, working as an aerospace consultant. In his spare time, Collins says he stays active and spends his days “worrying about the stock market” and “searching for a really good bottle of cabernet under ten dollars.”
Collins and his wife, Patricia Finnegan, have three children. The couple lived in both Marco Island, Florida, and Avon, North Carolina until her death in April 2014.
On April 28, 2021, Collins dies of cancer at his home in Naples, Florida, at the age of 90. Buzz Aldrin, who becomes the last survivor of Apollo 11, says that “wherever [Collins has] been or will be, you will always have the Fire to Carry us deftly to new heights and the future.”
Hoban is an Irish Catholic raised on an estate belonging to the Earl of Desart in Cuffesgrange, near Callan, County Kilkenny. He works there as a wheelwright and carpenter until his early twenties, when he is given an “advanced student” place in the Dublin Society‘s Drawing School on Lower Grafton Street. He studies under Thomas Ivory. He excels in his studies and receives the prestigious Duke of Leinster‘s medal from the Dublin Society for drawings of “Brackets, Stairs, and Roofs” in 1780. Later, Hoban finds a position as an apprentice to Ivory, from 1779 to 1785.
Hoban is in South Carolina by April 1787, where he designs numerous buildings including the Charleston County Courthouse. President George Washington admires Hoban’s work on his Southern Tour and summons the architect to Philadelphia, the temporary national capital, in June 1792.
In July 1792, Hoban is named winner of the design competition for the White House. His initial design seems to have had a 3-story facade, nine bays across, much like the Charleston courthouse. Under Washington’s influence, Hoban amends this to a 2-story facade, eleven bays across, and, at Washington’s insistence, the whole presidential mansion is faced with stone. It is unclear whether any of Hoban’s surviving drawings are actually from the competition.
In 1800, President John Adams becomes the first president to reside in the executive mansion, which soon becomes known as the “White House” because its white-gray Virginiafreestone contrasts strikingly with the red brick of nearby buildings.
Parnell is the eighth child out of eleven and fourth daughter born to John Henry Parnell, a landowner and the grandson of the last Chancellor of the Exchequer of Ireland, and Delia Tudor Stewart Parnell, an Irish American and the daughter of Admiral Charles Stewart (1778–1869) of the United States Navy. Her mother hates British rule in Ireland, a view presented through her children’s works. She is an intelligent girl and before she is through her teen years, she has studied mathematics, chemistry, and astronomy, and she can speak and write fluently in almost all the major European languages. She also has talents in music and painting and drawing in oil and water colours. Her parents separate when she is young. Soon afterwards, in July 1859, her father dies at the age of forty-eight and she and her mother move to Dalkey. A year later they move to Dublin, and in 1865 they move to Paris where Fanny studies art and writes poetry. In 1874 they move to Bordentown, New Jersey in the United States.
Parnell is known as the Patriot Poet. She shows interest in Irish politics and much of her poetry is about Irish nationalism. While she is living in Dublin in 1864, she begins publishing her poetry under the pseudonym “Aleria” in The Irish People, the newspaper of the Fenian Brotherhood. Most of her later work is published in The Pilot in Boston, the best-known Irish newspaper in America during the nineteenth century. Two of her most widely published works are The Hovels of Ireland, a pamphlet, and Land League Songs, a collection of poems. Her best-known poem is “Hold the Harvest,” which Michael Davitt refers to as the “Marseillaise of the Irish peasant.”
Parnell’s brother, Charles, becomes active in the Irish National Land League, an organisation that fights for poor tenant farmers, in 1879 and she strongly supports him. She and her younger sister, Anna Parnell (1852–1911), co-found the Ladies’ Land League in 1880 to raise money in America for the Land League. In 1881 the Ladies’ Land League continues the work of the men in the Land League while they are being imprisoned by the British government. In Ireland Anna becomes the president of the Ladies’ Land League, and the women hold many protests and quickly become more radical than the men, to the resentment of the male leaders. Fanny stays in America and works to raise money for the organisation. Most of the Land League’s financial support comes from America because of the campaigning done by Fanny Parnell.
At the age of 21, he makes his stage debut in a Cincinnati production of Dion Boucicault‘s The Colleen Bawn (1867). Also in 1867, he has a minor part in Edwin Forrest‘s production of Virginius, and then joins a travelling repertory company. By the age of 24 he has already established a reputation among theater managers as a box-office draw, particularly with the ladies. But he is also working doggedly at his craft, ridding himself of all vestiges of brogue and learning to pitch his voice resonantly. He is considered a promising actor, quickly working his way up the ranks to become a matinée idol.
On June 14, 1877, while in New York City, O’Neill marries Mary Ellen Quinlan, daughter of Thomas and Bridget Quinlan. In the fall of 1877, three months after his marriage, a woman by the name of Nettie Walsh sues O’Neill, claiming that he had married her five years earlier, when she was only 15, and that he is the father of her three-year-old son. Nettie Walsh loses her case and the publicity, although it wounds his bride, enhances his reputation as a romantic leading man.
As early as 1875, while a stock star at Hooley’s Theatre in Chicago, O’Neill plays the title role in a stage adaptation of Alexandre Dumas‘ The Count of Monte Cristo. In early 1883 he takes over the lead role in Monte Cristo at Booth’s Theater in New York, after Charles R. Towne dies suddenly in the wings after his first performance. O’Neill’s interpretation of the part caused a sensation with the theater-going public.
O’Neill soon tires of the Count and his lines come out by rote and his performances become lackadaisical. Monte Cristo remains a popular favorite, so he continues the role on tour as regular as clockwork. He goes on to play this role over 6,000 times.
Healy is born into slavery in 1834 in Macon, Georgia, the third son of Irish American plantation owner Michael Healy and his African American slave Mary Eliza, who is the multiracial daughter of a black slave and white slaveowner. The law establishes during colonial slavery in the United States that children are to take the legal status of the mother. By the principle of partus sequitur ventrum, Patrick and his siblings are legally considered slaves in Georgia, although their father is free, and they are three-quarters or more European in ancestry.
Discriminatory laws in Georgia prohibit the education of slaves and require legislative approval for each act of manumission, making these essentially impossible to gain. Michael Healy arranges for all his children to leave Georgia and move to the North to obtain their educations and have opportunities in their lives. They are raised as Irish Catholics. Patrick’s brothers and sisters are nearly all educated in Catholic schools and colleges. Many achieve notable firsts for Americans of mixed-race ancestry during the second half of the 19th century, and the Healy family of Georgia is remarkably successful.
Healy sends his older sons first to a Quaker school in Flushing, New York. Despite the Quakers’ emphasis on equality, Patrick encounters some discrimination during his grade school years, chiefly because his father is a slaveholder, which by the late antebellum years the Quakers consider unforgivable. Patrick also meets resistance in the school as an Irish Catholic. When Michael Healy hears of a new Jesuit college, the College of the Holy Cross in Worcester, Massachusetts, he sends his four oldest sons, including Patrick, to study there in 1844. They are joined at Holy Cross by their younger brother Michael in 1849.
Following Patrick’s graduation in 1850, he enters the Jesuit order, the first African American to do so, and continues his studies. The order sends him to Europe to study in 1858. His mixed-race ancestry has become an issue in the United States, where tensions are rising over slavery. He attends the Catholic University of Leuven in Belgium, earning his doctorate, becoming the first American of openly acknowledged part-African descent to do so. During this period, he is also ordained to the priesthood on September 3, 1864.
In 1866 Healy returns to the United States and teaches philosophy at Georgetown University in Washington, D.C. On July 31, 1874, he is selected as the school’s twenty-ninth president. He is the first college president in the United States of African American ancestry. At the time, he identifies as Irish Catholic and is accepted as such.
Patrick Healy’s influence on Georgetown is so far-reaching that he is often referred to as the school’s “second founder,” following Archbishop John Carroll. Healy helps transform the small nineteenth-century college into a major university for the twentieth century, likely influenced by his European education.
He modernizes the curriculum by requiring courses in the sciences, particularly chemistry and physics. He expands and upgrades the schools of law and medicine. The most visible result of Healy’s presidency is the construction of the university’s flagship building designed by Paul J. Pelz, begun in 1877 and first used in 1881. The building is named in his honor as Healy Hall.
Healy leaves the College in 1882 and travels extensively through the United States and Europe, often in the company of his brother James, a bishop in Maine. In 1908 he returns to the campus infirmary, where he dies on January 10, 1910. He is buried on the grounds of the university in the Jesuit cemetery.
Murphy is the son of James Murphy, a railway employee, and Margaret Sheehan of Little Island, County Cork. He attends Saint Patrick’s School on Gardiner’s Hill. In 1921 he enrolls as a part-time student at the Crawford School of Art, Emmet Place, Cork. In 1922 he finds work as an apprentice stone-carver at John Aloysius O’Connell’s Art Marble Works, Watercourse Road, Blackpool. There he specialises in architectural and foliage carving while continuing his studies at Crawford by night.
He is elected associate of the Royal Hibernian Academy (RHA) in 1944, elected a full member in 1954, and appointed Royal Hibernian Academy Professor of Sculpture in 1964.
Also in 1944, he married Maighread Higgins, daughter of the Cork sculptor Joseph Higgins, and they go on to have three children – the knitwear designer Bebhinn Marten, the novelist Orla Murphy and the painter and De Dannan member Colm Murphy.
Murphy designs the Church of the Annunciation on Great William O’Brien Street in Blackpool, Cork, for William Dwyer in 1945. The stonework in the church is mostly by Murphy himself. It is officially dedicated on October 7, 1945.
Seamus Murphy dies in Cork on October 2, 1975. He is buried in Rathcooney, County Cork.
Examples of Murphy’s unique carvings of statues, gravestones, monuments and plaques can be seen around Cork and Ireland, including a signed panel of the four evangelists outside the entrance of the church of Our Lady and Saint John in Carrigaline, County Cork.
seamus dubhghaill 