Hoban is an Irish Catholic raised on an estate belonging to the Earl of Desart in Cuffesgrange, near Callan, County Kilkenny. He works there as a wheelwright and carpenter until his early twenties, when he is given an “advanced student” place in the Dublin Society‘s Drawing School on Lower Grafton Street. He studies under Thomas Ivory. He excels in his studies and receives the prestigious Duke of Leinster‘s medal from the Dublin Society for drawings of “Brackets, Stairs, and Roofs” in 1780. Later, Hoban finds a position as an apprentice to Ivory, from 1779 to 1785.
Hoban is in South Carolina by April 1787, where he designs numerous buildings including the Charleston County Courthouse. President George Washington admires Hoban’s work on his Southern Tour and summons the architect to Philadelphia, the temporary national capital, in June 1792.
In July 1792, Hoban is named winner of the design competition for the White House. His initial design seems to have had a 3-story facade, nine bays across, much like the Charleston courthouse. Under Washington’s influence, Hoban amends this to a 2-story facade, eleven bays across, and, at Washington’s insistence, the whole presidential mansion is faced with stone. It is unclear whether any of Hoban’s surviving drawings are actually from the competition.
In 1800, President John Adams becomes the first president to reside in the executive mansion, which soon becomes known as the “White House” because its white-gray Virginiafreestone contrasts strikingly with the red brick of nearby buildings.
Parnell is the eighth child out of eleven and fourth daughter born to John Henry Parnell, a landowner and the grandson of the last Chancellor of the Exchequer of Ireland, and Delia Tudor Stewart Parnell, an Irish American and the daughter of Admiral Charles Stewart (1778–1869) of the United States Navy. Her mother hates British rule in Ireland, a view presented through her children’s works. She is an intelligent girl and before she is through her teen years, she has studied mathematics, chemistry, and astronomy, and she can speak and write fluently in almost all the major European languages. She also has talents in music and painting and drawing in oil and water colours. Her parents separate when she is young. Soon afterwards, in July 1859, her father dies at the age of forty-eight and she and her mother move to Dalkey. A year later they move to Dublin, and in 1865 they move to Paris where Fanny studies art and writes poetry. In 1874 they move to Bordentown, New Jersey in the United States.
Parnell is known as the Patriot Poet. She shows interest in Irish politics and much of her poetry is about Irish nationalism. While she is living in Dublin in 1864, she begins publishing her poetry under the pseudonym “Aleria” in The Irish People, the newspaper of the Fenian Brotherhood. Most of her later work is published in The Pilot in Boston, the best-known Irish newspaper in America during the nineteenth century. Two of her most widely published works are The Hovels of Ireland, a pamphlet, and Land League Songs, a collection of poems. Her best-known poem is “Hold the Harvest,” which Michael Davitt refers to as the “Marseillaise of the Irish peasant.”
Parnell’s brother, Charles, becomes active in the Irish National Land League, an organisation that fights for poor tenant farmers, in 1879 and she strongly supports him. She and her younger sister, Anna Parnell (1852–1911), co-found the Ladies’ Land League in 1880 to raise money in America for the Land League. In 1881 the Ladies’ Land League continues the work of the men in the Land League while they are being imprisoned by the British government. In Ireland Anna becomes the president of the Ladies’ Land League, and the women hold many protests and quickly become more radical than the men, to the resentment of the male leaders. Fanny stays in America and works to raise money for the organisation. Most of the Land League’s financial support comes from America because of the campaigning done by Fanny Parnell.
At the age of 21, he makes his stage debut in a Cincinnati production of Dion Boucicault‘s The Colleen Bawn (1867). Also in 1867, he has a minor part in Edwin Forrest‘s production of Virginius, and then joins a travelling repertory company. By the age of 24 he has already established a reputation among theater managers as a box-office draw, particularly with the ladies. But he is also working doggedly at his craft, ridding himself of all vestiges of brogue and learning to pitch his voice resonantly. He is considered a promising actor, quickly working his way up the ranks to become a matinée idol.
On June 14, 1877, while in New York City, O’Neill marries Mary Ellen Quinlan, daughter of Thomas and Bridget Quinlan. In the fall of 1877, three months after his marriage, a woman by the name of Nettie Walsh sues O’Neill, claiming that he had married her five years earlier, when she was only 15, and that he is the father of her three-year-old son. Nettie Walsh loses her case and the publicity, although it wounds his bride, enhances his reputation as a romantic leading man.
As early as 1875, while a stock star at Hooley’s Theatre in Chicago, O’Neill plays the title role in a stage adaptation of Alexandre Dumas‘ The Count of Monte Cristo. In early 1883 he takes over the lead role in Monte Cristo at Booth’s Theater in New York, after Charles R. Towne dies suddenly in the wings after his first performance. O’Neill’s interpretation of the part caused a sensation with the theater-going public.
O’Neill soon tires of the Count and his lines come out by rote and his performances become lackadaisical. Monte Cristo remains a popular favorite, so he continues the role on tour as regular as clockwork. He goes on to play this role over 6,000 times.
Healy is born into slavery in 1834 in Macon, Georgia, the third son of Irish American plantation owner Michael Healy and his African American slave Mary Eliza, who is the multiracial daughter of a black slave and white slaveowner. The law establishes during colonial slavery in the United States that children are to take the legal status of the mother. By the principle of partus sequitur ventrum, Patrick and his siblings are legally considered slaves in Georgia, although their father is free, and they are three-quarters or more European in ancestry.
Discriminatory laws in Georgia prohibit the education of slaves and require legislative approval for each act of manumission, making these essentially impossible to gain. Michael Healy arranges for all his children to leave Georgia and move to the North to obtain their educations and have opportunities in their lives. They are raised as Irish Catholics. Patrick’s brothers and sisters are nearly all educated in Catholic schools and colleges. Many achieve notable firsts for Americans of mixed-race ancestry during the second half of the 19th century, and the Healy family of Georgia is remarkably successful.
Healy sends his older sons first to a Quaker school in Flushing, New York. Despite the Quakers’ emphasis on equality, Patrick encounters some discrimination during his grade school years, chiefly because his father is a slaveholder, which by the late antebellum years the Quakers consider unforgivable. Patrick also meets resistance in the school as an Irish Catholic. When Michael Healy hears of a new Jesuit college, the College of the Holy Cross in Worcester, Massachusetts, he sends his four oldest sons, including Patrick, to study there in 1844. They are joined at Holy Cross by their younger brother Michael in 1849.
Following Patrick’s graduation in 1850, he enters the Jesuit order, the first African American to do so, and continues his studies. The order sends him to Europe to study in 1858. His mixed-race ancestry has become an issue in the United States, where tensions are rising over slavery. He attends the Catholic University of Leuven in Belgium, earning his doctorate, becoming the first American of openly acknowledged part-African descent to do so. During this period, he is also ordained to the priesthood on September 3, 1864.
In 1866 Healy returns to the United States and teaches philosophy at Georgetown University in Washington, D.C. On July 31, 1874, he is selected as the school’s twenty-ninth president. He is the first college president in the United States of African American ancestry. At the time, he identifies as Irish Catholic and is accepted as such.
Patrick Healy’s influence on Georgetown is so far-reaching that he is often referred to as the school’s “second founder,” following Archbishop John Carroll. Healy helps transform the small nineteenth-century college into a major university for the twentieth century, likely influenced by his European education.
He modernizes the curriculum by requiring courses in the sciences, particularly chemistry and physics. He expands and upgrades the schools of law and medicine. The most visible result of Healy’s presidency is the construction of the university’s flagship building designed by Paul J. Pelz, begun in 1877 and first used in 1881. The building is named in his honor as Healy Hall.
Healy leaves the College in 1882 and travels extensively through the United States and Europe, often in the company of his brother James, a bishop in Maine. In 1908 he returns to the campus infirmary, where he dies on January 10, 1910. He is buried on the grounds of the university in the Jesuit cemetery.
Murphy is the son of James Murphy, a railway employee, and Margaret Sheehan of Little Island, County Cork. He attends Saint Patrick’s School on Gardiner’s Hill. In 1921 he enrolls as a part-time student at the Crawford School of Art, Emmet Place, Cork. In 1922 he finds work as an apprentice stone-carver at John Aloysius O’Connell’s Art Marble Works, Watercourse Road, Blackpool. There he specialises in architectural and foliage carving while continuing his studies at Crawford by night.
He is elected associate of the Royal Hibernian Academy (RHA) in 1944, elected a full member in 1954, and appointed Royal Hibernian Academy Professor of Sculpture in 1964.
Also in 1944, he married Maighread Higgins, daughter of the Cork sculptor Joseph Higgins, and they go on to have three children – the knitwear designer Bebhinn Marten, the novelist Orla Murphy and the painter and De Dannan member Colm Murphy.
Murphy designs the Church of the Annunciation on Great William O’Brien Street in Blackpool, Cork, for William Dwyer in 1945. The stonework in the church is mostly by Murphy himself. It is officially dedicated on October 7, 1945.
Seamus Murphy dies in Cork on October 2, 1975. He is buried in Rathcooney, County Cork.
Examples of Murphy’s unique carvings of statues, gravestones, monuments and plaques can be seen around Cork and Ireland, including a signed panel of the four evangelists outside the entrance of the church of Our Lady and Saint John in Carrigaline, County Cork.
The New York City draft riots, one of the more regrettable incidents related to Irish American history, begin on July 13, 1863, and continue through July 16. Known at the time as Draft Week, they are violent disturbances in Lower Manhattan, widely regarded as the culmination of working-class discontent with new laws passed by Congress that year to draft men to fight in the ongoing American Civil War. The riots remain the largest civil and racial insurrection in American history, aside from the Civil War itself.
The cry of “rich man’s war, poor man’s fight” is the cry of many in the Northern states. The rioters, predominantly Irish immigrants, are overwhelmingly working-class men, who resent those wealthier men, who can afford to pay a $300 commutation fee to hire a substitute, are spared from the draft, worried that the eventual emancipation of blacks will rob them of their jobs and are egged on by some politicians and Southern agents.
Initially intended to express anger at the draft, the protests turn into a race riot, with white predominantly Irish rioters, attacking blacks throughout the city. The official death toll is listed at either 119 or 120 individuals. Conditions in the city are such that Major General John E. Wool, commander of the Department of the East, says on July 16 that “Martial law ought to be proclaimed, but I have not a sufficient force to enforce it.”
The military does not reach the city until after the first day of rioting, by which time the mobs, have already ransacked or destroyed numerous public buildings, two Protestant churches, the homes of various abolitionists or sympathizers, many black homes, and the Colored Orphan Asylum at 44th Street and Fifth Avenue, which is burned to the ground.
The area’s demographics change as a result of the riot. Many blacks leave Manhattan permanently, many moving to Brooklyn. By 1865 their population falls below 10,000, the number in 1820.
Through the years the story is told as if only Irish riot, but in fact many besides the Irish take part, and many Irish policemen, fireman, priests, and trade unionists are among the most influential in quelling them. Still, it cannot be denied, a large number of Irish do participate in the burning of the black orphanage and murder of blacks in the city. This unfortunate episode leaves a lasting stain on the reputation of New York’s Irish community.
O’Reilly is the third child of a headmaster and a schoolteacher. When he is fifteen, he moves to Lancashire and lives with his aunt and uncle. There he becomes a reporter with a local newspaper and joins the 11th Lancashire Rifle Volunteers in 1861. He returns to Ireland in 1863 and enlists with the 10th Royal Hussars in Dublin. However, after realising the way the British are treating his fellow people, he leaves the army and joins the Irish Republican Brotherhood around 1865.
In 1866 O’Reilly, along with many other members of the Brotherhood, are arrested and put on trial for treason. O’Reilly is found guilty and sentenced to death however, due to his young age, his sentence is reduced to 20 years penal servitude. He spends a year and a half in some English prisons before being transported to Western Australia in 1867, arriving in 1868.
A month after arriving O’Reilly is moved to the town of Bunbury where he starts receiving attention for protesting the chopping down of a tree. A year after arriving he decides to escape from the colony with the help of a local Catholic priest and some farmers from the nearby town of Dardanup. In February 1869 O’Reilly absconds from his convict camp and makes his way towards the Leschenault Peninsula where he waits for a ship to arrive. After approximately two weeks O’Reilly escapes on the Gazelle bound for the United States, arriving there in November 1869.
O’Reilly moves to Boston and becomes a well-known figure in the town where he becomes involved in civil rights, sports, and Irish American causes. He also becomes part owner of The Pilot newspaper. He publishes four books of poetry – Songs from the Southern Seas (1873), Songs, Legends and Ballads (1878), The Statues in the Block (1881) and In Bohemia (1886). He also publishes a novel Moondyne (1879) based on the convict of the same name and O’Reilly’s experiences in Western Australia. It becomes his most popular work. He also writes one last book of poems entitled Watchwords, which is released after his death.
John Boyle O’Reilly dies in Hull, Massachusetts on August 10, 1890, from heart failure after overdosing on his wife’s medication. His sudden death receives an outpouring of grief and tributes from the Boston community and also globally.
His funeral is held at St. Mary’s Church in Charlestown on August 13 and is attended by thousands. The streets near the church are lined with mourners. His wife does not attend the funeral due to grief and is unable to leave her bed. He is originally buried at Calvary Cemetery in Roxbury, but in November 1890 his remains are exhumed and moved to Holyhood Cemetery in Brookline.
Boston is a major center for immigration in the 19th century due to its large seaport. Nativist and anti-Catholic sentiment is strong, especially among working-class men whose jobs and wages are threatened by an influx of poor Irish immigrants. On Broad Street, it is common for groups of nativist Yankees to vandalize Irish homes and attack lone Irishmen.
At about 3:00 PM on Sunday, June 11, 1837, Fire Engine Company 20 returns to their station on East Street from a fire at the Boston Neck. Some of the men go straight home from there, however most stop at a nearby pub for drinks. The pub is apparently operating illegally as it is a Sunday and, in Massachusetts, blue laws are then in effect.
The men have just emerged from the pub “in a more or less bellicose mood,” when they collide with a crowd of about a hundred Irishmen who are on their way to join a large funeral procession on Sea Street. Nearly all of the firefighters pass through the crowd without incident, however, when 19-year-old George Fay, who has reportedly had too much to drink, insults or shoves several of the Irishmen, and a fight breaks out. Fay’s friends rush to his aid, but the firemen are outnumbered and are badly beaten. Their foreman, W.W. Miller, orders them back into the firehouse.
By some accounts, the Irishmen then take over the firehouse. According to others, the crowd had begun to disperse, and the matter might have ended there had the foreman not “lost his head completely.” In any case, Miller orders his men to sound the emergency alarm. First, they roll their wagon into the street, ringing the fire alarm bell. Then Miller sends men to ring the church bells, summoning all the fire engines in Boston. According to the Boston Transcript, Miller then runs to another firehouse, shouting, “The Irish have risen upon us, and are going to kill us!”
Company 9, responding to what they think is a legitimate fire alarm, arrives just as the funeral procession is turning onto New Broad Street. Their horse-drawn wagon veers into the crowd, scattering and knocking down the mourners. The Irish assume the assault is deliberate, and another brawl erupts. As more fire companies arrive, and Irishmen pour out of nearby houses into the street to help their friends and relatives, the fight escalates into a full-blown riot. Before long, an estimated 800 men are doing battle with sticks, stones, bricks, and cudgels while at least 10,000 more urged them on. Protestant workmen come running to the aid of the firefighters, while underfoot, injured and unconscious men lay sprawled on the pavement.
Outnumbered, the Irish are defeated and driven back to their homes. That is when the home invasions begin. A “gang of stout boys and loafers” raid nearby houses, breaking doors and windows, and in some cases beating the occupants. Furniture and other possessions are destroyed and thrown into the street. Some Irish families lose their homes altogether.
After raging for about three hours, the riot is quelled when Mayor Samuel Atkins Eliot calls in the National Lancers, a newly formed cavalry company, and some 800 other members of the state militia with fixed bayonets. Among them are the Montgomery Guards, a short-lived Irish American infantry company which is forced to disband the following year due to the extreme nativist and anti-Catholic sentiment in Boston.
No immediate deaths result from the violence. Many people suffer serious wounds, however, and there is no nearby hospital to care for them. Given the lack of hospital and police records, the number of people who eventually die of their injuries cannot be determined. Thousands of dollars in damage are done to property belonging to some of the city’s poorest inhabitants.
The militia, being composed nearly entirely of Yankees, arrest 34 Irishmen and 4 Yankees. A grand jury indicts 14 of the Irishmen and all four of the Yankees. At the municipal court trial, a Yankee jury acquits the four Yankees and convicts four Irishmen, three of whom are sentenced to several months of hard labor.
Three months later, in September, Mayor Eliot establishes a professional, paid fire department, with all new hires requiring the approval of the mayor and aldermen. The Boston Police Department is established the following year.
Michael J. Spillane, Irish American mobster much better known as Mickey Spillane from Hell’s Kitchen, New York City, is killed outside his apartment in Queens on May 13, 1977. Spillane, who is called the “last of the gentleman gangsters,” is a marked contrast to the violent Westies mob members who succeed him in Hell’s Kitchen.
As a young boy in Hell’s Kitchen, Spillane starts as a numbers runner for various organized crime figures in his neighborhood. In 1960, he takes over the rackets left to him by his predecessor Hughie Mulligan. He marries Maureen McManus, the daughter of the Democratic district leader Eugene McManus.
Though Italian mobsters dominate organized crime in the city, the Italian mob stays out of Hell’s Kitchen while Spillane is the boss. Often, Spillane kidnaps members of the Italian Mafia and holds them for ransom to raise money for his operations. Although he runs the rackets such as gambling and loansharking, he never allows the sale of drugs.
It is Spillane’s refusal to allow the Italian mobsters to participate in the Hell’s Kitchen rackets that leads to his downfall. The Jacob K. Javits Convention Center is being built on Spillane’s westside at the time. The amount of money the new convention center, Madison Square Garden, the waterfront and the unions are generating for Spillane is enormous, and the Italians are desperate for a piece of the action. Spillane refuses to allow the Italian mob to participate, and the New York Irish-Italian Mob War begins.
In the 1970s the Irish mob sees an increased threat from the Italian Mafia as the Genovese crime family seeks control over the soon to be built Jacob K. Javits Convention Center. Since the convention center is located in Spillane’s Hell’s Kitchen neighborhood, Spillane refuses to allow any involvement by the Italians. Although the Italian gangsters greatly outnumber the members of the Irish mob, Spillane is successful in keeping control of the convention center and Hell’s Kitchen. The Italians, frustrated and embarrassed by their defeat to Spillane and the Irish gangsters, respond by hiring a rogue Irish American hitman named Joseph “Mad Dog” Sullivan to assassinate Tom Devaney, Eddie “the Butcher” Cummiskey, and Tom “the Greek” Kapatos, three of Spillane’s chief lieutenants. By the mid-1970s, Spillane has moved his family out of Hell’s Kitchen to Woodside, Queens, because of threats of violence against his children.
In 1966, a young upstart named Jimmy Coonan attempts to take the neighborhood from Spillane, muscling in on his territory and murdering a Spillane underling. Ultimately, Coonan is sent to prison in 1967. When he is released from prison, Coonan seeks to align himself with the Gambino crime family through an up-and-coming mobster from Brooklyn, named Roy DeMeo. This marks the beginning of the end for the Irish mob, as Coonan eventually goes to work for the Gambinos.
On May 13, 1977, Spillane is killed outside his apartment in Queens. It has long been rumored that DeMeo murdered Spillane as a favor to Coonan, who subsequently takes over as the boss of the Hell’s Kitchen Irish Mob. Spillane is buried in Calvary Cemetery in Queens, New York.
During the late 1860s and early 1870s many of the lodges of the order in Pennsylvania are infiltrated by the Molly Maguires. However, the Molly Maguires and their criminal activities are condemned at the 1876 national convention of the AOH, and the Order is reorganised in the Pennsylvania coal areas.
In 1884 there is a split in the organisation. The Order has previously been governed by the Board of Erin, which has governed the order in Ireland, Great Britain and the United States, but is composed of officers selected exclusively by the organisations in Ireland and Great Britain. The majority leave in 1884 and become the Ancient Order of Hibernians of America, while the small group calls itself Ancient Order of Hibernians, Board of Erin. In 1897 the Ancient Order of Hibernians, Board of Erin, has approximately 40,000 members concentrated in New York, New Jersey, Ohio, Illinois, and Michigan, while the Ancient Order of Hibernians of America has nearly 125,000 members scattered throughout nearly every state in the union. The two groups reunite in 1898.
A female auxiliary, the Daughters of Erin, is formed in 1894, and has 20,000 members in 1897. It is attached to the larger, “American” version of the order. The AOH has 181,000 members in 1965 and 171,000 in 736 local units of “Divisions” in 1979. John F. Kennedy joins the AOH in 1947.
In 1982, in a revival of Hibernianism, the Thomas Francis Meagher Division No. 1 forms in Helena, Montana, dedicated to the principles of the Order and to restoring a historically accurate record of Brigadier General Meagher’s contributions to Montana. Soon after, six additional divisions form in Montana.
The Order organises the New York City St. Patrick’s Day Parade for 150 years, emphasising a conservative Catholic interpretation of the Irish holiday. In 1993 control is transferred to an independent committee amid controversy over the exclusion of Irish American gay and lesbian groups.
In 2013, The Ancient Order of Hibernians raises and distributes over $200,000 to aid victims of Hurricane Sandy.
In 2014, the AOH calls for a boycott of Spencer’s Gifts, for selling products the AOH says promote anti-Irish stereotypes and irresponsible drinking.
On May 10, 2014, a memorial to Commodore John Barry, an immigrant from Wexford who is a naval hero of the American Revolution and who holds commission number one in the subsequent United States Navy, is dedicated on the grounds of the United States Naval Academy. The memorial and associated “Barry Gate” are presented to the Academy by the members of the Ancient Order of Hibernians.
