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Birth of Anna Manahan, Stage, Film & Television Actress

Anna Maria Manahan, Irish stage, film and television actress, is born on October 18, 1924, in County Waterford in what is at the time the Irish Free State (now the Republic of Ireland).

Manahan receives two Tony Award for Best Featured Actress in a Play nominations for her performances in the 1968 production of Lovers and the 1998 production of The Beauty Queen of Leenane, the latter for which she wins at the 52nd Tony Awards.

Manahan is also nominated for two Drama Desk Awards, a Laurence Olivier Award, and an Outer Critics Circle Award in a career that spans more than 60 years. She interprets the works of, among others, Seán O’Casey, John B. Keane, John Millington Synge, Oscar Wilde, James Joyce, Martin McDonagh, Christy Brown, and Brian Friel.

Manahan’s career begins when, as a young woman, she is recruited by the legendary Irish impresarios and theatrical directors Micheál Mac Liammóir and Hilton Edwards. She later marries stage director Colm O’Kelly, who dies not long afterward of polio, which he contracts after swimming in the Nile during a theatre tour of Egypt. They have no children and she never remarries. She is known professionally by her maiden name. In 1946 she appears in a production by Irish playwright Teresa Deevy, The Wild Goose, where she plays the part of Eileen Connolly. This is performed by Equity Productions in the Theatre Royal, Waterford.

In 1957, Manahan plays Serafina in the first Irish production of Tennessee Williams‘s The Rose Tattoo and achieves unexpected notoriety when she and several other members of the cast are arrested for the possession of a condom on stage.

Manahan plays a minor role in the Irish cult soap opera The Riordans (1960s), and as Mrs. Mary Kenefick in the TV comedy Me Mammy (1970s). She also plays the lead in the Irish comedy series, Leave It To Mrs O’Brien (1980s) and Mrs. Cadogan in The Irish R.M. (1980s). Most recently she plays Ursula in Fair City, for which her niece, Michele Manahan (daughter of Michael Manahan), is a writer.

Manahan has an extensive theatre portfolio having played at theatres throughout Ireland including the Abbey Theatre, the United Kingdom, continental Europe, the United States and Australia. She wins the Tony Award for Best Featured Actress in a Play for her role as Mag in Martin McDonagh’s The Beauty Queen of Leenane on Broadway. She previously receives a Tony nomination in 1969 for Brian Friel’s Lovers.

The Irish playwright John B. Keane writes the play Big Maggie specifically for Manahan. In 2001 she stars in Keane’s The Matchmaker with veteran Irish actor Des Keogh. In 2005 she stars in Sisters, a new play by Declan Hassett that is also written for her and for which she is nominated for a Drama Desk Award in the category of Outstanding Solo Performance. The production tours Ireland and is staged at the International Festival of World Theatre in Colorado and also plays at the 59E59 Theater in New York City in 2006.

Manahan appears in films starring, among others, Laurence Olivier, Peter Cushing, Kenneth More, Christopher Walken, Maggie Smith, Albert Finney and Brenda Fricker, and with John Gielgud in A Portrait of the Artist as a Young Man (1977).

Manahan receives the Gold Medal of the Éire Society of Boston in 1984 and thus joins the company of past recipients such as John F. Kennedy, and film makers John Ford and John Huston. She receives an honorary doctorate in letters from the University of Limerick in 2003. She is granted the freedom of the city of Waterford in 2002 in recognition of her life’s achievement in the arts. She thus becomes the 28th Freeman of Waterford since Isaac Butt in 1877.

In 2004 Manahan starts to play the role of Ursula in Fair City. All About Anna (2005), a documentary on her life and work is made by Charlie Mc Carthy/Icebox Films for RTÉ Television. In 2008, she becomes the first ever patron of the Active Retirement Ireland organization.

Manahan dies of multiple organ failure on March 8, 2009 in Waterford. She had suffered from a longterm illness.

Her funeral is held on March 11, officiated by her “longtime friend” the psychoanalyst, poet, and priest Bernard Kennedy. “As the final curtain falls, the lights dim, the auditorium becomes silent, we remember her” he says. Describing her as a woman of faith (who “sought to bring the word of God alive”), he says she had brought everyone together to be present at “her last great exit from this great stage of life,” saying her life’s work had drawn people from all over the world. “Anna believed in the empty tomb of the Resurrection and she believed the empty tomb could be filled by hearing the word take the place of the emptiness,” he says. “She knew the bedsits which preceded the Tony nomination.”

Manahan is buried in Ballygunner Cemetery, Knockboy, County Waterford.


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Death of Donal McCann, Stage, Film & Television Actor

Donal McCann, Irish stage, film, and television actor, dies from pancreatic cancer in Dublin on July 17, 1999. He is best known for his roles in the works of Brian Friel and for his lead role in John Huston‘s last film, The Dead (1987). In 2020, he is listed as number 45 on The Irish Times list of Ireland’s greatest film actors.

McCann is born on May 7, 1943, in Terenure, Dublin. His father is John J. McCann, a playwright and politician who serves twice as Lord Mayor of Dublin. Although he acts in a production of his father’s Give Me a Bed of Roses at Terenure College in 1962, he briefly studies architecture before taking a job as a trainee sub-editor at the Evening Press which allows him to pursue part-time acting classes at the Abbey School of Acting at the same time. He joins the Abbey Players in the late 1960s.

Among his most important early roles are Cú Chulainn in W. B. Yeats‘s On Baile Strand (1966), and as Estragon in a seminal production of Samuel Beckett‘s Waiting for Godot, partnering with Peter O’Toole as Vladimir (1969).

McCann’s career includes parts in many plays from the Irish literary canon, including Tarry Flynn, The Shaughran, and the Gate Theatre‘s highly acclaimed production of Seán O’Casey‘s classic Juno and the Paycock in the 1980s (McCann plays the “Paycock” (Captain Boyle) opposite Geraldine Plunkett as Juno and John Kavanagh as Joxer Daly) as well as a subsequent production of O’Casey’s The Plough and the Stars.

McCann develops a particularly fruitful relationship with the playwright Brian Friel. He plays the role of Gar O’Donnell, the public figure, in a film adaptation of Philadelphia, Here I Come! in 1970 and, despite popular belief, he never plays either public or private Gar on stage. He gives a landmark performance as Frank Hardy, the title character, in Faith Healer in 1980 (a role he reprised in 1994), continuing his relationship with Friel through productions of Translations (1988) and Wonderful Tennessee (1993).

Friel says that McCann’s work “contains extraordinary characteristics that go beyond acting … it is deeply spiritual.” Perhaps McCann’s most renowned role is as Thomas Dunne in Sebastian Barry‘s The Steward of Christendom. He wins the London Critics’ Circle Theatre Award (Drama Theatre) as best actor for this role in 1995. He reprises this role in a 1996 production at the Gate Theatre, Dublin and, following a twelve-week run at the Brooklyn Academy of Music in 1997, his “performance of unarguable greatness” (The New York Observer) had Newsweek hailing him as “a world-class star,” and The New York Times referring to this “astonishing Irish actor…widely regarded as the finest of them all.”

On the London stage, McCann plays in Prayer for My Daughter opposite Antony Sher (1978), and is Jean to Dame Helen Mirren‘s Julie in Miss Julie (1971). This is filmed for the BBC, and he much later plays Judge Brack with Fiona Shaw in the title role of Henrik Ibsen‘s Hedda Gabler, a production filmed for the BBC in 1993.

McCann begins his film career early, in 1966, in Walt Disney Pictures’s The Fighting Prince of Donegal (this later becomes a TV series). More significant roles include the title character’s father Shamie in Cal and one of the feuding brothers in Thaddeus O’Sullivan‘s December Bride (1990). He works a number of times with Neil Jordan (in Angel, The Miracle and High Spirits).

His best-known film role is as Gabriel Conroy in The Dead (1987), starring opposite Anjelica Huston and directed by her father, John Huston. Significant late roles include Bernardo Bertolucci‘s Stealing Beauty (1996) and in John Turturro‘s Illuminata (released in 1999, after McCann’s death).

McCann’s television work includes the featured role of Phineas Finn in the BBC’s serialised adaptation of Anthony Trollope‘s The Pallisers, Willie Burke in RTÉ‘s Prix Italia drama entry The Burke Enigma (1979) and Barney Mulhall in RTÉ’s Strumpet City (1980), as well as many one-off parts.

McCann plays in Bob Quinn‘s Irish language film Poitín (1979) and in Quinn’s somewhat experimental The Bishop’s Story (1995). After hearing that McCann is ill, Tom Collins asks Quinn to make a TV documentary about McCann for RTÉ called It Must Be Done Right (1999), after a remark by McCann on his craft. The film airs on RTÉ a week before McCann’s death.

In his private life, McCann is a quiet and unassuming man, but he battles both depression and alcoholism all his life. He has many friends in Irish theatre and artistic circles but also across all strata of life. His hobbies include sketching and he is passionate about horse racing.

Remembering McCann on the 25th anniversary of his death, Gerald Smyth writes, “In the melancholy of that life-worn voice could be heard the cadences of a lyric heart.”


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Birth of Donal Donnelly, Theatre & Film Actor

Donal Donnelly, Irish theatre and film actor, is born to Irish parents in Bradford, West Yorkshire, England, on July 6, 1931. Perhaps best known for his work in the plays of Brian Friel, he has a long and varied career in film, on television and in the theatre. He lives in Ireland, the United Kingdom and the United States at various times, and his travels lead him to describe himself as “an itinerant Irish actor.”

Donnelly’s father, James, is a doctor from County Tyrone, and his mother, Nora O’Connor, is a teacher from County Kerry.

Donnelly is raised in Dublin where he attends Synge Street CBS, where he acts in school plays with Milo O’Shea, Eamonn Andrews, Jack MacGowran, Bernard Frawley (Seattle Repertory Co.) and Jimmy Fitzsimons (brother of Maureen O’Hara), under the direction of elocution teacher, Ena Burke.

Donnelly gets his start in an amateur group calling itself the Globe Theatre Players. It is organised and run by Jim Fitzgerald and Monica Brophy. He then later tours with Anew McMaster‘s Irish repertory company before moving to England where he stars with Rita Tushingham in the film The Knack …and How to Get It.

Donnelly’s breakthrough role comes when he is cast as Gar Private in the world premiere of Brian Friel’s Philadelphia, Here I Come! directed by Hilton Edwards for the Gate Theatre at the Dublin Theatre Festival in 1964. The production subsequently transfers to Broadway where it plays for over 300 performances and establishes Donnelly and Patrick Bedford, who plays his alter-ego Gar Public, as formidable new talents to be reckoned with. They are jointly nominated for the Tony Award for Best Performance by a Leading Actor in a Play in 1966.

Donnelly returns to Broadway a number of times, replacing Albert Finney in A Day in the Death of Joe Egg in 1968, playing Milo Tindle in Anthony Shaffer‘s Sleuth and appearing as Frederick Treves opposite David Bowie as The Elephant Man. He also renews his relationship with Brian Friel, appearing in the world premieres of Volunteers at the Abbey Theatre in 1975 and Faith Healer with James Mason at the Longacre Theatre in New York City in 1979, as well as the Broadway premieres of Dancing at Lughnasa in 1991 and Translations in 1995.

For many years, Donnelly tours a one-man performance of the writings of George Bernard Shaw, adapted and directed by Michael Voysey and entitled My Astonishing Self.

Donnelly’s film roles include Archbishop Gilday in The Godfather Part III and as Freddy Malins in John Huston‘s final work, The Dead, based on the short story by James Joyce, where he gains particular acclaim for his performance.

On television, Donnelly plays the lead role of Matthew Browne in the 1970s ITV sitcom Yes, Honestly, opposite Liza Goddard. But from the late 1950s onwards, he often appears in such British TV programs as The Avengers, Z-Cars and The Wednesday Play.

Donnelly is an acclaimed audiobook reader whose catalogue includes Pinocchio, Peter Pan, Voltaire‘s Philosophical Dictionary, and several audio versions of the works of James Joyce.

In 1968, Donnelly records an album of Irish songs, Take the Name of Donnelly, which is arranged, produced and conducted by Tony Meehan formerly of the Shadows.

Donnelly, who is a heavy smoker all his life, dies from cancer at the age of 78 in Chicago, Illinois, on January 4, 2010. He is survived by his wife, Patricia ‘Patsy’ Porter, a former dancer he met working on Finian’s Rainbow, and two sons, Jonathan and Damian. Their only daughter, Maryanne, predeceases him after being killed in a riding accident. A brother, Michael Donnelly, is a Fianna Fáil senator and councillor, and Lord Mayor of Dublin(1990–91).

(Pictured: Publicity still of Donal Donnelly as Frederick Treves in the Broadway’s play The Elephant Man)


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Death of Micheál Mac Liammóir, Actor & Playwright

Micheál Mac Liammóir, British-born Irish actor, playwright, impresario, writer, poet and painter, dies in Dublin on March 6, 1978. He co-founds the Gate Theatre with his partner Hilton Edwards and is one of the most recognizable figures in the arts in twentieth-century Ireland.

Mac Liammóir is born Alfred Willmore on October 25, 1899. He is born to a Protestant family living in the Kensal Green district of London.

As Alfred Willmore, he is one of the leading child actors on the English stage, in the company of Noël Coward. He appears for several seasons in Peter Pan. He studies painting at London’s Slade School of Fine Art, continuing to paint throughout his lifetime. In the 1920s he travels all over Europe. He is captivated by Irish culture and learns the Irish language which he speaks and writes fluently. He changes his name to an Irish version, presenting himself in Ireland as a descendant of Irish Catholics from Cork. Later in his life, he writes three autobiographies in Irish and translates them into English.

While acting in Ireland with the touring company of his brother-in-law Anew MacMaster, Mac Liammóir meets the man who becomes his partner and lover, Hilton Edwards. Their first meeting takes place in the Athenaeum, Enniscorthy, County Wexford. Deciding to remain in Dublin, where they live at Harcourt Terrace, the pair assists with the inaugural production of Galway‘s Irish language theatre, An Taibhdhearc. The play is Mac Liammóir’s version of the mythical story Diarmuid agus Gráinne, in which Mac Liammóir plays the lead role as Diarmuid.

Mac Liammóir and Edwards then throw themselves into their own venture, co-founding the Gate Theatre in Dublin in 1928. The Gate becomes a showcase for modern plays and design. Mac Liammóir’s set and costume designs are key elements of the Gate’s success. His many notable acting roles include Robert Emmet/The Speaker in Denis Johnston‘s The Old Lady Says “No!” and the title role in Hamlet.

In 1948, Mac Liammóir appears in the NBC television production of Great Catherine with Gertrude Lawrence. In 1951, during a break in the making of Othello, he produces Orson Welles‘s ghost-story Return to Glennascaul which is directed by Hilton Edwards. He plays Iago in Welles’s film version of Othello (1951). The following year, he goes on to play ‘Poor Tom’ in another Welles project, the TV film of King Lear (1953) for CBS.

Mac Liammóir writes and performs a one-man show, The Importance of Being Oscar, based on the life and work of Oscar Wilde. The Telefís Éireann production wins him a Jacob’s Award in December 1964. It is later filmed by the BBC with Mac Liammóir reprising the role.

Mac Liammóir narrates the 1963 film Tom Jones and is the Irish storyteller in 30 Is a Dangerous Age, Cynthia (1968) which stars Dudley Moore.

In 1969 Mac Liammóir has a supporting role in John Huston‘s The Kremlin Letter. In 1970 he performs the role of narrator on the cult album Peace on Earth by the Northern Irish showband, The Freshmen and in 1971 he plays an elocution teacher in Curtis Harrington‘s What’s the Matter with Helen?.

Mac Liammóir claims when talking to Irish playwright Mary Manning, to have had a homosexual relationship with General Eoin O’Duffy, former Garda Síochána Commissioner and head of the paramilitary Blueshirts in Ireland, during the 1930s. The claim is revealed publicly by RTÉ in a documentary, The Odd Couple, broadcast in 1999. However, Mac Liammóir’s claims have not been substantiated.

Mac Liammóir’s life and artistic development are the subject of a major study by Tom Madden, The Making of an Artist. Edwards and Mac Liammóir are the subject of a biography, titled The Boys by Christopher Fitz-Simon.

Micheál Mac Liammóir dies at his and Edwards’s Dublin home, 4 Harcourt Terrace, at the age of 78 on March 6, 1978. Edwards and Mac Liammóir are buried alongside each other at St. Fintan’s Cemetery, Sutton, Dublin.


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Death of Donal Donnelly, Irish Theatre & Film Actor

Donal Donnelly, Irish theatre and film actor, dies in Chicago, Illinois, on January 4, 2010. Perhaps best known for his work in the plays of Brian Friel, he has a long and varied career in film, on television and in the theatre. He lives in Ireland, the United Kingdom and the United States at various times, and his travels lead him to describe himself as “an itinerant Irish actor.”

Donnelly is born to Irish parents in Bradford, West Yorkshire, England, on July 6, 1931. His father James is a doctor from County Tyrone, and his mother Nora O’Connor is a teacher from County Kerry.

Donnelly is raised in Dublin where he attends Synge Street CBS, where he acts in school plays with Milo O’Shea, Eamonn Andrews, Jack MacGowran, Bernard Frawley (Seattle Repertory Co.) and Jimmy Fitzsimons (brother of Maureen O’Hara), under the direction of elocution teacher, Ena Burke.

Donnelly gets his start in an amateur group calling itself the Globe Theatre Players. It is organised and run by Jim Fitzgerald and Monica Brophy. He then later tours with Anew McMaster‘s Irish repertory company before moving to England where he stars with Rita Tushingham in the film The Knack …and How to Get It.

Donnelly’s breakthrough role comes when he is cast as Gar Private in the world premiere of Brian Friel’s Philadelphia, Here I Come! directed by Hilton Edwards for the Gate Theatre at the Dublin Theatre Festival in 1964. The production subsequently transfers to Broadway where it plays for over 300 performances and establishes Donnelly and Patrick Bedford, who plays his alter-ego Gar Public, as formidable new talents to be reckoned with. They are jointly nominated for the Tony Award for Best Performance by a Leading Actor in a Play in 1966.

Donnelly returns to Broadway a number of times, replacing Albert Finney in A Day in the Death of Joe Egg in 1968, playing Milo Tindle in Anthony Shaffer‘s Sleuth and appearing as Frederick Treves opposite David Bowie as The Elephant Man. He also renews his relationship with Brian Friel, appearing in the world premieres of Volunteers at the Abbey Theatre in 1975 and Faith Healer with James Mason at the Longacre Theatre in New York City in 1979, as well as the Broadway premieres of Dancing at Lughnasa in 1991 and Translations in 1995.

For many years, Donnelly tours a one-man performance of the writings of George Bernard Shaw, adapted and directed by Michael Voysey and entitled My Astonishing Self.

Donnelly’s film roles include Archbishop Gilday in The Godfather Part III and as Freddy Malins in John Huston‘s final work, The Dead, based on the short story by James Joyce, where he gains particular acclaim for his performance.

On television, Donnelly plays the lead role of Matthew Browne in the 1970s ITV sitcom Yes, Honestly, opposite Liza Goddard. But from the late 1950s onwards, he often appears in such British TV programs as The Avengers, Z-Cars and The Wednesday Play.

Donnelly is an acclaimed audiobook reader whose catalogue includes Pinocchio, Peter Pan, Voltaire‘s Philosophical Dictionary, and several audio versions of the works of James Joyce.

In 1968, Donnelly records an album of Irish songs, Take the Name of Donnelly, which is arranged, produced and conducted by Tony Meehan formerly of the Shadows.

Donnelly, who is a heavy smoker all his life, dies from cancer at the age of 78 in Chicago, Illinois, on January 4, 2010. He is survived by his wife, Patricia ‘Patsy’ Porter, a former dancer he met working on Finian’s Rainbow, and two sons, Jonathan and Damian. Their only daughter, Maryanne, predeceases him after being killed in a riding accident. A brother, Michael Donnelly, is a Fianna Fáil senator and councillor, and Lord Mayor of Dublin (1990–91).


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Birth of Micheál Mac Liammóir, Actor, Writer & Poet

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Micheál Mac Liammóir, British-born Irish actor, playwright, impresario, writer, poet and painter, is born Alfred Willmore on October 25, 1899. He is born to a Protestant family living in the Kensal Green district of London. He co-founds the Gate Theatre with his partner Hilton Edwards and is one of the most recognizable figures in the arts in twentieth-century Ireland.

As Alfred Willmore, he is one of the leading child actors on the English stage, in the company of Noël Coward. He appears for several seasons in Peter Pan. He studies painting at London’s Slade School of Fine Art, continuing to paint throughout his lifetime. In the 1920s he travels all over Europe. He is captivated by Irish culture and learns the Irish language which he speaks and writes fluently. He changes his name to an Irish version, presenting himself in Ireland as a descendant of Irish Catholics from Cork. Later in his life, he writes three autobiographies in Irish and translates them into English.

While acting in Ireland with the touring company of his brother-in-law Anew MacMaster, Mac Liammóir meets the man who becomes his partner and lover, Hilton Edwards. Their first meeting takes place in the Athenaeum, Enniscorthy, County Wexford. Deciding to remain in Dublin, where they live at Harcourt Terrace, the pair assists with the inaugural production of Galway‘s Irish language theatre, An Taibhdhearc. The play is Mac Liammóir’s version of the mythical story Diarmuid agus Gráinne, in which Mac Liammóir plays the lead role as Diarmuid.

Mac Liammóir and Edwards then throw themselves into their own venture, co-founding the Gate Theatre in Dublin in 1928. The Gate becomes a showcase for modern plays and design. Mac Liammóir’s set and costume designs are key elements of the Gate’s success. His many notable acting roles include Robert Emmet/The Speaker in Denis Johnston‘s The Old Lady Says “No!” and the title role in Hamlet.

In 1948, Mac Liammóir appears in the NBC television production of Great Catherine with Gertrude Lawrence. In 1951, during a break in the making of Othello, he produces Orson Welles‘s ghost-story Return to Glennascaul which is directed by Hilton Edwards. He plays Iago in Welles’s film version of Othello (1951). The following year, he goes on to play ‘Poor Tom’ in another Welles project, the TV film of King Lear (1953) for CBS.

Mac Liammóir writes and performs a one-man show, The Importance of Being Oscar, based on the life and work of Oscar Wilde. The Telefís Éireann production wins him a Jacob’s Award in December 1964. It is later filmed by the BBC with Mac Liammóir reprising the role.

Mac Liammóir narrates the 1963 film Tom Jones and is the Irish storyteller in 30 Is a Dangerous Age, Cynthia (1968) which stars Dudley Moore.

In 1969 Mac Liammóir has a supporting role in John Huston‘s The Kremlin Letter. In 1970 he performs the role of narrator on the cult album Peace on Earth by the Northern Irish showband, The Freshmen and in 1971 he plays an elocution teacher in Curtis Harrington‘s What’s the Matter with Helen?.

Mac Liammóir claims when talking to Irish playwright Mary Manning, to have had a homosexual relationship with General Eoin O’Duffy, former Garda Síochána Commissioner and head of the paramilitary Blueshirts in Ireland, during the 1930s. The claim is revealed publicly by RTÉ in a documentary, The Odd Couple, broadcast in 1999. However, Mac Liammóir’s claims have not been substantiated.

Mac Liammóir’s life and artistic development are the subject of a major study by Tom Madden, The Making of an Artist. Edwards and Mac Liammóir are the subject of a biography, titled The Boys by Christopher Fitz-Simon.

Micheál Mac Liammóir dies at the age of 78 on March 6, 1978. Edwards and Mac Liammóir are buried alongside each other at St. Fintan’s Cemetery, Sutton, Dublin.


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Muhammad Ali Fights Al Lewis in Dublin

muhammad-ali-and-al-lewis

Muhammad Ali fights Al “Blue” Lewis in Dublin on July 19, 1972, and defeats him via a technical knockout (TKO) in the eleventh round.

After losing to Joe Frazier in March 1971, Ali goes on something of a world tour, fighting 13 times in six countries before defeating Frazier in a rematch in January 1974.

The promotion is the brainchild of a character from County Kerry named Butty Sugrue, known throughout Ireland as a circus strongman, whose alleged claim to fame is pulling double-decker buses by a rope in his teeth. Dublin journalists laugh at him when he first announces his intentions.

But despite the scepticism, the fight is arranged for July 19, 1972. As soon as he steps off the plane at Dublin Airport, Ali, ever the showman, immediately captures the heart of a nation by announcing that he has Irish roots. In the 1860s, Abe Grady left his native Ennis in County Clare and emigrated to the United States. In Kentucky, he met and married an emancipated slave. A century later Abe Grady’s great grandson Muhammad Ali touches down in Dublin.

In the week leading up to the fight Ali meets people from all walks of life in Dublin. He spends time with celebrities, including actor Peter O’Toole, and playfully spars with director John Huston, whose boxing movie, Fat City, is screened with both Ali and Lewis in attendance.

Ali also meets politicians, including Taoiseach Jack Lynch in Leinster House and political activist Bernadette Devlin. The Cork Examiner comments on how popular Ali has proven with politicians in Ireland. “Not since the late President John F. Kennedy was in Dublin in 1963 has a visitor from abroad been given as big a welcome at Leinster House as that accorded to Muhammad Ali.”

Ali is always about so much more than boxing, and that week in Dublin is another case in point, as the fight itself is not a classic. He has a cold and is wary of Lewis, who is a dangerous fighter and a man who had previously served time in prison for manslaughter. Ali who, prior to the bout predicts that his opponent’s chances of victory lay somewhere between “slim and none,” eventually wins with a TKO in the eleventh round.

In 2009, Ali returns to Ireland to visit Ennis in County Clare, the hometown of his ancestor Abe Grady, where he is granted the freedom of the town. The huge crowds who come out to meet him are testament to his enduring appeal. But the magic of Muhammad Ali leaves an indelible impact on Ireland after his 1972 visit as the late Budd Schulberg, a legendary boxing writer, said, “Ali was like the Pied Piper. It was really kind of magical. He had enormous influence over there. He was a fellow Irishman.”

(From: “When Ali thrilled Ireland: How ‘the Greatest’ shook up Dublin” by Peter Crutchley, BBC NI Digital & Learning, June 6, 2016)


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Birth of Stage & Screen Actress Marie Kean

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Marie Kean, actress of stage and screen whose career spanned over 40 years, is born in the village of Rush, County Dublin on June 27, 1918. The Stage calls her one of Ireland’s most impressive actresses, and “an artist of considerable emotional depth and theatrical command.”

Kean grows up in Rush and is educated at Loreto College, North Great George’s Street, Dublin. She learns her craft at the Gaiety School of Acting and is part of the Abbey Theatre company until 1961.

Kean’s leading role as the kindly matriarch, Mrs. Kennedy, in the RTÉ Radio serial drama, The Kennedys of Castleross, makes her famous throughout Ireland. She stars in the programme for the duration of its 18-year run.

In 1968, Kean wins a Jacob’s Award for her performance as Winnie in RTÉ television’s production of Samuel Beckett‘s play Happy Days, a role she had previously performed on stage and which she describes later as her favourite part. Among her other television roles is that of Mrs. Conn Brickley, Bridget’s mother, in an episode of The Irish R.M. called “The Boat’s Share.”

Kean’s many stage appearances include performances in the plays of John Millington Synge, Seán O’Casey and Brian Friel. She takes the lead role of Maggie Polpin in the 1969 world première of John B. Keane‘s play Big Maggie at the Cork Opera House. In 1978 she wins the State of New York best actress award for her performance in what has become Keane’s most successful play.

Arguably her most memorable film role is as Barry’s scheming mother in Stanley Kubrick‘s Barry Lyndon. She also plays a bigoted Irish shopkeeper in David Lean‘s Ryan’s Daughter. Her final movie appearance is in John Huston‘s The Dead (1987), in which she plays the part of Mrs. Malins.

Marie Kean dies in Donnybrook, Dublin at the age of 75 on December 30, 1993. Her husband, William Mulvey, predeceases her in 1977.


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Birth of Actor Noel Purcell

noel-purcell

Patrick Joseph Noel Purcell, distinguished Irish actor of stage, screen and television, is born in Dublin on December 23, 1900. He appears in the 1956 film Moby Dick and the 1962 film Mutiny on the Bounty.

Purcell is the son of auctioneer Pierce Purcell and his second wife Catherine (née Hoban) of 4 Ashbrook Terrace, South Circular Road, Dublin. He is baptised six days after his birth at St. Kevin’s Church, Harrington Street. Within a few months, the Purcell family moves to 12 Mercer Street Lower. He is educated at Synge Street CBS. He loses the tip of his right index finger while making cigarette vending machines and also loses his entire left index finger due to an accident while he is an apprentice carpenter, a feature which he exploits for dramatic effect in the film Mutiny on the Bounty (1962).

Purcell begins his show business career at the age of 12 in Dublin’s Gaiety Theatre. Later, he tours Ireland in a vaudeville act with Jimmy O’Dea. Stage-trained in the classics in Dublin, he moves into films in 1934. He appears in Captain Boycott (1947) and as the elderly sailor whose death maroons the lovers-to-be in the first sound film version of The Blue Lagoon (1949). He plays a member of Captain Ahab‘s crew in Moby Dick (1956), Dan O’Flaherty in episode one, The Majesty of the Law, of The Rising of the Moon (1957), a gamekeeper in The List of Adrian Messenger (1963), and a barman in The Mackintosh Man (1973). The last two films are directed by John Huston.

In 1955, Purcell is an off-and-on regular on the British filmed TV series The Buccaneers and he narrates a Hibernian documentary, Seven Wonders of Ireland (1959). In 1962, he portrays the lusty William McCoy in Lewis Milestone‘s Mutiny on the Bounty. He plays a taciturn Irish in-law to Lebanese American entertainer Danny Thomas‘ character Danny Williams in a 1963 episode of The Danny Thomas Show. In 1971, he plays the caring rabbi in the children’s musical drama Flight of the Doves.

Purcell is the subject of This Is Your Life in 1958 when he is surprised by Eamonn Andrews at the BBC Television Theatre. He also gains some recognition as a singer. Shortly after World War II, songwriter Leo Maguire composes “The Dublin Saunter” for him. He performs the song live for many years and later records it for the Glenside label, but the recording is not a hit. However, over time it becomes one of the most favourite songs about Dublin, receiving countless airplays on radio programmes.

In 1981, Purcell records a spoken word version of Pete St. John‘s “The Rare Ould Times.” In June 1984, he is given the Freedom of the City of Dublin. Nine months later, on March 3, 1985, he dies at the age of 84 in Dublin. He is buried in Deans Grange Cemetery in Blackrock, Dublin.


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Birth of Actor Niall MacGinnis

Niall MacGinnis, Irish actor who appears in 80 motion pictures, is born in Dublin on March 29, 1913.

MacGinnis is educated at Stonyhurst College in England, and studies medicine at the University of Dublin. He qualifies as a house surgeon. During World War II, MacGinnis serves as surgeon in the Royal Navy.

MacGinnis plays a German sailor in the British war film 49th Parallel (1941) with Laurence Olivier, Leslie Howard, Eric Portman, and Raymond Massey. He portrays Captain MacMorris in Olivier’s version of Henry V (1944) and the title character in the film Martin Luther (1953). He plays the villainous Julian Karswell opposite American actor Dana Andrews in the British horror film Night of the Demon (1957), which is released in the United States as Curse of the Demon. He also plays Zeus opposite Honor Blackman‘s Hera in Jason and the Argonauts (1963), plays the arch-criminal A. J. Kent in an episode of Danger Man entitled “Battle of The Cameras” (1965), and has a supporting role in John Huston‘s film The Kremlin Letter (1969).

MacGinnis returns to medical practice during the 1970s. He dies of cancer at the age of 63 in Newport, Dyfed, Wales on January 6, 1977.