Best is born in Dublin on July 11, 1865, the youngest of fourteen children of Dublin merchant, Eldred Oldham, and Annie (née Alker). Two of her siblings are Alice Oldham, the first of nine women to graduate from university with a degree in either Great Britain or Ireland, and Charles Hubert Oldham, first professor of national economics at University College Dublin (UCD). She attends the Royal Irish Academy of Music (RIAM), studying under Margaret O’Hea and Robert Prescott Stewart. She wins the Lord O’Hagan’s prize in 1883. She is one of the first three candidates to win a scholarship to the Royal College of Music, London, in 1883, becoming an associate of the College by competitive examination in 1887. She is a close friend and confidante of the College’s director, Sir George Grove, to which his 514 letters to her from 1883 to 1899, now housed in the Royal College of Music library, testify.
Best returns to the RIAM as a piano teacher in 1887, remaining in that post until 1932. She is the first female teacher in the RIAM listed as holding a diploma in music. She is also an assistant to Michele Esposito as a local centre examiner. She is a founding member of the Feis Ceoil, undertaking large responsibility for its organisation, and it becomes an annual event under her leadership. In 1898, she describes the foundation of the Feis in a paper to the Incorporated Society of Musicians as being inspired to “ultimately do more for the art of music in Ireland than anything which has yet been attempted.” Along with Joseph Seymour and Edward Fournier she visits the Welsh Eisteddfod to compare it with the Feis, and hopes it will become as influential as the Welsh festival. She works with Eoin MacNeill and the Gaelic League to promote the Feis, and to organise prizes. Under her influence, the festival broadens its scope beyond purely Irish music. She serves as the honorary secretary of the Feis Ceoil Association from 1896 to 1905, and vice-president from 1905 to 1950. In 1897, Esposito dedicates his cantata Deirdre to her. She is a founding member of the Dublin Orchestral Society in 1899, and she succeeds Esposito as the director of music at Alexandra College, Dublin, in 1927. She is made an associate of the Royal Dublin Societyin 1892, and fellow of the RIAM in 1938.
Noone grows up in Upper Newcastle, Galway. She trains for two years at the Performing Arts School in Galway, and is a proficient musician (piano to Grade 7 level) and dancer. Her previous acting roles before starting her acting career, are in school and amateur productions and pantomime.
Noone makes her professional film debut playing Bernadette in the Peter Mullan written and directed film The Magdalene Sisters (2002). The film wins the Best Film prize in the 2002 Venice Film Festival, and is nominated as Best British Picture at the British Academy Film Awards. For her performance as Bernadette, she is nominated for British Newcomer of the Year at the 2004 London Film Critics’ Circle Awards, alongside Mullan, who wins best director and best film of the year.
In 2005, Noone is nominated for Best Supporting Actress in a Feature Film for her role as Holly in The Descent (2005) at the 3rd Irish Film & Television Awards. She is nominated in 2010 for Best Actress in a Supporting Role Film at the 7th Irish Film & Television Awards for her role in the film Savage (2009).
In 2008, Noone co-stars in Doomsday, directed by Neil Marshall, Speed Dating and Ella Enchanted. Other work includes the short films News for the Church written and directed by Andrew McCarthy and The Listener, directed by Michael Chang. She also records Walking at Ringsend for BBC Radio 4. In 2008, she appears in Insatiable.
In 2020, Noone receives a nomination Best Actress in a Leading Role Film at the 17th Irish Film & Television Awards for her performance as Lauren in Wildfire. In 2022, she is involved in the relaunch of The Ipcress File, as Dr. Karen Newton.
In 2023, Noone returns to Ireland as Detective Sergeant Claire Wallace in the RTÉ crime series Hidden Assets.
In 2023, Noone moves back to live in Galway while filming Hidden Assets. She and her husband, fellow actor Chris Marquette, have a daughter in 2020. This is one reason that she decides to return to Ireland.
Russell is born in Doonagore, Doolin, County Clare, on March 25, 1915. He comes from a musically renowned family. His mother plays the concertina, and his father is a sean-nós singer. He has two brothers, Packie and Gussie, who are also musicians. He also has two sisters. He never marries.
Russell teaches himself to play the tin whistle by ear, beginning at the age of eleven. The 1960s revival of Irish traditional music brings him attention and performance opportunities. In 1973, he wins the All-Ireland tin whistle competition, which further increases demand for his performances. Like Séamus Ennis, he is also known for his spoken introductions to tunes in his live performances, which incorporate folklore and legend. His knowledge of tradition extends past music to language, stories, dance, herbal lore, and old country cures.
“Micho Russell’s Reel,” Russell’s only known composition, is a variant of an older tune he calls “Carthy’s Reel.” He tells Charlie Piggott, “…So Carthy was beyond anyway, and he heard the old tune from a piper playing it, and he had the first part but only three-quarters of the second part. So when Séamus Ennis came around collecting music, I put in the last bit. That’s roughly the story of the tune.” The reel has been recorded by other artists such as Mary Bergin. His best-known songs are John Phillip Holland and The Well of Spring Water.
Russell dies in a car accident on February 19, 1994, in Kilcolgan, County Galway, on his way home from a gig just prior to going back into the studio to record another CD.
She is the eldest daughter of John and Anne Gaynor, of Athlone. At the age of fifteen she moves with her family to Dublin where her education is completed. Two of her sisters, Anna and Marcella, become nuns with Religious Sisters of Charity. At twenty-five, she marries the much older George Atkinson, a medical doctor and, with Sir John Gray, joint proprietor of the Freeman’s Journal. They are both interested in art and she accompanies her husband on many trips abroad, taking in the cultural centres of Europe. At home they make the acquaintance of prominent politicians, journalists and musicians. Regular guests at their house are Dr. John Shaw, editor of the Evening Mail, Rosa Mulholland and Katharine Tynan.
The loss of her only child in his fourth year deeply affected Atkinson and she throws herself into charitable and other good works. She moves with her husband to Drumcondra in Dublin, where she makes the acquaintance of Ellen Woodlock. Woodlock, a sister of Francis Sylvester Mahony, is born in Cork, County Cork, in 1811 and is married in 1830 and widowed quite young, just before the birth of her only son. Woodlock is the sister-in-law of Rev. Dr. Bartholomew Woodlock, who is President of All Hallows College. She intends to join a religious community in France but after spending a few years in that country (with her son in a nearby school) returns to Cork and then moves to Dublin. At this time the post-famine city is inundated with poverty-stricken families and abandoned children. Fever and disease are rife, and the Poor Law of the day is insufficient to meet the needs of the starving population. Many evictions are taking place in deplorable circumstances, which force the poor, however reluctantly, to seek refuge in the workhouses. The most vulnerable sections of the community are single women (including widows) and children. Woodlock is totally against placing children in workhouses and founds St. Joseph’s Industrial Institute in 1855 to rescue girls from that situation. With her, Atkinson interests herself in the female paupers of the South Dublin Union. With much difficulty in the 1860s, she gains permission for ladies like herself to enter and inspect the condition of young girls in the North and South Dublin Unions, after which she opens a better home to which many were transferred. She campaigns for years to improve the state of the workhouses and provide better conditions for the poverty-stricken. One of her sisters runs the Our Lady’s Hospice in Dublin, to which she donates funds. She helps Woodlock establish the Children’s Health Ireland at 9 Buckingham Street in 1872, which later moves to Temple Street, which she visits every day. Every week she visits hospitals and prisons, in the 1880s accompanying Katharine Tynan to visit the last of the Land Leaguers incarcerated in Kilmainham Gaol.
From the 1850s Atkinson contributes a large number of historical and biographical articles and essays to several publications, including Duffy’s Hibernian Magazine, The Month, The Nation and the Freeman’s Journal. She later writes for the Irish Monthly after it is established, and for the Irish Quarterly Review. Her Life of Mary Aikenhead is published in 1875 and is very well received. She follows this with biographies of the Irish sculptors John Henry Foley and John Hogan and also a life of Catherine of Siena. A collection of her essays, with a preface and biography by Rosa Mulholland, is published posthumously in 1895.
Atkinson dies in County Dublin on July 8, 1893, and is buried in Glasnevin Cemetery, Dublin, where the cemetery committee places a Celtic cross as a monument to her and her husband after his death on December 8, 1893.
Séamus Ennis (Irish: Séamas Mac Aonghusa), Irish musician, singer and Irish music collector, dies in Naul, County Dublin, on October 5, 1982. He is most noted for his uilleann pipe playing and is partly responsible for the revival of the instrument during the twentieth century, having co-founded Na Píobairí Uilleann, a nonprofit organisation dedicated to the promotion of the uilleann pipes and its music. He is recognised for preserving almost 2,000 Irish songs and dance-tunes as part of the work he does with the Irish Folklore Commission. He is widely regarded as one of the greatest uilleann pipers of all time.
Ennis’s father, James, works for the Irish civil service at Naul, County Dublin. In 1908, James Ennis is in a pawn shop in London and purchases a bag containing the pieces of a set of old uilleann pipes. They were made in the mid nineteenth century by Coyne Pipemakers of Thomas Street in Dublin. In 1912, he comes in first in the Oireachtas competition for warpipes and second in the uilleann pipes. He is also a prize-winning dancer. In 1916, he marries Mary Josephine McCabe, an accomplished fiddle player from County Monaghan. They have six children, Angela, Séamus, Barbara, and twins, Cormac and Ursula (Pixie) and Desmond. Séamus is born on May 5, 1919, in Jamestown in Finglas, Dublin. James Ennis is a member of the Fingal trio, which includes Frank O’Higgins on fiddle and John Cawley on flute, and performs regularly with them on the radio. At the age of thirteen, Séamus starts receiving lessons on the pipes from his father. He attends a Gaelscoil, Cholmcille, and a Gaelcholáiste, Coláiste Mhuire, which gives him a knowledge of the Irish language that serves him well in later life. He sits in an exam to become Employment Exchange clerk but is too far down the list to be offered a job. He is twenty and unemployed.
Colm Ó Lochlainn is editor of Irish Street Ballads and a friend of the Ennis family. In 1938, Ennis confides in Colm that he intends to move to England to join the British Army. Colm immediately offers him a job at The Three Candles Press. There Ennis learns all aspects of the printing trade. This includes writing down slow airs for printed scores – a skill which later proves important. Colm is director of an Irish language choir, An Claisceadal, which Ennis joins. In 1942, during The Emergency, shortages and rationing mean that things become difficult in the printing trade. Professor Seamus Ó Duilearge of the Irish Folklore Commission hires the 23-year-old to collect songs. He is given “pen, paper and pushbike” and a salary of three pounds per week. Off he goes to Connemara.
From 1942 to 1947, working for the Irish Folklore Commission, Ennis collects songs in west Munster; counties Galway, Cavan, Mayo, Donegal, Kerry; the Aran Islands and the Scottish Hebrides. His knowledge of Scottish Gaelic enables him to transcribe much of the John Lorne Campbell collection of songs. Elizabeth Cronin of Ballyvourney, County Cork, is so keen to chat to Ennis on his visits that she writes down her own songs and hands them over as he arrives, and then gets down to conversation. He has a natural empathy with the musicians and singers he meets. In August 1947, he starts work as an outside broadcast officer with Raidió Éireann. He is a presenter and records Willie Clancy, Seán Reid and Micho Russell for the first time. There is an air of authority in his voice. In 1951, Alan Lomax and Jean Ritchie arrived from the United States to record Irish songs and tunes. The tables are turned as Ennis becomes the subject of someone else’s collection. There is a photograph from 1952/53 showing Ritchie huddled over the tape recorder while Ennis plays uilleann pipes.
Late in 1951, Ennis joins the BBC. He moves to London to work with producer Brian George. In 1952, he marries Margaret Glynn. They have two children, the organist Catherine Ennis and Christopher. His job is to record the traditional music of England, Scotland, Wales and Ireland and to present it on the BBC Home Service. The programme is called As I Roved Out and runs until 1958. Meeting up with Alan Lomax again, he is largely responsible for the album Folk and Primitive Music (volume on Ireland) on the Columbia Records label.
In 1958, after his contract with the BBC is not renewed, Ennis starts doing freelance work, first in England then back in Ireland, with the new TV station Teilifis Éireann. Soon he is relying totally on his musical ability to make a living. About this time, his marriage breaks down and he returns to Ireland. He suffers from tuberculosis and is ill for some time. In 1964, he performs at the Newport Folk Festival. His father gives him the pipes he had bought in 1908. Although most pipers can be classed as playing in a tight style or an open style, Ennis is in between. He is a master of the slow air, knowing how to decorate long notes with taste and discreet variation.
Two events will live in legend among pipers. The first is in Bettystown, County Meath, in 1968, when the society of Irish pipers, Na Píobairí Uilleann, is formed. Breandán Breathnach is playing a tape of his own piping. Ennis asks, “What year?” Breandán replies, “1948.” Ennis says, “So I thought.” For a couple of hours the younger players perform while Ennis sits in silence. Eventually he is asked to play. Slowly he takes off his coat and rolls up his sleeves. He spends 20 minutes tuning up his 130-year-old pipes. He then asks the gathering whether all the tape recorders are ready and proceeds to play for over an hour. To everyone’s astonishment he then offers his precious pipes to Willie Clancy to play a set. Clancy demurs but eventually gives in. Next, Liam O’Flynn is asked to play them, and so on, round the room. The second unforgettable session is in Dowlings’ Pub in Prosperous, County Kildare. Christy Moore is there, as well as most of the future members of Planxty.
Ennis never runs any school of piping but his enthusiasm infuses everyone he meets. In the early 1970s, he shares a house with Liam O’Flynn for almost three years. Finally, he purchases a piece of land in Naul and lives in a mobile home there. One of his last performances is at the Willie Clancy Summer School in 1982. He dies on October 5, 1982. His pipes are bequeathed to Liam O’Flynn. Radio producer Peter Browne produces a compilation of his performances, called The Return from Fingal, spanning 40 years.
Séamus Ennis Road in his native Finglas is named in his honour. The Séamus Ennis Arts Centre in Naul is opened in his honour, to commemorate his work and to promote the traditional arts. He is also the subject of Christy Moore’s song “The Easter Snow.” This is the title of a slow air Ennis used to play, and one after which he named his final home in Naul.
Rosenstock first comes to the attention of the Irish public playing the role of Dr. David Hanlon in the soap operaGlenroe in the 1990s.
However, he is now best known for the popular Gift Grub segments which have featured on The Ian Dempsey Breakfast Show on Today FM since May 1999 which Rosenstock creates alongside Paul McLoone, a radio presenter with Today FM and frontman of the Northern Irish pop-punk/new-wave band, The Undertones.
Gift Grub is a series of comic sketches, impersonations and parodies that featured Rosenstock assuming the personae of Bertie Ahern, Ronan Keating, Colin Farrell and Roy Keane among many others. He also provides the manic voice of Right Price Tiles radio spokesperson “Daft Dave.”
Rosenstock performs an impersonation of José Mourinho in a parody of a song from the musical Joseph and the Amazing Technicolor Dreamcoat. This spreads like wildfire on Internet message boards and eventually it is played on a Sky Sports broadcast. Mourinho hears the song and enjoys the impersonation so much he asks Rosenstock to perform a private show for him and the Chelsea F.C. squad. Rosenstock later releases, with Mourinho’s blessing, a single version of “José and his Amazing Technicolor Overcoat.” He also releases another song (“I Sign a Little Player or Two“) on the internet with a parody of Mourinho in an interview then breaking into song.
In 2005, Rosenstock achieves the Christmas number one single in the Irish Singles Chart, with a parody of Will Young‘s song Leave Right Now (which itself is a Christmas number-one in 2003). The parody concerned Roy Keane’s controversial departure from Manchester United and his falling-out with Alex Ferguson.
Between December 2007 and May 2009, Rosenstock works on a puppet comedy series entitled Special 1 TV (originally known as I’m on Setanta Sports), which is presented as a parody weekly football talk show hosted by “José Mourinho.” He voices all the puppet characters on the sketch, with the exception of “Rafael Benitez,” who is performed by Keith Burke, including the main character Mourinho, his studio co-hosts “Sven-Göran Eriksson” and “Wayne Rooney,” and regular phone-in callers like “Alex Ferguson,” “Arsène Wenger,” “Roy Keane” and “Mick McCarthy,” as well as the non-football-related characters, Nelson Mandela, Willie Nelson, Barack Obama and Tom Cruise.
Rosenstock receives the Outstanding Achievement Award at the 11th annual PPI (Phonographic Performance Ireland) Radio Awards in 2011.
In November 2012 his new show called The Mario Rosenstock Show starts on RTÉ2. A second series of the show begins to air in September 2013.
Three years after moving to the United States, Moloney co-founds Green Fields of America, an ensemble of Irish musicians, singers, and dancers which tour across the country on several occasions. He also serves as the artistic director for several major arts tours. One of these is the 1985 festival in Manhattan titled “Cherish the Ladies” to highlight female musicians in the area of Irish traditional music, which had been dominated by men until that decade. He produces an album for the female group by the same name titled Irish Women Musicians in America. The group’s leader, Joanie Madden, is one of several future fellows of the National Endowment for the Arts (NEA) to be mentored by Moloney. He produces and performs on over 70 albums and serves as advisor for numerous festivals and concerts across America, with ethnomusicologist and musician Daniel T. Neely putting the figure as high as 125 albums.
In addition to music performance, Moloney writes Far from the Shamrock Shore: The Story of Irish American History Through Song, which is published by Crown Publications in February 2002 with a supplementary CD on Shanachie Records. He hosts three nationally syndicated series covering folk music on American Public Television (APT). He works as a consultant, performer, and interviewee on the RTÉ special Bringing It All Back Home, and is also a participant, consultant, and music arranger for Out of Ireland, a documentary film by PBS. He performs on the PBS special The Irish in America: Long Journey Home.
Moloney is married three times over the course of his life. His first marriage is to Miriam Murphy. His second marriage is to Philomena Murray. Together, they have one child but eventually divorce. His third marriage to Judy Sherman also ends in divorce. He is in a domestic partnership with Sangjan Chailungka at the time of his death. During his later years, he divides his time between Bangkok, where he resides with Chailungka, and his apartment in Greenwich Village. In Bangkok, he volunteers as a music therapist and teacher for abandoned children with HIV at the Mercy Center in the Khlong Toei district, which is founded by the Redemptorist priest Joseph H. Maier.
Moloney dies at the age of 77 on July 27, 2022, at his home in Manhattan, having played at the Maine Celtic Festival less than a week before. The cause of death is not announced.
Kian John Francis Egan, Irish pop singer, songwriter and musician, best known as a member of pop group Westlife, is born on April 29, 1980, in Sligo, County Sligo. Westlife has released twelve albums, embarked on thirteen world tours, and won numerous awards, becoming one of the most successful musical groups of all time.
Egan is born to Kevin Egan and Patricia Egan (née Moore). He is the fifth of their seven children. He attends Summerhill College secondary school in Sligo, where he meets fellow band members Mark Feehily and Shane Filan. He is the cousin of Filan’s wife, Gillian Walsh. Before Westlife, he works at a jeans store.
In his early musical years, Egan is part of a rock band named Skrod. He can play at least five musical instruments, including guitar, piano, and drums. He is a grade 8 pianist and was taught piano by his brother Gavin Egan, a university music graduate and full-time teacher of music in the UK. Before he is in Westlife, he is part of a pop group called Six as One, which later changes its name to IOYOU, with fellow Westlife members Mark Feehily and Shane Filan, alongside Graham Keighron, Michael “Miggles” Garrett and Derrick Lacey.
After IOUYOU is signed by Louis Walsh, its lineup changes to include Egan, Mark Feehily, Shane Filan and two new members – Nicky Byrne and Brian McFadden. The band’s name changes to Westside and later to Westlife. Westlife splits up in 2012 after a Greatest Hits Tour.
During a year long hiatus from Westlife in 2008, Egan launches a new venture with Louis Walsh to put together and co-manage girlband, Wonderland, which includes Jodi Albert, who on May 8, 2009, becomes Egan’s wife. Wonderland’s debut album reaches number 6 on the Irish Albums Chart and number 8 on the UK Albums Chart, however, just four months later, they are dropped by Mercury Records and eventually split up.
In June 2012, Egan announces in an interview with the Sunday Life that he is “looking at doing a TV show with Sky on surfing.” Later reports suggest that the show would be eight episodes long and would broadcast on Sky One later in the year.
In July 2012, Egan presents the British programme This Morning’s Hub on a regular basis, standing in for the regular hosts. Later that year, every Friday morning in October, he begins giving reports on another British programme, This Morning, about the remaining contestants in the ninth series of The X Factor, before the competition’s live shows that weekend.
On October 21, 2012, Egan co-presents the revamped version of Surprise Surprise, but does not return the following year.
In 2013, Egan appears on the thirteenth series of I’m A Celebrity…Get Me Out Of Here! He is ultimately crowned King Of The Jungle, which contributes to an invitation to being signed by Rhino Records to create his Home album.
In January 2014, Egan signs with Rhino Records of Warner Music Group and his debut album Home is released on March 14 of that year in Ireland and March 17 in the UK. His debut single “Home“, a cover of a song by the band Daughtry, has its first exclusive play on BBC Radio 2 on lunch time with Terry Wogan‘s show. The album peaks at number 2 on the Irish Albums Chart and number 9 on the UK Albums Chart. In May 2014, he releases the second single from the album, “I’ll Be,” a cover of the track by Edwin McCain.
In October 2018, Westlife announces the group’s reunion as a four-piece. In 2019, the group headlines “The Twenty Tour,” named in honour of Westlife’s 20th anniversary since its formation and the release of its first single, “Swear It Again,” in 1999. In addition to touring, Westlife also releases new music. “Hello My Love,” the first single from the group’s upcoming album, debuts on The Graham Norton Show in January 2019.
Egan is one of four coaches on The Voice of Ireland. However, his dreams of winning the show go to tatters as he throws his lot in with Jim Devine from Northern Ireland. This immediately puts him at a disadvantage to the other contestants as, ahead of the final, viewers in Northern Ireland cannot download his single, the tally of which contributes to his vote. He is left fuming and in need of support from Sharon Corr as he expresses his opinion on the unfairness of it all and has “huge rows” about it but to no avail.
Egan and his wife and three sons live in Strandhill, County Sligo. He is ranked number five on Ireland’s Sexiest Man of 2014. As of 2017, his net worth is 18 million euros.
Bill Whelan, composer and musician, is born in Limerick, County Limerick, on May 22, 1950. He is best known for composing a piece for the interval of the 1994 Eurovision Song Contest. The result, Riverdance, is a seven-minute display of traditional Irish dancing that becomes a full-length stage production and spawns a worldwide craze for Irish dancing and Celtic music. It also wins him a Grammy. Riverdance is released as a single in the UK in 1994, credited to “Bill Whelan and Anúna featuring the RTÉ Concert Orchestra.” It reaches number 9 and stays on the charts for 16 weeks. The album of the same title reaches number 31 in the album charts in 1995.
Whelan also composes a symphonic suite version of Riverdance, with its premiere performed by the Ulster Orchestra on BBC Radio 3 in August 2014.
As an arranger and composer, Whelan’s credits include:
The Seville Suite, which is inspired by the exploits of Aodh Rua Ó Dónaill from the Battle of Kinsale in 1601 until his arrival in Galicia to the welcome of The Spanish Earl of Caraçena. In addition to the orchestra, The Seville Suite includes Celtic music on uilleann pipes, accordion, bodhrán, fiddle as well as Galician harp, whistles and pipes.
The Spirit of Mayo, performed by an 85-piece orchestra in Dublin‘s National Concert Hall and featuring a powerful Celtic drum corps and a 200 strong choir and choral group Anúna.
Whelan’s Celtic/Orchestral release, The Connemara Suite, features the Irish Chamber Orchestra along with soloists Zoë Conway, Morgan Crowley, Colin Dunne (Dance Percussion) and Fionnuala Hunt.
seamus dubhghaill 