seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

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Death of John Havelock Nelson, Composer & Conductor

John Havelock Nelson, composer and conductor, dies in Belfast, Northern Ireland, on August 5, 1996. He makes an immense contribution to the development of the cultural life of the province – and beyond – over the second half of the 20th century.

Nelson is born of middle-class parents in Cork, County Cork, on May 25, 1917, his distinctive forename being taken from a cousin of his mother who lost his life in World War I. Despite his birthplace, both his parents’ ancestral roots lie firmly in Northern Ireland.

Nelson’s father Robert comes from Larne, County Antrim, where he was raised. However, the early years of his mother Grace are quite eventful. She is born in the Belgian Congo on account of her father’s placement there as a missionary in the latter years of the 19th century (his family hail from Tobermore, County Londonderry). She is eventually sent home at an early age, due to the threat of malaria, and is raised in Belfast by an aunt and uncle who have no family of their own. It appears that Nelson inherits his musical genes from both parents. Although his father is trained as a chartered accountant, he is a capable baritone singer who studies in the early 1900s with C. J. Brennan, later to become the organist and choirmaster at St. Anne’s Cathedral, Belfast). Meanwhile, his mother shows talent as a pianist during her upbringing in her adopted city and by her early 20s is offering her services as an accompanist.

By chance, this is how his parents meet. They marry in 1916, shortly before their arrival in Cork where Robert takes up his first accountancy job. Within a month of Nelson’s birth, the family moves to Dublin where his father has secured a better post, eventually settling near Dún Laoghaire, just south of the capital city. From the age of five, now the eldest of four brothers born a year apart, he starts piano lessons and makes such rapid progress that, by the age of ten, he is able to play in a piano trio and to accompany his father in informal concerts. By the age of twelve, he wins a scholarship to the Royal Irish Academy of Music, Dublin, giving him the opportunity to study piano and theory and helping him to establish his core musical skills. Soon he adds conducting and organ lessons to his study programme.

As far as Nelson’s general education is concerned, this is completed at St. Andrew’s College, Dublin, where he excels in English, history and the sciences. By his late teens, he is determined to pursue a professional career as a musician. His father, however, exercises caution in this regard, advising him to take a science degree in the first instance. Consequently, he gains entry to Trinity College Dublin (TCD) in 1935 to read Natural Science, then makes a decision the following year to change to Medical Science. By 1939, he completes his primary degree in Medical Science, leading to doctoral research in bacteriology. At the same time, he begins a 4-year music degree at TCD while remaining musically active outside the university in relation to his piano studies, and also co-founds and conducts the Dublin Orchestral Players, a body that continues to provide an invaluable platform for amateur performers. He completes his university studies in 1943, graduating with a PhD in Medical Science and a primary Music degree. Seven years later he also completes a doctorate in Music from the same university.

His university career now behind him, like many fellow Irishmen, Nelson feels a desire to contribute to the World War II effort and applies for a commission in the medical branch of the Royal Air Force (RAF) in 1944. Eventually, he is called up and located at RAF Halton, Buckinghamshire, where he remains until after the end of the War, only returning to Dublin for his marriage in 1945. By nature, an outgoing, sociable person, he wastes no time in immersing himself in music-making activities when off duty, both inside and outside his RAF base. It is during this immediate post-war period that he becomes convinced that he wants to pursue a career in music. By chance, his attention is drawn to a BBC advertisement regarding a number of regional posts for staff accompanists, including Northern Ireland. His application is successful, and he reports for duty at BBC Northern Ireland in March 1947, where he remains for the next 30 years. In his new post, his main role is to play and accompany on the piano. To this end, he becomes involved in a number of new radio programmes, notably Children’s Hour. Elsewhere, he composes and arranges music for adult dramas and serials, the best known being The McCooeys. Another responsibility is to assist in auditioning local musicians for broadcasting opportunities, a process that uncovers much local talent, including a young James Galway. While his activities revolve around radio work in the 1950s, the next 20 years embrace opportunities arising from the new medium of television, including the popular Songs of Praise which involve him as conductor.

Nelson’s decision to retire from the BBC in 1977 enables him to focus fully on his free-lance career which had been running parallel, up until then, with his broadcasting work. In this capacity he is able to give full rein to his diverse range of musical skills as choral and orchestral conductor, chamber musician, music-festival adjudicator, composer and arranger. One should not overlook his role as animateur in founding the Studio Symphony Orchestra (1947) and the Studio Opera Group (1950). Both became integral parts of the local cultural scene during Nelson’s lifetime. His contribution as a festival adjudicator is an important activity, notably when undertaking tours abroad, including to Canada and the Caribbean. His visits to the latter area lead him to form the Trinidad and Tobago Opera Company shortly after his BBC retirement. In his busy lifestyle, he makes time to satisfy his creative energy as a composer and arranger. In total he publishes over 100 pieces, many inspired by his love of Irish traditional song and are of short duration and scored for a variety of vocal combinations. His enjoyment of his reputation as a piano accompanist of international standing is confirmed by his association with some of the leading Irish and British professional singers of the period, including Bernadette Greevy (soprano), Margaret Marshall (soprano), Peter Pears (tenor) and Ian Wallace (bass-baritone).

During his lifetime, Nelson’s outstanding services to music, both inside and outside the province, are recognised by a number of awards. The first of these is an OBE in 1966, followed in the latter part of his life by four honorary doctorates, three from local universities. A gifted and versatile musician, his personality is described by one colleague as “magnetic”- he has the unique ability to reach out to everybody irrespective of their age, status and position in life in whatever role he performs. In his best-known role as a conductor, a critic says of him that, “Dr. Nelson has a remarkable touch in getting people to do what he wants in the pleasantest way possible.” His vision and determination help to establish a vibrant music culture throughout Northern Ireland, an achievement that will remain his lasting legacy.

Nelson is survived by his three children and eight grandchildren; his wife Hazel having predeceased him in 1983.

(From: “John Havelock Nelson (1917-1996),” Dictionary of Ulster Biography, http://www.newulsterbiography.co.uk)


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Death of Sculptor Conor Fallon

Irish sculptor Conor Hubert Fallon dies of lung cancer at the Blackrock Clinic, County Dublin, on October 3, 2007.

Fallon is born at Holles Street Hospital, Dublin, on January 30, 1939, the third of six sons of Padraic Fallon, the Irish poet and playwright, and Dorothea Maher. The family moves to Clonard, County Wexford, where he grows up. He has three surviving brothers, Brian, Ivan and Padraic, who have all had journalism careers. His early interest in literature and the arts is nourished by his father and elder brothers, and by contact with the cultured circle of writers, artists, musicians and intellectuals within which his father moves.

Fallon is educated at St. Peter’s College, Wexford, and Trinity College, Dublin. He begins painting in 1957 while at Trinity College, where he is studying natural science but is advised to pay more attention to his art. His interest in painting is probably inspired by the example of Tony O’Malley, a close family friend. As a compromise with his father, who does not see his talent, he also studies accountancy at night.

Largely self-taught in painting, he learns fundamentals of technique from Richard Kingston, to whom he is introduced by O’Malley. He largely paints landscapes in acrylic and gouache, in a manner heavily influenced by that of Jack Butler Yeats.

In 1964, Fallon visits O’Malley in St. Ives, Cornwall, where he had emigrated several years earlier, intending also to meet the Cornish abstract landscape painter Peter Lanyon, the chief creative force in the thriving artists’ colony centred on St. Ives. His arrival, however, coincides with Lanyon’s death from injuries suffered in a gliding accident. A gently sympathetic stranger amid the bereaved artistic community, he finds an immediate empathy and rapport with Nancy Wynne-Jones, a Welsh-born painter sixteen years his senior who had studied under Lanyon. They marry in 1966. They adopt two children in 1970, siblings John and Bridget.

Encouraged to take up sculpture, English sculptor Denis Mitchell becomes Fallon’s mentor in Cornwall, and with Breon O’Casey, he develops his sculpting. He becomes notable for his cast steel and bronze work, especially birds, horses and hares. He has his first solo exhibition in Newlyn in 1972, showing both painting and sculpture.

In May 1972, Fallon moves with his family back to Ireland, settling at Scilly House, on a hillside overlooking the harbour at Kinsale, County Cork. Removed from any centre of artistic activity, he devotes himself fulltime to a solitary development of his sculpture, refining his methodology and technique, and his skills in working various metals, beginning in 1974 to work in steel. In 1975, he first exhibits in Ireland at a solo show at the Emmet Gallery, Dublin, again showing both painting and sculpture, including his first steel sculptures to be exhibited.

Beginning in 1983, Fallon exhibits regularly with the Taylor Galleries, Dublin. Desiring closer proximity to Dublin art activities, and with their children attending university in the city, Fallon and his wife move in 1987 to Ballard House, Ballinaclash, Rathdrum, County Wicklow.

In 1980, Fallon is awarded the Oireachtas gold medal for sculpture. He becomes an honorary associate of the National College of Art and Design in 1993. He is secretary of the Royal Hibernian Academy, becoming a full member in 1989, and on the board of the National Gallery of Ireland. He is also elected to Aosdána in 1984.

In the summer of 2007, some six months after his wife’s death, Fallon wis diagnosed with advanced metastatic lung cancer. He dies on October 3, 2007, at the Blackrock Clinic, County Dublin, and is buried beside his wife in Ballinatone churchyard, Greenan, Rathdrum, County Wicklow.


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Death of Composer Brian Patrick Boydell

Brian Patrick Boydell, Irish composer whose works include orchestral pieces, chamber music, and songs, dies on November 8, 2000. He is Professor of Music at Trinity College Dublin for 20 years, founder of the Dowland Consort, conductor of the Dublin Orchestral Players, and a prolific broadcaster and writer on musical matters. He was also a prolific musicologist specialising in 18th-century Irish musical history.

Boydell is born on March 17, 1917, in Howth, County Dublin, into a prosperous Anglo-Irish family. His father James runs the family maltings business while his mother, Eileen Collins, is one of the first women graduates of Trinity College. Following their son’s birth, the Boydells move from Howth and live in a succession of rented houses before settling in Shankill, County Dublin. The young Boydell begins his formal education at Monkstown Park in Dublin and is subsequently sent to the Dragon School at Oxford, England. From there he goes to Rugby School, where he comes under the influence of Kenneth Stubbs, the music master. Although he later speaks of his resentment at the anti-Irish attitude he experiences at Rugby, he appreciates the very good education in science and music he receives there.

Having completed his secondary education, Boydell spends the summer of 1935 developing his musical knowledge at Heidelberg, Germany, where he writes his first songs and also studies organ. He wins a choral scholarship to Clare College, Cambridge, where, perhaps through parental pressure, he studies natural science, graduating in 1938 with a first-class degree.

However, his love of music leads him next to the Royal College of Music where he studies composition under Patrick Hadley, Herbert Howells and Vaughan Williams. Already a good pianist, he also becomes a proficient oboe player during this time.

Upon the outbreak of World War II, Boydell returns to Dublin and achieves further academic success in 1942 with a Bachelor of Music degree from Trinity College. He also takes further lessons in composition from John F. Larchet.

Boydell’s busy working life combines teaching, performing and composing. Following a brief stint in his father’s business, he plunges himself into Dublin’s classical music scene. In 1943, he succeeds Havelock Nelson as conductor of the Dublin Orchestral Players, beginning an association with the amateur orchestra that endures for a quarter of a century (until 1966). In 1944, he is appointed Professor of Singing at the Royal Irish Academy of Music, a position he holds for eight years. Along with fellow composers Edgar M. Deale, Aloys Fleischmann, and Frederick May he founds the Music Association of Ireland in 1948 as a vehicle to promote classical music throughout the country.

Boydell’s interest in Renaissance music, in particular the madrigal, leads in 1959 to founding the Dowland Consort, a vocal ensemble with which he performs for many years and records an LP. In 1962, having obtained a Doctorate in Music, he is appointed Professor of Music at Trinity College, a position he holds until 1982. He immediately revamps the course making it more relevant to the second half of the twentieth century. He also finds time to sit on the Arts Council throughout the 1960s, 70s, and early 80s.

Boydell’s communication skills combined with his infectious enthusiasm makes him a natural broadcaster. The appeal of his programmes on the history and performance of music, first on RTÉ Radio 1 and later on Telefís Éireann, go beyond a specialist audience and are, for many people, their introduction to a new world of aural pleasure.

Boydell has many interests beyond music. As a surrealist painter in the 1940s, having taken lessons from Mainie Jellett, he is a member of The White Stag Group. He is also passionate about cars and photography.

Following retirement from Trinity as Fellow Emeritus, Boydell devotes himself to musical scholarship, writing two books on the music of 18th century Dublin. He also contributes to The New Grove Dictionary of Music and Musicians.

Boydell dies at his home in Howth on November 8, 2000, at the age of 83 and in the company of his wife of 56 years, Mary (née Jones) and their sons, Cormac and Barra. A third son, Marnac, predeceases him.

Boydell is awarded several honorary titles in recognition of his services to music, including the Honorary Doctorate of Music from the National University of Ireland (1974), the Order of Merit of the Italian Republic (1983), the election to Aosdána, Ireland’s academy of creative artists (1984), and Honorary Fellowship of the Royal Irish Academy of Music (1990).


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Birth of William Ireland de Courcy Wheeler, Surgeon

William Ireland de Courcy Wheeler, surgeon, is born on May 9, 1879, in Dublin, fourth son among six sons and four daughters of William Ireland de Courcy Wheeler, a distinguished doctor, and Frances Victoria Wheeler (née Shaw), cousin of George Bernard Shaw.

Wheeler is educated at Trinity College Dublin (TCD) and loses an eye as a result of an accident but overcomes the disability. He wins a moderatorship, a medal, and prizes and graduates BA (1899) in anatomy, natural science, and experimental science and, following postgraduate study in Berne, an MB, B.Ch., and MD (1902). The following year he receives the Dublin University Biological Association’s medal for his paper Deaths under chloroform. He is appointed demonstrator and assistant to the professor of the TCD anatomy department before becoming honorary surgeon (1904–32) to Mercer’s Hospital, Dublin. He is also attached to several other institutions including the Rotunda Hospital and the National Children’s Hospital. An outstanding teacher, he attracts large numbers to his clinical classes and lectures in surgery to postgraduates at TCD.

Ambitious and abounding in self-confidence, Wheeler dedicates all his indomitable energy and time to his work, is a frequent visitor to foreign clinics, becomes a skilled general surgeon and a specialist in orthopaedics, and earns an international reputation. During World War I he serves in the Royal Army Medical Corps (RAMC) and from 1915 converts his private hospital, 33 Upper Fitzwilliam Street, into the Dublin Hospital for Wounded Officers and makes it available to the St. John’s Ambulance brigade and the British Red Cross. He acts as honorary officer in charge and is also surgeon to the Duke of Connaught‘s Hospital for Limbless Soldiers, and honorary surgeon to the forces in Ireland.

In 1916, Wheeler visits the western front, tours the hospitals in Boulogne, and is attached to a casualty clearing station at Remy Siding near Ypres. Returning to Dublin on the request of Robert Jones, he organises the Dublin Military Orthopaedic Centre, Blackrock, where he serves as surgeon (1916–21). His advice is widely sought, and he serves on several committees, including the War Office Council of Consulting Surgeons (1917) and the Ministry of Pensions Medical Advisory Council on Artificial Limbs. Promoted to lieutenant colonel in 1918, he receives the General Service Medal and is twice mentioned in dispatches, having courageously treated wounded soldiers under fire during the 1916 Easter Rising. Appointed surgeon-in-ordinary to the lord-lieutenant, he is knighted in 1919.

Principal founder of the Dublin Hospitals’ Club (1922), Wheeler publishes two textbooks, A Handbook of Operative Surgery (1906) and Selected Papers on Injuries and Diseases of Bone (1928). He contributes numerous authoritative papers on a variety of surgical subjects to professional journals and edits the chapter on general surgery in the Medical Annual from 1916 to 1936. Inspector of examinations for the Medical Research Council of Ireland, he is external examiner to universities in Ireland and Scotland. Interested in hospital policy and nursing, he advocates the federation of the smaller hospitals and is chairman of the City of Dublin Nursing Institute. Fellow (1905) and council member (1906), he follows in his father’s footsteps and is elected president (1922–24) of the Royal College of Surgeons in Ireland. He is also president of the Dublin University Biological Association and of the surgical section of the Royal Academy of Medicine in Ireland and is awarded an honorary ChM from Cairo University in 1928.

Troubled and bewildered by the political situation in Ireland, Wheeler is persuaded by Rupert Guinness, 2nd Earl of Iveagh, to accept the position of visiting surgeon (1932) to the new hospital at Southend-on-Sea, Essex, to which Iveagh had donated £200,000. The departure of such a leading figure in Irish medical circles is widely regretted. His posts in London include surgeoncies to All Saints Hospital for Genito-Urinary Diseases and to the Metropolitan Ear, Nose, and Throat Hospital. The diversity of his interests and his general competence make him a valued member of the editorial staff of several journals including the British Journal of Surgery, the British Journal of Urology, and the American Journal of Surgery, Gynaecology, and Obstetrics. He is also a member of the American Editors Association. He enjoys many affiliations with America, where he is well known and honoured by being elected honorable fellow of the American College of Surgeons and selected as their John B. Murphy orator (1932), and by election as honorary member and president of the Post Graduate Assembly of North America. An active member of the British Medical Association, he is president of the Leinster branch (1925–26) and of the Orthopaedic section (1933), vice-president of the Surgical section (1930, 1932), and chairman of the council and president of the Metropolitan Counties Branch (1938). President of the Irish Medical Schools and Graduates Association, he is awarded their Arnott gold medal in 1935.

During World War II Wheeler serves as consultant surgeon to the Royal Navy in Scotland, with the rank of rear admiral (1939–43) and is posted to Aberdeen. Strong-minded, unconventional, and often controversial, he has a gift for friendship, is charming and good-humoured, and excels in the art of the after-dinner speech. Immensely proud of Dublin’s medical and surgical traditions, he always eagerly returned to Ireland, where he planned to retire and write his memoirs.

Wheeler dies suddenly on September 11, 1943, at his home in Aberdeen and is cremated at the Aberdeen crematorium. As a memorial to his father, he bequeaths his library and that of his father to the Royal College of Surgeons in Ireland, and also leaves a fund for the Sir William Wheeler memorial medal in surgery.


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Birth of James Logan, 14th Mayor of Philadelphia

James Logan, a Scotch-Irish colonial American statesman, administrator, and scholar who serves as the fourteenth mayor of Philadelphia and holds a number of other public offices, is born in Lurgan, County Armagh, in what is now Northern Ireland, on October 20, 1674. He serves as colonial secretary to William Penn and is a founding trustee of the College of Philadelphia, the predecessor of the University of Pennsylvania.

Logan is born to Ulster Scots Quaker parents Patrick Logan (1640–1700) and Isabella, Lady Hume (1647–1722), who marry in early 1671 in Midlothian, Scotland. His father has a Master of Arts degree from the University of Edinburgh, and originally is an Anglican clergyman before converting to Quakerism, or the Society of Friends. Although apprenticed to a Dublin linen-draper, he receives a good classical and mathematical education, and acquires a knowledge of modern languages not common at the period. The Williamite War in Ireland (1688–1691) obliges him to follow his parents, first to Edinburgh, and then to London and Bristol, England where, in 1693, he replaces his father as schoolmaster. In 1699, he comes to the colony of Pennsylvania aboard the Canterbury as William Penn’s secretary.

Later, Logan supports proprietary rights in Pennsylvania and becomes a major landowner in the growing colony. After advancing through several political offices, including commissioner of property (1701), receiver general (1703), clerk (1701), and member (1703) of the provincial council, he is elected mayor of Philadelphia in 1722. During his tenure as mayor, he allows Irish Catholic immigrants to participate in the city’s first public Mass. He later serves as the colony’s chief justice from 1731 to 1739, and in the absence of a governor of Pennsylvania, becomes acting governor from 1736 to 1738.

As acting governor, Logan opposes Quaker pacifism and war tax resistance, and encourages pacifist Quakers to give up their seats in the Pennsylvania General Assembly so that it can make war requisitions. On October 9, 1736, he responds to requests from Native American leaders to control the sale of alcohol, which is creating serious social problems, by prohibiting the sale of rum in indigenous communities, but as the penalty 1s only a fine of ten pounds and the law is poorly enforced, it does not have a significant effect.

During his tenure as acting governor, Logan plays an active role in the territorial expansion of the colony. Whereas William Penn and his immediate successors had pursued a policy of friendly relations with the Leni Lenape (Delaware) peoples, Logan and other colony proprietors (notably the indebted brothers John, Richard and Thomas Penn) pursue a policy of land acquisition. Such efforts to expand are spurred by increased immigration to the colony and fears that the New York Colony is infringing on Pennsylvania’s northern borders in the Upper Delaware river valley. In addition, many proprietors (including Logan and the Penn brothers) had engaged in extensive land speculation, selling off lands occupied by the Lenape to new colonists before concluding an official treaty with the tribe.

As part of his efforts to expand Pennsylvania, Logan signs the Walking Treaty of 1737, commonly referred to as the Walker Purchase, with the Lenape, forcing the tribe to vacate lands in the Upper Delaware and Lehigh valleys under the auspices of the tribe having sold the lands to William Penn in 1686, a treaty whose ratifying document is considered by some sources to have been a fabrication. Under the terms of the treaty, the Lenape agree to cede as much territory as a man could walk in one and one-half days to the Pennsylvania colony. However, Logan uses the treaty’s vague wording, the Lenape’s unclear diplomatic status, and a heavily influenced “walk” to claim a much larger territory than is originally expected by the Lenape. In addition, he negotiates with the powerful Iroquois Confederacy to allow for the treaty to take place. As a result, the Iroquois (nominally the diplomatic overlords and protectors of the Lenape people) rebuff Lenape attempts to have the Iroquois intervene on their behalf. The net result of the Walker Treaty increases the colony’s borders by over 1,200,000 acres but leads to the diplomatic isolation of the Lenape people and a breakdown in relations between the Pennsylvania colony and the tribe.

Meanwhile, Logan engages in various mercantile pursuits, especially fur trading, with such success that he becomes one of the wealthiest men in the colonies. He writes numerous scholarly papers published by the American Philosophical Society and European journals. He is also a natural scientist whose primary contribution to the emerging field of botany is a treatise that describes experiments on the impregnation of plant seeds, especially corn. He tutors John Bartram, the American botanist, in Latin and introduces him to Carl Linnaeus.

Logan’s mother comes to live with him in Philadelphia in 1717. She dies on January 17, 1722, at Stenton, Logan’s country home. His daughter, Sarah, marries merchant and statesman Isaac Norris. Logan dies at the age of 77 on October 31, 1751, at Stenton, near Germantown, at the age of 77, and is buried at the site of Arch Street Friends Meeting House (built in 1804).

In Philadelphia, the Logan neighborhood and the landmark Logan Circle are named for him. His 1730 estate “Stenton” (now a National Historic Landmark, operated as a museum) is located in Logan area.