Patterson is born on October 5, 1938, in Clonmel, County Tipperary. As a boy Patterson performs with his local parish choir and is involved in maintaining the annual tradition of singing with the “Wrenboys.” He sings in the local St. Mary’s Choral Society and at a production of The Pirates of Penzance performed with both his parents. His interests extend beyond music and as a boy he represents Marlfield GAAhurling club, plays tennis at Hillview and golf at the Mountain Road course. He quits school at an early stage to work in the printing business of his mother’s family. He moves to Dublin in 1961 to enroll at the National Academy of Theatre and Allied Arts where he studies acting while at the same time receiving vocal training from Hans Waldemar Rosen. In 1964, he enters the Feis Ceoil, a nationwide music competition, in which he wins several sections including oratorio, lieder and the German Gold Cup.
Patterson gives classical recitals around Ireland and wins scholarships to study in London, Paris and in the Netherlands. While in Paris, he signs a contract with Philips Records and releases his first record, My Dear Native Land. He works with conductors and some of the most prestigious orchestras in Europe including the London Symphony Orchestra and Orchestre de Paris. He also gains a reputation as a singer of Handel, Mozart, and Bach oratorios and German, Italian and French song. He has a long-running programme on RTÉ titled For Your Pleasure.
In the early 1980s Patterson moves to the United States, making his home in rural Westchester County, New York. A resurgence of interest in Irish culture encourages him to turn towards a more traditional Irish repertoire. He adds hymns, ballads, and traditional as well as more popular tunes to his catalogue. In March 1988, he is featured host in a Saint Patrick’s Day celebration of music and dance at New York City’s famous Radio City Music Hall. He also gives an outdoor performance before an audience of 60,000 on the steps of the United States Capitol in Washington, D.C. with the National Symphony Orchestra.
Patterson is equally at home in more intimate settings. His singing in the role of the Evangelist in Bach’s St. John Passion is given fine reviews. Further recordings follow, of Beethoven arrangements, Irish songs, Berlioz songs, Purcell songs and others, all on the Philips label.
Patterson performs sold-out concerts from London’s Royal Albert Hall to New York’s Carnegie Hall, and with his family he presents two concerts at the White House, for presidents Ronald Reagan in 1982 and Bill Clinton in 1995. He records over thirty albums in six languages, wins silver, gold and platinum discs and is the first Irish singer to host his own show in Radio City Music Hall in New York.
Rising to greater prominence with the new popularity of Celtic music in the 1990s, Patterson sees many of his past recordings reissued for American audiences, and in 1998 he stars in the PBS special Ireland in Song. His last album outsells Pavarotti.
In 1999, Patterson learns he has a brain tumor. He has several operations in the following year and his condition appears to stabilise. He is diagnosed with a recurrence of his illness on May 7, 2000. He briefly recuperates and resumes performing. His last performance is on June 4, 2000, at Regis College in the Boston suburb of Weston, Massachusetts. Shortly thereafter he is admitted to the Memorial Sloan Kettering Cancer Center in New York where he lapses into a coma and dies on June 10, 2000, at the age of 61.
Ernest Bernard (Ernie) O’Malley, Irish republican revolutionary and writer, is born on May 26, 1897, in Ellison Street, Castlebar, County Mayo, the second child among nine sons and two daughters of Luke Malley, solicitor’s clerk, of County Mayo, and Marion Malley (née Kearney) of County Roscommon. Christened Ernest Bernard Malley, his adoption of variations on this name reflects his enthusiasm for a distinctively Irish identity – an enthusiasm that lay at the heart of his republican career and outlook.
In 1906, O’Malley’s family moves to Dublin, where he attends the Christian Brothers‘ School, North Richmond Street. In 1915, he begins to study medicine at University College Dublin (UCD). Having initially intended to follow his older brother into the British Army, he rather joins the Irish Volunteers in the wake of the 1916 Easter Rising, as a member of F Company, 1st Battalion, Dublin Brigade. He becomes a leading figure in the Irish Republican Army (IRA) during the Irish War of Independence which the Easter Rising helps to occasion. In 1918, having twice failed his second-year university examination, he leaves home to commit himself to the republican cause. He is initially a Volunteer organiser with the rank of second lieutenant, under the instruction of Richard Mulcahy, operating in Counties Tyrone, Offaly, Roscommon, and Donegal. His work in 1918 involves the reorganisation, or new establishment, of Volunteer groups in the localities.
In August 1918, O’Malley is sent to London by Michael Collins to buy arms. During 1919 he works as an IRA staff captain attached to General Headquarters (GHQ) in Dublin, and also trains and organises Volunteers in Counties Clare, Tipperary, and Dublin. He has a notable military record with the IRA during the Irish War of Independence and is a leading figure in attacks on Hollyford barracks in County Tipperary (May 1920), Drangan barracks in County Kilkenny (June 1920), and Rearcross barracks in County Tipperary (July 1920). His IRA days thus involve him with comrades such as Dan Breen, Séumas Robinson, and Seán Treacy. In December 1920, he is captured in County Kilkenny by Crown forces. He escapes from Dublin’s Kilmainham Gaol in February 1921, to take command of the IRA’s 2nd Southern Division, holding the rank of commandant-general.
O’Malley’s republican commitment has political roots in his conviction that Ireland should properly be fully independent of Britain, and that violence is a necessary means to achieve this end. But the causes underlying his revolutionism are layered. Family expectations of respectable, professional employment combined with a religious background and an enthusiasm for soldiering provide some of the foundations for his IRA career. As an IRA officer he enjoys professional, military expression for a visceral CatholicIrish nationalism. He also finds excitement, liberation from the frequent dullness of his life at home, defiant rebellion against his non-republican parents, an alternative to his stalled undergraduate career, and, in political and cultural Irish separatism, a decisive resolution of the profound tension between his anglocentrism and his anglophobia.
O’Malley rejects the 1921 Anglo–Irish Treaty as an unacceptable compromise. He spends the 1921 truce period training IRA officers in his divisional area, in preparation for a possible renewal of fighting. He is, in the event, to be a leading anti-treatyite in the 1922–23 Irish Civil War. In the Four Courts in 1922, at the start of the latter conflict, he is captured on the republicans’ capitulation on June 30 but then manages to escape from captivity. Subsequently he is appointed assistant Chief of Staff of the anti-Treaty IRA and also becomes part of a five-man anti-Treaty army council, along with Liam Lynch, Liam Deasy, Frank Aiken and Thomas Derrig.
O’Malley is dramatically captured and badly wounded by Free State forces in Dublin in November 1922. Imprisoned until July 1924, he is during the period of his incarceration elected as a TD for Dublin North in the 1923 Irish general election and is also a forty-one-day participant in the republican hunger strike later that year. Following release from prison, he returns home to live with his parents in Dublin. He decides not to focus his post-revolutionary energy on a political career. During 1926–28 and 1935–37 he unsuccessfully tries to complete his medical degree at UCD, but increasingly his post-1924 efforts are directed toward life as a Bohemian traveler and writer. He spends much of 1924–26 on a recuperative journey through France, Spain, and Italy; and 1928–35 traveling widely in North America. During 1929–32 he spends time in New Mexico and Mexico City. In Taos, New Mexico, he mixes with, and is influenced by, writers and artists as he works on what are to become classic autobiographies of the Irish revolution: On Another Man’s Wound (1936) and The Singing Flame (1978).
O’Malley meets Helen Hooker, daughter of Elon and Blanche Hooker, in Connecticut in 1933. They marry in London in 1935, each rejecting something of their prior lives in the process: he, his Irish republicanism, through marriage to somebody entirely unconnected with that world; she, her wealthy and respectable upbringing, through liaison with a Catholic, Irish, unemployed, bohemian ex-revolutionary. They settle first in Dublin then, from 1938 onward, primarily in County Mayo. Burrishoole Lodge, near Newport, is his main base until 1954, when he moves to Dublin. Three children are born to the O’Malleys: Cahal (1936), Etáin (1940), and Cormac (1942). Sharing enthusiasm for the arts, he and Helen enjoy several years of intimacy. However, by the mid-1940s their relationship has frayed. In 1950, Helen kidnaps (the word is used by both parents and by all three children) the couple’s elder two children and takes them to the United States. From there she divorces O’Malley in 1952. Cormac remains with his father.
O’Malley’s post-American years are devoted to a number of projects. He writes extensively, including work for The Bell and Horizon. He is involved with the film director John Ford in the making of his Irish films, including The Quiet Man (1952). He gives radio broadcasts on Mexican painting for BBC Third Programme (1947), and on his IRA adventures for Radio Éireann (1953). In the latter year he suffers a heart attack, and his remaining years are scarred by ill health. He dies of heart failure on March 25, 1957, in Howth, County Dublin, at the house of his sister Kathleen. Two days later he is given a state funeral with full military honours. He is buried in the Malley family plot in Glasnevin Cemetery, Dublin.
O’Malley exemplifies some important themes in modern Irish political and intellectual history. His powerful memoirs form part of a tradition of writing absorbedly about Ireland, while under idiosyncratic emigrant influences which lend the writing much of its distinctiveness. His aggressive republicanism exemplifies a persistent but ultimately unrealisable tradition of uncompromising IRA politics. His unflinching single-mindedness is the condition for much courageous and striking activity, but also lay behind his infliction and his suffering of much pain. Literary, intellectual, and defiantly dissident, he is the classic bohemian revolutionary. His historical significance lies in his having been both a leading Irish revolutionary and the author of compelling autobiographical accounts of those years. His memoirs are distinguished from their rivals on the shelf by subtlety, self-consciousness, and literary ambition. In particular, his preparedness to identify motives for Irish revolutionary action, beyond the terms of ostensible republican purpose, renders his writing of great value to historians. Similarly, the large body of archival material left in his name (especially, perhaps, the papers held in UCD archives, and those in the private possession of his children) leaves scholars in his debt. The most striking and evocative visual images of O’Malley are, arguably, the set of photographic portraits taken in 1929 by Edward Weston and held at the University of Arizona‘s Center for Creative Photography (CCP). These capture with precision his reflective concentration, his piercing earnestness, and his troubled intensity.
(From: “O’Malley, Ernest Bernard (‘Ernie’)” by Richard English, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Pictured: Photograph of Ernie O’Malley taken by Helen Hooker, New York City, 1934)
On Monday, October 4, 2010, Northern Ireland golfer Graeme McDowell delivers the match-winning point for the European team on the 17th green of the 2010 Ryder Cup at the Celtic Manor Resort in Newport, Wales. His is the last match of the twelve player singles matches against the defending champion United States team, with his opponent being Hunter Mahan. Europe wins the tournament 14.5 to 13.5, and it was his 5-foot putt that is conceded to give victory to Europe. For the first time in its history, the Ryder Cup stretches into a fourth day due to torrential rain on the first day.
Only the brilliance of the Northern Irishman, who holes a stunning birdie putt on the 16th green to extend his lead in the match, and the nervousness of Mahan, who duffs a chip shot on the par-three 17th that seals his defeat, finally turns back a United States team that threatened to deny Colin Montgomerie a captain’s victory to add to the many he has won as a player in this event.
“I didn’t hit a shot out there so it’s not much of an achievement,” Montgomerie says afterwards, dedicating the victory to Seve Ballesteros who is suffering from brain cancer and ultimately dies in 2011. “But it is a proud, proud personal moment for me and for all of us in European golf. My players all played magnificently, all 12 of them.”
McDowell, who had won the U.S. Open earlier in the year, is magnificent when his captain and his teammates need him to be. Through the years the Irish have developed a habit of holing the winning putt in this event and if the latest member of a club that includes Eamonn Darcy, Philip Walton and Paul McGinley is disappointed in being denied the chance to actually watch his ball roll into the hole, he hides it well.
“I didn’t need to hole a putt, thank God,” he says. “I was so nervous out there. I just can’t describe the feeling of this golf tournament – trying to win it for eleven other teammates, the caddies, the fans and Monty. It’s just a special feeling. There is nothing quite like it.”
Europe goes into the singles round holding a three-point lead and at one stage during the afternoon are ahead in eight of the twelve matches. An easy victory beckons, or at least it does until the United States wins a series of matches, some decisively (Tiger Woods over Francesco Molinari 4 & 3, Dustin Johnson over Martin Kaymer 6 & 4) and one by a narrow margin (Steve Stricker beats Lee Westwood on the 17th green). Even Phil Mickelson, one of the weakest players on the United States team over the previous three days, manages a victory, beating Peter Hanson 4 & 2.
The European team responds, with points coming from Luke Donald, who beats Jim Furyk one-up, and Ian Poulter, a victor over Matt Kuchar. However, as the day progresses a victory that had seemed inevitable begins to look uncertain.
In the end, it comes down to McDowell and Mahan on the 17th hole, watched by their teammates and captains, a good portion of the 35,000 mud-splattered souls at Celtic Manor, and a television audience around the world running into many millions. Major championships come with their own particular pressure but, as McDowell says, the Ryder Cup exerts pressure of an altogether different order. In the end the pressure proves too much for the American. His attempted chip from 15 yards short of the green does not even reach the green, far less the flag.
Berkeley is the eldest son of William Berkeley, a cadet of the noble family of Berkeley whose ancestry can be traced back to the Anglo-Saxon period and who had served as feudal lords and landowners in Gloucester, England. Little is known of his mother. He is educated at Kilkenny College and attends Trinity College Dublin, where he is elected a Scholar in 1702, being awarded BA in 1704 and MA and a Fellowship in 1707. He remains at Trinity College after completion of his degree as a tutor and Greek lecturer.
Berkeley’s earliest publication is on mathematics, but the first that brings him notice is his An Essay Towards a New Theory of Vision, first published in 1709. In the essay, he examines visual distance, magnitude, position and problems of sight and touch. While this work raises much controversy at the time, its conclusions are now accepted as an established part of the theory of optics.
The next publication to appear is A Treatise Concerning the Principles of Human Knowledge in 1710, which has great success and gives him a lasting reputation, though few accept his theory that nothing exists outside the mind. This is followed in 1713 by Three Dialogues between Hylas and Philonous, in which he propounds his system of philosophy, the leading principle of which is that the world, as represented by our senses, depends for its existence on being perceived.
For this theory, the Principles gives the exposition and the Dialogues the defence. One of his main objectives is to combat the prevailing materialism of his time. The theory is largely received with ridicule, while even those such as Samuel Clarke and William Whiston, who do acknowledge his “extraordinary genius,” are nevertheless convinced that his first principles are false.
Shortly afterwards, Berkeley visits England and is received into the circle of Joseph Addison, Alexander Pope and Richard Steele. In the period between 1714 and 1720, he intersperses his academic endeavours with periods of extensive travel in Europe, including one of the most extensive Grand Tours of the length and breadth of Italy ever undertaken. In 1721, he takes holy orders in the Church of Ireland, earning his doctorate in divinity, and once again chooses to remain at Trinity College Dublin, lecturing this time in Divinity and in Hebrew. In 1721-22 he is made Dean of Dromore and, in 1724, Dean of Derry.
In 1723, following her violent quarrel with Jonathan Swift, who had been her intimate friend for many years, Esther Vanhomrigh names Berkeley her co-heir along with the barrister Robert Marshall. Her choice of legatees causes a good deal of surprise since she does not know either of them well, although Berkeley as a very young man had known her father. Swift says generously that he does not grudge Berkeley his inheritance, much of which vanishes in a lawsuit in any event. A story that Berkeley and Marshall disregarded a condition of the inheritance that they must publish the correspondence between Swift and Vanhomrigh is probably untrue.
In 1725, Berkeley begins the project of founding a college in Bermuda for training ministers and missionaries in the colony, in pursuit of which he gives up his deanery with its income of £1100.
In 1728, Berkeley marries Anne Forster, daughter of John Forster, Chief Justice of the Irish Common Pleas, and his first wife Rebecca Monck. He then goes to America on a salary of £100 per annum. He lands near Newport, Rhode Island, where he buys a plantation at Middletown – the famous “Whitehall.” He purchases several enslaved Africans to work on the plantation. He also brings John Smibert to New England, the Scottish artist he “discovered” in Italy, who is generally regarded as the founding father of American portrait painting. Meanwhile, he draws up plans for the ideal city he plans to build on Bermuda. He lives at the plantation while he waits for funds for his college to arrive. The funds, however, are not forthcoming and he leaves America and returns to London in 1732.
Berkeley and his wife have four children who survive infancy: Henry, George, William and Julia, and at least two other children who die in infancy. William’s death in 1751 is a great cause of grief to his father.
Berkeley is nominated to be the Bishop of Cloyne in the Church of Ireland on January 18, 1734. He is consecrated as such on May 19, 1734. He is the Bishop of Cloyne until his death on January 14, 1753, although he dies at Oxford.
While living in London’s Saville Street, Berkeley takes part in efforts to create a home for the city’s abandoned children. The Foundling Hospital is founded by royal charter in 1739, and Berkeley is listed as one of its original governors.
Berkeley’s last two publications are Siris: A Chain of Philosophical Reflexions and Inquiries Concerning the Virtues of Tarwater, And divers other Subjects connected together and arising one from another (1744) and Further Thoughts on Tar-water (1752). Pine tar is an effective antiseptic and disinfectant when applied to cuts on the skin, but he argues for the use of pine tar as a broad panacea for diseases. His 1744 work on tar-water sells more copies than any of his other books during Berkeley’s lifetime.
Berkeley remains at Cloyne until 1752, when he retires. With his wife and daughter Julia, he goes to Oxford to live with his son George and supervise his education. He dies soon afterwards and is buried in Christ Church Cathedral, Oxford. His affectionate disposition and genial manners make him much loved and held in warm regard by many of his contemporaries. Anne outlives her husband by many years, dying in 1786.
(Pictured: “Bishop George Berkeley,” oil on canvas portrait by John Smibert, c. 1727)
Soon afterwards Hazell transfers to the Royal Flying Corps. In April and May he is assigned to No. 5 Reserve Squadron, based at Castle Bromwich. He is appointed a flying officer on June 5, and survives a severe crash before completing his training. He eventually joins No. 1 Squadron on the Western Front. Flying Nieuport 17 Scouts, he shoots down 20 enemy aircraft between March and August 1917, being appointed a flight commander with the acting rank of captain on May 25, and is awarded the Military Cross on July 26.
After serving as an instructor at the Central Flying School in 1918, Hazell takes command of “A” Flight, No. 24 Squadron, flying the S.E.5a. On August 22, 1918, he shoots down an observation balloon despite its escort of seven Fokker D.VIIs. The escort is led by German ace Ernst Udet, who attacks and riddles Hazell’s petrol tank, propeller, and two longerons with bullets. In spite of this Hazell fights his way back, eyes full of petrol, and lands safely. Udet thinks he has forced the British pilot to crash and actually claims him as his 60th victory. Hazell finishes the war with 43 confirmed kills, the top British surviving ace of the war (excluding Dominion airmen). He is twice awarded the Distinguished Flying Cross. On June 11, 1927, he returns to the RAF Depot at Uxbridge and is placed on the retired list on July 20, 1927 at his own request.
In 1944, at the age of 52, Hazell becomes the commander of “D” Company, 24th (Tettenhall) Battalion, South Staffordshire Home Guard during the later part of World War II.
Hazell dies in Newport, County Mayo, on September 4, 1946, and is buried at the BurrishooleChurch of Ireland Cemetery there. In 2014 his grave, which had been largely forgotten and neglected, is restored, repaired, and re-dedicated in a ceremony on August 4, 2014, the 100th anniversary of the declaration of World War I
Reid is the son of the Rev. Thomas Mayne Reid, a Presbyterian minister and later a senior clerk of the General Assembly of the Presbyterian Church in Ireland, and his wife, a daughter of the Rev. Samuel Rutherford. Educated at the Royal Belfast Academical Institution, he rebels against his father’s plans for him and decides not to pursue a career in the church. He briefly runs a school at Ballyroney before emigrating to the United States in 1839. Arriving in New Orleans, Louisiana, he finds a job as a corn factor’s clerk in the corn market. After six months he leaves because he refuses to whip slaves. Travelling across America, he works as a teacher, a clerk and an Indian-fighter, and anonymously publishes his first poem in August 1843. Later that year he meets Edgar Allan Poe in Philadelphia and the two become close friends. Poe later admits that Reid was ‘a colossal but most picturesque liar,’ but was impressed by his brilliant story-telling abilities.
With the outbreak of the Mexican-American War in 1846 Reid enlists in the 1st New York Infantry Regiment and is commissioned second lieutenant. Contributing a series of reports from the front under the pseudonym ‘Ecolier,’ he performs with great bravery in the Battle of Chapultepac on September 13, 1847. Wounded during the battle, he is promoted to first lieutenant three days later. Following his discharge from the army in 1848 he claims to have reached the rank of captain, but this is another of his inventions.
Reid’s first play, Love’s Martyr, is staged at the Walnut Street Theatre, Philadelphia, for five nights in October 1848, and the following year he publishes an embellished account of his experiences in Mexico entitled War Life. All of his works are published under the name ‘Captain Mayne Reid.’ In July 1849 he sails to England with a group of Hungarian radicals but decides against accompanying them to the Continent. Returning briefly to Ireland, he settles in London in 1850 and writes a novel, The Rifle Rangers. It is an immediate success and is followed quickly by The Scalp Hunters (1851), The Desert Home (1852), and The Boy Hunters (1853). While in England in 1851 he meets and falls in love with a 13-year-old girl, Elizabeth Hyde, daughter of his publisher, G. W. Hyde, an English aristocrat. When he discovers her age, he tells her that she is ‘getting old enough to have a lover, and you must have me.’ Two years later he continues with his suit, and this time is successful as they marry in 1853. He is immensely proud of his young bride, and later writes a semi-autobiographical novel The Child Wife (1868), based on their relationship.
Establishing a reputation as one of the most popular novelists of his generation, Reid does much to enhance the romantic image of the American West. His internationally successful books include The White Chief (1855), Bush Boys (1856), Oceola (1859), and The Headless Horseman (1865), and his novel about miscegenation, The Quadroon (1856), is later plagiarised by Dion Boucicault for The Octoroon (1859). A champion croquet player, he writes a treatise on the subject in 1863.
Disaster strikes in November 1866 when Reid is declared bankrupt. He had squandered all his money on the construction of ‘The Ranche,’ a Mexican-style hacienda in England. To raise money, he returns to the United States and embarks on a successful lecturing tour. Settling at Newport, Rhode Island, he writes another novel, The Helpless Hand (1868), which is a huge success and alleviates some of his difficulties. His wife hates America, however, and after he is briefly hospitalised in 1870, they decide to return to England.
Ill health, artistic doubts, and financial insecurity plagued Reid’s final years. Diagnosed with acute depression, he is unable to recapture his earlier audience and, despite a pension from the U.S. government, he struggles for money. He dies at Ross in Herefordshire on October 22, 1883, and is buried at Kensal Green Cemetery in London.
Although not regarded as an important novelist, Reid none the less has a significant influence on subsequent writers. The young Vladimir Nabokov is deeply impressed by his adventure stories, and one of his own first works is a poetic recreation of The Headless Horseman in French alexandrine. Both Robert Louis Stevenson and Arthur Conan Doyle are admirers, and politicians as diverse as Theodore Roosevelt and Leon Trotsky also make reference to his varied output. In total, Reid publishes over sixty novels, which are printed in ten languages.
The IRA in west Mayo is relatively quiet until January 1921, when Michael Kilroy, described as “a puritanical and ascetic blacksmith” takes over command of the Brigade after Thomas Derrig is arrested by the Royal Irish Constabulary. Kilroy forms a relatively large “flying column” of 40 to 50 men to carry out attacks on Crown forces in the area. On May 6 they suffer a reverse at Islandeady, when a police patrol comes upon the IRA men cutting a road. Three volunteers are killed and two captured.
On May 18, 1921, the IRA decides to attack an RIC/Black and Tan convoy at Kilmeena. Two small-unit attacks are made on the RIC barracks in Newport and Westport to try to draw the police out of their well-defended barracks. One RIC man dies in these attacks.
At 3:00 AM the next day, May 19, the column of 41 IRA men take up position close to Knocknabola Bridge. The British convoy, traveling from Newport to Westport, consists of two Crossleylorries and one Ford touring car and a total of about thirty men. The convoy does not arrive until 3:00 PM and its arrival sparks a two-hour fire-fight. In the battle, one RIC man is wounded and later dies. The British regroup around the house of the parish priest, Father Conroy, and launch a counterattack.
Four IRA volunteers are killed. They are Seamus Mc Evilly, Thomas O’Donnell, Patrick Staunton and Sean Collins. Paddy Jordan of the Castlebar battalion is injured and dies later at Bricens Hospital in Dublin. Seven more IRA men are wounded.
The remainder of the column, carrying their wounded, flee over the mountains to Skerdagh, where they have safe houses. However, the police track them there and, in another exchange of fire, another IRA man is killed, Jim Brown from Newport, along with one RIC Constable and a Black and Tan.
The Black and Tans throw the dead and wounded IRA men onto the street outside the RIC barracks in nearby Westport, causing widespread revulsion among the local people and local police. The Marquis of Sligo, no friend of the republican guerrillas, visits the barracks to complain of their treatment of enemy dead. At the funerals of those killed, in Castlebar, the authorities allow only close family to attend and forbid the draping of the Irish tricolour over the coffins.
The local IRA blames their defeat in the ambush on the failure of an IRA unit from Westport to show up in time.
Kilroy’s column manages to get some revenge for the setback at Kilmeena the following month in an action at Carrowkennedy on June 3, where they kill eight policemen and capture sixteen.
As a boy Patterson performs with his local parish choir and is involved in maintaining the annual tradition of singing with the “Wrenboys.” He sings in the local St. Mary’s Choral Society and at a production of The Pirates of Penzance performed with both his parents. His interests extend beyond music and as a boy he represents Marlfield GAAhurling club, plays tennis at Hillview and golf at the Mountain Road course. He quits school at an early stage to work in the printing business of his mother’s family. He moves to Dublin in 1961 to enroll at the National Academy of Theatre and Allied Arts where he studies acting while at the same time receiving vocal training from Hans Waldemar Rosen. In 1964, he enters the Feis Ceoil, a nationwide music competition, in which he wins several sections including oratorio, lieder and the German Gold Cup.
Patterson gives classical recitals around Ireland and wins scholarships to study in London, Paris and in the Netherlands. While in Paris, he signs a contract with Philips Records and releases his first record, My Dear Native Land. He works with conductors and some of the most prestigious orchestras in Europe including the London Symphony Orchestra and Orchestre de Paris. He also gains a reputation as a singer of Handel, Mozart, and Bach oratorios and German, Italian and French song. He has a long-running programme on RTÉ titled For Your Pleasure.
Patterson is equally at home in more intimate settings. His singing in the role of the Evangelist in Bach’s St. John Passion is given fine reviews. Further recordings follow, of Beethoven arrangements, Irish songs, Berlioz songs, Purcell songs and others, all on the Philips label.
Patterson performs sold-out concerts from London’s Royal Albert Hall to New York’s Carnegie Hall, and with his family he presents two concerts at the White House, for presidents Ronald Reagan in 1982 and Bill Clinton in 1995. He records over thirty albums in six languages, wins silver, gold and platinum discs and is the first Irish singer to host his own show in Radio City Music Hall in New York.
Rising to greater prominence with the new popularity of Celtic music in the 1990s, Patterson sees many of his past recordings reissued for American audiences, and in 1998 he stars in the PBS special Ireland in Song. His last album outsells Pavarotti.
In 1999, Patterson learns he has a brain tumour. He has several operations in the following year and his condition appears to stabilise. He is diagnosed with a recurrence of his illness on May 7, 2000. He briefly recuperates and resumes performing. His last performance is on June 4, 2000 at Regis College in the Boston suburb of Weston, Massachusetts. Shortly thereafter he is admitted to the Memorial Sloan Kettering Cancer Center in New York where he lapses into a coma and dies on June 10, 2000 at the age of 61.
Joe Heaney, traditional Irish singer also known as Joe Éinniú or Seosamh Ó hÉanaí, dies in Seattle, Washington on May 1, 1984. He spends most of his adult life abroad, living in England, Scotland and New York City, in the course of which he records hundreds of songs.
Heaney is born Carna, a remote village in the Irish-speaking district of Connemara, County Galway, along the west coast of Ireland on October 15, 1919. He starts singing at the age of five, but his shyness keeps him from singing in public until he is 20. He learns English at school in Carna. When he is 16 years old, he wins a scholarship to attend school in Dublin. While there he wins first and second prizes at a national singing competition. Most of his repertoire, estimated to exceed 500 songs, is learned while growing up in Carna.
In 1949, Heaney goes to London where he works on building sites and becomes involved in the folk-music scene. He records for the Topic Records and Gael Linn Records labels. He is married for six years until his wife dies of tuberculosis.
Heaney is recorded by Pádraic Ó Raghallaigh for Raidió Teilifís Éireann, and by Peter Kennedy for the BBC in 1959. The BBC recordings are assembled on a BBC LP, not commercially issued, as BBC LP 22570.
Joe Heaney dies of emphysema in Seattle on May 1, 1984. The Joe Heaney Collection of the University of Washington Ethnomusicology Archives is established after his death. The Féile Chomórtha Joe Éinniú (Joe Heaney Commemorative Festival) is held every year in Carna. An Irish-language biography of him has been written by Liam Mac Con Iomaire, and a biography that discusses his work in the larger context of Ireland and the United States was published in 2011 by Sean Williams and Lillis Ó Laoire.
Sterling’s post in Ireland ends on March 7, 1934, when he becomes U.S. minister to Bulgaria, a position he remains in until 1936. In 1937, he is appointed to minister roles for both Latvia and Estonia, however he does not accept the post. In 1938, he becomes U.S. minister to Sweden and remains in that role until 1941.
seamus dubhghaill 