Hamilton is born to Charles Hamilton (d.1759), a Scottish merchant, and his wife Katherine Mackay (d.1767). She lives most of her life in Scotland, moving there in 1762 to live with a Mrs. Marshall, her paternal aunt, near Stirling and spending much of her later life in Edinburgh.
Hamilton’s first literary efforts are directed in supporting her brother Charles in his orientalist and linguistic studies. After his death in 1792 she continues to publish orientalist scholarship, as well as historical, educationalist and theoretical works. She writes The Cottagers of Glenburnie (1808), a tale which has much popularity in the day, and perhaps has some effect in the improvement of certain aspects of humble domestic life in Scotland. She also writes the anti-Jacobin novel Memoirs of Modern Philosophers (1800), and the satirical Translation of the Letters of a Hindoo Rajah in 1796, a work in the tradition of Montesquieu and Oliver Goldsmith. Her most important pedagogical works are Letters on Education (1801), Letters on the Elementary Principles of Education (1801), Letters addressed to the Daughter of a Nobleman, on the Formation of Religious and Moral Principle (1806), and Hints addressed to the Patrons and Directors of Schools (1815).
After the failure of the Young Ireland Rebellion of 1848, O’Leary attempts to rescue the Young Ireland leaders from Clonmel Gaol, and is himself imprisoned for a week from September 8, 1849. He takes part in a further attempted uprising in Cashel on September 16, 1849, but this proves abortive.
On September 16, 1865, O’Leary is arrested and later tried on charges of high treason, eventually reduced to “treason felony.” He is sentenced to twenty years of penal servitude, of which five years are spent in English prisons, prior to his release and exile in January 1871. During his exile, he lives mainly in Paris, also visiting the United States, remains active in the IRB and its associated organisations, and writes many letters to newspapers and journals.
On the expiration of his 20-year prison term and therefore of the conditions associated with his release in 1885, O’Leary returns to Ireland. He and his sister, the poetEllen O’Leary, both become important figures within Dublin cultural and nationalist circles, which include William Butler Yeats, Maud Gonne, Rose Kavanagh, Rosa Mulholland, George Sigerson, and Katharine Tynan. He also functions as an elder statesman of the separatist movement, being active in the Young Ireland Society, and acts as president of the Irish Transvaal Committee, which supports the Boer side in the Second Boer War.
John O’Leary dies at his residence in Dublin on the evening of March 16, 1907. He is referred to famously by W.B. Yeats in his poem September 1913: “Romantic Ireland’s dead and gone/It’s with O’Leary in the grave.”
(Pictured: Painting of John O’Leary, a favorite subject of John Butler Yeats (1904). The National Gallery of Ireland owns three oil portraits of O’Leary.)
O’Sullivan spends his adult life in the Dublin suburb of Rathgar. In 1926 he marries the artist Estella Solomons, sister of Bethel Solomons. Her parents are opposed to the marriage as Seumas is not Jewish.
O’Sullivan’s books include Twilight People (1905), Verses Sacred and Profane (1908), The Earth Lover (1909), Selected Lyrics (1910), Collected Poems (1912), Requiem (1917), Common Adventures (1926), The Lamplighter (1929), Personal Talk (1936), Poems (1938), Collected Poems (1940), and Dublin Poems (1946). Terence de Vere White praises him as “a true poet,” and is critical of William Butler Yeats for leaving him out of his anthology of Irish poets, which he thinks a particularly strange decision since Yeats and O’Sullivan are friends, although they quarrel from time to time. In 1936 a version of a play by Irish playwrightTeresa Deevy called The King of Spain’s Daughter is included in The Dublin Magazine which is edited by Seumas O’Sullivan.
O’Sullivan and B.J. Brimmer Company are accredited within the ‘Acknowledgments’ of People and Music by Thomasine C. McGehee, published via Allyn & Bacon within the Junior High School Series and edited by James M. Glass, 1929 and 1931 respectively, for both the frontispieceIn Mercer Street and the excerpt from Ballad of a Fiddler on page 93.
O’Sullivan has a great admiration for Patrick Kavanagh, and in the 1940s he is one of the very few Irish editors who is prepared to publish his poetry.
O’Sullivan’s father, William Starkey (1836-1918), a physician, is also a poet and a friend of George Sigerson.
O’Sullivan is a friend of most of the leading literary figures in Dublin, including William Butler Yeats, James Stephens and George William Russell. His “at homes” on Sunday afternoons are a leading feature of Dublin literary life, as are Russell’s Sunday evenings and Yeats’s Monday evenings. He is inclined to be quarrelsome due to his heavy drinking and on one occasion he insults James Stephens publicly at a literary dinner. Even the kind-hearted Russell admits that “Seumas drinks too much.” Yeats’ verdict is that “the trouble with Seumas is that when he’s not drunk, he’s sober.”
Seumas O’Sullivan dies on March 24, 1958.
(Pictured: Portrait of Seumas O’Sullivan by Estella Frances Solomons)
Ingram enters Trinity College, Dublin on October 13, 1837. He is elected a Scholar of Trinity College in 1840, graduates with a BA in mathematics in 1842, and is awarded an MA in 1850. In 1852 he becomes a professor of oratory at Trinity and writes extensively on Shakespeare. He shows considerable promise in both mathematics and classics and achieves early popularity as a poet. He has a distinguished career at Trinity, spanning over fifty-five years, as a student, fellow and professor, successively of Oratory, English Literature, Jurisprudence and Greek, subsequently becoming the College Librarian and ultimately its Vice Provost.
One evening in March 1843 Ingram writes a poem for which he is best remembered, a political ballad called “The Memory of the Dead” in honour of the Irish Rebellion of 1798 led by the Society of United Irishmen. The poem is published anonymously on April 1, 1843, in Thomas Davis‘s The Nation newspaper although its authorship is an open secret in Dublin. It is set to music for voice and piano in 1845 by John Edward Pigot and becomes a popular Irish nationalist anthem. It is one of the best-known of Irish Republican songs and is often played by the piper at Republican funerals.
In 1847 Ingram helps to found the Statistical and Social Inquiry Society of Ireland. His early economic writings deal mainly with the Poor Law, which in theory is supposed to provide relief for the poor but in reality, does little to alleviate the distress in Ireland. Strongly influenced by the French sociologistAuguste Comte, he rejects the more isolated approach of classical economics which builds on the assumption that people try to do the best they can. Instead, he seeks to develop a unified theory of economics along the lines of Comtean positivist philosophy, which seeks ways for economic policies to contribute to the good of society. His writings on this topic include the essay “Present Position and Prospects of Political Economy” (1878) and A History of Political Economy (1888).
John Kells Ingram dies on May 1, 1907, in his home at 38 Upper Mount Street, Dublin, where he had lived since 1884. He is buried in Mount Jerome Cemetery.
Born in Birmingham to a working class family on February 15, 1883, Ward initially pursues a career as a civil servant before concentrating on writing full-time. He works as a poet, songwriter and comedy sketch writer for music hall performers before creating the Sax Rohmer persona and pursuing a career writing fiction.
Like his contemporaries Algernon Blackwood and Arthur Machen, Ward claims membership to one of the factions of the qabbalisticHermetic Order of the Golden Dawn. He also claims ties to the Rosicrucians, but the validity of his claims has been questioned. His doctor and family friend Dr R. Watson Councell may have been his only legitimate connection to such organisations.
Ward’s first published work comes in 1903, when the short story “The Mysterious Mummy” is sold to Pearson’s Weekly. His main literary influences are Edgar Allan Poe, Arthur Conan Doyle and M. P. Shiel.
Ward gradually transitions from writing for music hall performers to concentrating on short stories and serials for magazine publication. In 1909 he marries Rose Elizabeth Knox. He publishes his first book Pause! anonymously in 1910.
After penning Little Tich in 1911 as ghostwriter for the famous music hall entertainer of the same name, Ward issues the first Fu Manchu novel, The Mystery of Dr. Fu-Manchu, serialised from October 1912 to June 1913. It is an immediate success. The Fu Manchu stories, together with his more conventional detective series characters — Paul Harley, Gaston Max, Red Kerry, Morris Klaw and the Crime Magnet — make him one of the most successful and well-paid authors of the 1920s and 1930s. In the 28 years from 1931 to 1959, he adds no fewer than 10 new books to the Fu Manchu series.
Other works by Ward include The Orchard of Tears (1918), The Quest of the Sacred Slipper (1919), Tales of Chinatown (1922) and Brood of the Witch-Queen as well as numerous short stories.
Ward’s work is banned in Nazi Germany, causing him to complain that he could not understand such censorship, stating “my stories are not inimical to Nazi ideals.”
After World War II, Ward and his wife move to New York, only returning to London shortly before his death. He dies on June 1, 1959 at the age of 76, due to an outbreak of Influenza A virus subtype H2N2.
Waddell is the tenth and youngest child of Hugh Waddell, a Presbyterian minister and missionary who is lecturing in the Imperial University. She spends the first eleven years of her life in Japan before her family returns to Belfast. Her mother dies shortly afterwards, and her father remarries. Hugh Waddell himself dies and leaves his younger children in the care of their stepmother. Following the marriage of her elder sister Meg, she is left at home to care for her stepmother, whose health is deteriorating by this time.
Waddell is educated at Victoria College for Girls and Queen’s University Belfast, where she studies under Professor Gregory Smith, graduating in 1911. She follows her BA with first class honours in English with a master’s degree, and in 1919 enrolls in Somerville College, Oxford, to study for her doctorate. A traveling scholarship from Lady Margaret Hall in 1923 allows her to conduct research in Paris. It is at this time that she meets her life-long friend, Maude Clarke.
Waddell is best known for bringing to light the history of the medieval goliards in her 1927 book The Wandering Scholars and translating their Latin poetry in the companion volume Medieval Latin Lyrics. A second anthology, More Latin Lyrics, is compiled in the 1940s but not published until after her death. Her other works range widely in subject matter. For example, she also writes plays. Her first play is The Spoiled Buddha, which is performed at the Opera House, Belfast, by the Ulster Literary Society. Her The Abbe Prevost is staged in 1935. Her historical novel Peter Abelard is published in 1933. It is critically well received and becomes a bestseller.
A serious debilitating neurological disease puts an end to her writing career in 1950. She dies in London on March 5, 1965, and is buried in Magherally churchyard, County Down, Northern Ireland. A prize-winning biography of her by the Benedictine nun DameFelicitas Corrigan is published in 1986.
The son of a Roman Catholic wine merchant, Moore graduates from Trinity College, Dublin, in 1799 and then studies law in London. His major poetic work, Irish Melodies (1807–34), earns him an income of £500 annually for a quarter of a century. It contains such titles as “The Last Rose of Summer” and “Oft in the Stilly Night.” The Melodies, a group of 130 poems set to the music of Moore and of Sir John Stevenson and performed for London’s aristocracy, arouses sympathy and support for the Irish nationalists, among whom Moore is a popular hero.
Lalla-Rookh (1817), a narrative poem set in an atmosphere of Oriental splendour, gives Moore a reputation among his contemporaries rivaling that of Byron and Sir Walter Scott. It is perhaps the most translated poem of its time, and it earns what was until then the highest price paid by an English publisher for a poem (£3,000). His many satirical works, such as The Fudge Family in Paris (1818), portray the politics and manners of the Regency era.
In 1824 Moore becomes a participant in one of the most celebrated episodes of the Romantic era. He is the recipient of Byron’s memoirs, but he and the publisher John Murray burn them, presumably to protect Byron. He later brings out the Letters and Journals of Lord Byron (1830), in which he includes a life of the poet. His lifelong espousal of the Catholic cause leads him to produce such brilliant works as his parody of agrarian insurgency, The Memoirs of Captain Rock (1824), and his courageous biography of the revolutionary leader of the 1798 rebellion, The Life and Death of Lord Edward Fitzgerald (1831).
Moore’s personal life is dogged by tragedy including the deaths of all five of his children within his lifetime and a stroke in later life, which disables him from performances, the activity for which he is most renowned. Moore dies while being cared for by his wife, Elizabeth (nee Dyke), at Sloperton Cottage, Bromham, Wiltshire, England on February 26, 1852. His remains are in a vault at St. Nicholas churchyard, Bromham, within view of his cottage-home and beside his daughter Anastasia.
(Pictured: Thomas Moore, after a painting by Thomas Lawrence)
Drennan is son the son of ReverendThomas Drennan (1696–1768), minister of Belfast’s First Presbyterian Church on Rosemary Street. Thomas Drennan is an educated man from the University of Glasgow and is ordained to the congregation of Holywood, County Down in 1731. Drennan is heavily influenced by his father, whose religious convictions serve as the foundation for his own radical political ideas. His sister, Martha, marries fellow future United Irishman Samuel McTier in 1773.
In 1769 Drennan follows in his father’s footsteps by enrolling in the University of Glasgow where he becomes interested in the study of philosophy. In 1772 he graduates in arts and then in 1773 he commences the study of medicine at Edinburgh. After graduating in 1778 he sets up practice in Belfast, specialising in obstetrics. He is credited with being one of the earliest advocates of inoculation against smallpox and of hand washing to prevent the spread of infection. He also writes much poetry, coining the phrase “Emerald Isle” and is the founder and editor of a literary periodical, Belfast Magazine. He moves to Newry in 1783 but eventually moves to Dublin in 1789 where he quickly becomes involved in nationalist circles.
Like many other UlsterPresbyterians, Drennan is an early supporter of the American Colonies in the American Revolution and joins the Volunteers who had been formed to defend Ireland for Britain in the event of French invasion. The Volunteer movement soon becomes a powerful political force and a forum for Protestant nationalists to press for political reform in Ireland eventually assisting Henry Grattan to achieve legislative independence for the Irish parliament in 1782. However, Drennan, like many other reformers, quickly becomes dismayed by the conservative and sectarian nature of the Irish parliament and in 1791 he co-founds the Society of United Irishmen with Wolfe Tone and Thomas Russell.
Drennan writes many political pamphlets for the United Irishmen and is arrested in 1794 for seditious libel, a political charge that is a major factor in driving the United Irishmen underground and into becoming a radical revolutionary party. Although he is eventually acquitted, he gradually withdraws from the United Irishmen but continues to campaign for Catholic Emancipation.
On February 8, 1800, Drennan marries Sarah Swanwick, “an English lady of some wealth” from Shropshire. They have one daughter and four sons.
Drennan settles in Belfast in 1807. In 1810 he co-founds the non-denominational Royal Belfast Academical Institution. As a poet, he is best remembered for his poem The Wake of William Orr, written in memory of a United Irishman executed by the British. Despite his links with revolutionary republicans, he gradually becomes alienated from the post-Union nationalism of the period. His abiding concern for Liberalism and post union realities make him contemplate his political ideas anew.
Drennan dies on February 5, 1820. He directs that his coffin be carried by an equal number of Catholics and Protestants with clergy from different denominations in attendance.
Devlin and his family return to live in Dublin in 1918. He studies at Belvedere College and, from 1926, as a seminarian for the Roman Catholicpriesthood at Clonliffe College. As part of his studies he attends a degree course in modern languages at University College Dublin (UCD), where he meets and befriends Brian Coffey. Together they publish a joint collection, Poems, in 1930.
In 1927, Devlin abandons the priesthood and leaves Clonliffe. He graduates with his BA from UCD in 1930 and spends that summer on the Blasket Islands to improve his spoken Irish. Between 1930 and 1933, he studies literature at the University of Munich and the Sorbonne in Paris, meeting, amongst others, Beckett and Thomas MacGreevy. He then returns to UCD to complete his MAthesis on Michel de Montaigne.
Devlin joins the Irish Diplomatic Service in 1935 and spends a number of years in Rome, New York and Washington, D.C.. During this time he meets the French poet Saint-John Perse, and the Americans Allen Tate and Robert Penn Warren. He goes on to publish a translation of Exile and Other Poems by Saint-John Perse, and Tate and Warren edit his posthumous Selected Poems.
Since his death on August 21, 1959, there have been two Collected Poems published; the first in 1964 is edited by Coffey and the second in 1989 by J.C.C. Mays.
Terence Philip “T.P.” Flanagan, one of the finest landscape painters of his generation, passes away in Belfast on February 23, 2011, at the age of eighty. For more than 60 years he shapes the face of landscape painting in Northern Ireland and is known internationally for his rural scenes of his native County Fermanagh and County Sligo. With his stunning watercolours and intricate brush strokes, he is described as one of the most successful artists of his generation. PoetSeamus Heaney, who dedicates his 1969 poem Bogland to Flanagan, pays tribute saying “he was a teacher and a friend whose work held a deep personal significance.”
Flanagan is born in Enniskillen, County Fermanagh in 1929. When he is in his late teens, he learns the art of watercolour painting from the famous local portraitist and landscape artist Kathleen Bridle. Later, he paints her portrait, which now hangs in the Ulster Museum, and interviews her in a film of her life and art, which is produced shortly before her death in 1989.
After his time with Bridle, Flanagan attends Belfast College of Art from 1949-1953. The following year he joins the teaching staff at St. Mary’s College of Education, where he remains for 28 years, eventually becoming Head of the Art Department.
Flanagan spends the majority of his painting career in Ireland, but his landscapes have received wide attention and his work has been recognised both in Ireland and abroad. His first solo exhibition is held at the Council for the Encouragement of Music and the Arts (CEMA), Belfast in 1961. He also shows regularly at the Hendriks Gallery in Dublin and at the Tom Caldwell Gallery in Belfast during the 1970s and 1980s. He participates in many group exhibitions, including “Four Ulster Painters” at the Arnolfini gallery in Bristol (1965), “Two Irish Painters” (with Colin Middleton) at the Herbert Art Gallery & Museum, Coventry, (1968) and is represented in “The Gordon Lambert Collection Exhibitions” held at the Hugh Lane Gallery, Dublin (1972) and the Ulster Museum (1976). In addition, he exhibits at the Royal Hibernian Academy (RHA) in Dublin and at the Royal Ulster Academy Of Arts (RUA) in Belfast.
Abroad, Flanagan’s works are exhibited at the Armstrong Gallery, New York (1986) and the Concept Gallery, Pittsburgh. A retrospective of his painting from the period 1967-1977 is held at the Arts Council of Northern Ireland in 1977. In 1995, the Ulster Museum stages a major retrospective of his paintings (1945-1995). Other retrospectives are held at the Hugh Lane Gallery in Dublin and the Stadsmusueum, Gothenberg, Sweden. His paintings are also included in the show “A Century of Irish Painting” organized by the Hugh Lane Gallery which tours Japanese museums in 1995.
As an artist, Flanagan works in oils as well as his preferred watercolours, although by rapid application of the paint with minimal overworking, even his oils manage to retain the luminous colouring of the watercolourist. He specializes in landscape painting within his native County Fermanagh and the adjoining County Sligo, his methods being ideally suited to capturing the soft atmospheric light of Ireland’s northwest.
Flanagan is elected associate of the RUA in 1960, a full member in 1964, and President 1978-82. During his long career, he receives numerous commissions and other awards for his works, which are represented in the collections of The Arts Councils of Ireland & Northern Ireland, the Ulster Museum, the Hugh Lane Municipal Gallery, Dublin, Irish Museum of Modern Art, and the National Self-Portrait Collection, Limerick.
Flanagan dies suddenly on February 23, 2011. His funeral takes place at St. Brigid’s Church in south Belfast and is buried at St. Michaels’ Church in Enniskillen.
The auction record for a work by T.P. Flanagan is set in 2009, when his landscape painting, entitled Castlecoole From Lough Coole, is sold at Christie’s, London, for £20,000.
(From Encyclopedia of Visual Artists In Ireland, visual-arts-cork.com)
seamus dubhghaill 