Devlin and his family return to live in Dublin in 1918. He studies at Belvedere College and, from 1926, as a seminarian for the Roman Catholicpriesthood at Clonliffe College. As part of his studies he attends a degree course in modern languages at University College Dublin (UCD), where he meets and befriends Brian Coffey. Together they publish a joint collection, Poems, in 1930.
In 1927, Devlin abandons the priesthood and leaves Clonliffe. He graduates with his BA from UCD in 1930 and spends that summer on the Blasket Islands to improve his spoken Irish. Between 1930 and 1933, he studies literature at the University of Munich and the Sorbonne in Paris, meeting, amongst others, Beckett and Thomas MacGreevy. He then returns to UCD to complete his MAthesis on Michel de Montaigne.
Devlin joins the Irish Diplomatic Service in 1935 and spends a number of years in Rome, New York and Washington, D.C.. During this time he meets the French poet Saint-John Perse, and the Americans Allen Tate and Robert Penn Warren. He goes on to publish a translation of Exile and Other Poems by Saint-John Perse, and Tate and Warren edit his posthumous Selected Poems.
Since his death on August 21, 1959, there have been two Collected Poems published; the first in 1964 is edited by Coffey and the second in 1989 by J.C.C. Mays.
Terence Philip “T.P.” Flanagan, one of the finest landscape painters of his generation, passes away in Belfast on February 23, 2011, at the age of eighty. For more than 60 years he shapes the face of landscape painting in Northern Ireland and is known internationally for his rural scenes of his native County Fermanagh and County Sligo. With his stunning watercolours and intricate brush strokes, he is described as one of the most successful artists of his generation. PoetSeamus Heaney, who dedicates his 1969 poem Bogland to Flanagan, pays tribute saying “he was a teacher and a friend whose work held a deep personal significance.”
Flanagan is born in Enniskillen, County Fermanagh in 1929. When he is in his late teens, he learns the art of watercolour painting from the famous local portraitist and landscape artist Kathleen Bridle. Later, he paints her portrait, which now hangs in the Ulster Museum, and interviews her in a film of her life and art, which is produced shortly before her death in 1989.
After his time with Bridle, Flanagan attends Belfast College of Art from 1949-1953. The following year he joins the teaching staff at St. Mary’s College of Education, where he remains for 28 years, eventually becoming Head of the Art Department.
Flanagan spends the majority of his painting career in Ireland, but his landscapes have received wide attention and his work has been recognised both in Ireland and abroad. His first solo exhibition is held at the Council for the Encouragement of Music and the Arts (CEMA), Belfast in 1961. He also shows regularly at the Hendriks Gallery in Dublin and at the Tom Caldwell Gallery in Belfast during the 1970s and 1980s. He participates in many group exhibitions, including “Four Ulster Painters” at the Arnolfini gallery in Bristol (1965), “Two Irish Painters” (with Colin Middleton) at the Herbert Art Gallery & Museum, Coventry, (1968) and is represented in “The Gordon Lambert Collection Exhibitions” held at the Hugh Lane Gallery, Dublin (1972) and the Ulster Museum (1976). In addition, he exhibits at the Royal Hibernian Academy (RHA) in Dublin and at the Royal Ulster Academy Of Arts (RUA) in Belfast.
Abroad, Flanagan’s works are exhibited at the Armstrong Gallery, New York (1986) and the Concept Gallery, Pittsburgh. A retrospective of his painting from the period 1967-1977 is held at the Arts Council of Northern Ireland in 1977. In 1995, the Ulster Museum stages a major retrospective of his paintings (1945-1995). Other retrospectives are held at the Hugh Lane Gallery in Dublin and the Stadsmusueum, Gothenberg, Sweden. His paintings are also included in the show “A Century of Irish Painting” organized by the Hugh Lane Gallery which tours Japanese museums in 1995.
As an artist, Flanagan works in oils as well as his preferred watercolours, although by rapid application of the paint with minimal overworking, even his oils manage to retain the luminous colouring of the watercolourist. He specializes in landscape painting within his native County Fermanagh and the adjoining County Sligo, his methods being ideally suited to capturing the soft atmospheric light of Ireland’s northwest.
Flanagan is elected associate of the RUA in 1960, a full member in 1964, and President 1978-82. During his long career, he receives numerous commissions and other awards for his works, which are represented in the collections of The Arts Councils of Ireland & Northern Ireland, the Ulster Museum, the Hugh Lane Municipal Gallery, Dublin, Irish Museum of Modern Art, and the National Self-Portrait Collection, Limerick.
Flanagan dies suddenly on February 23, 2011. His funeral takes place at St. Brigid’s Church in south Belfast and is buried at St. Michaels’ Church in Enniskillen.
The auction record for a work by T.P. Flanagan is set in 2009, when his landscape painting, entitled Castlecoole From Lough Coole, is sold at Christie’s, London, for £20,000.
(From Encyclopedia of Visual Artists In Ireland, visual-arts-cork.com)
Joyce is one of the ten children of Mary Jane “May” Murray and John Stanislaus Joyce, a professional singer and later rate-collector from a bourgeois Catholic family. He attends Clongowes Wood College, a Jesuit boarding school, until 1891, when his father’s financial worries mean they can no longer afford to send him there. He is temporarily home-schooled and spends a short time at a Christian Brothers school, before starting at Belvedere College, a Jesuit day school run by his old Clongowes headmaster, Father John Conmee.
Much of Joyce’s childhood is influenced by his charismatic, but increasingly alcohol-dependent and difficult father, whose ongoing financial troubles led to regular domestic upheaval. However, John Joyce’s passions, eccentricities, as well as his gift as a singer are celebrated in his son’s work. The death of the Irish Home Rule movement leader Charles Stewart Parnell in 1891 is a watershed moment in Joyce’s life and is the subject of an inflammatory argument during a Christmas dinner, in which John Joyce and his friend John Kelly passionately defend Parnell from the accusations of the pious Elizabeth Conway. Joyce recreates the scene in A Portrait of the Artist as a Young Man, portraying Kelly’s character, Mr. Casey, crying loudly with a “sob of pain,” “Poor Parnell! … My dead king!”
Joyce attends University College Dublin in 1899-1902, where he studies modern languages, with Latin and logic. In 1902 he goes to Paris with an intent of studying medicine but discovers, on arrival, that he does not have the necessary qualifications. He constantly struggles for money, relying on irregular work as a teacher, bank employee, cinema-owner and tweed-importer, and on patrons and supporters such as Harriet Shaw Weaver and Ezra Pound.
Joyce returns to Ireland in 1903 after his mother falls ill. She dies in August 1903. He refuses to take the sacraments or kneel at her deathbed, and the guilt he later feels is depicted in Ulysses when the ghost of Stephen’s mother returns to haunt him. On June 16, 1904, he meets Nora Barnacle, the woman with whom he spends the rest of his life. By autumn, he is convinced of the impossibility of remaining in Ireland and persuades Nora to travel with him. They arrive in Paris on October 9, 1904. He would not return to Ireland to live. He cultivates a sense of himself as an exile, living in Trieste, Zürich, Rome and Paris.
Joyce’s first publication in 1907 is the poetry collection Chamber Music. When he sends Pound a revised first chapter of Portrait of an Artist as a Young Man, along with the manuscript of his short story collection Dubliners, Pound arranges for Portrait to be published serially in the modernist magazine The Egoist between 1914 and 1915. His short story collection, Dubliners, had been delayed by years of arguments with printers over its contents, but is also published in 1914.
Joyce then begins work on Ulysses, an experimental account of a single day in Dublin. The novel is serialised between 1918 and 1920, but full publication is delayed due to problems with American obscenity laws. The work is finally published in book form by his friend Sylvia Beach in Paris in 1922. His play Exiles is first performed in German in 1919, and English in 1926. His last novel, Finnegans Wake (1939), is an innovative language experiment that contains over 40 languages and a huge variety of popular and arcane references.
On January 11, 1941, Joyce undergoes surgery in Zürich for a perforated duodenal ulcer. He falls into a coma the following day. He awakes at 2:00 AM on January 13, 1941, and asks a nurse to call his wife and son, before losing consciousness again. They are en-route when he dies 15 minutes later, less than a month short of his 59th birthday. He is buried in the Fluntern Cemetery, Zürich.
Brontë is the youngest of six children of Patrick Brontë, a poor Irish clergyman in the Church of England, and Marie Brontë. She lives most of her life with her family at the parish of Haworth on the Yorkshire moors and is taught in the family’s Haworth home and at Roe Head School. With her sister Emily, she invents the imaginary kingdom of Gondal, about which they write verse and prose, the latter now lost, from the early 1830s until 1845.
Brontë takes a position as governess briefly in 1839 and then again for four years, 1841–45, with the Robinsons, the family of a clergyman, at Thorpe Green, near York. There her irresponsible brother, Branwell, joins her in 1843, intending to serve as a tutor. Anne returns home in 1845 and is followed shortly by her brother, who has been dismissed, charged with making love to his employer’s wife.
In 1846 Brontë contributes 21 poems to Poems by Currer, Ellis and Acton Bell, a joint work with her sisters Charlotte and Emily. Her first novel, Agnes Grey, is published together with Emily’s Wuthering Heights in three volumes, of which Agnes Grey is the third, in December 1847. The reception to these volumes, associated in the public mind with the immense popularity of Charlotte’s Jane Eyre (October 1847), lead to quick publication of Anne’s second novel, again as Acton Bell, The Tenant of Wildfell Hall, published in three volumes in June 1848. It sells well.
Emily’s death in December 1848 deeply affects Brontë and her grief undermines her physical health. Over Christmas, she comes down with influenza. Her symptoms intensify and her father sends for a Leeds physician in early January. The doctor diagnoses her condition as consumption (tuberculosis) and intimates that it is quite advanced, leaving little hope of recovery. Anne meets the news with characteristic determination and self-control.
In February 1849, Brontë seems somewhat better and decides to make a return visit to Scarborough in the hope that the change of location and fresh sea air might initiate a recovery. On May 24, 1849, she sets off for Scarborough with Charlotte and Ellen Nussey. However, it is clear that Anne has little strength left.
On Sunday, May 27, Brontë asks Charlotte whether it would be easier if she returned home to die instead of remaining in Scarborough. A doctor, consulted the next day, indicates that death is close. Conscious and calm, she dies in the afternoon of Monday, May 28, 1849, at the age of 29. She is buried in Scarborough in St. Mary’s churchyard, beneath the castle walls, overlooking the bay.
Her novel Agnes Grey, probably begun at Thorpe Green, records with limpidity and some humour the life of a governess. George Moore calls it “simple and beautiful as a muslin dress.” The Tenant of Wildfell Hall presents an unsoftened picture of the debauchery and degradation of the heroine’s first husband and sets against it the Arminian belief, opposed to Calvinist predestination, that no soul shall be ultimately lost. Her outspokenness raised some scandal, and Charlotte deplored the subject as morbid and out of keeping with her sister’s nature, but the vigorous writing indicates that Brontë found in it not only a moral obligation but also an opportunity of artistic development.
(Pictured: A sketch of Anne Brontë by sister Charlotte, circa 1834)
In 1911 Brenon is hired as a writer by Carl Laemmle, directing his first short the following year. Signed by William Fox in 1915, he graduates to feature films. With Paramount Pictures from 1923, he directs several spectacular productions with British themes, including the silent version of Beau Geste (1926). He regards sound pictures with a measure of apprehension.
During World War I, MacGill serves with the London Irish Rifles (1/18th Battalion, London Regiment) and is wounded at the Battle of Loos on October 28, 1915. He is recruited into Military Intelligence and writes for MI 7b between 1916 and the Armistice in 1918. He writes a memoir-type novel called Children of the Dead End.
In early 2008, a docu-drama starring Stephen Rea is made about the life of Patrick MacGill, which is released in Ireland in 2009 as Child of the Dead End. One of the film’s locations is the boathouse of Edinburgh Canal Society at Edinburgh on the Union Canal, and one of its rowing boats.
An annual literary MacGill Summer School is held in Glenties in mid-July each year in his honour. A statue in his honour is on the bridge where the main street crosses the river in Glenties. He has three children, Christine, Patricia and Sheila MacGill.
O’Brien is the youngest child of “a strict, religious family.” From 1941 to 1946 she is educated by the Sisters of Mercy, a circumstance that contributes to a “suffocating” childhood. “I rebelled against the coercive and stifling religion into which I was born and bred. It was very frightening and all pervasive. I’m glad it has gone.” She is fond of a nun as she deeply misses her mum and tries to identify the nun with her mother.
In 1950, O’Brien is awarded a licence as a pharmacist. In Ireland, she reads such writers as Leo Tolstoy, William Makepeace Thackeray, and F. Scott Fitzgerald. In 1954, she marries, against her parents’ wishes, the Irish writer Ernest Gébler and the couple moves to London. They have two sons, but the marriage is dissolved in 1964. Gébler dies in 1998.
In London, O’Brien purchases Introducing James Joyce, with an introduction written by T. S. Eliot. When she learns that James Joyce‘s A Portrait of the Artist as a Young Man is autobiographical, it makes her realise where she might turn, should she decide to write herself. In London she starts work as a reader for Hutchinson, where on the basis of her reports she is commissioned, for £50, to write a novel. Her first novel, The Country Girls (1960), is often credited with breaking silence on sexual matters and social issues during a repressive period in Ireland following World War II.
This novel is the first part of a trilogy of novels which includes The Lonely Girl (1962) and Girls in Their Married Bliss (1964). Shortly after their publication, these books are banned and, in some cases burned, in her native country due to their frank portrayals of the sex lives of their characters. Her novel A Pagan Place (1970) is about her repressive childhood. Her parents are vehemently against all things related to literature and her mother strongly disapproves of her daughter’s career as a writer.
O’Brien is a panel member for the first edition of the BBC‘s Question Time in 1979. In 2017, she becomes the sole surviving member.
Other works include a biography of James Joyce, published in 1999, and one of the poet Lord Byron, Byron in Love (2009). House of Splendid Isolation (1994), her novel about a terrorist who goes on the run, marks a new phase in her writing career. Down by the River (1996) concerns an under-age rape victim who seeks an abortion in England, the “Miss X case.” In the Forest (2002) deals with the real-life case of Brendan O’Donnell, who abducts and murders a woman, her three-year-old son, and a priest, in rural Ireland.
MacDonagh is still a young child when his father is executed in 1916 for his part in the Easter Rising. Tragedy strikes again when his mother dies of a heart attack a year afterwards while swimming at Skerries to Lambay Island, County Dublin on July 9, 1917. He and his sister are then cared for by their maternal aunts, in particular Catherine Wilson.
His parents’ families then engage in a series of child custody lawsuits as the MacDonaghs are Roman Catholic and the Giffords are Protestant. In the climate of Ne Temere, the MacDonaghs are successful.
He and his sister Barbara, who later marries actor Liam Redmond, live briefly with their paternal aunt Eleanor Bingham in County Clare before being put into the custody of strangers until their late teens when they are taken in by Jack MacDonagh.
MacDonagh publishes three volumes of poetry: Veterans and Other Poems (1941), The Hungry Grass (1947) and A Warning to Conquerors (1968). He also edits the Oxford Book of Irish Verse (1958) with Lennox Robinson. He also writes poetic dramas and ballad operas. One play, Happy As Larry, is translated into a number of languages. He has three other plays produced: God’s Gentry (1951), Lady Spider (1959) and Step in the Hollow, a piece of situation comedy nonsense.
MacDonagh also writes short stories. He publishes Twenty Poems with Niall Sheridan, stages the first Irish production of “Murder in the Cathedral” with Liam Redmond, later his brother-in-law, and is a popular broadcaster on Radio Éireann.
MacDonagh is married twice, to Maura Smyth and, following her death after she drowns in a bath whilst having an epileptic seizure, to her sister, Nuala Smyth. He has four children, Iseult and Breifne by Maura and Niall and Barbara by Nuala.
Donagh MacDonagh dies in Dublin on January 1, 1968, and is buried at Dean’s Grange Cemetery.
Allingham is born on March 19, 1824, in the small town of Ballyshannon, County Donegal, and is the son of the manager of a local bank who is of English descent. During his childhood his parents move twice within the town, where he enjoys the country sights and gardens, learns to paint and listens to his mother’s piano playing. When he is nine, his mother dies.
Allingham obtains a post in the custom house of his native town and holds several similar posts in Ireland and England until 1870. During this period, he publishes Poems (1850), which includes his well-known poem “The Fairies,” and Day and Night Songs (1855). Laurence Bloomfield in Ireland, his most ambitious, though not his most successful work, a narrative poem illustrative of Irish social questions, appears in 1864. He also edits The Ballad Book for the Golden Treasury series in 1864, and Fifty Modern Poems in 1865.
In April 1870 Allingham retires from the customs service, moves to London and becomes sub-editor of Fraser’s Magazine, eventually becoming editor in succession to James Anthony Froude in June 1874, a post he holds until 1879. On August 22, 1874, he marries the illustrator, Helen Paterson, who is twenty-four years younger than he. His wife gives up her work as an illustrator and becomes well known under her married name as a water-colour painter. At first the couple lives in London, at 12 Trafalgar Square, Chelsea, near Allingham’s friend, Thomas Carlyle, and it is there that they have their first two children – Gerald Carlyle (b. 1875 November) and Eva Margaret (b. 1877 February).
Allingham’s Songs, Poems and Ballads appears in 1877. In 1881, after the death of Carlyle, the Allinghams move to Sandhills near Witley in Surrey, where their third child, Henry William, is born in 1882. At this period Allingham publishes Evil May Day (1883), Blackberries (1884) and Irish Songs and Poems (1887).
In 1888, due to Allingham’s declining health, they move back to the capital, to the heights of Hampstead village. However, on November 18, 1889, he dies at Hampstead. According to his wishes he is cremated. His ashes are interred at St. Anne’s church in his native Ballyshannon.
Posthumously Allingham’s Varieties in Prose is published in 1893. William Allingham A Diary, edited by Mrs. Helen Allingham and D. Radford, is published in 1907. It contains Allingham’s reminiscences of Tennyson, Carlyle and other writers and artists.
Bax is encouraged by his parents to pursue a career in music, and his private income enables him to follow his own path as a composer without regard for fashion or orthodoxy. Consequently, he comes to be regarded in musical circles as an important but isolated figure.
While still a student at the Royal Academy of Music, Bax becomes fascinated with Ireland and Celtic culture, which become a strong influence on his early development. In the years before World War I he lives in Ireland and becomes a member of Dublin literary circles, writing fiction and verse under the pseudonym Dermot O’Byrne. Later, he develops an affinity with Nordic culture, which for a time supersedes his Celtic influences in the years after World War I.
Between 1910 and 1920 Bax writes a large amount of music, including the symphonic poem Tintagel, his best-known work. During this period he forms a lifelong association with the pianist Harriet Cohen – at first an affair, then a friendship, and always a close professional relationship. In the 1920s he begins the series of seven symphonies which form the heart of his orchestral output.
In 1942 Bax is appointed Master of the King’s Music, but composes little in that capacity. In his last years he maintains a contented retirement for much of the time but finds his music regarded as old-fashioned, and after his death it is generally neglected.
Celebrations are planned by the Hallé Orchestra and others to celebrate Bax’s seventieth birthday in November 1953. However, the celebrations become memorials as while visiting Cork in October 1953 he dies suddenly of heart failure. He is interred in St. Finbarr’s Cemetery, Cork.
From the 1960s onwards, mainly through a growing number of commercial recordings, his music is gradually rediscovered, although little of it is heard with any frequency in the concert hall. In more recent years, his music has been rediscovered enthusiastically by a new generation via online distribution services such as YouTube.
seamus dubhghaill 