Edward Bruce lands in Larne, in modern-day County Antrim, on May 26, 1315. In early June, Donall Ó Néill of Tyrone and some twelve fellow northern Kings and lords meet Bruce at Carrickfergus and swear fealty to him as King of Ireland. Bruce holds the town of Carrickfergus but is unable to take Carrickfergus Castle. His army continues to spread south, through the Moyry Pass to take Dundalk.
Outside the town of Dundalk, Bruce encounters an army led by John FitzThomas FitzGerald, 4th Lord of Offaly, his son-in-law Edmund Butler, Earl of Carrick and Maurice FitzGerald, 4th Baron Desmond. The Scottish push them back towards Dundalk and on June 29 lay waste to the town and its inhabitants.
By July 22 Edmund Butler, the Justiciar in Dublin, assembles an army from Munster and Leinster to join Richard Óg de Burgh, 2nd Earl of Ulster, to fight Bruce. De Burgh refuses to let the government troops into Ulster, fearing widespread damage to his land. Bruce is able to exploit their dispute and defeat them separately.
Bruce slowly retreats north, drawing de Burgh in pursuit. Bruce and his O’Neill allies sack Coleraine, destroying the bridge over the River Bann to delay pursuit. Edward sends word to Fedlim Ó Conchobair that he will support his position as king in Connacht if he withdraws. He sends the same message to rival claimant Ruaidri mac Cathal Ua Conchobair. Cathal immediately returns home, raises a rebellion and declares himself king. De Burgh’s Connacht allies under Felim then follow as Felim leaves to defend his throne. Bruce’s force then crosses the River Bann in boats and attacks. The Earl of Ulster withdraws to Connor.
The armies meet in Connor on September 10, 1315. The superior force of Bruce and his Irish allies defeat the depleted Ulster forces. The capture of Connor permits Bruce to re-supply his army for the coming winter from the stores the Earl of Ulster had assembled at Connor. Earl’s cousin, William de Burgh, is captured, as well as, other lords and their heirs. Most of his army retreats to Carrickfergus Castle, which the pursuing Scots put under siege. The Earl of Ulster manages to return to Connacht.
The government forces under Butler do not engage Bruce, allowing him to consolidate his hold in Ulster. His occupation of Ulster encourages risings in Meath and Connacht, further weakening de Burgh. Despite this, and another Scottish/Irish victory at the Battle of Skerries, the campaign is to be defeated at the Battle of Faughart.
(Pictured: Grave of King Edward Bruce, Faughart, County Louth)
Originally built for the Dublin International Exhibition of Arts and Manufactures of 1865, the structure is converted into the central building of University College Dublin (UCD) at the foundation of the National University of Ireland in 1908. When UCD begins to relocate to a new campus at Belfield in the 1960s, part of the building is converted, and reopened as the National Concert Hall in 1981. Since then, the structure has been shared with UCD. In 2005 it is announced that UCD is to relocate all of its faculties to Belfield in the near term, allowing the NCH to develop a major expansion plan on the entire site, bringing it in line with international peers.
Today the National Concert Hall is one of Ireland’s National Cultural Institutions, under the aegis of the Irish Government‘s Department of Culture, Heritage and the Gaeltacht and, as such, is grant-aided by the Irish Government. The National Concert Hall is a statutory corporate body, with a management team, and a Government-appointed Board.
Although its facade is quite impressive, the venue’s architectural acoustics have been criticized. It is also unsuitable for large-scale opera stagings, lacking full stage facilities. Consequently, calls for a purpose-built venue are made from time to time.
Due to its central location, lunchtime concerts and recitals are common and attended by many workers from nearby office buildings. During the summer, outdoor recitals are given in the adjacent Iveagh Gardens. The resident orchestra is the RTÉ National Symphony Orchestra. Other regular performances are made from the rest of the RTÉ Performing Groups.
The National Concert Hall generally makes a small surplus, unlike most of Ireland’s National Cultural Institutions. This is despite the fact that although it has a high level of attendance, it has only a small public funding element, especially compared to the Abbey Theatre.
Burke’s parents, though in moderate circumstances, gave him a good education. He studies at first under the care of the Patrician Brothers and is afterwards sent to a private school. An attack of typhoid fever when he is fourteen years old, and the famine year of 1847 have a sobering effect. Toward the end of that year, he asks to be received into the Order of Preachers and is sent to Perugia in Italy to make his novitiate. On December 29, he is clothed there in the habit of St. Dominic and receives the name of Thomas.
Shortly afterward Burke is sent to Rome to begin his studies at the College of St. Thomas, the future Pontifical University of Saint Thomas Aquinas, where he is a student of philosophy and theology. He passes thence to the Roman convent of Santa Sabina. His superiors send him, while yet a student, as novice-master to Woodchester, the novitiate of the resuscitated English Province. He is ordained into the priesthood on March 26, 1853. On August 3, 1854, he defends publicly the theses in universâ theologiâ. He is made lector at the College of St. Thomas in 1854.
Early in the following year Burke is recalled to Ireland to found the novitiate of the Irish Province at Tallaght, near Dublin. In 1859 he preaches his first notable sermon on “Church Music.” It immediately lifts him into fame.
Elected Prior of Tallaght in 1863, Burke goes to Rome the following year as Rector of the Dominican Convent of San Clemente and attracts great attention by his preaching. He returns to Ireland in 1867 and delivers his oration on Daniel O’Connell at Glasnevin before fifty thousand people.
Bishop Leahy takes him as his theologian to the First Vatican Council in 1870, and the following year he is sent as Visitor to the Dominican convents in America. He is besieged with invitations to preach and lecture. The seats are filled hours before he appears, and his audiences overflow the churches and halls in which he lectures. In New York City he delivers the discourses in refutation of the English historian James Anthony Froude.
In an eighteen-month period Burke gives four hundred lectures, exclusive of sermons, with the proceeds amounting to nearly $400,000. His mission is a triumph, but the triumph is dearly won. When he arrives in Ireland on March 7, 1873, he is spent and broken.
During the next decade Burke preaches in Ireland, England, and Scotland. He begins the erection of the church in Tallaght in 1883, and the following May preaches a series of sermons in the new Dominican church, London. In June he returns to Tallaght in a dying condition and preaches his last sermon in the Jesuit church, Dublin, in aid of the starving children of Donegal. A few days afterwards, on July 2, 1882, he dies. He is buried in the church of Tallaght, now a memorial to him.
(Pictured: Statue of Thomas Nicholas Burke by John Francis Kavanagh by Nimmo’s Pier in Galway)
Penal Laws are passed on September 7, 1695, which restrict the rights of Irish Catholics to have an education, to bear arms, or to possess a horse worth more than five pounds. This is the price the Irish have to pay for their support of King James II in his war against William of Orange.
The Catholic James flees to Ireland and raises an army after he is deposed during England’s Glorious Revolution. His successor, William of Orange, wages war in Ireland from 1689 to 1691, eventually defeating James’s armies and causing the ex-monarch to flee to France. It is Ireland’s last great episode of resistance to British rule until the Society of United Irishmen emerges in the 1790s.
Originally it looks as though the terms will be rather lenient. The draft of the Treaty of Limerick, which ends the war between William and James, contains generous terms for the latter’s defeated supporters in Ireland. Soldiers who fought in James’s army are offered free passage to France to join James in exile. James’s supporters in Ireland are to be allowed to keep their lands and to practice their trades and professions. Finally, Catholics are promised freedom of religion.
William supports these lenient terms because he wants to end the struggle in Ireland. It is costing a great deal of money and diverting military resources he wants to use in his ongoing war against France. Irish Protestants, however, bitterly oppose the treaty’s concessions to Catholics, and successfully water down or remove key provisions from the final draft of the Treaty. They also successfully push for a series of anti-Catholic measures known as the Penal Laws.
The first of the Penal Laws are passed on September 7, 1695. Many more follow over the next 30 years. These “popery laws,” as they are popularly known, sharply curtail the civil, religious, and economic rights of Catholics in Ireland. The most important ones make it illegal for Catholics to marry Protestants, inherit land from Protestants, buy land, carry weapons, teach school, practice law, vote in parliamentary elections, hold public office, practice their religion, own a horse worth more than 5 pounds, and hold a commission in the army or navy.
One particularly devastating law forces Catholic landowners to divide their estates among all their sons, in contrast to the preferred practice of handing most or all of the land to the eldest, unless they convert to the Church of Ireland. This leaves them with a choice between two evils: abandon their Catholic faith in order to save their holdings or allow them to be successively subdivided into oblivion.
It is this law, along with continued land forfeitures, that over the next century and a half push Ireland’s people onto smaller and smaller plots of land. Smaller holdings force Irish peasants to turn to the potato, a high yield crop, for the bulk of their daily diet. By the eve of the Great Famine, more than 60 percent of the Irish people depend on the potato for the main source of food. Thus, the Penal Laws create the conditions that turn an accident of nature — the fungus that ravages Ireland’s potato crop between 1845 and 1850 — into a monumental human tragedy.
Some Penal Laws are either repealed or simply ignored in the course of the eighteenth century. By the late-1700s, for example, Catholics are allowed to buy land and practice their religion. But the most debilitating laws, those that deny Irish Catholics basic political, economic, and civil rights, are kept in full force until Daniel O’Connell launches his successful campaign for Catholic Emancipation in the 1820s.
(Source: The Irish Echo, oldest Irish American newspaper in the United States, February 16, 2011)
O’Riordan is the youngest of nine children, two of whom die in infancy. Her father, Terence Patrick “Terry” O’Riordan (1937–2011), is a farm labourer who is left unable to work due to brain damage caused by a motorbike accident in 1968. Her mother, Eileen, is a school caterer. She attends Laurel Hill Coláiste FCJ school in Limerick. She leaves school without any qualifications.
In 1989, brothers Mike and Noel Hogan form The Cranberry Saw Us with drummer Fergal Lawler and singer Niall Quinn, in Limerick. Less than a year later, Quinn leaves the band. The remaining band members then place an advertisement for a female singer. O’Riordan responds to the advertisement and auditions by writing lyrics and melodies to some existing demos. When she returns with a rough version of “Linger,” she is hired, and they record Nothing Left At All, a three-track EP released on tape by local record label Xeric Records, which sells 300 copies. The group changes their name to “The Cranberries.” The owner of Xeric Studios, Pearse Gilmore, becomes their manager and provides the group with studio time to complete another demo tape, which he produces. It features early versions of “Linger” and “Dreams,” which are sent to record companies throughout the United Kingdom (UK).
Are You Listening? is released in Ireland on May 4, 2007, in Europe on May 7, and in North America on May 15. In 2008, O’Riordan wins a European Border Breakers Award (EBBA) which is presented annually to recognize the success of ten emerging artists or groups who reach audiences outside their own countries with their first internationally released album in the past year. Her second album, No Baggage, featuring eleven tracks, is released in August 2009.
In January 2009, the University Philosophical Society at Trinity College, Dublin invites The Cranberries to reunite for a concert celebrating O’Riordan’s appointment as an honorary member of the Society, which leads the band members to consider reuniting for a tour and a recording session. On August 25, 2009, while promoting her solo album No Baggage in New York City on 101.9 RXP radio, O’Riordan announces the reunion of the Cranberries for a world tour. The tour begins in North America in mid-November, followed by South America in mid-January 2010 and Europe in March 2010. She remains in the band until her unexpected death.
She appears as a judge on RTÉ‘s The Voice of Ireland during the 2013–2014 season. In April 2014, O’Riordan joins and begins recording new material with the trio D.A.R.K.
On January 15, 2018, at the age of 46, while in London for a recording session, O’Riordan dies suddenly at the London Hilton on Park Lane hotel in Mayfair. The cause of death is not immediately made public. Police say it is not being treated as suspicious. The coroner’s office says the results of its inquiry would not be released until April 3 at the earliest. On April 3 the inquest is cancelled with no new date announced.
A three-day memorial in her hometown, with O’Riordan lying in repose, lasts from January 20-22 at St. Joseph’s church. On January 23, she is buried after a service at Saint Ailbe’s Roman Catholic Church, Ballybricken, County Limerick. It begins with the studio recording of “Ave Maria” as sung by O’Riordan and Luciano Pavarotti. She is buried alongside her father.
Irish Press Ltd. is officially registered on September 4, 1928, three years before the paper is first published, to create a newspaper independent of the existing media where the Independent Newspapers group is seen as supporting Cumann na nGaedheal/Fine Gael, and The Irish Times being pro-union, and with a mainly middle-class or Protestant readership.
The paper’s first issue is published on the eve of the 1931 All-Ireland Senior Hurling Championship Final between Cork and Kilkenny. Other newspapers do not cover GAA sports in any detail at the time. Margaret Pearse, the mother of Patrick and Willie Pearse, presses the button to start the printing presses. The initial aim of its publisher is to achieve a circulation of 100,000 which it quickly accomplishes. It goes on to list 200,000 subscribers at its peak.
The money to launch the Irish Press is raised in the United States during the Irish War of Independence by a bond drive to finance the First Dáil. Five million dollars is raised; however, 60 percent of this money is left in various banks in New York City. No one knows why de Valera ordered the bulk of the money to be left in New York when he returned to Ireland in late 1920.
In 1927, as a result of legal action between the Irish Free State government and de Valera, a court in New York orders that the bond holders be paid back outstanding money due to them. However, de Valera’s legal team has anticipated the ruling and has prepared for the outcome. A number of circulars are sent to the bond holders asking them to sign over their holdings to de Valera. The bond holders are paid 58 cents to the dollar. This money is then used as startup capital to launch the Irish Press. Following the 1933 Irish General Election, de Valera uses his Dáil Éireann majority to pass a measure allowing the bond holders to be paid the remaining 42 percent of the money still owed.
In December 1931, editor Frank Gallagher is prosecuted by an Irish Free State military tribunal for publishing articles alleging that Garda Síochána had mistreated the Anti-Treaty republicans of the Irish Free State government. This is facilitated by Amendment 17 of the Constitution of the Irish Free State and Gallagher is convicted and fined £50. An example of animosity from those who support Independent Newspapers and the Free State government is that the Irish Press is excluded from the special train which delivers newspapers from Dublin to the countryside. As a result, it is circulated throughout Ireland by a specially rented train.
The Irish Press sustains itself with its own resources until The Sunday Press is founded in 1949. In its heyday, the Irish Press has a number of first-rate reporters and columnists. One notable section, New Irish Writing is edited by David Marcus.
In the 1970s, the Minister for Posts and Telegraphs, Conor Cruise O’Brien, tries to use and amend The Emergency Powers Act and Section 31 of the Broadcasting Authority Act, to censor coverage of the Troubles in Northern Ireland. The Irish Press editor, Tim Pat Coogan, publishes editorials attacking the Bill. The Fine Gael/Labour Coalition Government tries to prosecute the Irish Press for its coverage of the maltreatment of republican prisoners by the Garda “Heavy Gang,” with the paper winning the case.
The Irish Press starts two further newspapers, the Evening Press (1954), and The Sunday Press. The Evening Press is aimed at an urban readership and achieves a daily circulation of 100,000. The new newspapers subsidise the Irish Press when its circulation sags. Its adoption of a tabloid format does not rescue its declining circulation.
The final issue of the Irish Press and Evening Press is on Thursday, May 25, 1995. The newspapers close because of a bizarre industrial dispute over the sacking of the group business editor, Colm Rapple. The group has not been in a healthy financial state for several years. When it eventually closes, with indebtedness of £20 million, 600 people lose their jobs.
(Pictured: Cover of last ever edition of the Irish Press from May 25, 1995)
With his father as the captain, Neill is born on a ship off the coast of Ireland. His birth name is Roland de Gostrie. He begins directing silent films in 1917 and goes on to helm 107 films, 40 of them silent. Although most of his films are low-budget B-movies, he is known for directing films with meticulously lit scenes with carefully layered shadows that become the style of film noir in the late 1940s. In fact, his last film, Black Angel (1946), is considered a film noir.
Neill is also credited in some works as R. William Neill, Roy W. Neill, and Roy Neill. He lives in the United States for most of his career and is a U.S. citizen. He does go to London from 1935 until 1940 where better opportunities exist for American directors. During this period, British film producerEdward Black hires him to direct The Lady Vanishes. However, due to delays in production, Black hires Alfred Hitchcock to direct instead.
Roy William Neill dies at the age of 59 from a heart attack in London, England on December 14, 1946.
James (Joseph) Hanley, British novelist, short story writer, and playwright of Irish descent, is born in Kirkdale, Liverpool, Lancashire on September 3, 1897. He publishes his first novel, Drift, in 1930. The novels and short stories about seamen and their families that he writes in the 1930s and 1940s include Boy (1931), the subject of an obscenity trial. He comes from a seafaring family and spends two years at sea himself. After World War II there is less emphasis on the sea in his works. While frequently praised by critics, his novels do not sell well. In the late 1950s, 1960s, and early 1970s he writes plays, mainly for the BBC, for radio and then for television, and also for the theatre. He returns to the novel in the 1970s. His last novel, A Kingdom, is published in 1978, when he is 80 years old.
Hanley is born to a working class family. Both his parents are born in Ireland, his father Edward Hanley around 1865, in Dublin, and his mother, Bridget Roache, in Queenstown, County Cork, around 1867. Both are well established in Liverpool by 1891, when they are married. Hanley’s father works most of his life as a stoker, particularly on Cunard Line liners, and other relatives have also gone to sea. He grows up living close to the docks. He leaves school in the summer of 1910 and works for four years in an accountants’ office. Then early in 1915 at the age of 17, he goes to sea for the first time. Thus life at sea is a formative influence and much of his early writing is about seamen.
In April 1917, Hanley jumps ship in Saint John, New Brunswick, Canada, and shortly thereafter joins the Canadian Expeditionary Force in Fredericton, New Brunswick. He fights in France in the summer of 1918, but is invalided out shortly thereafter. After the war he works as a railway porter in Bootle and devotes himself to a prodiguous range of autodidactic, high cultural activities – learning the piano, regularly attending concerts, reading voraciously and, above all, writing. However, it is not until 1930 that his novel Drift is accepted.
Hanley moves from Liverpool to near Corwen, North Wales in 1931, where he meets Dorothy Enid “Timothy” Thomas, neé Heathcote, a descendant of Lincolnshire nobility. They live together and have a child, Liam Powys Hanley, in 1933, but do not marry until 1947. In July 1939, as World War II is approaching, he moves to London to write documentaries and plays for the BBC. He moves back to Wales during the early years of the war, settling in Llanfechain on the other side of the Berwyn range from Corwen. In 1963, the Hanleys move to North London to be close to their son.
In 1937 Hanley publishes an autobiographical work, Broken Water: An Autobiographical Excursion, and while this generally presents a true overall picture of his life, it is seriously flawed, incomplete and inaccurate. Chris Gostick describes it as “a teasing palimpsest of truth and imagination.”
Hanley’s brother is the novelist Gerald Hanley and his nephew is the American novelist and playwright William Hanley. Hanley’s wife also publishes three novels, as Timothy Hanley. She dies in 1980. James Hanley himself dies in London on November 11, 1985 and is buried in Llanfechain, Wales.
In 1761, O’Brien enters the Irish House of Commons as the member for Ennis, sitting until 1768. Subsequently he successfully runs for Clare, a seat previously held by his father, holding it until 1776. He is then again elected for Ennis, but following the unseating of Hugh Dillon Massy as Member of Parliament for Clare, he returns to represent that constituency in 1778. In the election of 1783, he becomes the representative for Tuam. He is sworn of the Privy Council of Ireland in 1786. He serves for the latter constituency until 1790, when he is re-elected for Ennis. He holds this seat finally until his death on January 15, 1795.
O’Brien marries Anne French, the daughter of Robert French, in 1768 and has by her seven children, three sons and four daughters. He is succeeded in the baronetcy as well as in the constituency of Ennis by his oldest son Edward.
Born Margaret Power, she is a daughter of Edmund Power and Ellen Sheehy, small landowners. She is “haphazardly educated by her own reading and by her mother’s friend Ann Dwyer.” Her childhood is blighted by her father’s character and poverty, and her early womanhood made wretched by a compulsory marriage at the age of fifteen to Captain Maurice St. Leger Farmer, an English officer whose drunken habits finally bring him as a debtor to the King’s Bench Prison, where he dies by falling out of a window in October 1817. She had left him after three months of marriage.
Marguerite later moves to Hampshire, England to live for five years with the family of Thomas Jenkins, a sympathetic and literary sea captain. Jenkins introduces her to the Irishman Charles John Gardiner, 1st Earl of Blessington, a widower with four children and seven years her senior. They marry at St. Mary’s, Bryanston Square, Marylebone, on February 16, 1818, only four months after the death of her first husband.
Of rare beauty, charm and wit, Lady Blessington is no less distinguished for her generosity and for the extravagant tastes she shares with her second husband, which results in encumbering his estates with debt. On August 25, 1822, they set out for a continental tour with Marguerite’s youngest sister, the 21-year-old Mary Anne, and servants. On the way they meet Count Alfred D’Orsay, who had first become an intimate of Lady Blessington in London in 1821, in Avignon on November 20, 1822, before settling at Genoa for four months from March 31, 1823. There they meet Lord Byron on several occasions, giving Lady Blessington material for her Conversations with Lord Byron.
It is in Italy, on December 1, 1827, that Count D’Orsay marries Harriet Gardiner, Lord Blessington’s only daughter by his former wife. The Blessingtons and the newlywed couple move to Paris towards the end of 1828, taking up residence in the Hôtel Maréchal Ney, where the Earl suddenly dies at the age of 46 of an apoplectic stroke in 1829. D’Orsay and Harriet then accompanied Lady Blessington to England, but the couple separates soon afterwards amidst much acrimony. D’Orsay continues to live with Lady Blessington until her death. Their home, first at Seymour Place, and afterwards Gore House, Kensington, now the site of the Royal Albert Hall, become a centre of attraction for all that is distinguished in literature, learning, art, science and fashion. Benjamin Disraeli writes Venetia whilst staying there, and it is at her home that Hans Christian Andersen first meets Charles Dickens.
After her husband’s death Lady Blessington supplements her diminished income by contributing to various periodicals as well as by writing novels. She is for some years editor of The Book of Beauty and The Keepsake, popular annuals of the day. In 1834 she publishes her Conversations with Lord Byron. Her Idler in Italy (1839–1840), and Idler in France (1841) are popular for their personal gossip and anecdotes, descriptions of nature and sentiment.
Early in 1849, Count D’Orsay leaves Gore House to escape his creditors. Subsequently the furniture and decorations are sold in a public sale successfully discharging Lady Blessington’s debts. She joins the Count in Paris, where she dies on June 4, 1849, of a burst heart. On examination it is discovered that her heart is three times normal size.
(Pictured: Marguerite, Countess of Blessington, painted by Sir Thomas Lawrence in 1822)
seamus dubhghaill 