Bullock’s father, Thomas Bullock, is a strict man who has eleven children and drives several to emigration because of his stern demeanour. Thomas Bullock works on the Crom Castle estate which runs along the Cavan/Fermanagh border and has both Catholic and Protestant workers. Protestant workers have the prime jobs and are employed as craftsmen and supervisors while Catholics work in the outer area of the estate at unskilled jobs. Folk memories of the Battle of Newtownbutler in 1689 remain long in the memory in the area where up to 1,500 Jacobite troops are hacked down or drowned in Upper Lough Erne when pursued by the Williamite cavalry. Many of the Williamite army is drawn from the local Protestant population.
Bullock is educated at Crom estate primary school run by the Church of Ireland and Farra School near Bunbrosna, County Westmeath. He fails the entrance exams at the University of Dublin. He tries his hand at farming but finds he is not suited. He moves to London in 1883 and becomes a Civil Service clerk. He takes to journalism to supplement his salary and publishes his first book of stories, The Awkward squads, in 1893. His stories are centered on Irish Catholic and Protestant small farmers and labourers and their struggles and tensions. He marries Emma Mitchell in 1899 and they have a son and daughter.
Bullock is well respected in literary circles, but his books are never successful enough for him to become a full-time writer. He says that the English are not interested in Irish stories and that there is no reading public in Ireland. He dislikes Orangesectarianism and is ambivalent to Irish nationalism. His novel The Red Leaguers looks at sectarianism conflict and Robert Thorne examines the lives of London clerks which is a popular theme at the time. His last and best novel The Loughsiders is published in 1924 and is the story of a conniving smallholder based on William Shakespeare’s Richard III.
Shan Bullock’s wife dies in 1922. He spends the final years of his life in Sutton, Surrey and dies there on February 27, 1935.
Holt is one of six sons of John Holt, a farmer in County Wicklow. He joins the Irish Volunteers in the 1780s and holds a number of minor public offices but becomes involved in law enforcement as a sub-constable, billet master for the militia and a bounty hunter. He is involved in the Battle of Vinegar Hill which is an engagement during the Irish Rebellion of 1798 on June 21, 1798, when over 15,000 British soldiers launch an attack on Vinegar Hill outside Enniscorthy, County Wexford.
Despite Holt’s apparent loyalism, he becomes a member of the Society of United Irishmen in 1797 and gradually begins to attract suspicion until finally in May 1798, his house is burned down by the militia of Fermanagh. He then takes to the Wicklow mountains, gradually assuming a position of prominence with the United Irish rebels. The defeat of the County Wexford rebels at Vinegar Hill on June 21 sees surviving rebel factions heading towards the Wicklow Mountains to link up with Holt’s forces.
Emerging to meet them, Holt is given much of the credit for the planning of the ambush and defeat of a pursuing force of 200 British cavalry in the Battle of Ballyellis on June 30, 1798. However, the subsequent Midlands campaign to revive the rebellion is a disaster, and he is lucky to escape with his life back to the safety of the Wicklow Mountains.
Holt largely holds out in expectation of the arrival of French aid but news of the defeat of the French in the Battle of Ballinamuck together with his ill-health brought about by the hardships of his fugitive life, age and family considerations prompt him to initiate contact with the Dublin Castle authorities with a view to a negotiated surrender. Dublin Castle is eager to end the rebellion in Wicklow and allows him exile after incarceration in the Bermingham Tower without trial in New South Wales.
Holt goes out on the Minerva and meets Captain William Cox who has been appointed paymaster of the New South Wales Corps. The ship arrives at Sydney on January 11, 1800, and shortly afterwards Holt agrees to manage Captain Cox’s farm. He always claims in Australia that he is a political exile and not a convict. In 1804 when the Castle Hill uprising occurs Holt, who is not involved, has been warned that evening that it is about to happen. During the night he sets up a defense of Captain Cox’s house. He is nonetheless afterwards hounded by Governor Philip Gidley King and many false witnesses are brought against him. Although there is no plausible evidence at all against him, he is exiled by King to Norfolk Island in April 1804, and there put to hard labour.
Holt is officially pardoned on January 1, 1811, and in December 1812, with his wife and younger son, takes passage to Europe on the Isabella. The ship is wrecked by a reef, so the passengers and crew are landed at Eagle Island, one of the Falkland Islands. He shows great resolution and ingenuity in making the best of the conditions on the island. He is rescued on April 4, 1813, but does not reach England until February 22, 1814, as he travels via the United States. He retires to Ireland where he lives for the rest of his life but regrets he had left Australia.
John Blaquiere, 1st Baron de Blaquiere, British soldier, diplomat and politician of French descent, is born on May 15, 1732. He serves as Chief Secretary for Ireland between 1772 and 1776. He is the fifth son of Jean de Blaquiere, a French merchant who had emigrated to England in 1685, and his wife Marie Elizabeth de Varennes.
Blaquiere at first serves in the Army, in the 18th Dragoons, later renumbered the 17th Dragoons, where he achieves the rank of Lieutenant Colonel. In 1771 he is appointed Secretary of Legation at the British Embassy in Paris, a post he holds until 1772. The latter year Simon Harcourt, 1st Earl Harcourt, the British Ambassador in Paris, is appointed Lord Lieutenant of Ireland, and Blaquiere joins him as Chief Secretary for Ireland. He is admitted to the Privy Council of Ireland the same year and made a Knight Companion of the Order of the Bath two years later.
Blaquiere is to remain Chief Secretary until December 6, 1776. He is elected to the Irish House of Commons for Old Leighlin in 1773, a seat he holds until 1783. After representing Enniskillen for a few months in 1783, he sits then for Carlingford from 1783 to 1790, for Charleville from 1790 to 1798 and for Newtownards from 1798 until the Act of Union comes into force in 1801. He is created a Baronet, of Ardkill in County Londonderry, in 1784, and is raised to the Peerage of Ireland as Baron de Blaquiere, of Ardkill in the County of Londonderry, in 1800, for his support for the Act of Union. Lord de Blaquiere also sits as a Member of the British House of Commons for Rye from 1801 to 1802 and for Downton from 1802 to 1806. He is elected a Fellow of the Royal Society in 1803.
Lord de Blaquiere marries Eleanor, daughter of Robert Dobson, in 1775. They have four sons, including Peter de Blaquière, and three daughters. Lord de Blaquiere dies at the age of 80 in Bray, County Wicklow, on August 27, 1812. He is succeeded in his titles by his eldest son, John. Lady de Blaquiere dies at Regent’s Park, Marylebone, London, in December 1833.
Harte’s introduction to Irish traditional singing comes from a chance listening to an itinerant who is selling ballad sheets at a fair in Boyle, County Roscommon. He begins collecting early in life and by the end of his life has assembled a database of over 15,500 recordings.
Harte becomes a great exponent of the Dublin street ballad, which he prefers to sing unaccompanied. He is widely known for his distinctive singing, his Dublin accent having a rich nasal quality complementing his often high register. His voice mellows considerably by the time of his later recordings, allowing for an expressive interpretation of many love songs such as “My Bonny Light Horseman” on the album My Name is Napoleon Bonaparte. This is contrasted sublimely by his cogent interpretation of the popular “Molly Malone.” He also becomes more accustomed to singing with accompaniment which is not strictly part of the Irish singing tradition and does not come naturally to him.
Though Irish Republican in his politics, Harte believes that the Irish song tradition need not be a sectarian or nationalist preserve. He believes that songs are a key to understanding the past often saying, “those in power write the history, while those who suffer write the songs, and, given our history, we have an awful lot of songs.” Though considered a stalwart of traditional Irish singing and well aware of it, he does not consider himself to be a sean-nós singer.
Harte wins the All-Ireland Fleadh Cheoil singing competition on a number of occasions and in 2003 receives the Traditional Singer of the Year award from the Irish-language television channel TG4.
Harte records several albums and makes numerous television and radio appearances, most notably the Singing Voices series he writes and presents for RTÉ Radio, which is produced by Peter Browne in 1987. He is a regular at the Sunday morning sessions at The Brazen Head pub, along with Liam Weldon who runs the session. He is also an enthusiastic supporter of An Góilín Traditional Singer’s Club.
Frank Harte dies of a heart attack, aged 72, on June 27, 2005. His influence is still evident in singers such as Karan Casey and he continues to be remembered fondly in sessions and folk clubs on both sides of the Irish Sea.
In 1866 Sullivan composes a one-act comic opera, Cox and Box, which is still widely performed. He writes his first opera with W. S. Gilbert, Thespis, in 1871. Four years later, the impresarioRichard D’Oyly Carte engages Gilbert and Sullivan to create a one-act piece, Trial by Jury (1875). Its box office success leads to a series of twelve full-length comic operas by the collaborators. After the extraordinary success of H.M.S. Pinafore (1878) and The Pirates of Penzance (1879), Carte uses his profits from the partnership to build the Savoy Theatre in 1881, and their joint works become known as the Savoy operas. Among the best known of the later operas are The Mikado (1885) and The Gondoliers (1889). Gilbert breaks from Sullivan and Carte in 1890, after a quarrel over expenses at the Savoy. They reunite in the 1890s for two more operas, but these do not achieve the popularity of their earlier works.
Sullivan’s infrequent serious pieces during the 1880s included two cantatas, The Martyr of Antioch (1880) and The Golden Legend (1886), his most popular choral work. He also writes incidental music for West End productions of several Shakespeare plays and holds conducting and academic appointments. Sullivan’s only grand opera, Ivanhoe, though initially successful in 1891, has rarely been revived. In his last decade Sullivan continues to compose comic operas with various librettists and writes other major and minor works.
Sullivan’s health is never robust. From his thirties kidney disease obliges him to conduct sitting down. He dies at the age of 58 of heart failure, following an attack of bronchitis, at his flat in London on November 22, 1900. Sullivan’s wishes are to be buried in Brompton Cemetery with his parents and brother, but by order of the Queen he is buried in St. Paul’s Cathedral.
Arthur Sullivan is regarded as Britain’s foremost composer. His comic opera style serves as a model for generations of musical theatre composers that follow, and his music is still frequently performed, recorded and pastiched.
Duddy runs a fish and chip shop in the late 1960s which is supplied with beef burgers from a supplier whose van driver is Martin McGuinness. He is first approached by MI6 officer Frank Steele in the early 1970s but turns the approach down.
In light of the dissolution of Stormont in 1972, Duddy’s role as an intermediary starts in January 1972, when asked by friend and Derry’s Chief Police Office Frank Lagan to persuade the Official Irish Republican Army and the Provisional Irish Republican Army to remove their weapons from the Bogside. Both sides comply, but the Official IRA retains a few weapons for defensive purposes. After thirteen unarmed civil rights marchers are shot dead by British Parachute Regiment troops in what becomes known as Bloody Sunday, Duddy warns Lagan, “This is absolutely catastrophic. We’re going to have a war on our hands.”
In the aftermath of the events and repercussions of Bloody Sunday, MI6 agent Michael Oatley arrives in Belfast in 1973 seeking to understand the situation in Northern Ireland and hopefully create a communications channel between the IRA and the British Government. Duddy becomes the go-between for the communications, and this leads to the IRA ceasefire of 1975/76.
Duddy and Oatley are the main channel of communications between the British Government and the IRA leadership during the 1981 Irish hunger strike. Duddy is codenamed “Soon” by the British. Over the period of July 4-6, 1981, they exchange many telephone calls, with Duddy urging the “utmost haste” on the part of the British because “the situation would be irreparably damaged if a hunger striker died.” He suggests steps which could be taken to give the Provisional IRA a way of ending the strike. British Prime MinisterMargaret Thatcher personally amends the text of an offer which is conveyed to the IRA through Duddy, but the British consider the reply unsatisfactory and do not continue to negotiate through Duddy. Hunger striker Joe McDonnell dies the following day.
In November 1991, as his now friend Oatley is about to retire from MI6 service, Duddy calls Oatley to a diner in Derry. When dinner has finished, McGuinness enters the property. During the meeting, McGuinness and Oatley discuss options for moving the situation forward. A few weeks later, Duddy is pursued by a British businessman who wants to create jobs in Derry. In the first meeting, the businessman produces a letter from then Secretary of State for Northern IrelandPeter Brooke, introducing the “businessman” as Oatley’s MI6 successor. Duddy calls the MI6 agent “Fred,” and acting as the go-between they successfully negotiate a ceasefire. Talks between McGuinness and representatives of the British government are held secretly in his house.
On March 26, 2008, the BBC broadcasts a documentary entitled The Secret Peacemaker about Duddy, directed by Peter Norrey, and presented by Peter Taylor, a journalist who has known Duddy is “the link” for ten years.
In the spring of 2009, Duddy donates his private archives to the James Hardiman Library, NUI Galway, where they are now available to researchers. They chart his involvement in the peace process from 1972 to 1993, and his ongoing interest, and correspondence relating to Northern Ireland, until 2007. The Brendan Duddy Archive is opened in 2011.
At the age of 80, Brendan Duddy dies at Altnagelvin Area Hospital in Derry, Northern Ireland on May 12, 2017.
The Riordans, a drama about life in a rural Irish village and the most successful serial in the history of Raidió Teilifís Éireann (RTÉ), running from 1965 to 1979, comes to an end on May 11, 1979. It is the second Irish soap opera made by RTÉ (then called Telefís Éireann).
In 1964 the fledgling Telefís Éireann launches Tolka Row, a soap opera set in a working class part of Dublin. Its success is immediate, with its actors becoming household names. One year later, aware that Ireland is still a largely rural country, and of the immense popularity of rural-based radio shows on RTÉ Radio (then called Radio Éireann), Telefís Éireann decides to create a new rural soap opera, set on a family farm. Located in Dunboyne, The Flathouse, owned by the Connolly family, is the setting for this programme.
The show is called The Riordans after the name of the central family, who are two middle-aged parents, Tom Riordan and his wife Mary Riordan, together with their oldest son, Benjy and other siblings, including brother Michael and sister Jude, all of whom except Benjy have left farming for other careers and have more adventurous personal lives.
The Riordans is set in the fictional townland of Leestown in County Kilkenny and proves to be a revolutionary television programme, both in Ireland and internationally. Its most dramatic innovation is in the use of Outside Broadcast Units (OBUs) to film most of each episode on location in the countryside. This is a marked innovation. Previously soap operas had all been studio-based, with even supposed exterior filming all done with studio sets built in sound stages. This breaks the mould of broadcasting in the soap opera genre and inspires the creation of its British equivalent, Emmerdale Farm (now called Emmerdale) by Yorkshire Television in 1972. In 1975 The Riordans begins to be filmed and transmitted in colour, having been available in monochrome only up to then.
The show undergoes a number of changes in the mid-1970s, most notably moving from a half-hour to one-hour format, as well as a change in theme tune. The decision of actor Tom Hickey to leave the series causes some problems. His character, Benjy is not killed off but goes abroad “on the missions.” While the show has declined somewhat from its heyday, it still regularly battles with The Late Late Show to top the TAM ratings. The production team is surprised when one episode, which unusually departs from the 1970s and focuses on Tom Riordan as a young man in the 1930s at a family céilí, is critically acclaimed by the media and many older viewers, who view it as an accurate representation of life on an Irish farm in the 1930s and 1940s.
With its considerable popularity, large cast of respected actors and high production values, and its central location on the schedules of RTÉ 1, few expect the show to be axed, let alone so suddenly. There is considerable surprise, and a lot of criticism, when the new Director of Programming at RTÉ, Muiris Mac Conghail, decides that the show has run its course and so axes it in May 1979. Part of the justification is cost as it is one of RTÉ’s most expensive shows to produce.
The Ballymanus mine disaster occurs on May 10, 1943 on a beach at Ballymanus, County Donegal when local villagers attempt to bring ashore an unexploded naval mine. Seventeen men and boys between 13 and 34 are killed in the explosion. Another two die later.
According to contemporary reports, the mine is spotted by a number of people, including a local coastguard and two local youths who wade out and tie ropes around it in an attempt to haul it ashore. They are then joined by other men and boys from the local area but as it is being hauled along the beach it is believed to strike a rock and explode, killing 17 people instantly. Two more die in the hospital soon afterwards. More than 40 houses in the nearby village are damaged by the blast. The explosion is so loud it is heard over 40 miles away in Letterkenny.
The scene on the beach is one of devastation. Parts of bodies lay everywhere, which makes identification difficult. Army personnel from Rockhill, outside Letterkenny, have the job of collecting the limbs and scattered bodies and bringing them to a local hall.
Ireland is officially neutral during World War II, and there would not be the same level of awareness amongst the public of the dangers of unexploded ordnance as in countries involved in the conflict. Other commentators note that 15 other mines are made safe in Donegal in the same year, that local senior Garda Síochána members are aware of the mine at least 3 hours before the explosion and are expected to secure a cordon around any reported mines. However, while some effort is made to advise the community of the dangers, the additional actions prescribed in the standing orders had not been taken.
Brougham’s father is an amateur painter and dies young. His mother is the daughter of a Huguenot, whom political adversity has forced into exile. He is the eldest of three children. Both of his siblings die in youth, and the father being dead, and the widowed mother left penniless, he is reared in the family and home of an uncle.
Brougham is prepared for college at an academy at Trim, County Meath, twenty miles from Dublin, and subsequently is sent to the University of Dublin. There he acquires classical learning and forms interesting and useful associations and acquaintances. He also becomes interested in private theatricals. He falls in with a crowd that puts on their own shows, cast by drawing parts out of a hat. Though he most always trades off larger roles so he can pay attention to his studies, he takes quite an interest in acting. He is a frequent attendant, moreover, at the Theatre Royal in Hawkins Street.
Brougham is educated with the intention of his becoming a surgeon and walks the Peth Street Hospital for eight months. However, misfortune comes upon his uncle, so he is obliged to provide for himself. Before leaving the university he, by chance, becomes acquainted with the actress Lucia Elizabeth Vestris.
Brougham goes to London in 1830 and, after a brief experience of poverty, suddenly determines to become an actor. He is destitute of everything except fine apparel, and he has actually taken the extreme step of offering himself as a cadet in the service of the East India Company. But, being dissuaded by the enrolling officer, who lends him a guinea and advises him to seek other employment, and happening to meet with a festive acquaintance, he seeks recreation at the Tottenham Theatre where Madame Vestris is acting.
Brougham’s acquaintance with Madame Vestris leads to him being engaged at the theatre, and he thus makes his first appearance on the London stage in July in Tom and Jerry, in which he plays six characters. In 1831 he is a member of Madame Vestris’s company and writes his first play, a burlesque. He remains with Madame Vestris as long as she and Charles Mathews retain Covent Garden Theatre, and he collaborates with Dion Boucicault in writing London Assurance, the role of Dazzle being one of those with which he becomes associated. His success at small or “low” comic roles such as Dazzle earn him the nickname “Little Johnny Brougham,” a moniker which he embraces, and which boosts his popularity with working-class audiences.
In 1840 Brougham manages the Lyceum Theatre, for which he writes several light burlesques, but in 1842 he moves to the United States, where he becomes a member of William Evans Burton‘s company, for which he writes several comedies, including Met-a-mora; or, the Last of the Pollywogs, a parody of John A. Stone and Edwin Forrest’s Metamora; or The Last of the Wamponoags, and Irish Yankee; or, The Birthday of Freedom.
In 1860 Brougham returns to London, where he adapts or writes several plays, including The Duke’s Motto for Charles Fechter. In November 1864 he appears at the Theatre Royal in his native Dublin in the first performance of Dion Boucicault’s Arrah-na-Pogue with Boucicault, Samuel Johnson and Samuel Anderson Emery in the cast.
After the American Civil War Brougham returns to New York City. Brougham’s Theatre is opened in 1869 with his comedies Better Late than Never and Much Ado About a Merchant of Venice, but this managerial experience is also a failure due to disagreements with his business partner, James Fisk. He then takes to playing the stock market. His last appearance onstage is in 1879 as “O’Reilly, the detective” in Boucicault’s Rescued.
During a period in India Kennedy meets Sir Charles James Napier and when he returns to Ireland he sets up agricultural schools designed to improve the economy of the country. One is at Cloghan near Ballybofey, and another at Eglinton near Derry. He becomes a farm manager and marries Anna, daughter of Sir Charles Styles, who owns large estates around Ballybofey, in 1838. Kennedy′s methods of improving the condition of the agricultural classes are indicated by the title of his work, Instruct; Employ; Don’t Hang Them: or Ireland Tranquilized without Soldiers and Enriched without English Capital (1835). He writes several others of similar nature, and as inspector general for Irish education (1837), as secretary to the Devon Commission (1843), and to the Famine Relief Committee (1845), his labours are unceasing in behalf of his native land.
Kennedy returns to the army in 1849 as military secretary to Sir Charles Napier and accompanies him to India, where he builds the military road named after him and extending from Kalka via Shimla to Kunawur and Tibet. He publishes British Home and Colonial Empire (1865–69), as well as a number of technical works relating to his Indian career. He also serves as District Grandmaster of Bengal.
seamus dubhghaill 