seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Category Archives: Free State & Republic (1922-Present)


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The Free State Seaborne Landings in Cork

On the morning of August 8, 1922, the National Army of the Irish Free State launches a decisive seaborne assault on Cork, County Cork, the Free State’s second largest city, which is held by anti-Treaty Irish Republican Army (IRA) forces. The operation begins at Passage West, a ferry port and fishing village on the estuary of the River Lee, where the steamship Arvonia docks. The anti-Treaty IRA garrison in Cobh across the bay opens fire with three machine guns, but the National Army troops on deck respond with silence, surprising the sentry who had fired a warning shot.

Over 200 pro-Treaty soldiers disembark, quickly securing the town. The Arvonia is unloaded with 450 troops, an 18-pounder field gun, and several armoured cars. Simultaneously, landings are made at Youghal in east County Cork and Union Hall near Skibbereen in west County Cork, disgorging another 350 troops. This is part of Michael Collins’s plan to seize Cork and end the Irish Civil War swiftly.

Cork is a flashpoint of the Treaty split. While the majority of IRA fighters in the county oppose the Anglo-Irish Treaty, the majority of civilians support it. There are also strong neutral tendencies and peace calls within Cork’s civil and military communities. The Free State’s move aims to break the “Munster Republic” stronghold and force a rapid political settlement.

The landing marks the start of the Battle for Cork, which intensifies over the next days. National Army forces advance toward Cork city, encountering fierce resistance from anti-Treaty IRA positions in areas like Rochestown, Oldcourt Wood, and Garryduff. The fighting is brutal, with estimates of up to 20 fatalities and many wounded. The conflict also produces poignant moments, such as the death of Free State soldier Flood, shot by a former Irish War of Independence comrade, Frank O’Donoghue.

The August 8 landings are the decisive military stroke of the Irish Civil War. They re-take Cork for the Irish Free State, dismantle the Munster Republic, and end the conventional phase of the conflict, paving the way for a prolonged guerrilla war until the anti-Treaty side’s defeat. The event remains a key moment in Irish revolutionary history, remembered for its scale, the use of armoured units, and the deep divisions it exposes in Cork.


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Death of IRA Volunteer Joe Hudson

On August 7, 1922, Joe Hudson (also known as “Sonny” Hudson), an anti-Treaty Irish Republican Army (IRA) volunteer from Glasthule, Dún Laoghaire, is shot dead in his garden at 3 Carrolls Cottages by an Irish Free State Army (National Army) officer. He is in command of a small anti‑Treaty IRA group active in the area, operating from Glasthule down to Bray and across to Deansgrange.

Free State Army officers, acting on intelligence that a meeting is in progress at Hudson’s home, leave Portobello Barracks (now Cathal Brugha Barracks) in two cars. As they approach, a Fianna Éireann member on sentry duty blows his whistle, alerting the occupants. The group scatters through the back garden, and Hudson is injured, dropping his weapon. A Free State Army officer approaches him at point‑blank range and shoots him.

At the time of his death, Hudson reportedly has his hands up, and he makes a deathbed declaration to that effect. An automatic pistol is found with him, but it is loaded with the wrong calibre ammunition, suggesting he could not have fired it.

Hudson’s killing occurs during a period of intense guerrilla warfare in south County Dublin. The area had seen earlier clashes between pro‑ and anti‑Treaty forces, and by August 1922, anti‑Treaty IRA columns are active in Dún Laoghaire and surrounding towns. His death is part of a broader campaign by Irish Free State forces to suppress anti‑Treaty resistance in the region.

Hudson’s case is remembered as one of the more controversial incidents of the Irish Civil War, reflecting the brutality and political divisions of the conflict. His father, Joseph Hudson Snr, was also an IRA volunteer.


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Anti-Treaty IRA Attempts to Isolate Dublin

In the early morning of August 5, 1922, during the Irish Civil War, around 200 anti-Treaty Irish Republican Army (IRA) volunteers are mobilised around Dublin. Their mission is to isolate the city by destroying all bridges and road crossings leading into it, cutting off Free State forces and supplies.

The anti-Treaty IRA, opposed to the Anglo-Irish Treaty and the newly established Irish Free State, aim to dismantle the stone bridges over Dublin’s rivers and canal, lay explosives on road and railway bridges, dig trenches in roads to block movement and scout the surrounding countryside for Free State troops.

They are organised in groups of 5–40, some armed with handguns and grenades, others with explosives and tools like spades and picks. Parties are sighted in the hills south of the city (from Kilakee to Roundwood) and across villages north of Dublin (from Raheny to Blanchardstown).

The Free State’s intelligence service intercepts the plan when Liam Clarke, a captured anti-Treaty officer, reveals the details to Free State Intelligence officers. This intelligence allows the Free State to anticipate and counter the operation.

On August 6, Free State forces move quickly to intercept the IRA. They capture 31 anti-Treaty irregulars at Glencullen Bridge (pictured) and later take 104 fighters in County Dublin, including officer Pat Sweeney. These actions cripple the remnants of the anti-Treaty IRA in Dublin and prevent the city from being isolated.

The “Bridges Job” is a major anti-Treaty attempt to cut off Dublin during the Irish Civil War. Its failure marks a turning point, as Free State forces can now move freely into the city, accelerating the end of the conventional phase of the conflict.


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The Body of Harry McEntee of the IRA Dublin Brigade is Found

On August 3, 1923, the body of Captain Henry Hugh “Harry” McEntee is found at Dubber Cross near Jamestown Road, Finglas, County Dublin. McEntee, 26, is a carpenter and a member of the Irish Republican Army’s Dublin Brigade, serving on the active service unit (ASU) during the Irish Civil War.

McEntee is abducted by members of the Criminal Investigation Department (CID), based at Oriel House, Westland Row, who are linked to National Army Intelligence and the Protective Corps. He is reportedly threatened by CID officers before his death. The abduction occurs on July 31, 1923, near his home on Gloucester Street (now Seán McDermott Street).

On the morning of August 3, his body is discovered in a field at Maher’s farm, close to Jamestown Road in Finglas. He had been shot dead. The exact details of his capture and killing are later ordered to be destroyed in 1932 by the Pro-Treaty government.

McEntee is buried in the Republican Plot at Glasnevin Cemetery, Dublin. A National Graves Association memorial plaque is placed there around 1932 and is maintained by the Fianna Sluagh in Finglas during the 1950s–60s. In 2023, his family and community commemorate the centenary of his death, remembering him as a skilled carpenter, devoted father, and soldier of the Irish Citizen Army.

In summary, Henry McEntee’s abduction and murder in August 1923 are part of the violent post-war repression of anti-Treaty IRA members, and his case remains a poignant example of the personal toll of Ireland’s Civil War.


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Irish Free State Army’s Seaborne Landing at Fenit, County Kerry

On Wednesday, August 2, 1922, the Irish Free State’s National Army launches a seaborne landing at Fenit pier, County Kerry, marking the first of a series of amphibious assaults in the Cork and Kerry campaign. The operation is conceived by Major General Emmet Dalton as a way to strike at the anti-Treaty Irish Republican Army’s (IRA) “Munster Republic” from the rear, exploiting the element of surprise to shorten the war.

By mid-July 1922, the Free State has re-taken counties Limerick and Waterford, but the IRA still controls counties Cork and Kerry, as well as much of the west under Liam Lynch’s command. A purely land-based advance into these areas risks long, attritional battles. Dalton’s plan is to create a second front by landing troops along the County Kerry and County Cork coasts, isolating republican strongholds like Tralee.

The SS Lady Wicklow carries 450 soldiers of the Dublin Guard brigade under Paddy Daly, along with a field gun and an armoured car nicknamed the Ex-Mutineer. The Dublin Guards are considered the most disciplined and politically reliable unit in the Army, and Daly is one of Michael Collins’ trusted lieutenants. The landing is intended to secure Fenit as a base for an amphibious assault on Tralee, a key republican stronghold.

The surprise attack catches the IRA forces off guard, taking their left flank in the rear. The Free State quickly advances, and by the following days, much of County Kerry is freed from republican control. The operation is part of a broader offensive that culminates in the capture of Tralee on August 2, one of the bloodiest single days of combat for the National Army.

While the initial landings are successful, the IRA mounts counterattacks over August and September, regaining some ground. However, the Free State’s superior resources, better equipment, and lack of popular support for the republicans allows them to consolidate control in County Kerry over time. The Fenit landing is a turning point, shifting the momentum in favour of the Free State and contributing to the eventual republican defeat in the Irish Civil War.

In summary, the August 2, 1922, naval landing at Fenit is a bold, surprise amphibious operation that disrupts republican defenses, opens County Kerry to Free State advance, and alters the course of the Irish Civil War.

(Pictured: Free State troops landing at Fenit, County Kerry, on August 2, 1922)


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Death of Tom Dunphy, Lead Singer of the Royal Showband

Tom Dunphy, the charismatic lead vocalist of the Royal Showband and later the bassist of the Big 8, dies on July 29, 1975, in a tragic road accident.

Dunphy is traveling in a Ford Granada on the Longford side of Carrick-on-Shannon, County Leitrim, when his car skids on a wet surface while rounding a bend. It collides with an oncoming cement lorry. The crash occurs about five miles from Drumsna, near Annaduff, where he is en route to meet fellow band members for the Mary from Dungloe Festival in County Donegal. Band member Noel Ryan, who is a passenger in the car, escapes with little more than a concussion.

The Royal Showband, formed in 1957, is one of Ireland’s most popular showbands in the 1960s, known for large-scale dance events with audiences often exceeding 2,000. Dunphy sings lead on their hit “Come Down the Mountain, Katie Daly.” In 1971, he and Brendan Bowyer leave the Royal Showband to form the Big 8, a successful showband supergroup.

The accident cuts short a promising career and leaves a void in the Irish music scene. In 1978, a memorial site is erected near the crash location in Annaduff, maintained by local volunteers. Annual tributes have been held, including a Mass at St. Mary’s Church and musical events in Drumshanbo, often attended by family, fellow musicians, and fans from across Ireland and abroad.

Dunphy is remembered for his “sincere wit, charm and personality” that endears him to dancing enthusiasts nationwide. He performs alongside international stars such as Elvis Presley, Tom Jones, the Beatles, and Cliff Richard. His death marks the symbolic end of the showband era in Ireland.

Dunphy is buried in Saint Patrick’s Cemetery in Tramore, County Waterford.

Today, Dunphy’s life and career are commemorated in counties Waterford and Leitrim, with ongoing efforts to preserve his memory through plaques, events, and archival work.


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Death of John Henry MacFarland, Irish Australian Educationist

Sir John Henry MacFarland, distinguished Irish Australian educationist, dies in Melbourne, Australia, on July 22, 1935. He serves as the first master of Ormond College and Chancellor of the University of Melbourne, leaving a major legacy in higher education and the Presbyterian Church in Australia.

MacFarland is born on April 19, 1851, in Omagh, County Tyrone, the elder son of John MacFarland, a draper, and Margaret Jane Henry, daughter of the Reverend William Henry. He attends the Royal Belfast Academical Institution in Belfast before earning a BA in Mathematics and Natural Philosophy at Queen’s College, Belfast in 1871 and an MA in 1872. He then studies at St. John’s College, Cambridge, where he obtains a second BA in 1876 and an MA in 1879.

MacFarland begins his professional career teaching at Repton School, Derbyshire, from 1876 to 1880, where he develops innovative teaching methods and founds a physics laboratory. In 1881, he becomes the first master of Ormond College, University of Melbourne, where he holds an influential position for over three decades. He is known for rigorous but fair discipline, encouragement of student self-governance, and exceptional leadership in both academic and pastoral care.

MacFarland actively contributes to broader educational governance, serving on committees for technical education, managing university finances, and later advancing to Vice-Chancellor of the University of Melbourne in 1910. He resigns from Ormond College in 1913 to focus on university-wide administration. In 1918, he becomes Chancellor, a role he maintains until his death in 1935, overseeing expansion and reforms within the university.

MacFarland is deeply involved with the Presbyterian Church, managing finances, serving as elder, and supporting mission and educational initiatives. He serves as director and later chairman of the National Mutual Life Association from around 1905 until 1928, demonstrating notable administrative skill. He generously contributes to scholarships and the Presbyterian Church, leaving the bulk of his estate to charitable and educational causes.

MacFarland remains largely celibate, dedicating his life to education and church service. He maintains active recreational pursuits, including cycling, walking, golfing, and trout-fishing in New Zealand. Upon his death on July 22, 1935, in Melbourne, he is cremated, and his life is widely commemorated for its impact on education, church, and community service.

MacFarland’s legacy endures in Australian higher education through Ormond College, his contributions to university governance, and his philanthropic support of scholarships and church programs. He is remembered as a scholar, administrator, and community leader of exceptional integrity and vision.


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The Capture of Frank Aiken by Free State Forces

On July 16, 1922, Free State forces under General Dan Hogan storm Dundalk Gaol in County Louth, capturing Frank Aiken, the Chief of Staff of the Anti-Treaty Irish Republican Army (IRA), and a large number of his men from the Fourth Northern Division. This is part of a broader Free State military campaign to suppress anti-Treaty resistance following the Anglo-Irish Treaty and the establishment of the Irish Free State.

The Irish Civil War (June 1922–May 1923) pits pro-Treaty Free State forces against anti-Treaty IRA units who oppose the Treaty’s terms. Aiken is a key republican commander, and Dundalk is a stronghold for his forces. By mid-July 1922, Free State troops have taken several towns, and Dundalk is next in line for reoccupation.

General Hogan’s forces enter Dundalk, engaging republican snipers and irregulars. The attack targets the Gaol, where Aiken and many of his men are held. The Free State troops overpower the defenders, leading to Aiken’s arrest and the capture of a significant portion of the Fourth Northern Division.

Aiken and about 104 other prisoners escape on July 27, 1922, through a narrow gap in the jail wall, later dubbed the “Hole in the Wall.” This escape is a major republican success, temporarily reoccupying Dundalk. However, Free State forces retake the town on August 14, 1922, and the jail remains under military control until 1924.

The capture is significant as it marks a turning point in the Free State’s campaign in County Louth, weakening republican resistance in the area. Aiken’s arrest underscores the Free State’s determination to dismantle anti-Treaty leadership. The events in Dundalk become a symbol of republican resilience, as the escape through the “Hole in the Wall” is widely reported and commemorated.

In summary, the July 16, 1922, capture of Frank Aiken in Dundalk is a decisive Free State action in the Irish Civil War, leading to a notable republican escape and a prolonged military standoff in the town.

(Pictured: Frank Aiken and the 4th Northern Division)


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John O’Donoghue Announces €3m Marketing Package for Tourism Industry

On July 15, 2002, Ireland’s Minister for Arts, Sport, and Tourism, John O’Donoghue, announces a €3 million marketing boost aimed at promoting Irish tourism abroad and domestically to recover from disappointing visitor numbers published earlier in the year.

In 2002, the Irish tourism sector faces weaker-than-expected visitor figures. To address this and stimulate short-term revenue, O’Donoghue reallocates €3 million specifically for front-line marketing activities targeted at both domestic and international audiences. At the time, he has recently been appointed Minister for Arts, Sport, and Tourism, a role he holds from June 2002 to 2007.

The funds are intended to bolster promotional campaigns abroad, particularly in major overseas markets such as Britain, France, and the United States, support domestic marketing efforts to encourage local travel and spending, and focus on aggressively promoting Ireland in the British market, identified as having the highest potential return on investment for tourism.

Tourism Ireland, which operates as the official agency promoting the island of Ireland as a tourist destination, welcomes the additional funding. Chief Executive Paul O’Toole emphasizes that the investment will ensure maximum returns for the Irish tourism industry.

Before this funding boost, Irish tourism is a major economic sector. According to governmental reports from 2002, foreign exchange earnings in 2001 reach approximately €3.7 billion, domestic tourism earnings exceed €1.2 billion, and the industry supports nearly 140,000 jobs. The €3 million marketing allocation is part of a strategic effort to enhance Ireland’s international competitiveness and stimulate both short-term visitor numbers and longer-term growth.

While immediate tangible effects of this specific €3 million investment are not detailed in the sources, it reflects Ireland’s broader commitment to tourism promotion. By investing in strategic marketing campaigns in key international markets, the government aims to recover visitor numbers and strengthen Ireland’s profile as a tourist destination.

In conclusion, the July 15, 2002, announcement by Minister John O’Donoghue is a targeted move to energize Irish tourism through immediate marketing action, especially in international markets, during a period of lower-than-expected tourist arrivals.


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Death of Noel Sheridan, Painter & Actor

Cecil Noel Sheridan, influential Irish painter, performance artist, installation artist and actor, dies on July 12, 2006, in Perth, Western Australia. He is known for his abstract landscapes and conceptual art, with a significant impact on art institutions in Ireland and Australia.

Sheridan is born in Dublin on December 12, 1936, to Cecil Brinsley Sheridan, a noted comic actor, and Ann ‘Nan’ Doyle. He attends Synge Street CBS and later pursues a Bachelor of Commerce (BCom) at Trinity College Dublin, while also joining the Trinity Players drama group, reflecting his early interest in both theatre and visual arts. He later earns a Master of Fine Arts from Columbia University in New York City in 1967, where he is influenced by the emerging conceptual art movement.

Sheridan begins exhibiting in the late 1950s, participating in the annual Living Art exhibitions and the Biennale de Paris in 1960. He wins the Carroll Prize for Painting in 1965 and 1969. Initially focused on abstract landscapes, his work evolves to include conceptual, performance, and installation art, integrating multimedia elements. Notable works include Everybody Should Get Stones (1975) and On Reflection (2001).

Sheridan is also deeply engaged in the international art scene. He represents Ireland at the 1962 UNESCO Convention of Young Painters in Paris and contributes to avant-garde movements in Australia, including serving as the first Professor of Conceptual Arts in Sydney during the 1970s. He directs the Experimental Art Foundation in Adelaide from 1975 to 1980, introducing experimental and post-object art to Australian audiences.

From 1980 to 2002, Sheridan serves as Director of the National College of Art and Design (NCAD) in Dublin, with a four-year hiatus to direct the Perth Institute of Contemporary Arts in Australia. His leadership shapes art education in Ireland and helps modernize institutional structures, curricula, and multimedia practices.

Sheridan is also a member of Aosdána, an elite Irish association of artists, and a committee member of Rosc, an important art exhibition initiative in Ireland.

Sheridan’s early works consist of abstract and lyrical landscapes, which later expand to include conceptual and performance art, often engaging audience participation and multimedia formats. He is known for his wit, charisma, and generosity as both a teacher and an arts administrator, influencing a generation of artists in Ireland and Australia.

Sheridan’s art is represented in major institutions, including the Irish Museum of Modern Art and the Centro de Arte Moderna Gulbenkian in Lisbon, with numerous works having been sold at auction, achieving prices up to $7,624 USD for pieces like Window. Retrospectives of his work are held at the Royal Hibernian Academy in Dublin in 2001, accompanied by publications that compile his artistic philosophy and contributions.

Sheridan is married to Liz Murphy, and they have five children. His commitment to both art and education continues throughout his life until he dies on July 12, 2006, in Perth, Western Australia. Paul Durcan writes a poem in his honour after his death.

In summary, Sheridan’s career spans painting, performance, installation, and education. His innovative approach, international influence, and dedication to teaching and institutional development mark him as a pivotal figure in postwar and contemporary Irish art.