Holohan is chairman of the Association of Irish Composers from 1987 to 1989 and is later appointed chairman of the Droichead Arts Centre in Drogheda, County Louth, where he has lived since 1983.
Holohan is elected to Aosdána in 1999 and later serves as a member and chair of its Toscaireacht, its ten-member steering body.
Holohan’s music has been performed and broadcast in Ireland and internationally. Career highlights in Drogheda include performances of Cromwell (1994), The Mass of Fire (1995) and No Sanctuary (1997).
Holohan’s work has been reviewed in Irish music journalism. Writing in The Journal of Music following a National Concert Hall composers’ showcase, Benedict Schlepper-Connolly describes The Dream of Aengus as demonstrating Holohan’s “orchestrational control,” and characterises Portrait of the Artist as “captivating,” while noting the influence of Irish traditional music within his choral writing.
Regional press coverage has also documented performances and recordings of his work, including reports on the release of the piano album Fields of Blue and Whiteand concerts of his music in Drogheda.
Ó Direáin is born on November 26, 1910, in Inis Mór, Aran Islands, County Galway, the eldest of the three sons and one daughter of Seán Ó Direáin, a small farmer, and Mairéad Ní Dhireáin (widow of Labhrás Mac Confhaola), both of Inis Mór. His father dies in 1917, aged forty-three, leaving his mother to rear a family of four on less than 20 acres of land. Educated at the local national school, he leaves Aran to join the post office in Galway in January 1928.
Ó Direáin is involved with the Irish language movement during the late 1920s and 1930s, during which time he is secretary of the Galway branch of the Gaelic League and writes for and acts on the stage of the Taibhdhearc Theatre. In July 1937 he moves to Dublin to work as a clerical officer in the Department of Posts and Telegraphs and later in the Department of Education. Inspired by a lecture given by the poet and Gaelic scholar Tadhg Ó Donnchadha, he begins writing poetry in Irish in the winter of 1938. Unlike Ó Donnchadha, however, who advocates and practises a poetry based on traditional Gaelic metres, he favours a rhythmically measured form of free verse. He publishes his first collection, Coinnle geala, in 1942, quickly followed by Dánta aniar (1943), both at his own expense. In 1949, a volume of selected poems, Rogha dánta, is one of the first books published by the newly founded Irish language publisher Sáirséal agus Dill.
These books herald not just a new voice, but a new generation of modern poets in Irish, distinct in outlook and ambition from most of the revivalist poets who precede them. The leading figures of this generation, Ó Direáin, Seán Ó Ríordáin and Máire Mhac an tSaoi, all publish poems in various Irish language journals during the 1940s, though the latter two poets do not produce their first collections until the 1950s. Ó Direáin’s poetry is less thematically and linguistically adventurous than that of Ó Ríordáin (whom he nevertheless defends in print against the dogmatic criticism of Ó Ríordáin’s traditionalist detractors), and less consciously indebted to tradition than that of Mhac an tSaoi.
Ó Direáin’s early lyrics celebrate the traditional virtues of island life and mourn its passing because of increasing modernisation and population shifts toward the major cities. One of the best known of these poems, “Stoite“ (“Uprooted”), sets up a gloomy contrast between a traditional life in tune with nature’s rhythms, destined to endure in communal memory, and the fruitless urban existence of the contemporary office worker. This theme of uprootedness haunts his work throughout the 1950s and early 1960s. During this period he publishes his two most significant collections, Ó Mórna agus dánta eile (1957) and Ár ré dhearóil (1962), both of which take their titles from ambitious, and uncharacteristically long, poems. Ó Mórna, a poem of which there are two published versions, charts the colourful life of a proud, amoral tyrant, a figure based loosely on traditional accounts of a hard-living nineteenth-century landlord’s agent from Aran. Ó Mórna represents, in the poet’s view, the timeless Übermensch whose will to power is boundless and awesome. Ár ré dhearóil (“Our wretched era”) is an excoriation of the loveless hedonism of a middle-class Dublin populated by lonely bachelors, bitter spinsters, and immoral, though free-spirited and well-educated, women. The poem, which ends with an ominous if oblique warning against the threat of nuclear annihilation, bears some comparison with T. S. Eliot‘s “The waste land.” Eliot, Ezra Pound and W. B. Yeats are key influences alongside the canonical figures of seventeenth- and eighteenth-century Gaelic poetry. His strong social conscience is registered early on in poems such as “An Stailc“ (“The strike“). His life-long adherence to traditional nationalist values and his scornful attitude to what he perceives as the mercenary embrace of American-style capitalism in the changing economic climate of Ireland in the 1960s is most trenchantly voiced in poems such as “Éire ina bhfuil romhainn” (“Ireland in times ahead”) and “Mar chaitheamar an choinneal” (“As we spent the candle”).
Ó Direáin is an active member of the Irish language literary groups Cumann na Scríbhneoirí and Cumann na hÉigse, and publishes essays on a variety of topics throughout the 1940s and 1950s in magazines such as Ar Aghaidh, An Glór, Comhar and Feasta. A selection of mostly autobiographical essays, Feamainn Bhealtaine (1961), casts valuable light on the Aran of his youth and early adulthood. He is registrar for the National College of Art (1948–55), where he gets to know such prominent artists as Seán Keating, Maurice MacGonigal and Nano Reid, whose artwork adorns Rogha Dánta. From 1955 until his retirement from the civil service in 1975, he is a staff officer in the Department of Education. Cloch choirnéil appears in 1966, followed by Crainn is cairde (1970) and Ceacht an éin (1979).
The most comprehensive selection of Ó Direáin‘s poetry, Máirtín Ó Direáin: dánta 1939–1979 (1980), edited by Eoghan Ó hAnluain, covers all but two final volumes, Béasa an túir (1984) and Craobhóg dán (1986), neither of which add much of major significance to his oeuvre. A bilingual selection, Selected poems: Tacar dánta (1984), includes translations by Tomás Mac Síomóin and Douglas Sealy. In 1969, Ó Direáin delivers a series of lectures on his own work at University College Dublin (UCD), later edited by Eoghan Ó hAnluain as Ón ulán ramhar siar (2002), which provides useful background information on many individual poems. He receives the Irish American Cultural Institute (IACI) award in 1967 and is made a member of the Irish Academy of Letters in 1970. In 1977, he receives an honoraryDoctor of Letters degree from the National University of Ireland and the Ossian-Preis of the Freiherr von Stein Foundation in Hamburg. He is a full-time visiting lecturer in the department of Irish at University College Galway for the academic year 1978–79. He was also a member of Aosdána.
Ó Direáin marries Áine Colivet, a Dubliner of French extraction, in 1945. Their only child, Niamh, is born in 1947. He dies in Dublin on March 19, 1988.
A selection of Ó Direáin’s essays, An chuid eile díom féin, edited by Síobhra Aiken, and a bilingual volume of poems Máirtin Ó Direáin: Selected poems/ Rogha dánta, translated by Frank Sewell, are both published in 2018.
(From: “Ó Direáin, Máirtín” by Caoimhín Mac Giolla Léith, Dictionary of Irish Biography, www dib.ie, October 2009, last revised March 2021)
O’Malley is born on January 18, 1921, in Limerick, one of eight surviving children of Joseph O’Malley, civil engineer, and his wife, Mary “Cis” (née Tooher). Born into a wealthy middle-class family, he is educated by the Jesuits at Crescent College and later at Clongowes Wood College, County Kildare. He later studies at University College Galway (UCG), where he is conferred with a degree in civil engineering in 1943. He later returns to Limerick, where he works as an engineer before becoming involved in politics.
O’Malley plays rugby at provincial level for Munster, Leinster and Connacht and at club level for Bohemians and Shannon RFC. His chances at an international career are ruined by the suspension of international fixtures during World War II. It is at a rugby match in Tralee that he first meets Dr. Hilda Moriarty, who he goes on to marry in August 1947.
Although O’Malley runs as a Fianna Fáil candidate, he is born into a politically active family who supports Cumann na nGaedheal until a falling-out with the party in the early 1930s. He first becomes involved in local politics as a member of Limerick Corporation. He becomes Mayor of Limerick in 1961, the third O’Malley brother to hold the office (Desmond from 1941-43 and Michael from 1948-49). He is a strong electoral performer, topping the poll in every general election he runs in.
O’Malley is first elected to Dáil Éireann as a Fianna Fáil TD for Limerick East at the 1954 Irish general election. Fianna Fáil is not returned to government on that occasion. He spends the rest of the decade on the backbenches. However, his party is returned to power in 1957. Two years later, the modernising process begins when Seán Lemass takes over from Éamon de Valera as Taoiseach. Lemass introduces younger cabinet ministers, as the old guard who has served the party since its foundation in 1926 begin to retire.
In 1961, O’Malley joins the government as Parliamentary Secretary to the Minister for Finance. He is part of a new, brasher style of politician that emerges in the 1960s, sometimes nicknamed “the men in the mohair suits.” It is expected that this generation of politician, born after the Irish Civil War, will be a modernising force in post-de Valera Ireland.
Although his sporting background is in rugby and swimming, it is association football which O’Malley gets involved in at a leadership level, becoming President of the Football Association of Ireland despite never having played the sport.
Following Fianna Fáil’s retention of power in the 1965 Irish general election, O’Malley joins the cabinet as Minister for Health. He spends just over a year in this position before he is appointed Minister for Education, a position in which he displays renowned dynamism. Having succeeded Patrick Hillery, another dynamic young minister, he resolves to act swiftly to introduce the recommendations of an official report on education.
As Minister for Education, O’Malley extends the school transport scheme and commissions the building of new non-denominational comprehensive and community schools in areas where they are needed. He introduces Regional Technical Colleges (RTCs), now called Institutes of Technology, in areas where there is no third level college. The best example of this policy is the University of Limerick, originally an Institute of Higher Education, where O’Malley is credited with taking the steps to ensure that it becomes a university. His plan to merge Trinity College Dublin and University College Dublin arouses huge controversy, and is not successful, despite being supported by his cabinet colleague Brian Lenihan. Access to third-level education is also extended, the old scholarship system being replaced by a system of means-tested grants that give easier access to students without well-off parents.
Mid-twentieth century Ireland experiences significant emigration, especially to the neighbouring United Kingdom where, in addition to employment opportunities, there is a better state provision of education and healthcare. Social change in Ireland and policies intending to correct this deficit are often met with strong resistance, such as Noël Browne‘s proposed Mother and Child Scheme. As a former Health Minister, O’Malley has first-hand experience of running the department which had attempted to introduce this scheme and understood the processes that caused it to fail, such as resistance from Department of Finance and John Charles McQuaid. This influences his strategy in presenting the free-education proposal.
Shortly after O’Malley is appointed, he announces that from 1969 all education up to Intermediate Certificate level will be without cost, and free buses will bring students in rural areas to their nearest school, seemingly making this decision without consulting other ministers. However, he does discuss it with Lemass. Jack Lynch, who, as Minister for Finance, has to find the money to pay for the programme, is not consulted and is dismayed at the announcement.
By announcing the decision first to journalists and on a Saturday (during a month when the Dáil is in recess), the positive public reaction tempers resistance to the idea before the next cabinet meeting. O’Malley’s proposals are hugely popular with the public, and it is impossible for the government to go back on his word.
Some Irish commentators consider that O’Malley’s extension of education, changing Ireland from a land where the majority are schooled only to the age of 14 to a country with universal secondary-school education, indirectly leads to the Celtic Tiger boom of the 1990s-2000s when it is followed for some years by an extension of free education to primary degree level in university, a scheme that is launched in 1996 by the Labour Party and axed in 2009 by Fianna Fáil’s Batt O’Keeffe.
In 1967, O’Malley appoints Justice Eileen Kennedy to chair a committee to carry out a survey and report on the reformatory and industrial school systems. The report, which is published in 1970, is considered ground-breaking in many areas and comes to be known as the Kennedy Report. The Report makes recommendations about a number of matters, including the Magdalene laundries, in relation to which they are not acted upon. The report recommends the closure of a number of reformatories, including the latterly infamous reformatory at Daingean, County Offaly.
O’Malley’s reforms make him one of the most popular members of the government. He is affectionately known as “the School Man” for his work in education. His sudden death in Limerick on March 10, 1968, before his vision for the education system is completed, comes as a shock to the public. He is buried with a full Irish state funeral.
Following O’Malley’s death, his widow, Hilda O’Malley, does not run in the subsequent by-election for the seat he has left vacant. It is won narrowly by their nephew Desmond O’Malley. Hilda seeks the Fianna Fáil nomination for the 1969 Irish general election, but Fianna Fáil gives the party nomination to Desmond, as the sitting TD. Hilda runs as an Independent candidate in that election. After what proves a bitter campaign against her nephew, she fails to get the fourth seat in Limerick East by just 200 votes.
Best is born in Dublin on July 11, 1865, the youngest of fourteen children of Dublin merchant, Eldred Oldham, and Annie (née Alker). Two of her siblings are Alice Oldham, the first of nine women to graduate from university with a degree in either Great Britain or Ireland, and Charles Hubert Oldham, first professor of national economics at University College Dublin (UCD). She attends the Royal Irish Academy of Music (RIAM), studying under Margaret O’Hea and Robert Prescott Stewart. She wins the Lord O’Hagan’s prize in 1883. She is one of the first three candidates to win a scholarship to the Royal College of Music, London, in 1883, becoming an associate of the College by competitive examination in 1887. She is a close friend and confidante of the College’s director, Sir George Grove, to which his 514 letters to her from 1883 to 1899, now housed in the Royal College of Music library, testify.
Best returns to the RIAM as a piano teacher in 1887, remaining in that post until 1932. She is the first female teacher in the RIAM listed as holding a diploma in music. She is also an assistant to Michele Esposito as a local centre examiner. She is a founding member of the Feis Ceoil, undertaking large responsibility for its organisation, and it becomes an annual event under her leadership. In 1898, she describes the foundation of the Feis in a paper to the Incorporated Society of Musicians as being inspired to “ultimately do more for the art of music in Ireland than anything which has yet been attempted.” Along with Joseph Seymour and Edward Fournier she visits the Welsh Eisteddfod to compare it with the Feis, and hopes it will become as influential as the Welsh festival. She works with Eoin MacNeill and the Gaelic League to promote the Feis, and to organise prizes. Under her influence, the festival broadens its scope beyond purely Irish music. She serves as the honorary secretary of the Feis Ceoil Association from 1896 to 1905, and vice-president from 1905 to 1950. In 1897, Esposito dedicates his cantata Deirdre to her. She is a founding member of the Dublin Orchestral Society in 1899, and she succeeds Esposito as the director of music at Alexandra College, Dublin, in 1927. She is made an associate of the Royal Dublin Societyin 1892, and fellow of the RIAM in 1938.
Noone grows up in Upper Newcastle, Galway. She trains for two years at the Performing Arts School in Galway, and is a proficient musician (piano to Grade 7 level) and dancer. Her previous acting roles before starting her acting career, are in school and amateur productions and pantomime.
Noone makes her professional film debut playing Bernadette in the Peter Mullan written and directed film The Magdalene Sisters (2002). The film wins the Best Film prize in the 2002 Venice Film Festival, and is nominated as Best British Picture at the British Academy Film Awards. For her performance as Bernadette, she is nominated for British Newcomer of the Year at the 2004 London Film Critics’ Circle Awards, alongside Mullan, who wins best director and best film of the year.
In 2005, Noone is nominated for Best Supporting Actress in a Feature Film for her role as Holly in The Descent (2005) at the 3rd Irish Film & Television Awards. She is nominated in 2010 for Best Actress in a Supporting Role Film at the 7th Irish Film & Television Awards for her role in the film Savage (2009).
In 2008, Noone co-stars in Doomsday, directed by Neil Marshall, Speed Dating and Ella Enchanted. Other work includes the short films News for the Church written and directed by Andrew McCarthy and The Listener, directed by Michael Chang. She also records Walking at Ringsend for BBC Radio 4. In 2008, she appears in Insatiable.
In 2020, Noone receives a nomination Best Actress in a Leading Role Film at the 17th Irish Film & Television Awards for her performance as Lauren in Wildfire. In 2022, she is involved in the relaunch of The Ipcress File, as Dr. Karen Newton.
In 2023, Noone returns to Ireland as Detective Sergeant Claire Wallace in the RTÉ crime series Hidden Assets.
In 2023, Noone moves back to live in Galway while filming Hidden Assets. She and her husband, fellow actor Chris Marquette, have a daughter in 2020. This is one reason that she decides to return to Ireland.
Mitchell starts as a driver for Jacob’s but gets involved in robberies with associates of Martin Cahill.
In 1988, Mitchell is convicted of stealing a large amount of cattle drench and is jailed for five years. While in prison he becomes interested in the illegal drug trade and within a few years of his release he is the largest supplier of illicit drugs in the country.
In the 1990s Mitchell is arrested in Luton, Bedfordshire, England, by British police while in the possession of £575,000, a downpayment for drugs. The money is seized but he is released. In 1995, the Garda drug squad raids a house in Lucan, Dublin, and discovers an ecstasy processing plant believed to have been set up by Mitchell. In 1996, his associate, Johnny Doran, is caught with £500,000 worth of cannabis at M50 at Castleknock, Dublin. His gunman, Michael Boyle, is caught after a botched murder attempt in London, leaving him feeling vulnerable. Concerned that the Gardaí are focusing on him, he moves the centre of his operations to Amsterdam. Rumors surface that he had fled the country after being placed on an Irish Republican Army (IRA) death list, though this claim is later refuted.
Mitchell is arrested by Dutch police on March 5, 1998, after £5 million worth of computer equipment originating from Hewlett Packard in Kildare, County Kildare, is stolen from a lorry near Schiphol Airport. He is later sentenced to 30 months in prison after Dutch authorities rule he is the ringleader in the robbery. He claims in court that he is the victim of a “set up” by Irish police, who had tipped off Dutch authorities about the robbery, after he had refused to become an informant.
In 2015, Mitchell approaches Herman-Johan Xennt about setting up an encrypted phone business. He has known Xennt since at least 1998, when he was arrested for handling the stolen computer parts. Xennt had been accused of buying stolen computer parts from Mitchell. It is also claimed during a 2020 German court case that Mitchell loaned Xennt the equivalent of €700,000 in 1995 to buy a 20,000-square-foot former NATObunker on the outskirts of the southern Netherlands town of Kloetinge, which was then used to host the CyberBunkerInternet service provider (ISP).
With little family background in racing, Elliott is sometimes described as Irish racing’s great “blow-in.” The son of a panel beater, he grows up in Summerhill, County Meath, and enters the racing world at the age of thirteen, working for trainer Tony Martin on weekends and holidays. He takes out a licence as an amateur jockey when he is sixteen and rides on the racecourse and in point-to-points. His first winner on the racecourse comes on Caitriona’s Choice in a bumper at Ballinrobe Racecourse. He goes on to ride a total of 200 point-to-point winners and 46 winners on the racecourse, with the highlight of his riding career being his win in the Champion INH Flat Race on the Nigel Twiston-Davies-trained King’s Road in 1998. He also has five winners in the United States. Although based mainly with Tony Martin during his riding career, he spends a year in England with trainer Martin Pipe. He retires as a jockey through injury in 2005.
Elliott takes out his trainer’s licence in 2006 and has his first winner at Perth Racecourse on June 11, 2006. On April 14, 2007, he becomes the youngest trainer ever to win the Grand National. The winner, Silver Birch, is owned by Brian Walsh of County Kildare, and ridden by Robbie Power. Despite having won the Grand National, Elliott has not at this stage trained a winner on the track back home in Ireland. The first winner he trains in Ireland is Toran Road at Kilbeggan Racecourse on May 5, 2007.
Although best known for his victories over jumps, Elliott has a major win on the flat in August 2010 when Dirar wins the Ebor Handicap at York Racecourse. He also has victories at Royal Ascot, with Commissioned winning the Queen Alexandra Stakes in 2016 and Pallasator winning the same race in 2018.
Originally based at Capranny Stables, a rented yard in Trim, County Meath, Elliott purchases the 78-acre Cullentra House Farm at Longwood, County Meath in 2011 and builds a training facility with stabling for over 200 horses, gallops, schooling grounds, and an equine pool.
Elliott’s first winner at the Cheltenham Festival as a trainer is Chicago Grey in the National Hunt Chase Challenge Cup in 2011. He wins the 2016 Cheltenham Gold Cup with Don Cossack. In 2017 he is top trainer at the Cheltenham Festival and the following year repeats the achievement.
On April 2, 2018, Elliott wins the Irish Grand National with General Principle, ridden by JJ Slevin. He has saddled 13 of the 30 horses in the field. That year he also wins the Aintree Grand National with his horse Tiger Roll, ridden by Davy Russell and owned by Michael O’Leary’s Gigginstown House Stud, narrowly beating the Willie Mullins runner Pleasant Company. He also trains the third place horse Bless The Wings. He wins the Aintree Grand National again in 2019 with Tiger Roll, only the sixth repeat winner in the race’s history.
On February 28, 2021, the Irish Horseracing Regulatory Board (IHRB) launches an investigation into an image of Elliott, which is widely circulated on social media, sitting on a dead horse and making a peace sign. Elliott confirms the photograph is genuine, issues an apology and says he is fully cooperating with the investigation. The animal rights organisation People for the Ethical Treatment of Animals (PETA) and the British Horseracing Authority condemn the photograph. On March 1, the British Horseracing Authority announces that Elliott will be banned from racing horses in Britain while the investigation in Ireland takes place, although the horses will be allowed to run if transferred to another trainer. It is confirmed that the photo was taken in 2019 and shows a horse owned by Gigginstown House Stud, Morgan, that had died while being ridden on the gallops.
Minister of State for SportJack Chambers says that Elliott must be “held fully accountable for his actions” and that the photograph shows “a complete and profound error of judgement.” He tells Morning Ireland that he is “shocked, appalled and horrified” by the image and that it is “really disturbing from an animal welfare perspective.”
On March 2, Cheveley Park Stud announces that they will move their horses Envoi Allen and Quilixios to Henry de Bromhead and Sir Gerhard to Willie Mullins. Elliott’s leading owners, Michael and Eddie O’Leary, through their Gigginstown House Stud, express their support for him despite being “deeply disappointed by the unacceptable photo.”
On March 5, 2021, the IHRB convenes a hearing and bans Elliott from racing for twelve months with six months suspended, leaving him unable to train or attend a race meeting or point-to-point until September. He is also ordered to pay costs of €15,000. He accepts the ruling. Later that month the stable employee who took the photograph is banned for nine months (with seven suspended).
In July 2021, Elliott is featured in a BBCPanorama programme that investigates the fate of British and Irish racehorses who end up in abattoirs. Three of the horses were formerly trained by Elliott, who denies having sent them to the abattoir. He says two of the horses were sent to a horse dealer to be re-homed or humanely euthanised, while the third was given to someone else at the owner’s request. The former horses were bay mare Kiss me Kayf, who had had no success on the racecourse, and bay gelding High Expectations, who had won seven races. The latter horse, owned by Simon Munir and Isaac Souede, was grey gelding Vyta Du Roc, who won the 2016 Reynoldstown Novices’ Chase. Following the programme, Munir and Souede remove their horses from Elliott’s yard.
In 2007, Elliott wins the inaugural Meath Sportsperson of the Year award. He wins the award again in 2018 and 2019.
Elliott is engaged to champion point-to-point rider Annie Bowles, with whom he sets up Cullentra House Stables. The couple separates and Bowles marries Ballarat trainer Archie Alexander.[28]
After qualifying, Ryan works for several solicitors’ firms before establishing a private practice in Dame Street in Dublin, in which he remains an active partner until appointed to ministerial office in 1973.
In opposition, Ryan serves as Fine Gael Spokesperson on Health and Social Welfare (1966–70) and on Foreign Affairs and Northern Ireland (1970–73). During this period he is involved in several important pro bono legal cases, including the 1963 challenge in the High Court, and then, on appeal, in the Supreme Court of Ireland in 1964, by Gladys Ryan (no relation) on the constitutionality of the fluoridation of the water supply. While the court rules against Gladys Ryan, the case remains a landmark, for it establishes the right to privacy under the Constitution of Ireland (or, perhaps more precisely, the right to bodily integrity under Article 40.3.1.). The case also raises a legal controversy, owing to the introduction by Justice Kenny of the concept of unenumerated rights. Other notable cases involving Ryan include a challenge to the rules governing the drafting of constituency boundaries, and an unsuccessful attempt to randomise the order of candidates on ballot papers (owing to a preponderance of TDs with surnames from the first part of the alphabet).
Fine Gael comes to power in a coalition with the Labour Party in 1973, and Ryan becomes Minister for Finance. He presides over a tough four years in the National Coalition under Liam Cosgrave, during the 1970s oil crisis when, in common with most Western economies, Ireland faces a significant recession. He is variously lampooned as “Richie Ruin” on the Irish satire show Hall’s Pictorial Weekly, and as “Red Richie” for his government’s introduction of a wealth tax. Following the 1977 Irish general election Fine Gael is out of power, and he once again becomes Spokesperson on Foreign Affairs.
On being appointed to the European Court of Auditors in 1986, he resigns his seat and is succeeded by Chris O’Malley. He serves as a member of the Court of Auditors from 1986 to 1994, being replaced by Barry Desmond. After retirement, he continues in several roles, including as a Commissioner of Irish Lights (until 2004) and a time as Chairman of the Irish Red Cross in 1998.
Ryan is the father of the economist and academic Cillian Ryan. He dies in Dublin at the age of 90 on March 17, 2019. He is buried at Newlands Cross Cemetery and Crematorium in Dublin.
Rock attends the Catholic University School where he plays rugby union in the absence of a Gaelic football team. He simultaneously comes to prominence at juvenile and underage levels with the Ballymun Kickhams club before making his debut with the senior team in 2008. Since then he has won one Leinster medal and two county senior championship medals.
Rock makes his debut on the inter-county scene when he is selected for the Dublin minor team. After an unsuccessful tenure with the minor team, he later wins an All-Ireland medal as part of the Dublin under-21 team.
Rock represents Dublin at Junior level in the 2009 Leinster Junior Football Championship. Dublin is knocked out in the semi-final by Louth. He scores a total of 14 points for Dublin in his two appearances for Dublin Juniors.
Rock makes his senior debut during the 2012 league when he is introduced as a substitute against Donegal in March. He makes his championship debut the following year against Westmeath. Since then he wins six All-Ireland medals, beginning with his first title in 2013 and followed by five successive championships from 2015 to 2019. He also wins six Leinster Senior Football Championship medals and five National League medals. He is awarded two All Star awards for Dublin in 2017 and 2016, when he finishes the season as top scorer of the 2016 All-Ireland Senior Football Championship.
Rock starts his first league match for Dublin in 2015, after which he participates in 63 consecutive league and championship games.
Rock is noted for his taking Dublin’s frees, while attaining hitherto unimaginable levels of accuracy. Having spent to years as a substitute in 2013 and 2014, he studies placed-ball kicking and works with kicking expert Dave Alred, as he reveals in 2017.
Rock’s fifth point of the drawn 2019 All-Ireland Senior Football Championship Final (which gives Dublin a lead of 1–7 to 0–6) is his 411th point for his county in league and championship in his 88th game. Combined with his 14 Dublin goals, he passes Bernard Brogan Jnr. to become the second highest scorer ever in Dublin football. Unusually, he does this mostly through points; he has the lowest goal-scoring record among the top ten (with only Charlie Redmond‘s 15 goals within reach) and achieves the feat while making fewer appearances than those around him in the all-time list.
Rock holds the record for the fastest goal scored in the history of All-Ireland Senior Football Championship Finals, after sending the ball past David Clarke directly from the throw-in of the 2020 All-Ireland Senior Football Championship Final, breaking Kerryman Garry McMahon‘s record which had stood since the 1962 final. He debuts the “Dean Rock Free Taking Project” in mid-2020.
On January 16, 2024, Rock announces his retirement from inter-county football. After retiring, he contributes to the GAAGOpodcast.
In September 2025, it is announced that Rock is joining the backroom team of the recently appointed Dublin senior manager Ger Brennan.
After 17 years in prison, the Birmingham Six could be freed within weeks. An announcement on February 25, 1991, by the Director of Public Prosecutions, Alan Green, says the convictions of the Birmingham Six can no longer be considered safe and satisfactory. Hugh Callaghan, Paddy Joe Hill, Gerry Hunter, Richard McIlkenny, Billy Power, and Johnny Walker, all from Northern Ireland, were all jailed in 1975 for an Irish Republican Army (IRA) attack on two pubs in Birmingham, England, in November 1974 in which 21 people died. The Birmingham Six have consistently maintained their innocence.
Speaking during a live radio broadcast by Irish broadcaster RTÉ, one of the six, Hugh Callaghan, speaks about his ordeal. “It should have happened a long time ago. It has been known for years and years that we were innocent,” he says.
The February 25 preliminary hearing is told both scientific and police evidence presented at the original trial can no longer be relied upon and that therefore the Crown‘s case against the men has collapsed.
Their third appeal is to be heard at the Court of Appeal on Monday, March 4, 1991. New evidence collected in the prior year is to be presented to the court, which will make the final decision on whether or not to release the men.
Friends, family and supporters are overjoyed by the news. The Irish government issues a statement saying it shares their relief and joy.
Gareth Peirce, the solicitor for five of the men, says the case is “a national disgrace” and calls for the evidence to be made public.
Patsy Power, William Power’s wife, says, “It’s over and done but the system has to be altered so nothing like this happens again.”
Former Master of the RollsTom Denning, Baron Denning, who rejected the men’s appeal in 1980, says he is saddened by the case. “As I look back I am very sorry, because I always thought that our police were splendid and am very sorry that in this case it appears the contrary,” he says.
The Birmingham Six are released amid scenes of wild jubilation on March 14, 1991, after their convictions are quashed by the Court of Appeal. Their case – and that of the Guildford Four freed in 1989 – lead to the creation of a Royal Commission on Criminal Justice which makes various recommendations in 1993.
The six men struggle to cope with freedom following their release. Several turn to drink and most of their marriages suffer as a result.
seamus dubhghaill 