In 1910, Elvery moves to South Africa to marry Hobart Kay, FRCS. By 1916 they have settled in Port Elizabeth.
Kay is a founder member of the Eastern Province Society of Arts and Crafts. In 1924 she is elected a member of the Royal British Colonial Society of Artists. She paints and makes etchings, and in 1926 her etching Romance is bought by Mary of Teck, Queen of the United Kingdom, at the Dominion Artists’ Exhibition in London. She travels widely in South Africa and sketches as she goes, and is also commissioned to make many portraits of mayors of Port Elizabeth, many of them lost when the City Hall burns down in 1977. During World War II she is commissioned by the government to record the war on the home front, and some of her work is held in the South African National Museum of Military History. From 1927 to 1945 she produces two to four illustrations each week for The Outspan.
Kay’s largest painting is the 1937 work Surgery, showing a patient undergoing abdominal surgery (a cholecystectomy). She portrays herself as the scrub nurse and her husband Hobart as the surgeon. In preparation for this painting she visits three hospitals and observes at least two operations, making 27 pages of preliminary sketches of people and equipment used in surgery. During World War II she paints further medical paintings: Operation in a Base Hospital and Blood to Save Lives.
Kay holds one-woman exhibitions from 1922 to 1955, and retrospective exhibitions of her work are held at the Iziko South African National Gallery in 1965 and 1982.
In her early days at Port Elizabeth, Kay is a keen sailor and is described as “for a time the fastest spinnaker-hand in South Africa.”
Kay has three daughters and one son. Her daughter Joan Wright (1911-91) teaches painting at the Port Elizabeth Technical College School of Art and Design, and her daughter Marjorie Reynolds writes and publishes a biography of her mother in 1989, and a further book about the Elvery family in 1991, and also donates her mother’s collection of works and archives to the Iziko South African National Gallery as “The Kay Bequest” in 1992.
O’Faolain is born in Dublin on March 1, 1940, the second of nine children of Tomás O’Faolain and Kathleen O’Sullivan. Originally a schoolteacher and Army lieutenant, under the pen name Terry O’Sullivan, her father becomes a prominent social diarist for the Evening Press in Dublin. He is distant from his children and engages in extra-marital affairs which produce at least two half-siblings. Despite earning as much money as the newspaper’s editor, Douglas Gageby, he does not share his income with his family. The family lives in poor conditions, frequently going hungry. Her mother becomes an alcoholic, going to the pub every day at 4 p.m. and not returning home until midnight.
O’Faolain attends convent school in Dublin but is expelled at the age of fourteen after going home from dances with a married man. She then goes to a boarding school in County Monaghan, whose austere environment and strict educational standards benefit her. From there, she studies English literature at University College Dublin (UCD), where she runs in a social circle that includes Mary Lavin, John McGahern, Patrick Kavanagh, and Louis MacNeice. Although she drops out of her studies temporarily and spends time working menial jobs in England, with financial assistance from Lavin and others, she graduates in 1961. On scholarships, she studies medieval English at the University of Hull before completing a postgraduate degree in 19th-century English literature at the University of Oxford. She then returns to Dublin to work at UCD as an academic in the English literature department, which brings her into contact with the bohemian Dublin literary scene of the late 1960s and early 1970s.
In 1970, O’Faolain moves to London to work for the BBC. She is a producer at the Community Programme Unit, which seeks to allow members of the public to create programmes for national broadcast on human interest topics like transgender people, anti-pornography protests, and community organising in the Bogside. She also makes programmes with the arts faculty of the Open University, and teaches evening classes at Morley College. During this period, she shows little interest in Ireland, regarding the country as backward and unsophisticated, but a visit to the Merriman Summer School in County Clare in 1974 sparks new enthusiasm. In 1977, she moves back to Dublin to work for the public broadcaster, RTÉ, where she becomes a colleague of female journalists like Doireann Ní Bhriain, Marian Finucane, and Nell McCafferty – later her partner – who are making programmes about Irish society with a feminist bent. She Is the producer of Women Today, a pioneering radio programme, from 1983 to 1986. One series she works on, Plain Tales, a televised interview programme in which women speak directly to camera about their life experiences, wins a Jacob’s Award in 1985.
O’Faolain has an interest in books from an early age, and credits voracious reading for helping her through a difficult childhood. She works as a book reviewer for The Times. Between 1990 and 1993, she co-presents Booklines, a television programme about books for RTÉ, a programme she says “nobody ever watched because it was on terribly late at night.”
In 1986, Conor Brady, the editor of The Irish Times, offers O’Faolain a newspaper column after hearing her being interviewed by Gay Byrne on the radio. Brady is struck by her ability to “infuse ordinary people’s everyday activities with value and interest.” The column becomes a major success and she is awarded journalist of the year in 1986.
O’Faolain acts as a roving commentator for The Irish Times, covering the 1994 Cregg Wood murders in County Clare, and visiting Northern Ireland at the time of the Good Friday Agreement in 1998. Following periods of leave while she works on her books, she leaves the paper in 2002, and writes a column in the Sunday Tribune from 2005 until her death.
O’Faolain never marries and has no children. Although she writes about her relationships with men and women, she does not identify as bisexual, though others have described her as such. She suffers from alcoholism. After Are You Somebody?, she divides her time between Ireland and New York City. During the final years of her life, she is in a relationship with a Brooklyn-based lawyer, John Low-Beer, whom she meets on Match.com.
O’Faolain is diagnosed with metastatic cancer while living in New York City in early 2008. She experiences a strange feeling in the right side of her body and presents at the emergency department of a hospital, where she is told that she has primary tumours in her lungs which has spread to her brain and liver, and that her cancer is incurable. She refuses chemotherapy.
O’Faolain returns to Ireland and is interviewed by her friend, Marian Finucane, on her radio show about her terminal illness on April 12, 2008. Both O’Faolain and Finucane are in tears during the interview, which is recorded in Galway, where she is undergoing radiotherapy. She tells Finucane: “I don’t want more time. As soon as I heard I was going to die, the goodness went from life”. Her frank discussion of her illness leads to the interview being preceded by a warning that her comments may be upsetting to others with life-threatening conditions. She says that she does not believe in God or an afterlife, but as in the song “Thíos i Lár an Ghleanna,” she is asking for help she knows will not come from a god she does not believe in. The interview has a major public impact in Ireland. After Finucane’s death in 2020, the Irish Independent describes it as “one of the most extraordinary [interviews] in the history of Irish broadcasting.”
In the final weeks of her life, O’Faolain travels Europe with close friends and family, staying in the Ritz Hotel in Paris and visiting the Berlin State Opera and the Prado Museum in Madrid for the first time. She dies in a hospice in Blackrock, Dublin, late on May 9, 2008. Her funeral takes place in the Church of Our Lady of the Visitation in Fairview in north Dublin on May 13. Her ashes are buried in Kilbarrack Cemetery in north Dublin with her maternal grandparents, Terence and Marion O’Sullivan, and her brother, Dermot Phelan.
Flynn publishes the novel Nothing To Say in 1983. It is subsequently translated into German, Italian, and Polish. He founds his arts company, Farcry Productions, in 2004, which produces visual art, performance and installation work around taboo issues such as child sexual abuse, violence, and addiction.
Flynn is first elected to Dublin City Council in the 2009 Irish local elections as an independent candidate representing the South-East Inner City electoral area. He is re-elected to the revised Pembroke-South Dock electoral area in the 2014 Irish local elections.
Flynn tables a motion to move the Temple Bar Cultural Trust, a State company set up in 1991 as a regeneration agency for Temple Bar, under the direct control of Dublin City Council. The trust is subsequently found to be in breach of corporate governance and accountability in a number of public reports. He also expresses critical views of the way public money is spent as part of a Grafton Street regeneration project in Dublin.
Flynn supports tougher regulation around the amplification of busking on public streets, which leads to his office being vandalised in February 2015. He is involved in a number of challenges to cycle lane provision, with a High Court challenge against the Strand Road cycle lane COVID-19 mobility trial and is a spokesperson for a group opposed to this cycle lane trial. Critics accuse him of consistently voting against policies that would provide more active travel infrastructure and in favour of policies which negatively impact pedestrians and cyclists. His legal challenges to cycling provision have the potential to revert a number of cycle lanes which have been created back to servicing predominantly cars.
In 2015, Flynn resigns from the Dublin City Council Arts SPC over what he perceives as a lack of cohesive overall policy, strategy, and vision.
In 2016, Flynn protests against the Artane Band, due to its association with the Artane Industrial School. The band responds saying it has had no association with the former industrial school. His peaceful protest, which includes him protesting on a window sill in his Dublin City Council office, is criticised by some as “attention seeking” and a “publicity stunt full stop.”
In 2019, Flynn is involved in a protest march against plans to open the state’s largest homeless shelter in his ward. Protesters march northbound on Aungier Street blocking traffic and shouting slogans against the Peter McVerry trust for providing the services in conjunction with Dublin City Council. In 2020, he takes further legal action against the council, who are working in conjunction with the Peter McVerry Trust, so that he can ensure the homeless facilities will not be built in the area.
Though Gregg is instinctively conservative, his awareness of contemporary trends make him responsive to demands for change: he supports the resolution for women to hold parochial office and presents a petition to the General Synod in 1914, signed by 1,400 women. Though the motion is lost, he perseveres undaunted, and a bill for the ecclesiastical enfranchisement of women is finally carried in 1920. A unionist, he is also one of three Anglican and seventeen Catholic bishops to sign the declaration against partition in 1917, which is organised by the Catholic Bishop of Derry, Charles McHugh.
From the 1920s the Irish church is dominated by Gregg, first as Archbishop of Dublin (1920–39) and later as Archbishop of Armagh and Primate of All Ireland (1939–59). He provides stability to the church during a turbulent period of political and social change and is outspoken in defence of its interests, pragmatically espousing policies that will lead to the greater integration of the Protestant community into the new Irish state, as in his acceptance of the teaching of compulsory Irish in national schools. Despite a declining Protestant community in the south of Ireland, he maintains the unity of the church, overcoming the political division of the country into two entities. He regrets constitutional change but pledges the loyalty of the church to the Irish Free State. While recognising that the Protestant ethos is different from that of the majority of Irishmen, he maintains that “whatever our religious or political outlook may be, here is our home, and we have a right to be here.” He is elected to the first Irish Free State senate, and is subsequently consulted by Éamon de Valera, who later describes him as “a most learned and kindly gentleman, and . . . a highly valued friend,” in framing the text of the 1937 constitution. In 1949, he adapts, albeit with sadness, the state prayers to fit the republican form of government, observing that “the republic is a fact” and that “in our prayers, above all, there must be reality.”
Gregg is an able administrator, and his courage and integrity in facing difficult situations and his scholarship and devotion to the church earn him respect in the councils of the wider Anglican communion. He is known as “the churchman’s bishop” for his emphasis on doctrinal orthodoxy, ecclesiastical discipline, and loyalty to the clergy. Though conservative in his approach to church unity, he seeks closer relations between the Christian churches and frequently visits the reformed churches of the Iberian Peninsula, where a portrait plaque is unveiled in 1950 in St. John’s Church, Vila Nova de Gaia, Portugal. A baptistry in St. Paul’s Cathedral, Lisbon, is dedicated to his memory. Well known in England as a writer and preacher, he is appointed select preacher at the University of Cambridge (1916, 1930, 1936) and the University of Oxford (1946, 1947) and supports the institution of annual theological lectures at Queen’s University Belfast (QUB). His publications include Epistle of St. Clement of Rome (1899) and The Primitive Faith and Roman Catholic Developments (1909) – a minor classic which is used as a textbook for ordinands of the Church of England. He writes the introduction and notes to the revised version of the Wisdom of Solomon for the Cambridge Bible for Schools (1909) and publishes sermons and articles in religious journals. Elected Member of the Royal Irish Academy (MRIA) in 1914, he is elected to honorary fellowship in 1934 by Christ’s College, Cambridge, is awarded an honorary Doctor of Divinity (DD) in 1949 by QUB, and is created Order of the Companions of Honour (CH) in 1957.
A commanding figure, tall, thin, with raven-black hair, piercing eyes, and fine features, Gregg has an air of sacerdotal austerity, lightened on occasion by his dry sense of humour. He maintains a well regulated daily timetable and keeps a diary, writing his most personal thoughts in Greek. He makes time for recreation, a daily walk of two miles, tennis, and (from 1929) sailing, and holidays in Ireland and on the Continent. He has a great love of English literature and church music. In 1959, he retires to the Woodhouse, Rostrevor, County Down. Though incapacitated by blindness, deafness, and lameness, he never complains, and according to his wife, his life of prayer is enriched. He dies on May 2, 1961, at his home and is buried in Enniskerry, County Wicklow, beside his first wife and son.
Gregg marries Anna Alicia Jennings on November 26, 1902. They have two sons and two daughters. Anna dies in 1945. On January 22, 1947, he marries secondly Leslie Alexandra, daughter of the Rev. T. J. McEndoo, dean of Armagh, who officiates at the marriage of his daughter and of his archbishop.
(From: “Gregg, John Allen Fitzgerald” by Helen Andrews, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Boland is born in Dublin on September 24, 1944. Her father, Frederick Boland, is a career diplomat and her mother, Frances Kelly, was a noted painter.
When she is six, Boland’s father is appointed Irish Ambassador to the United Kingdom, and the family moves to London, where she has her first experiences of anti-Irish sentiment. Her dealing with this hostility strengthens her identification with her Irish heritage. She speaks of this time in her poem, “An Irish Childhood in England: 1951.”
In 1969, Boland marries the novelist Kevin Casey. They have two daughters together. Her experiences as a wife and mother influence her to write about the centrality of the ordinary, as well as providing a frame for more political and historical themes. According to her friend Gabrielle Calvocoressi, she “loved gossip like fish love water.”
In the late 1970s and 1980s, Boland teaches at the School of Irish Studies in Dublin. From 1996 she is a tenured Professor of English at Stanford University where she is the Bella Mabury and Eloise Mabury Knapp Professor in the Humanities and Melvin and Bill Lane Professor for Director of the Creative Writing program. She divides her time between Palo Alto and her home in Dublin.
Boland’s first book of poetry is New Territory published in 1967 with Dublin publisher Allen Figgis. This is followed by The War Horse (1975) and In Her Own Image (1980). Night Feed (1982) establishes her reputation as a writer on the ordinary lives of women and on the difficulties faced by women poets in a male-dominated literary world. While she is writer in residence at the National Maternity Hospital in Dublin in 1994, she composes “Night Feed” and “The Tree of Life,” and her work remains on a plaque in the hospital garden.
In March 2018, RTÉ broadcasts a documentary on Boland’s life as a poet called “Eavan Boland: Is it Still the Same?” In the same year, she is commissioned by the Government of Ireland and the Royal Irish Academy (RIA) to write the poem “Our future will become the past of other women” to be read at the United Nations (UN) and in Ireland during the centenary commemorations of women gaining the vote in Ireland in 1918.
Boland co-edits The Making of a Poem: A Norton Anthology of Poetic Forms (with Mark Strand; W. W. Norton & Co., 2000). She also publishes a volume of translations in 2004 called After Every War (Princeton University Press). With Edward Hirsch, she co-edits “The Making of a Sonnet: A Norton Anthology of the Sonnet” (W. W. Norton & Co., 2008).
In 1976, Boland wins a Jacob’s Award for her involvement in The Arts Programme broadcast on RTÉ Radio. Her other awards include a Lannan Foundation Award in Poetry and an American Ireland Fund Literary Award. Her collection In a Time of Violence (1994) receives a Lannan Award and is shortlisted for the T. S. Eliot Prize.
Boland receives the Bucknell Medal of Distinction 2000 from Bucknell University, the Corrington Medal for Literary Excellence by Centenary College of Louisiana in 2002, the Smartt Family prize from The Yale Review and the John Frederick Nims Award from Poetry magazine 2002. Her volume of poems Against Love Poetry is a New York Times Notable Book of the Year. Her volume Domestic Violence (2007) is shortlisted for the Forward Prize in the United Kingdom. Her poem “Violence Against Women” from the same volume is awarded the James Boatwright III Prize for Poetry for the best poem published in 2007 in Shenandoah magazine. In 2012, she wins a PEN Award for creative nonfiction with her collection of essays, A Journey With Two Maps: Becoming a Woman Poet, published in 2012.
On May 25, 2018, Boland is elected an honorary member of the Royal Irish Academy. She receives the Irish PEN Award for Literature in 2019. She is writer in residence at the National Maternity Hospital, Dublin, in 1994. During this time she composes “Night Feed” and “The Tree of Life,” and her work remains on a plaque in the hospital garden.
Boland dies in Dublin on April 27, 2020, at the age of 75. Later that year she is posthumously awarded the Costa Book Award for poetry for her final collection The Historians.
In 2024, Trinity College Dublin announces the renaming of the “denamed” former Berkeley Library as the Eavan Boland Library. This makes it the first building named after any woman on Trinity’s city centre campus. The name is made official in March 2025.
Byrne is Head of Communications with the Higher Education Authority (HEA) until 2019, and has been Vice-President of the National Youth Council of Ireland. In 2014, he is named as one of the European 40 Under 40, in the European Young Leaders Programme.
In January 2006, The Sun includes Byrne’s picture on the cover of its Irish edition beneath the headline “Bertie‘s FF Man in Gay Web Shame,” revealing that Byrne has a profile on the dating website Gaydar. He responds at the time, “I have not, nor have I ever, done anything illegal and I am not a hypocrite in any way. My views on gay rights issues are well known. I am not married with four children or anything like that, so there is no suggestion of hypocrisy.” His family and political career suffer as a result and he is not selected for candidacy in the 2007 Irish general election following this incident. He later describes how a journalist from The Gorey Echo first approaches him, “The first few questions were about roads. Then the journalist said, ‘Are you aware you have a profile on this dating website?'” When he confirms that the profile is his, he experiences a sleepless night before The Gorey Echo outs him locally: “I was ringing around people I knew and my parents were ringing around people … my grandmother didn’t know and a lot of my extended family and my friends didn’t know.” Gorey Echo group editor Tom Mooney defends the publication by saying he believes Byrne’s behaviour to be “unfitting of a public representative.”
Byrne contests the 2019 European Parliament election for Fianna Fail in the South constituency, having unexpectedly beaten Cork TD Billy Kelleher in the vote for the party’s nomination. However, Kelleher is later added to the ticket. Fianna Fáil then divides the constituency geographically, asking people in counties Carlow, Kilkenny, Laois, Offaly, Tipperary, Waterford, Wexford and Wicklow to vote for Byrne, and those in counties Cork, Kerry, Clare and Limerick to vote for Kelleher. Kelleher wins 11.69% of the first-preference votes (FPV) and is elected on the 17th count. Byrne wins 9.62% of the FPV, and is eliminated on the 16th count.
Byrne is elected as a TD at the 2019 Wexford by-election. Andrew Bolger is co-opted to Byrne’s seat on Wexford County Council following his election to the Dáil. His maiden speech is about housing solutions and the need to address the challenges facing Generation Rent. In an interview he says he can envisage a United Ireland where the 12th of July and Saint Patrick’s Day are public holidays and speaks about how Ireland needs to ensure Unionists feel at home in a new agreed state and that may mean addressing issues such as Ireland joining the Commonwealth.
Byrne loses his Dáil seat at the 2020 Irish general election, following what he calls “a dirty campaign.” His defeat after only 71 days makes him the TD with the second-shortest term of service, after the Anti H-Block TD Kieran Doherty, who dies on hunger strike in August 1981, only 52 days after his election.
On March 31, 2020, Byrne is elected to Seanad Éireann at the 2020 Seanad election. He is named as Fianna Fáil spokesperson on Higher Education, Innovation and Science by TaoiseachMicheál Martin in July 2020.
At the 2024 Irish general election, Byrne is elected to the Dáil. He is subsequently appointed Cathaoirleach of the Joint Committee on Artificial Intelligence.
Byrne is openly gay. As of 2020, he is single and describes politics as “almost like an addiction,” which makes relationships difficult. He lives in Gorey.
In March 2025, Byrne is injured during the theft of his phone in London.
De Bhaldraithe is born Thomas MacDonagh Waldron on December 14, 1916, in Ballincurra, County Limerick. He moves to Dublin with his family at the age of five. He is named after Thomas MacDonagh, one of the signatories of the Proclamation of the Irish Republic, who had been executed after the Easter Rising earlier in the year. He adopts the use of the Irish language version of the name in both Irish and English. He receives his second-level education at Belvedere College in Dublin.
De Bhaldraithe’s stance on standard forms and spellings is supported by Éamon de Valera despite opposition from traditionalists in the Department of Education, and the work is widely seen as an important benchmark in Irish scholarship.
In 1942, de Bhaldraithe is appointed a professor at the Dublin Institute for Advanced Studies (DIAS) in the department of Celtic Studies. In 1960 he is appointed professor of modern Irish language and literature in University College Dublin (UCD), where he develops an impressive archive of material on Irish dialects. Much of the material in this archive is later used as the basis of Niall Ó Dónaill‘s Foclóir Gaeilge-Béarla, published in 1978, for which he is consulting editor. Also during the 1970s, he translates the Irish language diary of Amhlaoibh Ó Súilleabháin into English. It is then published by Mercier Press as “The Diary of an Irish Countryman.”
The language laboratory which de Bhaldraithe sets up in UCD is the first of its kind in any university in Ireland. His interest in seanchas (folklore) leads to his publication of Seanchas Tomás Laighléis in 1977, while his earlier work includes the ground-breaking study of the Cois Fharraige dialect (a variety of Connacht Irish), Gaeilge Chois Fharraige: Deilbhíocht. In later years he works extensively on the definitive Irish dictionary, Foclóir Stairiúil na Nua-Ghaeilge, which remains unfinished when he dies on April 24, 1996, but which is still in progress today.
Maher is born on April 29, 1922, at Castlemoyle, Boherlahan, Cashel, County Tipperary, the seventh child of Thomas Maher, farmer, and his wife Julianne Maher. Raised on the family’s forty-five-acre holding and educated locally at Ardmaylenational school and at the Christian Brothers school and VEC school in Cashel, he takes over the farm in 1948 when ill health forces his father into retirement. He subsequently enlarges it to 120 acres. Mechanically adept, a talented sportsman, and a member of Cashel Dramatic Society, he joins Macra na Feirme and is a founder member of the National Farmers’ Association (NFA) in January 1955.
Maher is a member and chairman of the dairy committee of the NFA before coming to national attention through his participation in the historic farmers’ rights march to Dublin led by Rickard Deasy (October 7-19, 1966), part of the militant campaign for fairer agricultural prices and for reform of taxation and rates on farmland. His part in the subsequent three-week sit-down protest and meeting with incoming minister Neil Blaney, at the Department of Agriculture, confirms his reputation as a tenacious campaigner for agricultural causes. In August 1967, shortly after 100 farmers have served prison sentences for withholding rates, he succeeds Deasy as NFA president. Charismatic, articulate, and decisive, he also has a strong sense of personal responsibility, which governs his expectations of colleagues and associates. With exhausting rounds of travel and meetings, he is impossible to ignore and grist to the media mill, with his apparently impromptu but, in reality, carefully rehearsed speeches criticising politicians, parties, bureaucracy, and tardy national policy. He warns of national economic failure unless government and public services take radical modernising initiatives. He is at once nationalist, internationalist, and a revolutionary campaigner for change, an idealistic firebrand who is essentially conservative in social matters.
Maher’s campaign for agriculture is tempered by a wider interest in the social and economic future of Ireland ahead of crucial negotiations for membership of the European Economic Community (EEC). He becomes a household name, gadfly of bureaucrats and hero of farmers. In November 1967 he attends the European Congress of the International Federation of Agricultural Producers in Rome as an advance action prior to taking part in the subsequent negotiations leading to Ireland’s “entry to Europe” in January 1973. He is re-elected president of the NFA in 1970.
Amalgamating the NFA with several of the agricultural producers’ organisations, Maher oversees its reemergence as the Irish Farmers’ Association (IFA) in January 1971 and remains president until 1976. Strengthened by his pro-European leadership, the IFA withstands the counter-propaganda which, in the referendum of May 1972, urges rejection of the EEC on economic, social, and religious grounds. Despite his own moderately conservative social views and unequivocal opposition to abortion in Ireland, his commitment to European integration is not in question.
Maher is a director of prestigious state-sponsored bodies including Bord Bainne, the Irish Sugar Company, and the B & I shipping line. He also serves six terms between 1976 and 1983 as president of the Irish Co-operative Organisation Society (ICOS). Such relative sinecures are balanced by adherence to humanitarian causes that occupy most of his subsequent life. Passionate about practical support for developing countries, he becomes a founder and chairman of Bóthar, the Irish self-help relief agency for supply of livestock overseas. He urges prison reform and supports Amnesty International in its prisoners’ rights campaigns. Running as an independent candidate, he is elected Member of the European Parliament (MEP) for Munster in 1979, beating the strong Fine Gael candidate Alan Dukes. Describing himself as a public representative rather than a politician, he sits in the Liberal and Democratic parliamentary group and continues to fly agricultural and other kites as a non-party deputy. Typically, he criticises the scale of Irish embassies abroad, suggesting alternative teams of trade and tourism personnel. He advocates fairer agricultural policies towards developing countries in spite of prevailing European attitudes of self-interest, and urges the transfer of Northern Ireland from British jurisdiction to European protectorate status. At home he seeks all-party consensus on economic recovery from the depressed condition of the mid 1980s, well intentioned and lonely causes that fail to draw significant political support.
Maher’s habit of traveling with tools to unlock sealed hotel windows is an example of his sometimes eccentric practicality. His unsuccessful attempt to win a Dáil seat for Tipperary South in the 1981 Irish general election postpones his return to Ireland, although he is twice reelected an MEP before retiring in 1994. During his time in Strasbourg he is a quaestor of the European Parliament and a member of its committees on rural development, regions and petitions. He advocates decentralisation of power in Ireland while also criticising local authorities for laxity in their commitment to environmental protection.
For all his outspokenness, Maher is widely respected for the courageous positions he adopts. When time permits, he is an avid reader of history. He maintains his rural pastimes, especially attendance at Gaelic sports, where he can test the political pulse of his constituents. Following a short illness, he dies on April 19, 2002, aged 79, at St. Vincent’s Hospital, Dublin. He is buried at Boherlahan cemetery following a Requiem Mass, celebrated by his surviving brother, the Rev. Michael Maher CSSp (a former veterinary surgeon), and his cousin Denis.
Maher marries Elizabeth (Betty) Kennedy from Bansha, near Cashel, on January 8, 1958. They live at Castlemoyle and have one daughter, Julianne, and two sons, Thomas and Denis. His brother James (Jamesie), who predeceases him in October 1975, had been a medical consultant at St. Vincent’s and consultant surgeon to the Irish Rugby Football Union (IRFU).
(From: “Maher, Thomas Joseph” by Patrick Long, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Ginnell is born in Delvin, County Westmeath, in 1852, (baptised April 9, 1852) the son of Laurence Ginnell and Mary Monaghan and twin to Michael Ginnell. He is self-educated and is called to the Irish bar as well as the Bar of England and Wales. In his youth, he is involved with the Land War and acts as private secretary to John Dillon.
The last great social and agrarian campaign of the Irish home rule movement, the Ranch War (1906 and 1909), is largely led and organised by Ginnell from the central office of the United Irish League. He is elected an MP in 1906, takes his seat at Westminster and swears allegiance to Edward VII. On October 14, 1906, he launches the “war” at Downs, County Westmeath.
The purpose of the war is to bring relief to the large numbers of landless and smallholders, particularly in the West, who are relatively untouched by the Wyndham Land Act (1903) and by the larger policy of purchase. The strategy that Ginnell pursues is the Down’s Policy, or cattle driving, a proceeding designed to harass the prosperous grazier interests, whose “ranches” occupy large, under populated and under worked tracts. The Down’s Policy is also meant to draw public attention to the scandalous inequalities that survive in the Irish countryside. The conservatives within the home rule leadership are understandably suspicious about the revival of agrarian disturbances, but the mood of the party organisation is hardening in the aftermath of a disappointing devolution bill in May 1907, from the new Liberal government, so that it seems logical to turn to the traditional mechanism for reactivating the national question: agrarian agitation.
Ginnell’s cattle drives begin to tail off after the summer of 1908, and the agitation is finally dissolved with the passage of a 1909 Act by the Liberal Chief Secretary Augustine Birrell that allows the transfer to the Irish Land Commission of farmland by compulsory purchase, which is hailed by the national movement as an historic victory. In reality, the Ranch War involves an implosion within sectors of the Irish Parliamentary Party, as its leadership has not facilitated the working of the Wyndham Land Act in the first place because John Dillon and his like want conflict above victory.
In 1909, Ginnell is expelled from the Irish Parliamentary Party for the offence of asking to see the party accounts after which he sits as an Independent Nationalist. During this time, he is addressed frequently as “The MP for Ireland.” At Westminster, he is highly critical of the British government‘s war policy and its holding of executions of certain participants in the Easter Rising of 1916. On May 9, he accuses British Prime MinisterH. H. Asquith, of “Murder” and is forcibly ejected from the Chamber. He visits many of the prisoners who are interned in various prisons in Wales and England.
At the Sinn Féin ardfheis in 1917, at which the party is reconstituted as a republican party with de Valera as president, Ginnell and W. T. Cosgrave are elected Honorary Treasurers. He is imprisoned in March 1918 for encouraging land agitation and later deported to Reading Gaol. In the 1918 United Kingdom general election, he is elected as a Sinn Féin MP for the Westmeath constituency by comfortably defeating his IPP challenger. After his release from prison, he attends the proceedings of the First Dáil. Along with fellow TDJames O’Mara, he is one of the only TDs to serve as a member in both the House of Commons and Dáil Éireann.
He is one of the few people to have served in the House of Commons and in the Oireachtas. He is appointed Director of Propaganda in the Second Ministry of the Irish Republic. After spending a year as a republican campaigner in Chicago, he is appointed the Representative of the Irish Republic in Argentina and South America by de Valera. He carries out his propaganda work here to distribute copies of the Irish Bulletin and to provide the Sinn Féin version of the conflict during the Irish War of Independence. On August 16, 1921, he returns home to attend the first meeting of the Second Dáil. He travels back to Argentina some months later to serve as the Representative of the Republic there.
On September 9, 1922, Ginnell is the only anti-Treaty TD to attend the inaugural meeting of the Provisional Parliament or Third Dáil. Before signing the roll, he says, “I want some explanation before I sign. I have been elected in pursuance of a decree by Dáil Éireann, which decree embodies the decree of May 20, 1922. I have heard nothing read in reference to that decree, nothing but an Act of a foreign Parliament. I have been elected as a member of Dáil Éireann. I have not been elected to attend any such Parliament. Will anyone tell me with authority whether it is…”.
Ginnell is at this point interrupted but resumes by saying that he will sign the roll and take his seat in the Assembly if the Assembly is Dáil Éireann. He is informed he is not allowed raise any such question until a Ceann Comhairle has been elected. He continues to ask questions regardless to which he gets no answer including his question: “Will any member of the Six Counties be allowed to sit in this Dáil?” W. T. Cosgrave moves at this point that he be excluded from the House. Ginnell protests, and he is dragged out by force.
De Valera later appoints Ginnell a member of his “Council of State,” a twelve-member body set up to advise him on the deteriorating situation in the civil war. He returns to the United States soon afterward to serve as the Republic‘s envoy in the country. He orders Robert Briscoe and some of his friends to take possession of the Consular Offices in Nassau Street, New York City, then in the hands of the Irish Free State Government, to obtain the list of the subscribers to the bond drive organized to aid the struggle in the War of Independence. At the time, a court case is ongoing to decide on who has the right to the funds: the newly installed Provisional Government or de Valera, as one of the three trustees among the anti-Treatyites.
Ginnell dies in Washington, D.C. on April 17, 1923, at the age of 71, still campaigning against the Anglo-Irish Treaty.
Santry is born in Cork, County Cork, on May 14, 1879, to Denis Santry, Sr., a carpenter and joiner. He studies at the Cork Municipal School of Art from 1894 to 1896 after serving an apprenticeship as a cabinetmaker. In 1895, he also studies at the Crawford School of Art. In 1897, he is articled to architect James Finbarre McMullen. From 1897 to 1898, he studies at the Royal College of Art in London under a Lane scholarship. While he is at the college, he wins the Queen’s prize for freehand drawing. After graduating, he returns to McMullen’s office and works there for the next two years.
Santry comes to South Africa at the end of 1901 due to ill health. He settles in Cape Town and is employed at Tully & Waters, an architectural firm, from 1901 to 1902. He then spends a year working for architect William Patrick Henry Black. In 1903, his cartoons begin to appear in local newspapers and magazines, including the South African Review. He uses the pseudonym “Adam” in his cartoons. He continues to work as an architect until 1910 when he begins working as a cartoonist, as well as a metalworker, sculptor and filmmaker. He then moves to Johannesburg and is employed at the Sunday Times and The Rand Daily Mail as a cartoonist. During World War I, his cartoons are reproduced in several other countries. He becomes a pioneer of animated cartoons in South Africa. He is a member of the Royal Society of Arts and a council member of the South African Society of Artists.
Santry comes to Singapore in 1918 and joins the architectural firm Swan & Maclaren as a partner. While in Singapore, he serves as the architect of several prominent buildings and monuments, including the Sultan Mosque, The Cenotaph, the Maritime Building, the Hongkong and Shanghai Bank Building and the Telok Ayer Chinese Methodist Church. He serves as the first president of the St. Patrick’s Society Singapore, the first president of the Singapore Amateur Boxing Association, the chairman of the Singapore Art Club, a member of the board of control of the Victoria Theatre and Concert Hall, a member of the Censorship Appeal Board and the vice-president of the Straits Settlements Association. He is also a frequent contributor to the Straits Produce, a satirical magazine. He helps to found the Singapore Society of Architects and the Institute of Architects of Malaya and is the founder and the chairman of the Singapore Musical Society. He retires to England in March 1934.
Santry returns to South Africa in 1940. Following the end of World War II, he resumes his practice as a result of lost income caused by the Japanese occupation of Malaya. In 1950, he becomes a member of the Institute of South African Architects. He designs several private houses in Hillcrest, KwaZulu-Natal.
Santry marries Madeline Hegarty in 1904. From 1910 to 1918, he lives in Kleine Schuur on Rhodes Avenue in Johannesburg. The house is designed by prominent architect Herbert Baker. He dies in Durban, South Africa, on April 14, 1960.
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