Drumm is born in Newry, County Down to a staunchly Irish republican family. Drumm’s mother has been active in the Irish War of Independence and the Irish Civil War. Drumm grows up in the village of Killean, County Armagh, where she plays camogie. She is active in the republican movement after meeting her husband, a republican prisoner. She begins to speak at many rallies and protest meetings and is soon elected as Vice President of Sinn Fein. She becomes involved in the Northern Ireland Civil Rights Association in the 1960s and works to rehouse Catholics forced from their homes by loyalist intimidation.
Drumm is jailed twice for seditious speeches. After she is released from HM Prison Armagh, raids on her house by the security forces escalate. She is widely demonised in the British media and is already a target for assassination when she is admitted to Belfast’s Mater Hospital for eye treatment in October 1976.
While recovering from the operation, Drumm is shot at point blank range in a joint operation by the Ulster Volunteer Force and the Ulster Defence Association who are able to enter and leave the hospital undisturbed. No one has ever been convicted of her murder.
Drumm’s speeches and quotations can be found on murals across Northern Ireland, including:
“The only people worthy of freedom are those who are prepared to go out and fight for it every day, and die if necessary.”
“We must take no steps backward, our steps must be onward, for if we don’t, the martyrs that died for you, for me, for this country will haunt us forever.”
As an heir to the Guinness brewing fortune and a handsome, charming young man, Bryan is an eligible bachelor. One of London’s “Bright Young Things,” he is an organiser of the 1929 “Bruno Hat” hoax art exhibition held at his home in London. Also, in 1929 he marries the Hon. Diana Mitford, one of the Mitford sisters, and has two sons with her. The couple become leaders of the London artistic and social scene and are dedicatees of Evelyn Waugh‘s second novel Vile Bodies. However, they divorce in 1933 after Diana deserts him for British fascist leader Sir Oswald Mosley.
Guinness remarries happily in 1936 to Elisabeth Nelson, of the Nelson publishing family, with whom he has nine children.
During World War II, Guinness serves for three years in the Middle East with the Spears Mission to the Free French, being a fluent French speaker, with the rank of major. Then in November 1944 Guinness succeeds to the barony when his father, posted abroad as Resident Minister in the Middle East by his friend Winston Churchill, is assassinated in Cairo.
After the war, Lord Moyne serves on the board of the Guinness corporation as vice-chairman (1947-1979), as well as the Guinness Trust and the Iveagh Trust, sitting as a crossbencher in the House of Lords. He serves for 35 years as a trustee of the National Gallery of Ireland and donates several works to the gallery. He writes a number of critically applauded novels, memoirs, books of poetry, and plays. With Frank Pakenham he seeks the return of the “Lane Bequest” to Dublin, resulting in the 1959 compromise agreement. He is invested as a Fellow of the Royal Society of Literature.
Lord Moyne dies of a heart attack on July 6, 1992, at Biddesden House, his home in Wiltshire, and is succeeded by his eldest son Jonathan. He is buried at Ludgershall, Wiltshire, England.
Comhdháil Náisiúnta na Gaeilge, the central steering council for the Irish language community, is formed on October 26, 1943. Its mission is to “strengthen and consolidate goodwill and support for the Irish language and its usage as a living language so that it may be used freely and widely in all aspects of Irish life.”
The role of Comhdháil Náisiúnta na Gaeilge is to act as a coordinating body for voluntary Irish language organisations. The National Youth Council of Ireland and the Irish Congress of Trade Unions are similar umbrella organisations. The board of the nonprofit organisation is made up of representatives of its 24 member organisations. The secretaria of An Chomhdháil, ten employees, is responsible for the day-to-day running of the organisation.
The organisation sees its role as providing leadership to those involved in community and voluntary work on behalf of the Irish language, to provide analysis of Government policies with reference to the language, and the development and promotion of new policy measures. In practice this meant developing policies which are broadly acceptable to all member organisations and have their support, political lobbying in support of various issues and the undertaking of new and innovative projects.
The information website Gaelport.com is a project managed by staff of Comhdháil Náisiúnta na Gaeilge. The community-focused website contains information on Irish language news and events as well as Irish language classes and vacancies. It also contains information on advocacy work carried out by Comhdháil Náisiúnta na Gaeilge and other Irish language organisations. The website wins best Irish language website at the 2010 Irish Web Awards.
The last meeting of the board of management of Comhdháil Náisiúnta na Gaeilge is on the evening of July 14, 2014, due to an abrupt end of funding from Foras na Gaeilge, the inter-governmental agency established to promote the Irish language throughout the island of Ireland. The management board of Comhdháil Náisiúnta na Gaeilge thus has no choice but to cease all activities with the loss of six full-time staff.
In 1181, he is elected to the archbishopric of Dublin by some of the clergy of Dublin, who have assembled at Evesham for the purpose. He is not then a priest, but is subsequently, in the same year, ordained such, at Velletri, and on Palm Sunday is consecrated archbishop by Pope Lucius III. The following year the pope grants him manors and lands in and around Dublin, which subsequently form the Manor of St. Sepulchre, which remains under the authority of the Archbishop of Dublin until the 19th century. The pope also, in an effort to protect the Dublin archbishopric from claims from Canterbury, extends certain privileges to Comyn, which intensifies the rivalry between the sees of Dublin and Armagh for the Primacy of Ireland.
Comyn waits three years before visiting Ireland, until he is sent there by King Henry to prepare the reception of his son, Prince John. The king grants him lands and privileges which make him a Lord of Parliament. After his arrival in Ireland, John grants Comyn the Bishopric of Glendalough, with all its appurtenances in lands, manors, churches, tithes, fisheries, and liberties, although Comyn never has an opportunity to take this up in his lifetime. Under Pope Urban III, Comyn carries out a number of reforms of the Irish church to bring it into line with the church in England and in continental Europe.
In 1189, Archbishop Comyn assists at the coronation of King Richard I. The following year he demolishes the old parish church of St. Patrick, south of Dublin, and erects a new building, next to his Palace of St. Sepulchre, which he elevates to the status of a collegiate church, and which later becomes St. Patrick’s Cathedral. This enables him to rule in his own Liberty, without the interference of mayor and citizens. About the same time, he enlarges the choir of Christ Church Cathedral.
Prince John grants Comyn further legal rights throughout the country of Ireland, while Comyn also receives the church and lands of All Hallows, to the northeast of Dublin. Between Lusk and Swords, he founds the convent of Grace Dieu, which later becomes wealthy through grants from the Anglo-Norman prelates and magnates. However, when Hamo de Valoniis is appointed Justiciar of Ireland he seizes some of these lands for the treasury, with a good portion for himself, and a dispute arises which causes Comyn to flee for his own safety to Normandy. Comyn appeals to Pope Innocent III, who settles the dispute, but John is angered by the actions of Comyn and does not reconcile himself with him until 1206.
Comyn dies six years later and is buried in Christ Church Cathedral, where a marble monument is erected to his memory. Two years later William Piro, Bishop of Glendalough, dies, whereupon the union of the sees granted by King John takes place.
(Pictured: St. Audoen’s Church, the only remaining authentic medieval church in Dublin, built by Archbishop John Comyn around 1190)
Construction begins on the Royal Canal on October 24, 1789. The canal is originally built for freight and passenger transportation from the River Liffey in Dublin to Longford.
In 1755, Thomas Williams and John Cooley make a survey to find a suitable route for a man-made waterway across north Leinster from Dublin to the River Shannon. They originally plan to use a series of rivers and lakes, including the Boyne, Blackwater, Deel, Yellow, Camlin, and Inny and Lough Derravaragh.
Work commences in 1789 and lasts 27 years before finally reaching the River Shannon in 1817, at a total cost of £1,421,954. Construction is unexpectedly expensive, and the project is riven with problems. In 1794 the Royal Canal Company is declared bankrupt. The Duke of Leinster, a board member, insists that the new waterway take in his local town of Maynooth. The builders have to deviate from the planned route and necessitate the construction of a ‘deep sinking’ between Blanchardstown and Clonsilla. The diversion also calls for the building of the Ryewater Aqueduct, at Leixlip.
The canal passes through Maynooth, Kilcock, Enfield, Mullingar and Ballymahon has a spur to Longford. The total length of the main navigation is 145 kilometres (90 miles), and the system has 46 locks. There is one main feeder, from Lough Owel, which enters the canal at Mullingar.
In 200 years, it has been maintained by eight successive agencies – the Royal Canal Company, the Commissioners of Inland Navigation, the New Royal Canal Company, Midland Great Western Railway Company, Great Southern Railways, CIÉ, and the Office of Public Works.
The canal falls into disrepair in the late 20th century, but much of the canal has since been restored for navigation. The length of the canal to the River Shannon is reopened on October 1, 2010, but the final spur branch of the canal to Longford Town remains closed.
(Pictured: Royal Canal as it enters Dublin city centre (left) and Royal Canal in rural County Westmeath north of Kinnegad (right)
Samuel Barclay Beckett, Irish avant-garde novelist, playwright, theatre director, and poet, is awarded the Nobel Prize in Literature on October 23, 1969. Beckett lives in Paris for most of his adult life and writes in both English and French. He is widely regarded as among the most influential writers of the 20th century. He is elected Saoi of Aosdána in 1984.
In October 1969 while on holiday in Tunis with his wife Suzanne, Beckett hears that he has won the Nobel Prize for Literature. Anticipating that her intensely private husband would be saddled with fame from that moment on, Suzanne calls the award a “catastrophe.” In true ascetic fashion, he gives away all of the prize money. While Beckett does not devote much time to interviews, he sometimes meets the artists, scholars, and admirers who seek him out in the anonymous lobby of the Hotel PLM St. Jacques in Paris near his Montparnasse home. Although Beckett is an intensely private man, a review of the second volume of his letters by Roy Foster in the December 15, 2011 issue of The New Republic reveals Beckett to be not only unexpectedly amiable but frequently prepared to talk about his work and the process behind it.
Confined to a nursing home and suffering from emphysema and possibly Parkinson’s disease, Beckett dies on 22 December 22, 1989, just five months after the passing of Suzanne. The two are interred together in the Cimetière du Montparnasse in Paris and share a simple granite gravestone that follows Beckett’s directive that it should be “any colour, so long as it’s grey.”
Of all the English-language modernists, Beckett’s work represents the most sustained attack on the realist tradition. He opens up the possibility of theatre and fiction that dispense with conventional plot and the unities of time and place in order to focus on essential components of the human condition.
Charles Edgeworth Cagney Lynch, Irish pianist who premiers works by several important 20th-century composers, is born in Parkgariff, County Cork, on October 22, 1906.
Lynch’s father is a British army colonel and his mother comes from a well-known Cork business dynasty, the Suttons. While still a young boy, the family moves to Greenock in western Scotland and it is there, at the Tontine Hotel, that the young pianist gives his first public recital at the age of nine. When he is fifteen, he wins a scholarship to the Royal Academy of Music in London, where he studies under York Bowen and, later, Egon Petri.
Lynch becomes a popular recitalist in London during the 1920s and 1930s. He gives the first performance in England of Sergei Rachmaninoff‘s Piano Sonata No. 2 in B flat minor, having been coached beforehand by the composer. Sir Arnold Bax‘s Fourth Piano Sonata (1932) is dedicated to the 26-year-old Lynch, whom Bax later describes as “Ireland’s most imaginative pianist.” In addition to concert recitals he broadcasts regularly with the BBC and, in 1937, acts as assistant to Sir Thomas Beecham at Covent Garden. Lynch is the Ballet Rambert‘s pianist for many years, having helped Marie Rambert form the company.
A pacifist, Lynch returns to Ireland following the outbreak of World War II, where he becomes the country’s premier concert pianist. During this phase of his career he premiers a number of works by leading Irish composers, including Brian Boydell‘s Sonata for Cello and Piano (1945) and Sean Ó Riada‘s Nomos No. 4 (1959). Lynch also performs in the world première of English composer Ernest John Moeran‘s Cello Sonata in A minor, given in Dublin in May 1947. He is joined by the composer’s wife, cellist Peers Coetmore.
Lynch continues to give public recitals throughout Ireland until shortly before his death at the age of 77. He also lectures in music at University College Cork and gives masterclasses at the Cork School of Music. In 1982, Lynch receives a doctorate in music from the National University of Ireland.
Lynch’s technique is remarkable for the stillness with which he sits, making the most difficult of music seem almost technically unremarkable. His recorded legacy is small, but includes music by Samuel Barber, Ernest John Moeran‘s Violin Sonata (with Geraldine O’Grady, violin) as well as music by Irish composers such as Aloys Fleischmann.
Toward the end of his life he lives in very reduced circumstances. He dies in Cork on September 15, 1984 at St. Finbarr’s Hospital and is buried near Sir Arnold Bax in St. Finbarrs Cemetery, Glasheen Road, Cork.
The Irish National Land League, one of the most important political organizations in Irish history which seeks to help poor tenant farmers, is founded at the Imperial Hotel in Castlebar, County Mayo, on October 21, 1879. Its primary aim is to abolish landlordism in Ireland and enable tenant farmers to own the land they work on. The national organization is modeled on the Land League of Mayo, which Michael Davitt had helped found earlier in the year.
At the founding meeting Charles Stewart Parnell is elected president of the league. Davitt, Andrew Kettle, and Thomas Brennan are appointed as honorary secretaries. This unites practically all the different strands of land agitation and tenant rights movements under a single organisation.
Parnell, Davitt, John Dillon, and others including Cal Lynn then go to the United States to raise funds for the League with spectacular results. Branches are also set up in Scotland, where the Crofters Party imitates the League and secures a reforming Act in 1886.
The government introduces the Landlord and Tenant (Ireland) Act 1870, which proves largely ineffective. It is followed by the marginally more effective Land Acts of 1880 and 1881. These establish a Land Commission that starts to reduce some rents. Parnell together with all of his party lieutenants including Father Eugene Sheehy, known as “the Land League priest,” go into a bitter verbal offensive and are imprisoned in October 1881 under the Protection of Person and Property Act 1881 in Kilmainham Gaol for “sabotaging the Land Act.” It is from here that the No-Rent Manifesto is issued, calling for a national tenant farmer rent strike until “constitutional liberties” are restored and the prisoners freed. It has a modest success In Ireland and mobilizes financial and political support from the Irish Diaspora.
Although the League discourages violence, agrarian crimes increase widely. Typically, a rent strike is followed by eviction by the police and the bailiffs. Tenants who continue to pay the rent can be subject to a boycott by local League members. Where cases go to court, witnesses would change their stories, resulting in an unworkable legal system. This in turn leads on to stronger criminal laws being passed that are described by the League as “Coercion Acts.”
The bitterness that develops helps Parnell later in his Home Rule campaign. Davitt’s views as seen in his famous slogan: “The land of Ireland for the people of Ireland” is aimed at strengthening the hold on the land by the peasant Irish at the expense of the alien landowners. Parnell aims to harness the emotive element, but he and his party are strictly constitutional. He envisions tenant farmers as potential freeholders of the land they have rented.
The Irish Free State government purchases the copyright of Peadar Kearney‘s The Soldiers Song on October 20, 1933, which becomes the Irish national anthem Amhrán na bhFiann. The song has three verses, but only the choral refrain is officially designated the national anthem.
There is concern that the lack of an official anthem is giving Unionists an opportunity to persist with God Save the King. The Soldiers’ Song is widely if unofficially sung by nationalists. On July 12, 1926, the Executive Council of the Irish Free State decides to adopt it as the National Anthem, with Cosgrave the driving force in the decision. However, this decision is not publicised.
In 1928, the Army band establishes the practice of playing only the chorus of the song as the Anthem, because the longer version is discouraging audiences from singing along.
The anthem is played by Radio Éireann at close down from its inception in 1926. Cinemas and theatres do so from 1932 until 1972. Peadar Kearney, who has received royalties from publishers of the text and music, issues legal proceedings for royalties from those now performing the anthem. He is joined by Michael Heeney, brother of Patrick Heeney, who had died in 1911. In 1934, the Department of Finance acquires the copyright of the song for the sum of £1,200. Copyright law changes in 1959, such that the government has to reacquire copyright in 1965, for £2,500. As per copyright law, the copyright expires in December 2012, following the 70th anniversary of Kearney’s death. In 2016, three Fianna Fáil senators introduce a private member’s bill intended to restore the state’s copyright in the anthem.
After serving 15 years in prison, the Guildford Four, Gerry Conlon, Patrick Armstrong, Carole Richardson, and Paul Hill, are released on October 19, 1989, in what is considered to be one of the biggest-ever miscarriages of justice in Britain.
On October 5, 1974, an Irish Republican Army (IRA) bomb kills four people in a Guildford pub frequented by British military personnel, while another bomb in Woolwich kills three. British investigators rush to find suspects and soon settle on Gerry Conlon and Paul Hill, two residents of Northern Ireland who are in the area at the time of the terrorist attack.
Under the recently rewritten Prevention of Terrorism Act, British investigators are allowed to hold and interrogate terrorist suspects for five days without any hard evidence. Conlon and Hill, who are nonpolitical petty criminals, are among the first suspects held under the new law. During their prison stay, investigators fabricate against them an IRA conspiracy that implicates a number of their friends and family members. The officers then force the two suspects to sign confessions under physical and mental torture. In October 1975, Gerry Conlon, Paul Hill, Paddy Armstrong, and Carole Richardson are sentenced to life in prison – mandatory for adults convicted of murder. Seven of their relatives and friends, called the Maguire Seven, are sentenced to lesser terms on the basis of questionable forensic evidence.
In 1989, detectives from Avon and Somerset Constabulary, investigating the handling of the case, find three significant pieces of evidence in relation to Surrey Police‘s handling of the Guildford Four and their statements.
Firstly, typed notes from Patrick Armstrong’s police interviews which had been heavily edited. Deletions and additions had been made, and the notes had been rearranged. These notes, and their amendments, are consistent with hand-written and typed notes presented at the trial, which suggest that the hand-written notes are made after the interviews had been conducted. The notes presented had been described in court as contemporaneous records.
Secondly, a series of manuscript notes relating to an interview with Hill, which show that Hill’s fifth statement is taken in breach of Judges’ Rules and may well have been inadmissible as evidence. The information is not made available to the Director of Public Prosecutions or the prosecution. Further, the officers involved had denied under oath that such an interview had happened.
Thirdly, detention records are inconsistent with the times and durations of the claimed interviews reported by the Surrey police.
In the face of growing public protest and after the disclosure of exonerating evidence, including the admittance of guilt in the bombings by an imprisoned IRA member, the group’s conviction is declared “unsafe and unsatisfactory.” The Guildford Four are cleared of all charges and released after 15 years in prison. The following year a British appeals court also overturns the convictions of the Maguire Seven, who were jailed on the basis of forensic evidence that is shown to have no relevant scientific basis.
(Pictured: Gerry Conlon on his release from prison in 1989)
seamus dubhghaill 