seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Death of Irish Tenor Josef Locke

Joseph McLaughlin, Irish tenor known professionally as Josef Locke, dies in Clane, County Kildare on October 15, 1999. He is successful in the United Kingdom and Ireland in the 1940s and 1950s.

Born in Derry on March 23, 1917, McLaughlin is the son of a butcher and cattle dealer, and one of nine children. He starts singing in local churches in the Bogside at the age of seven, and as a teenager adds two years to his age to enlist in the Irish Guards, later serving abroad with the Palestine Police Force, before returning in the late 1930s to join the Royal Ulster Constabulary.

Known as The Singing Bobby, McLaughlin becomes a local celebrity before starting to work in the UK variety circuit, where he also plays summer seasons in English seaside resorts. The renowned Irish tenor John McCormack (1884–1945) advises him that his voice is better suited to a lighter repertoire than the operatic one he has in mind and urges him to find an agent. He finds the noted impresario Jack Hylton (1892–1965) who books him but is unable to fit his full name on the bill, thus Joseph McLaughlin becomes Josef Locke.

Locke makes an immediate impact when featured in “Starry Way,” a twenty-week summer show at the Opera House Theatre in Blackpool, Lancashire, England in 1946 and is rebooked for the following summer, then starring for three seasons at the Blackpool Hippodrome. He appears in ten Blackpool seasons from 1946 to 1969, not the nineteen seasons he later claims.

Locke makes his first radio broadcast in 1949 and subsequently appears on television programmes such as Rooftop Rendezvous, Top of the Town, All-star Bill and The Frankie Howerd Show. He is signed to the Columbia label in 1947, and his first releases are the two Italian songs “Santa Lucia” and “Come Back to Sorrento.”

In 1947, Locke releases “Hear My Song, Violetta,” which becomes forever associated with him. It is based on a 1936 tango “Hör’ mein Lied, Violetta” by Othmar Klose and Rudolf Lukesch. The song “Hör’ mein Lied, Violetta” is often covered, including by Peter Alexander and is itself based on Giuseppe Verdi‘s La traviata. His other songs are mostly a mixture of ballads associated with Ireland, excerpts from operettas, and familiar favourites.

In 1948, Locke appears in several films produced by Mancunian Films, usually as versions of himself. He plays himself in the film Holidays with Pay. He also appears as “Sergeant Locke” in the 1949 comedy What a Carry On!

In 1958, after Locke has appeared in five Royal Variety Performance telecasts, and while he is still at the peak of his career, the British tax authorities begin to make substantial demands that he declines to meet. Eventually he flees the country for Ireland, where he lays low for several years. When his differences with the taxman are eventually settled, he relaunches his career in England with tours of the northern variety clubs and summer seasons at Blackpool’s Queen’s Theatre in 1968 and 1969, before retiring to County Kildare, emerging for the occasional concert in England. He later appears on British and Irish television, and in November 1984 is given a lengthy 90-minute tribute in honour of the award he is to receive at the Olympia theatre commentating his career in show business on Gay Byrne‘s The Late Late Show. He also makes many appearances on the BBC Television‘s long running variety show The Good Old Days.

In 1991, the Peter Chelsom film Hear My Song is released. It is a fantasy based on the notion of Locke returning from his Irish exile in the 1960s to complete an old love affair and save a Liverpool-based Irish night-club from ruination. Locke is played by Ned Beatty, with the singing voice of Vernon Midgley. The film leads to a revival in Locke’s career. A compilation CD is released, and he appears on This Is Your Life in March 1992. He performs in front of the Prince and Princess of Wales at the 1992 Royal Variety Show, singing “Goodbye,” the final song performed by his character in the film. He announces prior to the song that this will be his final public appearance.

Locke dies at the age of 82 in Clane, County Kildare on October 15, 1999, and is survived by his wife, Carmel, and a son.

On March 22, 2005, a bronze memorial to Locke is unveiled outside the City Hotel on Queen’s Quay in Derry by Phil Coulter and John Hume. The memorial is designed by Terry Quigley. It takes the form of a spiraling scroll divided by lines, representing a musical stave. The spiral suggests the flowing melody of a song and is punctuated by images illustrating episodes in his life, including Locke in police uniform, Blackpool Tower, Carnegie Hall, and the musical notes of the opening lines of “Hear My Song.”

A biography of the singer, entitled Josef Locke: The People’s Tenor, by Nuala McAllister Hart is published in March 2017, the centenary of his birth. The book corrects many myths that the charismatic Locke circulated about his career.


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Execution of William Orr, Member of the United Irishmen

William Orr, a member of the United Irishmen, is executed by the British on October 14, 1797, in what is widely believed at the time to be “judicial murder” and whose memory leads to the rallying cry “Remember Orr” during the Irish Rebellion of 1798. He is regarded as the first United Irish martyr.

Little is known of Orr’s early life. He is born in 1766 to a Presbyterian farming family and bleach-green proprietor, at Ferranshane outside Antrim town. The family is in comfortable circumstances and, as a result, he receives a good education. His appearance and manner are at the time considered noteworthy as he stands 6′ 2″ in height and is always carefully and respectably dressed, a familiar feature in his apparel being a green necktie, which he wears “even in his last confinement.” His popularity amongst his countrymen is also noted, particularly among the Northern Presbyterian patriots. He becomes active in the Irish Volunteers and then joins the United Irishmen. Sometime in the mid-1790s, he contributes several articles to their newspaper, the Northern Star.

Orr is charged at Carrickfergus Town Hall with administering the United Irishmen oath to a soldier named Hugh Wheatly, an offence which had recently been deemed a capital charge under the 1796 Insurrection Act. The offence is aggravated from a legal point of view because of the allegation that it is a serving soldier whom he is alleged to have administered the oath to. The prosecution makes the most of this “proof” of the “treasonable” aim of the United Irishmen to “seduce from their allegiance” the “men who are the Kingdom’s only safeguard against the foreign foe.”

The United Irishmen know from the evidence of some of their own number that Orr had not administered the oath on the occasion alleged. They also have the evidence of another eyewitness, James “Jemmy” Hope. The soldier witness Wheatly perjures himself and it is proved he is of bad character. The person who did tender the oath is a well-known member of the Society, William McKeever, who subsequently escapes to the United States. It is widely believed at the time that the authorities wish to make an example of Orr to act as a deterrent to potential United Irishmen recruits.

The actual case, which does not appear in the course of the proceedings but everyone, according to T. A. Jackson, is “in the know” and fully aware that the United Irishmen’s oath had been administered to a soldier “whether it was Orr or another who administered the oath was merely incidental.”

Orr is represented by John Philpot Curran, and the trial leads to a speech, which, according to T. A. Jackson, “is among the most remarkable of his many remarkable speeches.” It is a charge of libel against the Press newspaper, the journal founded by Arthur O’Connor to replace the Northern Star. The Press had published an open letter to the Viceroy, remarking scornfully on his refusal to show clemency to Orr. Curran’s defence is a counter-attack — an indictment of the Government, root and branch.

The only evidence used against Orr is the unsupported evidence of the soldier Wheatly and after hearing Curran’s defence of the prisoner, “there could be no possible doubt of his innocence.” Even the presiding judge, Barry Yelverton, 1st Viscount Avonmore, is said to have shed tears at the passing of the death sentence, although Orr’s friend, the poet and United Irishman William Drennan expresses his disgust at this display with the words “I hate those Yelvertonian tears.”

The sentence was hardly passed on Orr when regret is to seize on those who had aided in securing that verdict. The witness Wheatly, who subsequently goes insane and is believed to have died by his own hand, makes an affidavit before a magistrate admitting that he had sworn wrongly against Orr. Two members of the jury make depositions stating that they had been “induced to join in the verdict of guilty while under the influence of drink,” while two others swear that they had “been terrified into the same course by threats of violence.”

These particulars are placed before the Viceroy, but Lord Camden, the Lord Lieutenant of Ireland, is “deaf to all appeals” (including from his sister Lady Londonderry). “Well might Orr exclaim within his dungeon” he said “that the Government had laid down a system having for its object murder and devastation.”

Though his execution is postponed three times, Orr is hanged in the town of Carrickfergus on October 14, 1797, surrounded by an extra strong military guard. It is said that the population of the town, to express their sympathy with the “patriot” being “murdered by law,” and to mark their repugnance of the conduct of the Government towards him, quit the town on the day of his execution.

Orr’s fate “excited the deepest indignation throughout the country” and it is commented on “in words of fire” by the national writers of the period, and for many years after the rallying cry of the United Irishmen is “Remember Orr.” The journalist Peter Finnerty, who publishes an attack on Yelverton and Camden for their conduct in the matter, is later convicted of seditious libel, despite an eloquent defence by Curran.

(Pictured: William Orr from a sketch by E. A. Morrow)


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The 1923 Mountjoy Prison Hunger Strike

On October 13, 1923, following the end of the Irish Civil War, Michael Kilroy, O/C of the Irish Republican Army (IRA) prisoners in Mountjoy Prison, announces a mass hunger strike by 300 prisoners. It soon spreads to other jails and within days 7,033 republicans are on hunger strike.

On the same day, the prisoners in Kilmainham Gaol go on hunger strike, and Ernie O’Malley writes eloquently of it in his book on the Civil War, The Singing Flame. He notes that “practically all volunteered; some were exempted, including myself, but I refused this concession.”

Previously, the Irish Free State government had passed a motion outlawing the release of prisoners on hunger strike. Dan Downey had died in the Curragh on June 10, and Joseph Witty, only 19 years old, also died in the Curragh on September 2. However, because of the large numbers of Republicans on strike, at the end of October the Government sends a delegation to Newbridge Camp to speak with IRA leaders there.

It soon becomes apparent that they are not there to negotiate the strikers’ demands, but rather to give the prisoners the Government’s message: “we are not going to force-feed you, but if you die we won’t waste coffins on you; you will be put in orange boxes and you will be buried in unconsecrated ground.”

O’Malley writes, “Any action was good, it seemed, and everyone was more cheerful when the hunger strike began. We listened to the tales of men who had undergone previous strikes and we, who were novices, wondered what it would be like. We laughed and talked, but in the privacy of our cells, some, like myself, must have thought what fools we were, and have doubted our tenacity and strength of will. I looked into the future of hunger and I quailed.”

All negotiations to curtail the strike are abandoned and the strike goes forward. Poorly planned, within weeks many are going off strike, but by the end of October, there are still 5,000 on strike. O’Malley does not know what effect the strike will have, but he feels he cannot ‘let the side down.’ “Hunger striking was an unknown quantity for me. I did not approve of it. I was frankly afraid, but I could not see boys of sixteen and eighteen take their chance whilst I could eat and be excused. Now, even though one thought one’s death could be of use, there was no passive acceptance. It was a challenge, a fight, and again resistance was built up……The mind would suffer more than the body. The struggle in the end would be between body and spirit.”

On November 20, Denis “Denny” Barry dies in the Newbridge Camp, and Andrew Sullivan dies in Mountjoy on November 22.

When Barry dies, the Bishop of Cork, Daniel Cohalan, refuses to let his body lie in a Cork church. When Terence MacSwiney died on hunger strike in 1921, Bishop Cohalan had written in The Cork Examiner, “I ask the favour of a little space to welcome home to the city he laboured for so zealously the hallowed remains of Lord Mayor Terence MacSwiney. For the moment, it might appear that he has died in defeat. Was Robert Emmet’s death in vain? Did Pearse and the other martyrs for the cause of Irish freedom die in vain? We bow in respect before his heroic sacrifice. We pray the Lord may have mercy on his soul.”

At the death of Denis Barry two years later, the very same Bishop Cohalan writes, “Republicanism in Ireland for the last twelve months has been a wicked and insidious attack on the Church and on the souls of the faithful committed to the Church by the law of the Catholic Church.” Denis Barry is not afforded a Catholic burial.

With the deaths of Barry and Sullivan drawing no positive response or concessions from the Free State government, the IRA command orders the strikes ended on November 23.

O’Malley writes that the strike ended with no promises of release, “we had been defeated again.” While the strike itself fails to win releases, it does begin a slow start of a programme of release of prisoners, the State being worried about the political impact of more deaths, though some prisoners remain in jail until as late as 1932.

O’Malley, writing of Tom Derrig who is in Mountjoy, relates that one of the strikers there, on the last day of the strike, had asked a doctor, “What day of the strike is this?” The doctor replies, “The forty-first.” The striker says, “Be cripes! We bate Christ by a day!”

(From: Stair na hÉireann | History of Ireland, http://www.stairnaheireann.net)


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Birth of Cork GAA Hurler Christy Ring

Nicholas Christopher Michael Ring, better known as Christy Ring, an Irish hurler whose league and championship career with the Cork GAA senior team spans twenty-four years from 1939 to 1963, is born in Kilboy, Cloyne, County Cork, on October 12, 1920. His 24-year career record earns him a reputation as the greatest hurler of all time.

Ring establishes many championship records, including career appearances (65), scoring tally (33-208), and number of All-Ireland medals won (8), however, these records are subsequently bested by Brendan Cummins, Eddie Keher, and Henry Shefflin respectively. Ring is widely regarded as one of the greatest hurlers in the history of the game, with many former players, commentators, and fans rating him as the number one player of all time.

Ring first excels at hurling following encouragement from his local national school teachers Michael O’Brien and Jerry Moynihan. He first appears on the Cloyne GAA minor team at the age of twelve before later winning a county minor championship medal with the nearby St. Enda’s team. A Cork Junior Hurling Championship medal with Cloyne follows, however, a dispute with club officials sees Ring join Glen Rovers GAA in Blackpool in 1941. Over the next twenty-six years with the club, Ring wins one Munster Senior Club Hurling Championship medal and fourteen county senior championship medals. As a Gaelic footballer with the Glen’s sister club, St. Nicholas’ GAA, he also wins a county senior championship medal. He retires from club hurling at the age of forty-six following a victory over University College Cork GAA in the 1967 championship quarter-final. Over the course of his senior championship career Ring estimates that he played in 1,200 games.

Ring makes his debut on the inter-county scene at the age of sixteen when he is picked on the Cork minor panel for the All-Ireland final. In spite of victory, he is denied an All-Ireland Minor Hurling Championship medal as he is Cork’s last non-playing substitute. Still eligible for the grade in 1938, Ring collects a set of All-Ireland and Munster Minor Hurling Championship medals as a member of the starting fifteen. An unsuccessful year with the Cork junior hurlers follows before he makes his senior debut during the 1939-40 league. Over the course of the next quarter century, Ring wins eight All-Ireland medals, including a record four consecutive championships from 1941 to 1944, a lone triumph in 1946 and three additional consecutive championships from 1952 to 1954. The only player to lift the Liam MacCarthy Cup three times as captain, he is denied a record-breaking ninth All-Ireland medal in 1956 in what is his last All-Ireland final appearance. Ring also wins nine Munster medals, four National Hurling League medals, and is named Hurler of the Year at the age of thirty-eight. He plays his last game for Cork in June 1963. After indicating his willingness to line out for the team once again in 1964, Ring fails to be selected for the Cork team, a move which effectively brings his inter-county career to an end.

After being chosen as a substitute on the Munster GAA inter-provincial team in 1941, Ring is an automatic choice on the starting fifteen for the following twenty-two years. He scores 42-105 as he wins a record eighteen Railway Cup medals during that period, in an era when his skill and prowess draw crowds of up to 50,000 to Croke Park for the annual final on Saint Patrick’s Day. Ring’s retirement from the game is often cited as a contributory factor in the decline of the once prestigious championship.

In retirement from playing Ring becomes involved in team management and coaching. As a mentor to the St. Finbarr’s College senior team, he guides them to their first two All-Ireland and Harty Cup triumphs in 1963 and 1969. At club level Ring is instrumental as a selector with Glen Rovers when they claim their inaugural All-Ireland title in 1973, having earlier annexed the Munster and county senior championship titles. It is with the Cork senior team that he enjoys his greatest successes as a selector. After an unsuccessful campaign in his first season on the selection panel in 1973, Ring is dropped the following year before being reinstated in 1975. Over the next three years Cork claims three successive All-Ireland titles.

Ring is most famous for his scoring prowess, physical strength, and career longevity. He remains the only player to have competed at inter-county level in four different decades. Often the target of public attention for his hurling exploits, in private Ring is a shy and reserved individual. A teetotaller and non-smoker throughout his life, he is also a devout Roman Catholic.

On Friday, March 2, 1979, Ring has a scheduled appointment with his doctor and former teammate Dr. Jim Young in Cork city centre. As he is walking past the Cork College of Commerce on Morrisson’s Island at 3:30 PM he suffers a massive heart attack and collapses. He is taken by ambulance to the South Infirmary Hospital but is pronounced dead on arrival.

Ring’s sudden death and the scenes which follow at his funeral are unprecedented in Cork since the death of the martyred Lord Mayor of Cork Tomás Mac Curtain in 1920. He is posthumously honoured by being named on the Hurling Team of the Century in 1984 and the Hurling Team of the Millennium in 2000, while he is also named as the Century’s Best Hurler in The Irish Times.


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Founding of the Celtic League, American Branch

The Celtic League, American Branch (CLAB) is founded in New York City on October 11, 1974.

The Celtic League is a pan-Celtic organisation, founded in 1961, that aims to promote modern Celtic identity and culture in Ireland, Scotland, Wales, Brittany, Cornwall and the Isle of Man – referred to as the Celtic nations. It places particular emphasis on promoting the Celtic languages of those nations. It also advocates further self-governance in the Celtic nations and ultimately for each nation to be an independent state in its own right. The Celtic League is an accredited non-governmental organization (NGO) with roster consultative status to the United Nations Economic and Social Council (ECOSOC).

The present Celtic League grows out of various other pan-Celtic organisations, particularly the Celtic Congress, but with a more political emphasis. Previously, Hugh MacDiarmid and others had suggested something along the same lines.

The Celtic League is started at the 1961 National Eisteddfod of Wales, which is held at Rhosllannerchrugog near Wrexham in northeast Wales. Two of the founding members are Gwynfor Evans and J. E. Jones, who are respectively president and secretary-general of the Welsh nationalist political party Plaid Cymru at the time. Interest is expressed by Scottish parties, and also by Breton nationalists.

There are six main, national branches of the Celtic League in the six Celtic countries, generally known by the Celtic language names of their countries: Ireland is known as Éire, Scotland as Alba, Wales as Cymru, Brittany as Breizh, Cornwall as Kernow and the Isle of Man as Mannin or Mann.

The Celtic League, American Branch (CLAB) is one of various diaspora branches, all of whom play little part in the annual general meetings. American author and linguist Alexei Kondratiev serves as president of the Celtic League, American branch. The CLAB prints its own quarterly newsletter, Six Nations, One Soul, which provides news of branch activities and events within the Celtic communities in the United States, publishes letters from members, and reviews books and recordings of Celtic interest. CLAB publishes at least six issues of a larger semi-annual magazine, Keltoi: A Pan-Celtic Review, from 2006 to 2008. CLAB also produces a wall calendar each year, with art from members, appropriate quotations, and anniversaries. Publication ceases with the 2008 issue.


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Birth of Joan O’Hara, Actress of Stage, Film & Television

Joan O’Hara, Irish stage, film and television actress, is born in Rosses Point, County Sligo, on October 10, 1930. She is one of Ireland’s most popular actresses and is, at the time of her death, recognisable to television viewers as Eunice Dunstan, a gossip in Fair City on RTÉ One.

O’Hara is born and raised in Rosses Point, the daughter of Major John Charles O’Hara, an officer in the British Corps of Royal Engineers and his wife, Mai (née Kirwan). One of her sisters, Mary (born 1935), is a soprano/harpist. Her brother Dermot (born 1934) now lives with his family in Canada. She attends the same Ursuline convent school as fellow actress and friend Pauline Flanagan.

O’Hara lives most of her life in Monkstown, County Dublin, with a stay in London, with her husband, the poet and architect Francis J. Barry. The couple has four children: Siubhan, Jane, Guy, and Sebastian, an author/playwright, whose works include The Steward of Christendom, and the Booker-shortlisted novels A Long Long Way and The Secret Scripture. She is also a year-round sea-swimmer.

O’Hara is a member of the renowned Abbey Players and performs in many plays in the Abbey Theatre in Dublin, including those by Seán O’Casey, Lady Gregory and W.B. Yeats. She appears as Maurya in the 1988 film The Dawning. She appears in a number of other films, including Ron Howard‘s Far and Away, Da, Footfalls, Home is the Hero and just before her death, How About You. In this her final film, she stars with Vanessa Redgrave and her friend Brenda Fricker. The strength of her performance and bravery in carrying it out is acknowledged by the cast and crew in a standing ovation.

More recently, O’Hara is best known for appearing in the popular Irish television soap opera Fair City, broadcast on RTÉ One. She joins the soap in 1994, portraying the character Eunice Dunstan until her death in 2007. Thus, she is described as both one of Ireland’s most popular actresses and as one of the finest actors of her generation on her death. She admires in particular Samuel Beckett, Federico García Lorca and Ingmar Bergman. While she takes a no-nonsense approach to her craft, famously giving the advice that when in doubt, one should relate to the fireplace, she is educated at the Abbey School of Acting and has a deep appreciation and knowledge of theoretical approaches to acting and is an admirer of the European and American avant-garde. As actor Alan Stanford said after her death, “She had the most amazing energy. She was in the truest sense one of the last of the greats.”

Joan O’Hara Barry (she keeps her maiden name as her stage name) dies in Dublin on July 23, 2007, of complications from heart disease, aged 76. Her death is announced on RTÉ News the following day.


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Birth of Professional Golfer Harry “The Brad” Bradshaw

Harry “The Brad” Bradshaw, a leading Irish professional golfer of the 1940s and 1950s, is born in Delgany, County Wicklow on October 9, 1913.

Bradshaw is the son of the Delgany professional golfer Ned Bradshaw. He and his three brothers, Jimmy, Eddie and Hughie, all become professional golfers. He represents Ireland in the Triangular Professional Tournament at the Cawder Golf Club in Bishopbriggs, Glasgow, Scotland in October 1937 and the Llandudno International Golf Trophy match play tournament at the Maesdu Golf Club in Llandudno, Wales in September 1938. He wins the Irish PGA Championship ten times between 1941 and 1957, tied with Christy O’Connor Snr for most wins in that event. He is also the Irish Open champion in 1947 and 1949. He teams with Christy O’Connor to win the Canada Cup for Ireland in Mexico City, Mexico in 1958, finishing second in the individual section of the event despite suffering nosebleeds due to the altitude. He plays in the Ryder Cup in 1953, 1955 and 1957 and is twice Dunlop Masters champion, in 1953 and 1955.

Bradshaw loses the 1949 The Open Championship following a playoff against Bobby Locke at Royal St. George’s Golf Club, after an extraordinary incident in the second round when his drive at the 5th hole comes to rest against broken glass from a beer bottle on the fairway. Rather than taking a drop (to which he is probably entitled) he elects to play the ball as it lay, but is only able to move it slightly forward, dropping the shot. The setback results in his tying with Locke with an aggregate of 283, thereby equaling the championship record. However he loses the playoff to Locke. Arguably the incident with the bottle costs Bradshaw the tournament.

Bradshaw dies at the age of 77 on December 22, 1990.


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Birth of Tony Ward, Former Rugby Union & Association Football Player

Anthony Joseph Patrick Ward, Irish former rugby union and association football player during the 1970s and 1980s commonly referred to as Tony Ward, is born in Dublin on October 8, 1954. He plays rugby as a fly-half for, among others, Munster, Leinster, Ireland, the British & Irish Lions and the Barbarians. He is selected 1979 European rugby player of the year.

Ward wins 19 caps for Ireland between 1978 and 1987. He makes his international debut against Scotland at Lansdowne Road on January 21, 1978 at the age of 23. He helps Ireland win 12–9 and during the 1978 Five Nations Championship he scores 38 points, a record for a debutant. He makes one major tour with Ireland, to Australia in 1979. During his career as an Ireland international he scores 113 points, including 29 penalties, 7 conversions and 4 drop goals. He plays his last game for Ireland on June 3, 1987 in a 32–9 win over Tonga during the 1987 Rugby World Cup.

Leinsterman Ward also inspires Munster to a legendary win over New Zealand, scoring two drop goals and a conversion in a 12–0 victory at Thomond Park on October 31, 1978. To date Munster are the only Irish provincial men’s team ever to beat the All-Blacks, although having played them far more frequently than any other province and joining dozens of smaller Welsh clubs and English regions who defeated mid-week All Black teams over the same period.

Ward also plays one Test game for the British & Irish Lions during the 1980 South Africa tour. He sets a Lions Test record by scoring 18 points, including 5 penalties and a drop goal. It is also a record for any player against South Africa.

Ward is the first ever recipient of a European Rugby Player of the Year award for his performances in the 1979 Five Nations Championship.

Ward also plays association football for both Shamrock Rovers and Limerick United. In his last season with Rovers, 1974–75, he scores 6 league goals. He plays for Limerick United in the 1981–82 UEFA Cup and in 1982 he helps them win the FAI Cup.

While playing rugby Ward is a geography and PE teacher at St. Andrews School in Booterstown, Dún Laoghaire–Rathdown. During the 1990s, he is a highly valued and well respected coach for St. Andrews.

Since retiring as a sportsman, Ward has worked as a sports journalist, most notably with the Irish Independent, and as a rugby commentator for Raidió Teilifís Éireann (RTÉ). He starts as a co-commentator for the 1988 Five Nations Championship, and remains in that role for many years.

Ward is currently involved in St. Gerard’s School in Bray, County Wicklow, where he is coaching the Senior Rugby team and has been doing so for a number of years. He constantly downplays his fame and success and does not even want to be in the room if another coach plays video footage of his legendary tries.


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Death of Cyril Cusack, Irish Film & Television Actor

Cyril James Cusack, Irish actor who appears in numerous films and television productions in a career lasting more than 70 years, dies in Chiswick, London, England on October 7, 1993. In 2020, he is listed at number 14 on The Irish Times‘s list of Ireland’s greatest film actors.

Cusack is born in Durban, Natal, South Africa, on November 26, 1910. His mother, Alice Violet (née Cole), is an English Cockney actress and chorus girl, and his father, James Walter Cusack, is an Irish mounted policeman in the Colony of Natal, South Africa. His parents separate when he is young and his mother takes him to England, and then to Ireland. His mother and her partner, Brefni O’Rorke, join the O’Brien and Ireland Players.

Cusack makes his first stage performance at the age of seven. He is educated at Newbridge College in Newbridge, County Kildare, then reads law at University College Dublin. He leaves without a degree and joins the Abbey Theatre in 1932. Between then and 1945, he performs in over 60 productions, particularly excelling in the plays of Seán O’Casey. He also performs Irish playwright Teresa Deevy‘s plays Katie Roche and The King of Spain’s Daughter. In 1932 he also joins the Gate Theatre company, appearing with them in many notable productions over the years. In 1947, he forms his own company and stages productions in Dublin, Paris and New York.

In 1963, Cusack joins the Royal Shakespeare Company in London and appears there for several seasons. By this stage he has established a successful career in films, which had started at the age of eight. Also in 1963, he wins a Jacob’s Award for his performance in the Telefís Éireann production of Triptych. He receives honorary degrees in 1977 and 1980 from the National University of Ireland (NUI) and the University of Dublin respectively.

Cusack, who is bilingual in English and Irish, has a leading role in the controversial Irish language film Poitín (1977). He is also offered the role of the First Doctor in Doctor Who.

Cusack’s last stage performance is in Anton Chekhov‘s Three Sisters (1990), in which three of his daughters play the sisters.

Cusack is twice married, firstly to Mary Margaret “Maureen” Kiely (1920–1977), on April 5, 1945. Together they have five children: Paul (1946), Sinéad (1948), Sorcha (1949), Niamh (1959), and Pádraig (1962). He and his second wife, Mary Rose Cunningham (1979–1993), have one daughter, Catherine (1968).

In later life, Cusack becomes a campaigner for conservative causes in Ireland, notably in his opposition to abortion, where he becomes a frequent letter-writer to the main liberal Irish newspaper, The Irish Times. Regarding his Catholic faith, he comments “Religion promotes the divine discontent within oneself, so that one tries to make oneself a better person and draw oneself closer to God.” His religious credentials come under scrutiny following his death and the revelation that he had been unfaithful in his first marriage, with a long-term mistress, Mary Rose Cunningham. He marries Cunningham following his first wife’s death.

Cusack is a longtime friend of Attorney General of Ireland, Chief Justice of Ireland and fifth President of Ireland Cearbhall Ó Dálaigh, whom he got to know when they were students at University College Dublin in the early 1930s.

On October 7, 1993, Cusack dies at the age of 82 at home in Chiswick, Greater London, from amyotrophic lateral sclerosis (ALS). His acting career had lasted 75 years.

Cusack is the maternal grandfather of Irish Socialist Workers Party Teachta Dála (TD) Richard Boyd Barrett and English actor Max Irons.


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Death of Pádraic Ó Conaire, Writer & Journalist

Pádraic Ó Conaire, Irish writer and journalist whose production is primarily in the Irish language, dies in Dublin on October 6, 1928. In his lifetime he writes 26 books, 473 stories, 237 essays and 6 plays. His acclaimed novel Deoraíocht has been described by Angela Bourke as “the earliest example of modernist fiction in Irish.”

Ó Conaire is born in the Lobster Pot public house on the New Docks in Galway, County Galway, on February 28, 1882. His father is a publican, who owns two premises in the town., and his mother is Kate McDonagh. He is orphaned by the age of eleven. He spends a period living with his uncle in Gairfean, Ros Muc, Connemara. The area is in the Gaeltacht (Irish-speaking area) and Ó Conaire learns to speak Irish fluently.

Ó Conaire emigrates to London in 1899 where he gets a job with the Board of Education and becomes involved in the work of the Gaelic League. A pioneer in the Gaelic revival in the last century, he and Pádraig Pearse are regarded as being the two most important Irish language short story writers during the first decades of the 20th century.

Ó Conaire marries Molly Ní Mhanais, with whom he has four children: Eileen (b. 22 Feb 1905), Patrick (b. 3 Nov 1906), Kathleen (b. 24 Feb 1909), and Mary Josephine (b. 28 Jul 1911), who dies of diphtheria in 1922.

Ó Conaire returns to Ireland in 1914, leaving his family in London. Living mostly in Galway, he earns a meagre living through writing, teaching at Gaeltacht summer schools, and as an occasional organiser for the Gaelic League.

Ó Conaire dies at the age of 46 on October 6, 1928, while on a visit to Dublin, after complaining of internal pains while at the head office of the Gaelic League. His fellow poet Frederick Robert Higgins writes a celebrated Lament for Pádraic Ó Conaire.

Ó Conaire has family still living to this day in England, as well as in Galway and Canada. The Ó Conaire surname is still strong in the Ros Muc area.

Ó Conaire’s short story M’asal Beag Dubh is the inspiration for an Internet-based satire on the football transfer market. The fictitious character Masal Bugduv is created. The name sounds similar to the Gaelic pronunciation of M’asal Beag Dubh. Journalists who did not fact check quite as thoroughly as they should have missed the satire and tell the world of the up-and-coming Moldovan star.

A statue of Ó Conaire’s is unveiled in 1935 by Éamon de Valera in Eyre Square in the heart of Galway City. It is popular with tourists until it is decapitated by four men in 1999. It is repaired at a cost of £50,000 and moved to Galway City Museum in 2004. A bronze replica of the statue is unveiled in Eyre Square in November 2017.