John Sheahan, musician and composer and the last surviving member of the definitive five-member line-up of The Dubliners, is born in Dublin on May 19, 1939. He joins The Dubliners in 1964 and plays with them until 2012 when The Dubliners’ name is retired following the death of founding member Barney McKenna.
Sheahan goes to school at the local Christian Brothers in Marino, Dublin, where he receives his first musical education, learning the tin whistle. When he is about twelve years old he begins to take an active interest in music and soon he transfers the musical knowledge gained on the whistle to a fiddle he finds lying around at home. Enthusiastically supported and encouraged by his parents, he attends the Municipal School of Music in Dublin where he studies classical violin for more than five years.
During this time he continues to maintain his interest in Irish traditional music, which sometimes leads him to improvise on the classics by putting in a few embellishments. His improvisions ultimately lead to the development of his unique style, gaining him a number of awards at various féiseanna. His interest in American bluegrass fiddle music must also have influenced his style, as can be heard in tunes like Flop Eared Mule, recorded with The Dubliners in 1968, 1969 and 1983.
Sheahan plays with a number of bands around the country until he meets The Dubliners in the early 1960s. At that time, the group is formed by Ronnie Drew, Barney McKenna, Ciarán Bourke and Luke Kelly. He joins the band in 1964, together with Bobby Lynch. Both musicians have been playing during the interval at concerts and usually stay on stage for the second half of the show. When Luke Kelly moves to England in 1964, Lynch is taken on as his temporary replacement. When Kelly returns in 1965, Lynch leaves the band and Sheahan stays. He is the only member of the Dubliners to have had a formal musical education.
After 50 years of playing and after the death of founding member Barney McKenna, in the fall of 2012 Sheahan announces the retirement of The Dubliners by the end of the 50th anniversary tour. The last formation of the band features Sheahan, Seán Cannon, Eamonn Campbell, Patsy Watchorn and Gerry O’Connor. He is a steady member of the band for 48 years and the high standards of his playing strongly contribute to forge the Dubliners’ sound.
O’Grady is born on March 22, 1846, at Castletown, County Cork, the son of Reverend Thomas O’Grady, the scholarly Church of Ireland minister of Castletown Berehaven, County Cork, and Susanna Doe. After a rather severe education at Tipperary Grammar School, O’Grady follows his father to Trinity College, Dublin, where he wins several prize medals and distinguishes himself in several sports.
O’Grady proves too unconventional of mind to settle into a career in the church and earns much of his living by writing for the Irish newspapers. Reading Sylvester O’Halloran‘s General history of Ireland sparks an interest in early Irish history. After an initial lukewarm response to his writing on the legendary past in History of Ireland: Heroic Period (1878–81) and Early Bardic Literature of Ireland (1879), he realizes that the public wants romance, and so follows the example of James Macpherson in recasting Irish legends in literary form, producing historical novels including Finn and his Companions (1891), The Coming of Cuculain (1894), The Chain of Gold (1895), Ulrick the Ready (1896) and The Flight of the Eagle (1897), and The Departure of Dermot (1913).
O’Grady also studies Irish history of the Elizabethan period, presenting in his edition of Sir Thomas Stafford‘s Pacata Hibernia (1896) the view that the Irish people have made the Tudors into kings of Ireland in order to overthrow their unpopular landlords, the Irish chieftains. His The Story of Ireland (1894) is not well received, as it sheds too positive a light on the rule of Oliver Cromwell for the taste of many Irish readers. He is also active in social and political campaigns in connection with such issues as unemployment and taxation.
Until 1898, he works as a journalist for the Daily Express of Dublin, but in that year, finding Dublin journalism in decline, he moves to Kilkenny to become editor of the Kilkenny Moderator. It is here he becomes involved with Ellen Cuffe, Countess of Desart and Captain Otway Cuffe. He engages in the revival of the local woolen and woodworking industries. In 1900 he founds the All-Ireland Review and returns to Dublin to manage it until it ceases publication in 1908. O’Grady contributes to James Larkin‘s The Irish Worker paper.
O’Grady’s works are an influence on William Butler Yeats and George Russell and this leads to him being known as the “Father of the Celtic Revival.” Being as much proud of his family’s Unionism and Protestantism as of his Gaelic Irish ancestry, identities that are increasingly seen as antithetical in the late 1800s, he is described by Augusta, Lady Gregory as a “fenian unionist.”
Advised to move away from Ireland for the sake of his health, O’Grady passes his later years living with his eldest son, a clergyman in England, and dies on the Isle of Wight on May 18, 1928.
O’Grady’s eldest son, Hugh Art O’Grady, is for a time editor of the Cork Free Press before he enlists in World War I early in 1915. He becomes better known as Dr. Hugh O’Grady, later Professor of the Transvaal University College, Pretoria, who writes the biography of his father in 1929.
Eithne Pádraigín Ní Bhraonáin, singer, songwriter, musician, and producer better known professionally as Enya, is born into a musical family in Dore, Gweedore, County Donegal on May 17, 1961.
Enya’s father, Leo Brennan, is the leader of the Slieve Foy Band, an Irish showband, and runs Leo’s Tavern in Meenaleck. Her mother, Máire Brennan (née Duggan), who has Spanish roots, is an amateur musician who plays in Leo’s band and teaches music at Gweedore Community School. Her maternal grandfather, Aodh, is the founder of the Gweedore Theatre company.
Enya begins her music career when she joins her family’s Celtic bandClannad in 1980 on keyboards and backing vocals. She leaves in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan’s wife Roma Ryan as her lyricist. Enya develops her distinct sound over the following four years with multi-tracked vocals and keyboards with elements of new age, Celtic, classical, church, and folk music. She sings in ten languages.
Enya’s first projects as a solo artist include soundtrack work for The Frog Prince (1984) and the 1987 BBC documentary series The Celts, which is released as her debut album, Enya (1987). She signs with Warner Music UK which grants her considerable artistic freedom and minimal interference from the label. The commercial and critical success of Watermark (1988) propels her to worldwide fame, helped by its international top 10 hit single Orinoco Flow. This is followed by the multi-million selling albums Shepherd Moons (1991), The Memory of Trees (1995), and A Day Without Rain (2000). Sales of the latter and its lead single, Only Time, surge in the United States following its use in the media coverage of the September 11 attacks. Following Amarantine (2005) and And Winter Came… (2008), Enya takes an extended break from music. She returns in 2012 and releases Dark Sky Island (2015).
Enya is known for her private lifestyle and has yet to undergo a concert tour. She is Ireland’s biggest selling solo artist and second overall behind U2, with a discography that has sold 26.5 million certified albums in the United States and an estimated 80 million albums worldwide, making her one of the best-selling music artists of all time. A Day Without Rain (2000) remains the best-selling new age album with an estimated 16 million copies sold worldwide.
Brosnan is the only child of Thomas Brosnan, a carpenter, and May (née Smith, born circa 1934). He lives in Navan, County Meath for twelve years and considers it his hometown. He goes to Primary School in St. Annes Primary School, Navan. Brosnan’s father abandons the family when he is an infant. When he is four years old, his mother moves to London to work as a nurse. From that point on, he is largely raised by his grandparents, Philip and Kathleen Smith. After their deaths, he lives with an aunt and then an uncle, but is subsequently sent to live in a boarding house. He is educated at Elliott School, now known as Ark Putney Academy, a coeducational secondary school with academy status in southwest London.
Brosnan, after leaving comprehensive school at age sixteen, begins training in commercial illustration. He then goes on to train at Drama Centre London for three years. Following a stage acting career he rises to popularity in the television series Remington Steele (1982–87), which blends the genres of romantic comedy, drama, and detective procedural. After the conclusion of Remington Steele, Brosnan appears in films such as the Cold War spy film The Fourth Protocol (1987) and the comedy Mrs. Doubtfire (1993).
In 1996, along with Beau St. Clair, Brosnan forms Irish DreamTime, a Los Angeles-based production company. In later years, he has become known for his charitable work and environmental activism. He is married to Australian actress Cassandra Harris from 1980 until her death in 1991. He marries American journalist and author Keely Shaye Smith in 2001, and becomes an American citizen in 2004, holding dual citizenship in the United States and Ireland. He has earned two Golden Globe Award nominations, first for the television miniseries Nancy Astor (1982) and next for the dark comedy film The Matador (2005).
In what is known as the Ballyturin House Ambush, an Irish Republican Army (IRA) unit in County Galway ambushes a motor car as it leaves Ballyturin House near Gort on May 15, 1921.
The IRA gets into position at about 1:00 PM. They see Royal Irish Constabulary (RIC) District Inspector Cecil Blake arrive, as they have positively identified him through prior reconnaissance. They take over the gatehouse, and make any passersby prisoner in it, seventeen in all, until Blake’s car is seen about 8:30 PM. Passengers in the car with Blake include his wife Eliza, Captain Cornwallis of the 17 Lancers, Lieutenant McCreery of the 17 Lancers, and the daughter-in-law of Lady Gregory of Coole Park.
The car drives down the long drive to the gate. When they get there, one of the gates is closed, unbeknown to them a ploy by the IRA ambushers to force the car to stop. The car stops and Captain Cornwallis gets out to open the gate. It is at this point that they are ambushed by a group of twenty IRA men.
One of the IRA men in the bushes to the right shouts, “Hands up.” Cornwallis dashes outside the gate to protect himself from the men in the bushes, and fires a couple of revolver shots at the group. He is completely protected from them by the wall, but completely exposed to the men in the gatehouse and is shot and killed.
Mrs. Gregory gets out of the car on the side facing the IRA ambushers, which is believed to have saved her life, as they leave her alone. She works her way around to the back of the car and is led back towards the house by some of the IRA men after the firing stops.
Blake, Mrs. Blake, and Lt. McCreery are apparently killed without firing a shot. The IRA men then move in and remove the guns of their victims.
John and Anna Bagot, who are the owners of Ballyturin House, run down the long drive to the gate when they hear the shooting. Mrs. Gregory was handed over to Miss Molly Bagot. She tells the inquiry that she does not recognise any of the men. John Bagot is held at gunpoint and handed a note which apparently reads, “Volunteer HQ. Sir, if there is any reprisals after this ambush, your house will be set on fire as a return. By Order IRA.”
John Bagot dies on the April 27, 1935. His wife, Anna, lives until January 17, 1963. She dies in London at the age of 96 and is buried at Gresford Church near Wrexham, North Wales. Ballyturin House is abandoned and falls into a total ruin.
The ambush is believed to be in retaliation for an incident in which soldiers or police had tortured three local men for information by forcing them to dig their own graves and then threatening to bury them alive. It is also rumoured in the vicinity, although unsubstantiated, that Lady Gregory conspires with the IRA in planning the ambush which is why her daughter-in-law survives.
(Pictured: Death on a Summer’s evening: The deadly ambush at Ballyturin House on May 15 1921. London Illustrated News May 28 1921)
McElroy enlists promptly at the start of World War I in August 1914 and is shipped out to France two months later. He is serving as a corporal in the Motor Cyclist Section of the Royal Engineers when he is first commissioned as a second lieutenant on May 9, 1915. While serving in the Royal Irish Regiment he is severely affected by mustard gas and is sent home to recuperate. He is in Dublin in April 1916, during the Easter Rising, and is ordered to help quell the insurrection. McElroy refuses to fire upon his fellow Irishmen and is transferred to a southerly garrison away from home.
On June 1, 1916, McElroy relinquishes his commission in the Royal Irish Regiment when awarded a cadetship at the Royal Military Academy, Woolwich, from which he graduates on February 28, 1917, and is commissioned as a second lieutenant in the Royal Garrison Artillery.
McElroy is promptly seconded to the Royal Flying Corps, being trained as a pilot at the Central Flying School at Upavon, and is appointed a flying officer on June 28. On July 27 his commission is backdated to February 9, 1916, and he is promoted to lieutenant on August 9. On August 15 he joins No. 40 Squadron RFC, where he benefits from mentoring by Edward “Mick” Mannock. He originally flies a Nieuport 17, but with no success in battle. By the year’s end McElroy is flying Royal Aircraft Factory S.E.5s and claims his first victory on December 28.
An extremely aggressive dogfighter who ignores often overwhelming odds, McElroy’s score soon grows rapidly. He shoots down two German aircraft in January 1918, and by February 18 has run his string up to eleven. At that point, he is appointed a flight commander with the temporary rank of captain and transferred to No. 24 Squadron RFC. He continues to steadily accrue victories by ones and twos. By March 26, when he is awarded the Military Cross, he is up to 18 “kills.” On April 1, the Army’s Royal Flying Corps (RFC) and the Royal Naval Air Service (RNAS) are merged to form the Royal Air Force, and his squadron becomes No. 24 Squadron RAF. McElroy is injured in a landing accident on April 7 when he brushes a treetop while landing. By then he has run his score to 27. While he is sidelined with his injury, on April 22, he is awarded a bar to his Military Cross. Following his convalescence, McElroy returns to No. 40 Squadron in June, scoring three times, on the 26th, 28th, and 30th. The latter two triumphs are observation balloons. That runs his tally to thirty.
In July, he adds to his score almost daily, a third balloon busting on the 1st, followed by one of the most triumphant months in the history of fighter aviation, adding 17 victims during the month. His run of success is threatened on the 20th by a vibrating engine that entails breaking off an attack on a German two-seater and a rough emergency landing that leaves him with scratches and bruises. There is a farewell luncheon that day for his friend Gwilym Hugh “Noisy” Lewis. Their mutual friend Edward “Mick” Mannock pulls McElroy aside to warn him about the hazards of following a German victim down within range of ground fire.
On July 26, Mannock is killed by ground fire. Ironically, on that same day, “McIrish” McElroy receives the second Bar to his Military Cross. He is one of only ten airmen to receive the second Bar.
McElroy’s continues apparent disregard for his own safety when flying and fighting can have only one end. On July 31, 1918, he reports destroying a Hannoversche Waggonfabrik C for his 47th victory. He then sets out again. He fails to return from this flight and is posted missing. Later it is learned that McElroy has been killed by ground fire. He is 25 years old. McElroy is interred in Plot I.C.1 at the Laventie Military Cemetery in La Gorgue, northern France.
McElroy receives the Distinguished Flying Cross posthumously on August 3, citing his shooting down 35 aeroplanes and three observation balloons. The Bar arrives still later, on September 21, and lauds his low-level attacks. In summary, he shoots down four enemy aircraft in flames and destroys 23 others, one of which he shares with other pilots. He drives down 16 enemy aircraft “out of control” and out of the fight. He also destroys three balloons.
Michael J. Spillane, Irish American mobster much better known as Mickey Spillane from Hell’s Kitchen, New York City, is killed outside his apartment in Queens on May 13, 1977. Spillane, who is called the “last of the gentleman gangsters,” is a marked contrast to the violent Westies mob members who succeed him in Hell’s Kitchen.
As a young boy in Hell’s Kitchen, Spillane starts as a numbers runner for various organized crime figures in his neighborhood. In 1960, he takes over the rackets left to him by his predecessor Hughie Mulligan. He marries Maureen McManus, the daughter of the Democratic district leader Eugene McManus.
Though Italian mobsters dominate organized crime in the city, the Italian mob stays out of Hell’s Kitchen while Spillane is the boss. Often, Spillane kidnaps members of the Italian Mafia and holds them for ransom to raise money for his operations. Although he runs the rackets such as gambling and loansharking, he never allows the sale of drugs.
It is Spillane’s refusal to allow the Italian mobsters to participate in the Hell’s Kitchen rackets that leads to his downfall. The Jacob K. Javits Convention Center is being built on Spillane’s westside at the time. The amount of money the new convention center, Madison Square Garden, the waterfront and the unions are generating for Spillane is enormous, and the Italians are desperate for a piece of the action. Spillane refuses to allow the Italian mob to participate, and the New York Irish-Italian Mob War begins.
In the 1970s the Irish mob sees an increased threat from the Italian Mafia as the Genovese crime family seeks control over the soon to be built Jacob K. Javits Convention Center. Since the convention center is located in Spillane’s Hell’s Kitchen neighborhood, Spillane refuses to allow any involvement by the Italians. Although the Italian gangsters greatly outnumber the members of the Irish mob, Spillane is successful in keeping control of the convention center and Hell’s Kitchen. The Italians, frustrated and embarrassed by their defeat to Spillane and the Irish gangsters, respond by hiring a rogue Irish American hitman named Joseph “Mad Dog” Sullivan to assassinate Tom Devaney, Eddie “the Butcher” Cummiskey, and Tom “the Greek” Kapatos, three of Spillane’s chief lieutenants. By the mid-1970s, Spillane has moved his family out of Hell’s Kitchen to Woodside, Queens, because of threats of violence against his children.
In 1966, a young upstart named Jimmy Coonan attempts to take the neighborhood from Spillane, muscling in on his territory and murdering a Spillane underling. Ultimately, Coonan is sent to prison in 1967. When he is released from prison, Coonan seeks to align himself with the Gambino crime family through an up-and-coming mobster from Brooklyn, named Roy DeMeo. This marks the beginning of the end for the Irish mob, as Coonan eventually goes to work for the Gambinos.
On May 13, 1977, Spillane is killed outside his apartment in Queens. It has long been rumored that DeMeo murdered Spillane as a favor to Coonan, who subsequently takes over as the boss of the Hell’s Kitchen Irish Mob. Spillane is buried in Calvary Cemetery in Queens, New York.
“A great natural resource, a fine legal mind, an inspiration to aspiring women, a model of the loving yet autonomous wife, a consistent champion of children and a good soul,” is how the president of National University of Ireland Galway, Dr. Patrick Fottrell, summarises her contribution, quoting from the American writer Letty Cottin Pogrebin.
Dr. Fottrell pays tribute to her work as a lawyer, academic and public servant, and says she has championed the rights of women and children, while also showing a strong commitment to Northern Ireland.
In her speech, delivered to mark the university’s 150th anniversary, Clinton speaks about the continuing quest for peace.
Clinton flies into Shannon Airport early in the morning for her two-day Irish visit. Security is tight, but discreet.
About 100 protesters at the main entrance to NUI Galway miss Clinton’s arrival at the campus, and move to Eyre Square by the time she leaves for Belfast.
However, using megaphones, members of the NO to War campaign, the Socialist Party, several students and representatives of the arts community manage to drown out the Army Band of the 4th Western Brigade as the robed university procession proceeds to the conferring ceremony at Aras na Mac Leinn, performed to 1,000 invited guests.
Graham’s long time colleague and Hot Press editor Niall Stokes describes him, “In many ways, he was a founding father of modern Irish music. He inspired a whole generation of Irish fans and musicians to look at the world in a different and broader light. And he was good on more than music too. He felt a kinship with Northern Ireland and the people on both sides of the sectarian and political divide there that was unusual in those who were brought up within the narrow confines of the culture of Ireland in the ‘60s and ‘70s – and his political writing reflected this. And he was also ahead of the game in terms of his appreciation of the importance of the politics of food and the position of the developing world in the new era.”
Graham is instrumental in the formation of Irish rock band U2, having brought them to the attention of their manager Paul McGuinness. At an exhibition of early group photos, McGuinness remembers the role Bill Graham played by introducing him to the band. Despite being widely known as the man who “discovered” U2, it is a title he disavowed. He writes enthusiastically about the band, giving them their first exposure. Both guitarist The Edge and Bono have explained Graham’s role in the band’s development.
John Waters observes that “It is often said that Bill ‘discovered’ U2. This is untrue. Bill created U2, through his enthusiasm for them. He gave them a reflection of their own possibilities and they only looked back that once.” Graham has a deep knowledge of virtually every form of popular and roots music. Waters goes on to credit him as “the first Irish writer to write about the connection between Irish political culture and Irish rock’n’roll.”
A number of music critics/journalists have cited Graham as a primary influence, in some cases suggesting they got into the field as a direct result of his writing.
Members of Sinn Féin, the political wing of the republican Irish Republican Army (IRA), vote to accept the Good Friday Agreement on May 10, 1998, effectively acknowledging the north-south border. This marks a major shift in modern republicanism as, up until now, Sinn Féin has regarded participation in a Northern Ireland body as a tacit acceptance of partition.
The agreement comes at the party’s annual conference, which includes about thirty IRA prisoners granted special leave in order to vote.
The British and Irish governments welcome the decision to formally approve the peace agreement signed at Stormont in April to create the Northern Ireland Assembly and new cross-border institutions. TaoiseachBertie Ahern says he now looks forward to an overwhelming “yes” vote in referendums on the deal later in the month. The British government praises Sinn Féin leader Gerry Adams saying the decision marks a final realisation that violence does not pay.
Secretary of State for Northern IrelandMo Mowlam expresses her delight at the outcome, “I recognise how significant this decision is for republicans and pay tribute to the leadership of Gerry Adams in bringing his party to support the agreement, north and south of the border.” In what she describes as an “exceptional decision,” the IRA’s commanding officer, Patrick Wilson, who is confined in HM Prison Maze, is among the 30 republican inmates freed for the conference in an effort to bring about a “Yes” vote.
Sinn Féin also votes to amend its constitution to allow members to sit in a new Northern Ireland Assembly after Adams tells his members they have a real chance to influence the strategy of the party and the way towards a united Ireland.
Martin McGuinness, one of Sinn Féin’s UK Members of Parliament (MP), tells the BBC he is optimistic about achieving a “Yes” vote in the referendum due to be held on May 22. “I think there are concerns naturally among a small section of the Sinn Féin membership, but I have to say I think the mood all over the island is that moving into the assembly to further our republican objectives towards our ultimate goal of a united Ireland is at this moment in time the sensible thing to do,” he says.
(Pictured: Sinn Féin MP Martin McGuinness and Sinn Féin president Gerry Adams)