Wesley is the son of Richard Wesley, 1st Baron Mornington, and Elizabeth Sale. He is educated at Trinity College Dublin and is elected its first Professor of Music in 1764. From early childhood he shows extraordinary talent on the violin and soon begins composing his own works. As a composer he is remembered chiefly for glees such as “Here in cool grot” and for a double Anglican chant. His son, Arthur Wellesley, 1st Duke of Wellington, is the only one of his children to inherit something of his musical talent.
Wesley represents Trim in the Irish House of Commons from 1757 until 1758, when he succeeds his father as 2nd Baron Mornington.
Wesley marries Anne Hill-Trevor, eldest daughter of banker Arthur Hill-Trevor, 1st Viscount Dungannon, and his wife Anne Stafford, on February 6, 1759. His godmother, the famous diarist Mary Delany, says the marriage is happy, despite his lack of financial sense and her “want of judgment.” They have nine children, most of whom are historically significant.
In 1759 Wesley is appointed Custos Rotulorum of Meath and in 1760, in recognition of his musical and philanthropic achievements, he is created Viscount Wellesley, of Dangan Castle in the County of Meath, and Earl of Mornington. He is elected Grandmaster of the Grand Lodge of Ireland in 1776, a post he holds until the following year.
Wesley dies at the age of 45 on May 22, 1781. Like his father, he is careless with money, and his early death leaves the family exposed to financial embarrassment, leading ultimately to the decision to sell all their Irish estates.
Four streets in Camden Town, which form part of the estate of Wesley’s son-in-law Henry FitzRoy, are named Mornington Crescent, Place, Street and Terrace after him. Of these, the first has since become famous as the name of a London Underground station.
For much of the 20th century, relations between Ireland and its nearest neighbour are cool. Temperatures drop significantly over the economic war in the 1930s and Ireland’s neutrality in World War II. The sense of unfinished business permeates diplomacy during the Troubles, but by 1990 there is significant warmth in trade, tourism, business and even politics.
The newly elected Robinson makes a big play of reaching out to Irish emigrants and sees the opportunity to help Anglo-Irish relations. And so, on her 49th birthday, she pops in for tea with the British head of state.
None of Robinson’s predecessors had set foot in Britain, other than to change planes. Even when President Patrick Hillery is invited to the wedding of Prince Charles and Lady Diana Spencer in 1981, he is advised by the Government of Ireland to decline the invitation.
But Robinson decides she will not be pushed around, and successfully insists she be allowed to join other heads of state at the opening of a European bank in London. Next, she asks the government if she might be able to travel to the University of Cambridge to deliver a speech and receive an honorary degree. It is only after he reluctantly agrees that TaoiseachCharlie Haughey realises that the Chancellor of the University is the Queen’s husband, Prince Philip.
Robinson meets the royal, the world remains on its axis, and a precedent is set. “Partly because I’ve never been fazed by royalty of any kind, least of all the British royal family, I felt entirely relaxed,” she recalls in her authorised biography.
Robinson next meets the prince at a memorial service for the victims of an Irish Republican Army (IRA) bombing in Warrington, where she is applauded as she leaves the church. Soon, she is meeting royals all over the place, at rugby matches and memorial ceremonies, and in a television interview says that she would like to meet the Queen.
By February 1993, Haughey has been replaced by Albert Reynolds and he grants permission for Robinson to travel for a strictly personal visit. The visit does not happen in a vacuum – Reynolds is in secret discussions with Republicans that would end in the IRA ceasefire – and the Taoiseach is keen not to give any suggestion that this is a State visit, which would require a reciprocal visit.
Robinson’s party arrives at Buckingham Palace at 4:55 PM on May 27 where they are greeted by the Queen’s private secretary, Sir Robert Fellowes. Robinson’s staff pushes the Palace to allow press photographers, reckoning that a historic moment should be captured.
Robinson, in an Ib Jorgensen fuchsia suit, later donated to Madame Tussauds waxworks, and her husband Nick are brought up to the first floor to meet the Queen for a friendly and informal tea party that lasts 30 minutes. They sip a blend of Chinese and India tea in Minton cups, exchange signed photographs of themselves, and discuss the prospects for peace. The President also hands over an extra present of a hand-turned wooden cup from Spiddal.
Afterwards, the ground-breaking photographs are taken and published all over the world, including the front page of the Irish Independent. “Palace Talks Prepare Way for State Visit” runs the lead headline over a piece by Bernard Purcell and Gene McKenna. They go on, reporting the President as saying the visit is “symbolic of the maturing relationship between Ireland and Britain.”
In 1996 President Robinson’s 15th visit to Britain is upgraded to an Official Visit, and she leaves office the following year.
Robinson’s successor, Mary McAleese, takes things further, and meets Queen Elizabeth II several times in London and at World War I commemorations on the continent. In May 2011 McAleese welcomes Queen Elizabeth II on her four-day State Visit to Ireland and in April 2014 President Michael D. Higgins makes the first State Visit to the UK.
(Pictured: President Mary Robinson with the Queen outside Buckingham Palace in 1993. Photo: Eamonn Farrell/Photocall Ireland | “Flashback 1993: The first Irish head of state meeting with a British monarch” by Ger Siggins, Independent.ie, May 22, 2016)
Bryant’s father is Rev. Dr. William Willock DD, Fellow and Tutor of Trinity College, Dublin. She is educated at home, largely by her father. As a teenager she moves to London when her father is appointed Professor of Geometry at the University of London in 1863, and she attends Bedford College. At the age of nineteen she marries Dr. William Hicks Bryant, a surgeon ten years her senior, who dies of cirrhosis within a year.
In 1875 Bryant becomes a teacher and is invited by Frances Mary Buss to join the staff of North London Collegiate School. In 1895 she succeeds Buss as headmistress of North London Collegiate, serving until 1918.
When the University of London opens its degree courses to women in 1878, Bryant becomes one of the first women to obtain First Class Honours, in Mental and Moral Sciences, together with a degree in mathematics in 1881, and three years later is awarded the degree of Doctor of Science. In 1882 she is the third woman to be elected to the London Mathematical Society and is the first active female member, publishing her first paper with the Society in 1884. Together with Charles Smith, Bryant edits three volumes of Euclid‘s Elements, for the use of schools (Euclid’s Elements of Geometry, books I and II (1897); Euclid’s Elements of Geometry, books III and IV (1899); Euclid’s Elements of Geometry, books VI and IX (1901)).
Bryant is a pioneer in education for women. She is the first woman to receive a Doctor of Science in England, one of the first three women to be appointed to a Royal Commission, the Bryce commission on Secondary Education in 1894–1895, and one of the first three women to be appointed to the Senate of the University of London. When Trinity College Dublin opens its degrees to women, she is one of the first to be awarded an honorary doctorate. She is also instrumental in setting up the Cambridge Training College for Women, now Hughes Hall, Cambridge. She is also said to be one of the first women to own a bicycle.
Bryant is interested in Irish politics, writes books on Irish history and ancient Irish law (Celtic Ireland (1889), The Genius of the Gael (1913)), and is an ardent ProtestantIrish nationalist. She is president of the Irish National Literary Society in 1914. She supports women’s suffrage but advocates postponement until women were better educated.
Bryant loves physical activity and the outdoors. She rows, cycles, swims, and twice climbs the Matterhorn. She dies at the age of 72 in a hiking accident in the Alps near Chamonix, France on August 14, 1922.
The British monarch and the Republic of Ireland‘s head of state chat and pose together at Hillsborough Castle, outside Belfast, for an occasion that would have provoked hostility within Northern Ireland’s Protestant majority just a few years earlier. But their trouble-free meeting becomes inevitable once Ireland dropped its territorial claim to Northern Ireland as part of the landmark Good Friday Agreement peace accord of 1998. The visit also fuels speculation the queen could soon make her first official visit to the neighboring Republic of Ireland, where the Irish Republican Army assassinated Lord Louis Mountbatten, the uncle of her husband, Prince Philip, Duke of Edinburgh.
No British monarch has visited the territory of the modern-day Republic of Ireland since George V visited Dublin in 1911, a decade before the island’s partition into a mostly Protestant north that remains within the United Kingdom, and a predominantly Catholic rest of Ireland that gradually gains full independence from Britain.
Camera crews are allowed to film the moment, but not record the sound, when McAleese shakes the queen’s hand at the start of a 20-minute meeting, their fourth since 1998. Previous meetings occurred at Buckingham Palace and on a World War I battlefield site. McAleese later calls it “a very special day for Anglo-Irish relationships” that brings forward the day when the queen will visit the Irish Republic.
McAleese, a Belfast-born Catholic, had made scores of visits to Northern Ireland since being elected to the Irish Republic’s largely symbolic presidency in 1997. As part of her presidential theme of “building bridges,” she regularly invites Protestant groups to her official Dublin mansion and has built impressive diplomatic contacts with northern Protestants.
Before McAleese’s arrival, visits north by an Irish president were rare events that drew public protests from Protestants, who demanded that Ireland remove its territorial claim from its 1937 constitution. The republic’s voters overwhelmingly supported this in a May 1998 referendum, an action completed in December 1999.
The queen has avoided traveling to the Irish Republic, in part, because of security fears following the IRA assassination of Mountbatten in August 1979. He, his daughter-in-law and two teenage boys are killed when the IRA blows up his private boat near his castle in County Sligo. However, Prince Philip and their son, Prince Charles, make several visits to the Irish Republic in the decade following the IRA’s 1994 cease-fire.
Henry Flood, Anglo-Irishstatesman and founder of the Patriot movement that in 1782 wins legislative independence for Ireland, dies on December 2, 1791.
Flood enters the Irish Parliament in 1759 as member for Kilkenny County. Irish Protestants are becoming impatient with the British Parliament’s right to legislate for Ireland over the wishes of the Irish Parliament. Moreover, the British government controls a majority in Ireland’s House of Commons through the distribution of crown patronage by the owners of parliamentary boroughs.
Flood’s outstanding oratorical powers soon enable him to create a small but effective opposition inside the Irish Parliament that agitates for political reforms. They demand provisions for new Irish parliamentary elections every eight years, instead of merely at the start of a new British king’s reign. Their long-range goal is legislative independence. In 1768 his Patriots engineer passage of a bill limiting the duration of Parliament to eight years, and in 1769 and 1771 they defeat measures to grant funds for the British administration in Ireland.
Although Flood had become the first independent Irish statesman, he sacrifices this position in 1775 by accepting the office of vice treasurer under the British viceroy, Lord Simon Harcourt, 1st Earl Harcourt. Henry Grattan, an even greater orator than Flood and who describes Flood as a man “with a metaphor in his mouth and a bribe in his pocket,” replaces him as leader of the Patriots.
Flood, however, leaves the Patriot cause at the wrong time. The movement grows rapidly as more and more Irish people are influenced by the North American colonists who are rebelling against the British in the American Revolution. In 1779 he rejoins his old party, and two years later he is officially dismissed from his government post. Although he has lost his following, he helps Grattan force the British government to renounce its restrictions on Irish trade (1779) and grant legislative independence to Ireland (1782).
Flood then decides to challenge Grattan’s leadership. Charging that Grattan has not gone far enough in his reforms, he obtains passage of a measure requiring the British Parliament to renounce all claims to control of Irish legislation. Nevertheless, his newly acquired popularity is destroyed upon the defeat of his attempt to reform the Irish Parliament in 1784.
Flood is a member of both the British and Irish parliaments from 1783 until he loses his seat in both parliaments in 1790, although in England he fails to achieve the kind of political successes that characterize his Irish parliamentary career.
Following the loss of his seats in parliament, Flood retires to Farmley, his residence in County Kilkenny, where he remains until his death on December 2, 1791. He and his wife Lady Frances Beresford, daughter of Marcus Beresford, 1st Earl of Tyrone, who survives until 1815, have no children, and his property passes to a cousin, John Flood. A large bequest to Trinity College Dublin is declared invalid.
(Pictured: Portrait of Henry Flood (1732 – 1791) by Bartholomew Stoker (1763-1788). John Comerford later makes a sketch of the portrait, from which James Heath makes an engraving.)
Wilde is born on October 16, 1854, at 21 Westland Row, Dublin (now home of the Oscar Wilde Centre, Trinity College), the second of three children born to Anglo-Irish Sir William Wilde and Jane Wilde, two years behind his brother William. His parents are successful Anglo-Irish intellectuals in Dublin. He learns to speak fluent French and German. At university, he reads Greats. He demonstrates himself to be an exceptional classicist, first at Trinity College Dublin, then at Magdalen College, Oxford. He becomes associated with the emerging philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, he moves to London into fashionable cultural and social circles.
As a spokesman for aestheticism, Wilde tries his hand at various literary activities: he publishes a book of poems, lectures in the United States and Canada on the new “English Renaissance in Art” and interior decoration, and then returns to London where he works prolifically as a journalist. Known for his biting wit, flamboyant dress and glittering conversational skill, he becomes one of the best-known personalities of his day.
At the turn of the 1890s, Wilde refines his ideas about the supremacy of art in a series of dialogues and essays, and incorporates themes of decadence, duplicity, and beauty into what would be his only novel, The Picture of Dorian Gray (1890). The opportunity to construct aesthetic details precisely, and combine them with larger social themes, draw him to write drama. He writes Salome (1891) in French while in Paris, but it is refused a licence for England due to an absolute prohibition on the portrayal of Biblical subjects on the English stage. Unperturbed, he produces four society comedies in the early 1890s, which make him one of the most successful playwrights of late-Victorian London.
At the height of his fame and success, while The Importance of Being Earnest (1895) is still being performed in London, Wilde has John Douglas, 9th Marquess of Queensberry prosecuted for criminal libel. The Marquess is the father of Wilde’s lover, Lord Alfred Douglas. The libel trial unearths evidence that causes him to drop his charges and leads to his own arrest and trial for gross indecency with men. After two more trials he is convicted and sentenced to two years of hard labour, the maximum penalty, and is jailed from 1895 to 1897. During his last year in prison, he writes De Profundis, published posthumously in 1905, a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure. On his release, he leaves immediately for France, never to return to Ireland or Britain. There he writes his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life.
By November 25, 1900, Wilde has developed meningitis, then called “cerebral meningitis”. On November 29, he is conditionally baptised into the Catholic Church by Fr. Cuthbert Dunne, a Passionist priest from Dublin. He dies of meningitis on November 30, 1900. Different opinions are given as to the cause of the disease. Richard Ellmann claims it is syphilitic. Merlin Holland, Wilde’s grandson, believes this to be a misconception, noting that Wilde’s meningitis followed a surgical intervention, perhaps a mastoidectomy. Wilde’s physicians, Dr. Paul Cleiss and A’Court Tucker, report that the condition stems from an old suppuration of the right ear treated for several years and makes no allusion to syphilis.
Wilde is initially buried in the Cimetière parisien de Bagneux outside Paris. In 1909 his remains are disinterred and transferred to Père Lachaise Cemetery, inside the city. In 2011, the tomb is cleaned of the many lipstick marks left there by admirers and a glass barrier is installed to prevent further marks or damage.
In 2017, Wilde is among an estimated 50,000 men who are pardoned for homosexual acts that are no longer considered offences under the Policing and Crime Act 2017. The Act is known informally as the Alan Turing law.
The Freeman’s Journal, the oldest nationalist newspaper in Dublin, is founded by Charles Lucas on September 10, 1763. It is identified with radical 18th-century Protestant patriot politicians Henry Grattan and Henry Flood. This changes from 1784 when it passes to Francis Higgins and takes a more pro-British and pro-administration view. In fact, Higgins is mentioned in the Secret Service Money Book as having betrayed Lord Edward FitzGerald. Higgins is paid £1,000 for information on FitzGerald’s capture.
In the 19th century The Freeman’s Journal becomes more nationalist in tone, particularly under the control and inspiration of Sir John Gray (1815–75).
The Journal, as it is widely known, is the leading newspaper in Ireland throughout the 19th century. Contemporary sources record it being read to the largely illiterate population by priests and local teachers gathering in homes. It is mentioned in contemporary literature as when James Joyce immortalises The Freeman’s Journal as the place of employment of Leopold Bloom in Ulysses. It is seen as symbolising Irish newspapers for most of its time. By the 1880s it becomes the primary media supporter of Charles Stewart Parnell and the Irish Parliamentary Party (IPP).
The Journal is challenged on all sides by rivals. On the nationalist side some prefer The Nation founded by Thomas Davis while others, including radical supporters of Parnell, read the United Irishman. The Anglo-Irish establishment in contrast reads the historically Irish unionistThe Irish Times. With the split in the IPP over Parnell’s relationship with Katharine O’Shea, its readership splits too. While The Journal goes with the majority in 1893 in opposing Parnell, a minority moves to read the Daily Irish Independent. It is also challenged from the turn of the century by William O’Brien‘s The Irish People and the Cork Free Press. With Thomas Sexton becoming Chairman of the Board of Directors (1893–1911), The Journal languishes under his spartanic management.
The collapse of the IPP in 1918, and the electoral success of Sinn Féin, see a more radical nationalism appear that is out of step with the moderation of The Journal. It finds itself overshadowed by the more aggressively marketed Irish Independent, the successor to the Daily Irish Independent. Just prior to the outbreak of the Irish Civil War in March 1922, The Freeman’s Journal printing machinery is destroyed by Anti-Treaty IRA men under Rory O’Connor for its support of the Anglo-Irish Treaty. It does not resume publication until after the outbreak of civil war, when the Irish Free State re-asserts its authority over the country.
The Freeman’s Journal ceases publication in 1924, when it is merged with the Irish Independent. Until the 1990s, the Irish Independent includes the words ‘Incorporating the Freeman’s Journal’ in the masthead over its editorials.
Christy Brown, Irish writer and painter who has cerebral palsy and is able to write or type only with the toes of one foot, dies on September 7, 1981, in Parbrook, Somerset, England. His most recognized work is his autobiography, My Left Foot (1954).
Brown is born into a working-class Irish family at the Rotunda Hospital in Dublin on June 5, 1932. He is one of 22 siblings of parents Bridget Fagan and Patrick Brown. After his birth, doctors discover that he has severe cerebral palsy, a neurological disorder which leaves him almost entirely spastic in his limbs. Though urged to commit him to a hospital, his parents are unswayed and subsequently determined to raise him at home with their other children. During his adolescence, social worker Katriona Delahunt becomes aware of his story and begins to visit the Brown family regularly. She brings him books and painting materials as, over the years, he has shown a keen interest in the arts and literature. He has also demonstrated extremely impressive physical dexterity since, soon after discovering several household books, he had learned to both write and draw himself with his left leg, the only limb over which he has unequivocal control.
Brown quickly matures into a serious artist. Although he famously receives almost no formal schooling during his youth, he does attend St. Brendan’s School-Clinic in Sandymount intermittently. At St. Brendan’s he comes in contact with Dr. Robert Collis, a noted author. Collis discovers that Brown is also a natural novelist and, later, helps use his own connections to publish My Left Foot, by then a long-gestating autobiographical account of Brown’s struggle with everyday life amidst the vibrant culture of Dublin.
When My Left Foot becomes a literary sensation, one of the many people who write letters to Brown is married American woman Beth Moore. Brown and Moore become regular correspondents and, in 1960, he holidays in North America and stays with Moore at her home in Connecticut. When they meet again in 1965, they began an affair. Brown journeys to Connecticut once more to finish his magnum opus, which he had been developing for years. He finally does so in 1967 with help from Moore, who introduces and administers a strict working regimen, mostly by denying him alcohol until a day’s work is completed. The book, Down All the Days, is published in 1970. It is an ambitious project drawn largely from a playful expansion of My Left Foot. It becomes an international best-seller, translated into fourteen languages. The Irish Times reviewer Bernard Share claims the work is “the most important Irish novel since Ulysses.”
Down All the Days is followed by a series of other novels, including A Shadow on Summer (1972), Wild Grow the Lilies (1976) and A Promising Career (published posthumously in 1982). He also publishes three poetry collections: Come Softly to My Wake, Background Music and Of Snails and Skylarks. All the poems are included in The Collected Poems of Christy Brown.
Brown’s fame continues to spread internationally, and he becomes a prominent celebrity. Upon his return to Ireland, he is able to use proceeds from the sales of his books to design and move into a specially constructed home outside Dublin with his sister’s family. Though he and Beth had planned to marry and live together at the new home, and though Moore had informed her husband of these plans, it is around this time that he begins an affair with Englishwoman Mary Carr, whom he meets at a party in London. He then terminates his affair with Moore and marries Carr at the Registry Office, Dublin, in 1972. They move to Stoney Lane, Rathcoole, County Dublin, to Ballyheigue, County Kerry and then to Somerset. He continues to paint, write novels, poetry and plays. His 1974 novel, A Shadow on Summer, is based on his relationship with Moore, whom he still considers a friend.
Brown’s health deteriorates after marrying Carr. He becomes mainly a recluse in his last years, which is thought to be a direct result of Carr’s influence and perhaps abusive nature. He dies at the age of 49 on September 7, 1981, after choking during a lamb chop dinner. His body is found to have significant bruising, which leads many to believe that Carr had physically abused him. Further suspicions arise after Georgina Hambleton’s biography, The Life That Inspired My Left Foot, reveals a supposedly more accurate and unhealthier version of their relationship. The book portrays Carr as an abusive alcoholic and habitually unfaithful. He is buried in the Glasnevin Cemetery in Dublin.
The Anglo-Irish rock band The Pogues pay tribute to Christy Brown with a song titled “Down All the Days.” It is the seventh track on their 1989 recording Peace and Love. Similarly, U2 releases a song titled “Down All the Days” with the 20th anniversary edition of Achtung Baby. The Men They Couldn’t Hang also writes a song “Down All the Days” which appears on their Silver Town album also released in 1989.
The Hunt/de Vere family estate of 300 years (1657–1957), including the period of the de Vere Baronetcy of Curragh, is the present day Curraghchase Forest Park, in County Limerick. De Vere spends most of his life on the estate and is closely involved in its management. He suffers much trouble from his ownership of the island of Lundy, which his father, who was not much of a businessman, had unwisely purchased in 1802, and which becomes a heavy drain on the family’s finances. Sir Vere is never able to find a purchaser for Lundy, and it takes his son until 1834 to dispose of it.
De Vere stands for election in the 1820 General Election and comes in third with 2,921 votes.
De Vere is a poet. William Wordsworth calls his sonnets the most perfect of the age. These and his drama, Mary Tudor: An Historical Drama, are published by his son, the poet Aubrey Thomas de Vere, in 1875 and 1884.
De Vere produces numerous works over his lifetime. The most notable are Ode to the Duchess of Angouleme (1815), Julian the Apostate: A Dramatic Poem (1822), The Duke of Mercia: An Historical Drama [with] The Lamentation of Ireland, and Other Poems (1823), A Song of Faith: Devout Exercises and Sonnets and his most famous work, Mary Tudor: An Historical Drama.
Hincks is educated at home by his father and at Midleton College before entering Trinity College Dublin. He is elected a Scholar of the College in 1810, and in 1812 wins the Gold Medal and Bishop Law‘s Prize for Mathematics. He is elected a Fellow of the College in 1813 and four years later takes his M.A. In 1819, following the death of Thomas Meredith, he is presented to the Rectory of Ardtrea in County Tyrone. Though Ardtrea is a valuable and highly prized Rectory, it is also isolated for a young bachelor, and he resigns the position in 1826, taking up the Rectory in nearby Killyleagh, County Down, an office he holds for the remainder of his life.
The undemanding nature of his clerical duties leave him with more than enough time to pursue his interest in ancient languages. His first love is for the hieroglyphic writing of ancient Egypt. His greatest achievement is the decipherment of the ancient language and writing of Babylon and Assyria: Akkadian cuneiform.
Hincks deduces correctly that cuneiform writing had been invented by one of the earliest civilisations of Mesopotamia, who then bequeathed it to later states such as Babylon, Assyria and Elam. In 1848 he is awarded the Cunningham Medal of the Royal Irish Academy for his achievements.
By 1850 Hincks comes to a number of important conclusions regarding the nature of Assyro-Babylonian cuneiform. He also discovers that cuneiform characters are “polyphonic,” by which he means that a single sign can have several different readings depending on the context in which it occurs. However, not everyone is convinced by the claims being made by the Irishman and his distinguished colleagues. Some philologists even suggest that they are simply inventing multiple readings of the signs to suit their own translations.
In 1857 the versatile English Orientalist William Henry Fox Talbot suggests that an undeciphered cuneiform text be given to several different Assyriologists to translate. If, working independently of one another, they come up with reasonably similar translations, it will surely dispel the doubts surrounding their claims.
As it happens, Talbot, Hincks, Rawlinson and Oppert, are in London in 1857. Edwin Norris, secretary of the Royal Asiatic Society, gives each of them a copy of a recently discovered inscription from the reign of the Assyrian emperor Tiglath-Pileser I. A jury of experts is impaneled to examine the resulting translations and assess their accuracy.
In all essential points the translations produced by the four scholars are found to be in close agreement with one another. There are of course some slight discrepancies. The inexperienced Talbot makes a number of mistakes, and Oppert’s translation contains a few doubtful passages due to his unfamiliarity with the English language. But Hincks’ and Rawlinson’s versions are virtually identical. The jury declares itself satisfied, and the decipherment of cuneiform is adjudged a fait accompli.
Hincks devotes the remaining years of his life to the study of cuneiform and makes further significant contributions to its decipherment. He dies at his rectory in Killyleagh on December 3, 1866, at the age of 74. He is survived by a wife and four daughters.
seamus dubhghaill 