Manahan’s career begins when, as a young woman, she is recruited by the legendary Irish impresarios and theatrical directorsMicheál Mac Liammóir and Hilton Edwards. She later marries stage director Colm O’Kelly, who dies not long afterward of polio, which he contracts after swimming in the Nile during a theatre tour of Egypt. They have no children and she never remarries. She is known professionally by her maiden name. In 1946 she appears in a production by Irish playwrightTeresa Deevy, The Wild Goose, where she plays the part of Eileen Connolly. This is performed by Equity Productions in the Theatre Royal, Waterford.
In 1957, Manahan plays Serafina in the first Irish production of Tennessee Williams‘s The Rose Tattoo and achieves unexpected notoriety when she and several other members of the cast are arrested for the possession of a condom on stage.
Manahan plays a minor role in the Irish cultsoap operaThe Riordans (1960s), and as Mrs. Mary Kenefick in the TV comedy Me Mammy (1970s). She also plays the lead in the Irish comedy series, Leave It To Mrs O’Brien (1980s) and Mrs. Cadogan in The Irish R.M. (1980s). Most recently she plays Ursula in Fair City, for which her niece, Michele Manahan (daughter of Michael Manahan), is a writer.
Manahan has an extensive theatre portfolio having played at theatres throughout Ireland including the Abbey Theatre, the United Kingdom, continental Europe, the United States and Australia. She wins the Tony Award for Best Featured Actress in a Play for her role as Mag in Martin McDonagh’s The Beauty Queen of Leenane on Broadway. She previously receives a Tony nomination in 1969 for Brian Friel’s Lovers.
The Irish playwright John B. Keane writes the play Big Maggie specifically for Manahan. In 2001 she stars in Keane’s The Matchmaker with veteran Irish actor Des Keogh. In 2005 she stars in Sisters, a new play by Declan Hassett that is also written for her and for which she is nominated for a Drama Desk Award in the category of Outstanding Solo Performance. The production tours Ireland and is staged at the International Festival of World Theatre in Colorado and also plays at the 59E59 Theater in New York City in 2006.
In 2004 Manahan starts to play the role of Ursula in Fair City. All About Anna (2005), a documentary on her life and work is made by Charlie Mc Carthy/Icebox Films for RTÉ Television. In 2008, she becomes the first ever patron of the Active Retirement Ireland organization.
Manahan dies of multiple organ failure on March 8, 2009 in Waterford. She had suffered from a longterm illness.
Her funeral is held on March 11, officiated by her “longtime friend” the psychoanalyst, poet, and priest Bernard Kennedy. “As the final curtain falls, the lights dim, the auditorium becomes silent, we remember her” he says. Describing her as a woman of faith (who “sought to bring the word of God alive”), he says she had brought everyone together to be present at “her last great exit from this great stage of life,” saying her life’s work had drawn people from all over the world. “Anna believed in the empty tomb of the Resurrection and she believed the empty tomb could be filled by hearing the word take the place of the emptiness,” he says. “She knew the bedsits which preceded the Tony nomination.”
Rossa becomes a shopkeeper in Skibbereen where, in 1856, he establishes the Phoenix National and Literary Society, the aim of which is “the liberation of Ireland by force of arms.” This organisation later merges with the IRB, founded two years later in Dublin.
In December 1858, Roosa is arrested and jailed without trial until July 1859. He is charged with plotting a Fenian rising in 1865, put on trial for high treason, and sentenced to penal servitude for life due to previous convictions. He serves his time in Pentonville, Portland, and Chatham prisons in England.
After giving an understanding that he will not return to Ireland, Rossa is released as part of the Fenian amnesty of 1870. Boarding the S.S. Cuba, he leaves for the United States with his friend John Devoy and three other exiles. Together they were dubbed “The Cuba Five.”
In 1885, Rossa is shot outside his office near Broadway by an Englishwoman, Yseult Dudley, but his wounds are not life-threatening. He is allowed to visit Ireland in 1894, and again in 1904. On the latter visit, he is made a “Freeman of the City of Cork.”
Rossa is seriously ill in his later years and is finally confined to a hospital bed in St. Vincent’s Hospital, Staten Island, where he dies suddenly at the age of 83 on June 29, 1915. His body is returned to Ireland for burial and a hero’s welcome. The funeral at Glasnevin Cemetery on August 1, 1915, is a huge affair, garnering substantial publicity for the Irish Volunteers and the IRB at time when a rebellion, later to emerge as the Easter Rising, is being actively planned. The graveside oration given by Patrick Pearse remains one of the most famous speeches of the Irish independence movement stirring his audience to a call to arms.
Donal Donnelly, Irish theatre and film actor, is born to Irish parents in Bradford, West Yorkshire, England, on July 6, 1931. Perhaps best known for his work in the plays of Brian Friel, he has a long and varied career in film, on television and in the theatre. He lives in Ireland, the United Kingdom and the United States at various times, and his travels lead him to describe himself as “an itinerant Irish actor.”
Donnelly’s father, James, is a doctor from County Tyrone, and his mother, Nora O’Connor, is a teacher from County Kerry.
Donnelly gets his start in an amateur group calling itself the Globe Theatre Players. It is organised and run by Jim Fitzgerald and Monica Brophy. He then later tours with Anew McMaster‘s Irish repertory company before moving to England where he stars with Rita Tushingham in the film The Knack …and How to Get It.
For many years, Donnelly tours a one-man performance of the writings of George Bernard Shaw, adapted and directed by Michael Voysey and entitled My Astonishing Self.
On television, Donnelly plays the lead role of Matthew Browne in the 1970s ITV sitcom Yes, Honestly, opposite Liza Goddard. But from the late 1950s onwards, he often appears in such British TV programs as The Avengers, Z-Cars and The Wednesday Play.
In 1968, Donnelly records an album of Irish songs, Take the Name of Donnelly, which is arranged, produced and conducted by Tony Meehan formerly of the Shadows.
Donnelly, who is a heavy smoker all his life, dies from cancer at the age of 78 in Chicago, Illinois, on January 4, 2010. He is survived by his wife, Patricia ‘Patsy’ Porter, a former dancer he met working on Finian’s Rainbow, and two sons, Jonathan and Damian. Their only daughter, Maryanne, predeceases him after being killed in a riding accident. A brother, Michael Donnelly, is a Fianna Fáil senator and councillor, and Lord Mayor of Dublin(1990–91).
(Pictured: Publicity still of Donal Donnelly as Frederick Treves in the Broadway’s play TheElephant Man)
Murray is born in Macroom, County Cork on January 17, 1873, the seventh of the eleven children of Cornelius Murray and Honora Murray (née Kelleher). He is educated at St. Patrick’s Teacher Training College in Drumcondra, Dublin. He works as a schoolteacher and in 1900 is appointed headmaster of the national school in Rathduff, County Cork. His first play, The Wheel of Fortune, is produced in 1909 by the Little Theatre in Cork, a theatre he co-founded with Daniel Corkery, Con O’Leary and Terence MacSwiney. The play is revised and renamed Sovereign Love in 1913. In 1915, he moves to Dublin as headmaster of the Model Schools at Inchicore, where he remains until his retirement from teaching in 1932.
Murray’s play Birthright is performed in the Abbey Theatre in 1910 and establishes him as a writer of force. In all, he writes fifteen plays, all of which are produced by the Abbey. His two most highly regarded works are Maurice Harte (1912) and Autumn Fire (1924). Both of these and Birthright are performed in New York City on Broadway, with Autumn Fire having a run of 71 performances. He also writes an autobiographical novel Spring Horizon (1937).
It has been stated both by A. DeGiacomo and by R. Allen Cave that, in the Art competitions at the 1924 Summer Olympics in Paris, France, Murray is awarded a bronze medal for his play Birthright. However, according to the official record for the games, although Murray is a participant in the literature category with this play and also with Maurice Harte, he does not win a medal.
In his later years, Murray holds a number of significant positions: director of the Authors’ Guild of Ireland, vice-president of the Irish Academy of Letters and president of the Irish Playwrights’ Association. He is awarded an honorary Doctor of Letters (D.Litt.) by the National University of Ireland in 1949. He dies on March 7, 1959, at his home on Sandymount Strand, Ballsbridge, Dublin, of viral pneumonia, his wife having predeceased him by fifteen years. His extensive papers, containing scripts of almost all of his fifteen plays, correspondence, clippings, reviews, and other material, are held in the National Library of Ireland (NLI).
Liam Redmond, Irish character actor known for his stage, film and television roles, dies in Dublin on October 28, 1989, following a lengthy illness.
Redmond is born in Limerick, County Limerick, on July 27, 1913, one of four children born to cabinet-maker Thomas and Eileen Redmond. Educated at the Christian Brothers schools in Dublin, he later attends University College Dublin (UCD) and initially reads medicine before moving into drama.
While Director of the Dramatic Society, Redmond meets and marries the society’s secretary, Barbara MacDonagh, sister of Donagh MacDonagh and daughter of 1916 Easter Rising leader Thomas MacDonagh and Muriel Gifford. They have four children.
Redmond is invited to join the Abbey Theatre in 1935 as a producer by William Butler Yeats, the Irish poet. Yeats writes his play Death of Cú Chulainn for Redmond to star as Cú Chulainn, hero of one of Ireland’s foundational myths.
Redmond makes his acting debut at the Abbey Theatre in 1935 in Seán O’Casey‘s The Silver Tassie. His first stage appearance is in 1939 in New York City in The White Steed. After returning to Britain at the outbreak of World War II he is a regular on the London stage. He is one of the founders of the Writers’, Artists’, Actors’ and Musicians’ Association (WAAMA), a precursor of the Irish Actors’ Equity Association. His insistence that “part-time professionals” – usually civil servants who act on the side – should be paid a higher rate than professional actors for both rehearsal time and performance, effectively wiping out this class, raising the wages and fees of working actors.
Jack “Legs” Diamond, an Irish Americangangster in Philadelphia and New York City during the Prohibition era also known as John Nolan and Gentleman Jack, is born in Philadelphia on July 10, 1897, to Sara and John Moran, who emigrated from Ireland to Philadelphia in 1891. A bootlegger and close associate of gambler Arnold Rothstein, he survives a number of attempts on his life between 1916 and 1931, causing him to be known as the “clay pigeon of the underworld.” In 1930, his nemesis Dutch Schultz remarks to his own gang, “Ain’t there nobody that can shoot this guy so he don’t bounce back?”
In 1899, Diamond’s younger brother Eddie is born. He and Eddie both struggle through grade school, and their mother suffers from severe arthritis and other health problems. She passes away on December 24, 1913, following complications brought on by a bacterial infection and a high fever. John Moran then moves his family to Brooklyn, New York.
Diamond soon joins a Manhattan street gang called the Hudson Dusters. His first arrest for burglary occurs when he breaks into a jewelry store on February 4, 1914. He serves in the United States Army in World War I but is convicted and jailed for desertion in 1918 or 1919. He serves two years of a three- to five-year sentence at Leavenworth Military Prison. After being released in 1921, he becomes a hired thug and later personal bodyguard for crime boss Arnold Rothstein.
Diamond is known for leading a rather flamboyant lifestyle. He is an energetic individual, his nickname “Legs” derived either from his being a good dancer or from how fast he could escape his enemies. His wife Alice is never supportive of his life of crime but does not do much to dissuade him from it. He is a womanizer, with his best-known mistress being a showgirl and dancer, Marion “Kiki” Roberts.
In the late 1920s, Prohibition is in force, and the sale of beer and other alcoholic beverages is illegal in the United States. Diamond travels to Europe to acquire beer and narcotics but fails. However, he does obtain liquor, which is dumped overboard in partially full barrels that float to Long Island as ships enter New York Harbor. He pays children a nickel for every barrel they bring to his trucks.
Following the death of Jacob “Little Augie” Orgen, Diamond oversees illegal alcohol sales in downtown Manhattan via the Hotsy Totsy Club, an establishment partly owned by Diamond on Broadway. This work brings him into conflict with Dutch Schultz, who wants to move beyond his base in Harlem. He also runs into trouble with other gangs in the city. On July 14, 1929, he and fellow gang member Charles Entratta shoot three drunken brawlers in the Hotsy Totsy Club. Two of the brawlers, William Cassidy and Simon Walker, are killed, while the survivor, Peter Cassidy, is severely wounded. The club’s bartender, three waiters, and the hat check girl vanish, with one of them being found shot dead in New Jersey. He is not charged but is forced to close the club.
In 1930, Diamond and two henchmen kidnap truck driver Grover Parks in Cairo, New York, demanding to know where he had obtained his load of hard cider. When Parks denies carrying anything, Diamond and his men beat and tortured Parks, eventually letting him go. A few months later, he is charged with the kidnapping of James Duncan. He is sent to Catskill, New York, for his first trial, but is acquitted. However, he is convicted in a federal case on related charges and sentenced to four years in jail. He is tried in December 1931 in Troy, New York, also for kidnapping, and is once again acquitted.
On August 23, 1930, Diamond, under the false name John Nolan, boards the ocean liner SS Belgenland, bound for Europe. The New York City Police Department (NYPD) suspect that he might have left the U.S. aboard RMS Olympic or RMS Baltic, but he is not found on either ship when they reach Europe. The NYPD then sends a wireless telegraph message to the crew of SS Belgenland, who reply that a man similar to Diamond’s description is among the passengers. Diamond spends much of the voyage in the ship’s smoking-room playing poker, with one report claiming that he won thousands of dollars in this game. The SS Belgenland‘s officers, however, refute this, saying his winnings were small.
The NYPD telegraphs police in England, France and Belgium with the warning that Diamond is an undesirable character. When SS Belgenland reaches Plymouth on August 31, Scotland Yard officers tell Diamond he will not be allowed to land in England. He tells reporters that he wants to travel to the French spa town of Vichy for “the cure.” He disembarks in Antwerp on September 1, where Belgian police take him to their headquarters. Eventually, he agrees to voluntarily leave Belgium and is put on a train to Germany. When his train reaches Aachen, German police arrest him. On September 6, the German government decides to deport Diamond. He is driven to Hamburg and put on the cargo ship Hannover for passage to Philadelphia.
On September 23, Hannover arrives in Philadelphia, and Diamond is immediately arrested by the Philadelphia police. At a court hearing that day, the judge says he will release him if he leaves Philadelphia within the hour. Diamond agrees.
On October 24, 1924, Diamond is shot and wounded by shotgun pellets, reportedly after trying to hijack liquor trucks belonging to a rival crime syndicate.
On October 16, 1927, Diamond tries to stop the murder of “Little Augie” Orgen. His brother Eddie is Orgen’s bodyguard, but Diamond substitutes for Eddie that day. As Orgen and he are walking down a street on Manhattan’s Lower East Side, three young men approach them and start shooting. Orgen is fatally wounded, and Diamond is shot twice below the heart. He is taken to Bellevue Hospital, where he eventually recovers. Police interview him in the hospital, but he refuses to identify any suspects or help the investigation in any way. Police initially suspect that he is an accomplice and charge him with homicide, but the charge is dropped. The assailants are supposedly hired by Lepke Buchalter and Jacob “Gurrah” Shapiro, who are seeking to encroach on Orgen’s garment-district labor rackets.
On October 12, 1930, Diamond is shot and wounded at the Hotel Monticello on Manhattan’s West Side. Two men force their way into his room and shoot him five times. Still in his pajamas, he staggers into the hallway and collapses. When asked later by the police commissioner how he managed to walk out of the room, he says he drank two shots of whiskey first. He is rushed to the Polyclinic Hospital, where he eventually recovers. He is discharged from Polyclinic on December 30, 1930.
On April 21, 1931, Diamond is arrested in Catskill on assault charges for the Parks beating in 1930. Two days later, he is released from the county jail on $25,000 bond. Five days later, he is again shot and wounded at the Aratoga Inn, a roadhouse near Cairo. After eating in the dining room with three companions, he is shot three times and collapses by the front door. A local resident drives him to a hospital in Albany, where he eventually recovers. On May 1, while he is still in the hospital, the New York State Police seize over $5,000 worth of illegal beer and alcohol from his hiding places in Cairo and at the Aratoga Inn.
In August 1931, Diamond and Paul Quattrocchi go on trial for bootlegging. The same month, he is convicted and sentenced to four years in state prison. In September 1931, he appeals his conviction.
On December 18, 1931, Diamond’s enemies finally catch up with him. He is staying in a rooming house on Dove Street in Albany while on trial for kidnapping in Troy. On the night of his acquittal, December 17, he and his family and friends visit a restaurant in Albany. At 1:00 a.m., he and mistress, Marion “Kiki” Roberts, entertain themselves at the Rain-Bo Room of the Kenmore Hotel on North Pearl Street.
At 4:30 a.m., Diamond drunkenly goes back to the rooming house and passes out on his bed. Two gunmen enter his room about an hour later. One man holds Diamond down and the other shoots him three times in the back of the head.
There is much speculation as to who is responsible for the murder. Likely candidates include Schultz, the Oley Brothers, the Albany Police Department, and relatives of Red Cassidy, another Irish American gangster at the time. According to author William Kennedy in his book O Albany, Dan O’Connell, who runs the local Democraticpolitical machine, orders Diamond’s execution, which is carried out by the Albany police.
Given the power that the O’Connell machine holds in Albany and its determination to prevent organized crime, other than their own, from threatening their monopoly of vice in the city, some accept this account of the story. For those believing this theory, William Fitzpatrick’s promotion to chief of police is said to be a reward for executing Diamond. In 1945, Chief Fitzpatrick is shot and killed in his own office by John McElveney, an Albany police detective. McElveney is sentenced to 20 years to life in prison. He is released in 1957 when his sentence is commuted by GovernorW. Averell Harriman.
On December 23, 1931, Diamond is buried at Mount Olivet Cemetery in Maspeth, Queens. There is no church service or graveside ceremony. Family and spectators numbering 200 attend the interment. No criminal figures are spotted.
On July 1, 1933, Alice Kenny Diamond, Diamond’s 33-year-old widow, is found shot to death in her Brooklyn apartment. It is speculated that she is shot by Diamond’s enemies to keep her quiet.
Flanagan is born to Patrick and Elizabeth (née Mulligan) Flanagan, who are strongly nationalist and republican, and support the Republican Anti-Treaty during the Irish Civil War, both serving as Lord Mayor of Sligo. Her paternal family, originally from County Fermanagh, are driven out by anti‐Catholicpogroms and resettle in Sligo, where her parents manage a retail business. She is good friends with fellow Irish actresses Joan O’Hara and Paddy Croft. She spends much of the early 1950s touring with Anew McMaster, where she meets Harold Pinter at the Gate’s Pinter Festival.
In 1997, Flanagan wins the Barclays Theatre Awards for Best Actress in a Supporting Role for her role in Jennifer Johnston‘s The Desert Lullaby: A Play in Two Acts, at the Lyric Theatre, Belfast. The Barclays Theatre Awards are for outstanding regional theatre (including opera and dance) in the United Kingdom.
A resident of Glen Rock, New Jersey, Flanagan dies at The Valley Hospital in Ridgewood, New Jersey, on June 28, 2003, one day before her 78th birthday, of heart failure following a battle with lung cancer. She is survived by her husband, George Vogel (whom she married in 1958), a sister, Maura McNally, and her daughters Melissa Brown and Jane Holtzen.
Bedford then mainly works in theatre in the United States, on both coasts, but mainly in New York City both on and off Broadway. He is in the premiere of Tennessee Williams‘s last play Small Craft Warnings at the New Theatre in New York in 1972. Other stage appearances include Brian Friel’s The Mundy Scheme in New York in 1969 and as John Adams in the nationwide tour of the musical 1776. He appears in over 200 stage productions throughout his career.
Bedford dies at the age of 67 on November 20, 1999, in Manhattan, New York City, of cancer six weeks after entering the hospital.
The play is a tragicomedy about a small rural town in Ireland where many of the townspeople are extras in a Hollywood film. The story centres on Charlie Conlon and Jake Quinn, who, like much of the town, are employed as extras for the filming. The key point in the play is when a local teenager commits suicide, by drowning himself with stones in his pockets, after he is humiliated by one of the film stars. The script calls upon the cast of two to perform all 15 characters (men and women), often switching gender and voice swiftly and with minimal costume change. Comedy also derives from the efforts of the production crew to create the proper “Irish feel” – a romanticised ideal that often conflicts with the reality of daily life.
The play is first shown as a DubbleJoint Production premiering in West Belfast in August 1996. The set design, by Jack Kirwan, is simple – a backcloth depicting the cloudy sky above the Blasket Islands, a row of shoes (symbolising the myriad characters) and a trunk, a box, and two tiny stools. The lighting design is originally by James C. McFetridge and this design is used in both the London West End and the Broadway versions of the show.
The show moves to the Edinburgh Festival Fringe in 1999. It then returns to Ireland and has a brief run in Dublin before moving to London‘s Tricycle Theatre. It then transfers to the New Ambassadors Theatre in London’s West End. The show, however, proves so successful, its run is extended and moves to the Duke of York’s Theatre up the road, where it remains for three years.
The original cast of Hill and Campion take the show to Broadway and, as its West End run continues to play to packed houses, actors line up to play Charlie and Jake, most notably Bronson Pinchot, Rupert Degas and Simon Delaney.
The play wins the Irish Times/ESB Irish Theatre Award for Best Production in 1999, wins two Laurence Olivier Awards in 2001 for Best New Comedy and Best Actor (Conleth Hill) and is also nominated for three Tony Awards in 2001.
The play is revived at London’s Tricycle Theatre in 2011, with Jamie Beamish as Charlie and Owen McDonnell as Jake, and at the Tron Theatre, Glasgow in 2012 performed by Robbie Jack and Keith Fleming.
For the 20th anniversary of the first production, The Dukes in Lancaster and The Theatre Chipping Norton co-produce a touring production which opens at The Dukes on February 25, 2016, and tours 35 venues between then and May 28, 2016. Charlie de Bromhead plays Jake and Conan Sweeny plays Charlie.
The original version of the play is created in collaboration with theatre director Pam Brighton, who later sues Marie Jones for co-authorship rights. Brighton loses the case in the high court, and subsequently becomes bankrupt.
Donal Donnelly, Irish theatre and film actor, dies in Chicago, Illinois, on January 4, 2010. Perhaps best known for his work in the plays of Brian Friel, he has a long and varied career in film, on television and in the theatre. He lives in Ireland, the United Kingdom and the United States at various times, and his travels lead him to describe himself as “an itinerant Irish actor.”
Donnelly gets his start in an amateur group calling itself the Globe Theatre Players. It is organised and run by Jim Fitzgerald and Monica Brophy. He then later tours with Anew McMaster‘s Irish repertory company before moving to England where he stars with Rita Tushingham in the film The Knack …and How to Get It.
For many years, Donnelly tours a one-man performance of the writings of George Bernard Shaw, adapted and directed by Michael Voysey and entitled My Astonishing Self.
On television, Donnelly plays the lead role of Matthew Browne in the 1970s ITV sitcom Yes, Honestly, opposite Liza Goddard. But from the late 1950s onwards, he often appears in such British TV programs as The Avengers, Z-Cars and The Wednesday Play.
In 1968, Donnelly records an album of Irish songs, Take the Name of Donnelly, which is arranged, produced and conducted by Tony Meehan formerly of the Shadows.
Donnelly, who is a heavy smoker all his life, dies from cancer at the age of 78 in Chicago, Illinois, on January 4, 2010. He is survived by his wife, Patricia ‘Patsy’ Porter, a former dancer he met working on Finian’s Rainbow, and two sons, Jonathan and Damian. Their only daughter, Maryanne, predeceases him after being killed in a riding accident. A brother, Michael Donnelly, is a Fianna Fáil senator and councillor, and Lord Mayor of Dublin (1990–91).
seamus dubhghaill 