seamus dubhghaill

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Tag Archives: Gate Theatre


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Death of Irish Writer Denis Johnston

Irish writer (William) Denis Johnston dies on August 8, 1984, at Ballybrack, County Dublin. He writes mostly plays, but also works of literary criticism, a book-length biographical essay of Jonathan Swift, a memoir and an eccentric work on cosmology and philosophy. He also works as a war correspondent and as both a radio and television producer for the BBC.

Johnston is born in Dublin on June 18, 1901, the only child of William John Johnston from Magherafelt, a barrister and later an Irish Supreme Court judge, and his wife Kathleen (née King), a teacher and singer from Belfast. They are Presbyterians and liberal home rulers. He sees the family home in Dublin occupied by rebels during the 1916 Easter Rising.

Johnston is educated at St. Andrew’s College, Dublin (1908–15, 1917–19), and Merchiston Castle School, Edinburgh (1915–16). In 1918, he attempts to join Sinn Féin, offering to supply the party with weapons taken from his Officers’ Training Corps. In 1922, while reading history and law at Christ’s College, Cambridge (1919–23) he tries to enlist in the civil war Free State army. He goes on to study at the Harvard Law School (1923–24) and enters King’s Inns in Dublin and the Inner Temple in London.

In London, developing his interest in the theatre, Johnston abandons plans for a legal and political career.

Johnston is a protégé of W. B. Yeats and George Bernard Shaw, and has a stormy friendship with Seán O’Casey. He is a pioneer of television and war reporting. He works as a lawyer in the 1920s and 1930s before joining the BBC as a writer and producer, first in radio and then in the fledgling television service. His broadcast dramatic work includes both original plays and adaptation of the work of many different writers.

Johnston’s first play, The Old Lady Says “No!”, helps establish the worldwide reputation of Dublin’s Gate Theatre. His second play, The Moon in the Yellow River, has been performed around the globe in numerous productions featuring such storied names as James Mason, Jack Hawkins, Claude Rains, Barry Fitzgerald, James Coco and Errol Flynn. Later plays deal with the life of Jonathan Swift, the 1916 Rebellion, the pursuit of justice, and the fear of death. He writes two opera libretti and a pageant.

“Passionate in his radical skepticism and loathing of what he saw as the pernicious influence of the Roman Catholic Church,” at the end of 1933, Johnston joins the trade unionist John Swift, the Dublin novelist Mary Manning, and fellow northerner, the libertarian socialist Jack White, in forming The Secular Society of Ireland. “Convinced that clerical domination in the community is harmful to advance,” the society seeks “to establish in this country complete freedom of thought, speech and publication, liberty for mind, in the widest toleration compatible with orderly progress and rational conduct.” Among other things it aims to terminate the clerically-dictated ban on divorce, the Censorship of Publications Act and the system of clerical management, and consequent sectarian teaching, in schools.

This is at a time of heightened clerical militancy and as soon the meeting place of the Society (from which it distributed the British journal The Freethinker) is exposed, it has to shift to private houses outside of Dublin. In 1936, Johnston and the other members disband the society and donate the proceeds to the government of the beleaguered Spanish Republic. He has become a recognised man of the left. In 1930 he joins the Irish Friends of Soviet Russia, and though never a party member, until as late as the 1950s he professes faith in a communist future.

During World War II he serves as a BBC war correspondent, reporting from El Alamein, through the Italian campaign, to Buchenwald and Adolf Hitler‘s Berghof. For this he is awarded an OBE, a mention in dispatches, and the Yugoslav Partisans Medal. He then becomes Director of Programmes for the television service.

Johnston later moves to the United States and teaches at Mount Holyoke College, Smith College and other universities. He keeps extensive diaries throughout his life, now deposited in the Library of Trinity College, Dublin, and these together with his many articles and essays give a distinctive picture of his times and the people he knew. Another archive of his work is held at the library of Ulster University at Coleraine. He receives honorary degrees from Ulster University and Mount Holyoke College and is a member of Aosdána.

Johnston and actress Shelah Richards are the parents of Jennifer Johnston, a respected novelist and playwright, and a son, Micheal. His second wife is the actress Betty Chancellor, with whom he has two sons, Jeremy and Rory.

Johnston dies on August 8, 1984, at Ballybrack, County Dublin, and is buried in St. Patrick’s Cathedral close. His epitaph is a quotation from The Old Lady Says “No!” – Emmet’s lines praising Dublin “the strumpet city.”

Johnston’s war memoir, Nine Rivers from Jordan, reaches The New York Times‘ Best Seller list and is cited in the World Book Encyclopedia‘s 1950s article on World War II under “Books to Read,” along with Winston Churchill, Dwight D. Eisenhower, et al. Joseph Ronsley cites an unnamed former CBS Vietnam War correspondent who called the book the “Bible,” carrying it with him constantly, “reading it over and over in the field during his tour of duty.” In a profile in The New Yorker in 1938, Clifford Odets is quoted as saying that the only playwrights he admires are John Howard Lawson, Sean O’Casey, and Denis Johnston.

The Denis Johnston Playwriting Prize is awarded annually by Smith College Department of Theatre for the best play, screenplay or musical written by an undergraduate at Smith College, Mount Holyoke College, Amherst College, Hampshire College and the University of Massachusetts Amherst. The prize is endowed by his former student at Smith, Carol Sobieski.


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Birth of Mary Manning, Novelist, Playwright & Film Critic

Mary Manning Howe Adams, Irish novelist, playwright and film critic, is born in Dublin on June 30, 1905.

Raised in Dublin, Manning goes to school in Morehampton House and Alexandra College, Dublin. She gets her theatre training in Sara Allgood‘s teaching class in the Abbey Theatre.

Prior to her career as a writer and filmmaker, Manning works as a film critic throughout the 1920s and 30s. She works as a film critic for The Irish Statesman for a year during that time until it goes out of business. She is known to disapprove of Hollywood‘s “unimaginable stories and its stereotypical portrayal of Ireland and the Irish.” She also works as a writer for the Gate Theatre. She adapts the short story “Guests of the Nation” for a film directed by Denis Johnston. She also helps found the Dublin Film Society in 1930 and co-founds the Gate Theatre arts magazine Motley in 1932.

From 1914 to 1926, Ireland experiences a surge of new film styles being produced, consisting of historical melodramas and romantic comedies. Following this, 1930 to 1935 births a second wave of industry produced silent films that are intended to be less cliche compared to the first wave. The films produced under the second wave are much more experimental and deal less with the commercial appeals of the first wave. There’s minimal information on how Manning specifically contributed to the second wave, however, it is stated that she plays an important role producing five out of the six films to come out of that wave.

In 1935, Manning moves to Boston where she marries Harvard Law School professor Mark De Wolfe Howe. They have three daughters, Fanny, Susan and Helen. When her husband dies, she returns to Dublin in 1967 and lives in Monkstown, County Dublin, for another ten years. During this time she writes for various publications such as The Hibernia Magazine, The Irish Times and The Atlantic. She later returns to live in Cambridge, Massachusetts.

Manning is a founder of the Poets’ Theatre in Cambridge, Massachusetts, and works as drama director at Radcliffe College during World War II. She marries Faneuil Adams of Boston, Massachusetts, in 1980.

Manning dies at the age of 93 on June 27, 1999, at Mt. Auburn Hospital in Cambridge, Massachusetts.


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Birth of Shelah Richards, Actress, Manager, Director & Producer

Shelah Geraldine Richards, Irish actress, manager, director and producer, is born in Dublin on May 23, 1903.

Richards is born to John William Richards, a lawyer, and Adelaide Roper, suffragist who had chained herself to the railings in St. Stephen’s Green. She goes to school at Alexandra College, Dublin, and after that she attends a finishing school in Paris. Though her family is not in the arts, her godmother is Beatrice Elvery. Shes attends Elvery’s salons with her parents as a child. She meets W. B. Yeats when she is sixteen. Her niece, Geraldine Fitzgerald, daughter of her sister, Edith Catherine Richards, is also one of Ireland’s pre-eminent actresses.

Richards’s acting career starts while attending the Dublin drama league and she is asked at short notice to replace Eileen Crowe in Juno and the Paycock, playing the role of Mary Boyle in the Abbey Theatre production. Richards gets the role of Nora Clithero in the 1926 production of The Plough and the Stars, Seán O’Casey‘s next production. This role means that she ends up with police protection for the duration of the run due to the disturbances the play engenders. Another important role is to take on playing the lead in The Player Queen by Yeats. Maire O’Neill had previously made the role her own and Yeats had let no one perform the part since then so taking on such a challenge is intimidating. Richards continues to take on leading roles with the Abbey Theatre but in 1926 she also begins to direct.

On December 28, 1928, Richards marries playwright Denis Johnston in St. Anne’s Church in Dublin. She tours the United States with the Abbey players in 1932 and with the Irish Players in the mid 1930s. A role in 1938 in Molly Keane‘s Spring Meeting starring Gladys Cooper and A. E. Matthews takes her to Broadway in New York City. War in Europe breaks out while the run is still going on and Richards is advised to stay in the United States. However, by then she has two children, producer Micheal and novelist Jennifer Johnston, so she returns to Dublin. There she runs her own theater company at the Olympia Theatre with Nigel Heseltine. Her marriage to Johnston, broken in 1938, ends with divorce in February 1945.

Richards next challenge is to take over the Abbey School of Acting. During her time there one of the designers she works with is Louis le Brocquy. With Siobhán McKenna she produces The Playboy of the Western World in Edinburgh to huge success allowing her to stage it in London and Dublin and later in Toronto‘s Library Theater. She brings Marcel Marceau to Dublin for the first time. She continues to act and has some film roles.

In 1961 Ireland launches its first television service, Raidió Teilifís Éireann. Richards is one of the first producers, recommended to the station by Hilton Edwards. She is one of the few women in the new station. The first Irish play produced during the opening week is directed by her and she is nominated for a Best Actress award in another production, Inquiry at Lisieux. She works as producer on a wide number of programs for the station including documentaries, soap operas and religious programming. Both Tolka Row and The Riordans are produced by her as well as Denis Johnston’s The Moon on the Yellow River, George Bernard Shaw‘s Arms and the Man and John Millington Synge‘s Riders to the Sea.

Richards retires from her RTÉ career in the early 1970s though she continues to raise funds for the Gate Theatre through the Edwards–MacLiammóir Playhouse Society. In 1983, for her 80th birthday, the Abbey puts on a party for her which includes a special rendition of “Nora” from The Plough and the Stars. Richards is the last living member of the original 1926 cast. The song is repeated at her funeral in 1985. She died in Ballybrack, County Dublin, on January 19, 1985. Her funeral is held in St. Anne’s Church in Dublin and she is cremated in Glasnevin Cemetery.


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Birth of Conor McPherson, Playwright, Screenwriter & Director

Conor McPherson, Irish playwright, screenwriter and director of stage and film, is born in Dublin on August 6, 1971. In recognition of his contribution to world theatre, he is awarded a Doctor of Literature, Honoris Causa, in June 2013 by the University College Dublin (UCD).

McPherson is educated at University College Dublin and begins writing his first plays there as a member of UCD Dramsoc, the college’s dramatic society, and goes on to found Fly by Night Theatre Company which produces several of his plays. He is considered one of the best contemporary Irish playwrights. His plays attract good reviews and have been performed internationally (notably in the West End and on Broadway).

The Weir opens at the Royal Court Theatre before transferring to the West End and Broadway. It wins the Laurence Olivier Award for Best New Play for 1999.

McPherson’s 2001 play, Port Authority, tells of three interwoven lives. The play is first produced by the Gate Theatre of Dublin but premiers at the New Ambassadors Theatre in London in February 2001, before moving to the Gate Theatre in April of that year. The production is directed by McPherson himself. New York‘s Atlantic Theater Company stages a production of the play in the spring of 2008, starring Brian d’Arcy James, and Tony Award winners John Gallagher, Jr. and Jim Norton. The New York Times critic Ben Brantley says, “I found myself holding on to what these actors had to say as if I were a five-year-old at bedtime being introduced to The Arabian Nights.”

McPherson also directs his play, Dublin Carol, at the Atlantic Theater Company, New York, in 2003.

McPherson’s 2004 play Shining City opens at the Royal Court Theatre and prompts The Daily Telegraph to describe him as “the finest dramatist of his generation.” A meditation on regret, guilt and confusion, the play is set entirely within the Dublin offices of a psychiatrist who himself has psychological secrets. While much of the play takes the form of monologues delivered by a patient, the everyday stories and subtle poignancy and humour make it a riveting experience. It subsequently opens on Broadway in 2006 and is nominated for two Tony Awards, including Best Play.

In September 2006, to great critical acclaim, McPherson makes his Royal National Theatre debut as both author and director with The Seafarer at the Cottesloe Theatre, starring Karl Johnson and Jim Norton, with Ron Cook as their poker-playing, Mephistophelean guest. Norton wins an Olivier Award for his performance while McPherson is nominated for both the Olivier and Evening Standard Theatre Awards for Best Play. In October 2007 The Seafarer opens on Broadway, keeping with it most of its creative team, including McPherson as director and both Jim Norton and Conleth Hill in their respective roles, with David Morse taking over as Sharky, and Ciarán Hinds portraying Mr. Lockhart. The production on Broadway receives some positive reviews including such statements as “McPherson is quite possibly the finest playwright of his generation” from Ben Brantley at The New York Times and “Succinct, startling and eerie, and the funniest McPherson play to date” from The Observer. Norton’s performance as Richard Harkin in The Seafarer at the National Theatre wins the 2007 Best Supporting Actor Laurence Olivier Award, and he wins a Tony Award in 2008 for Best Featured Actor in a play.

McPherson writes and directs a stage adaptation of Daphne du Maurier‘s story The Birds, which opens in September 2009 at the Gate Theatre in Dublin.

In 2011 the Royal National Theatre premiers his play The Veil at the Lyttleton Theatre. Described by The Times as “a cracking fireside tale of haunting and decay,” it is set in 1822 and marks McPherson’s first foray into period drama. This vein continues with a striking new translation of August Strindberg‘s The Dance of Death premiering at the Trafalgar Studios in London at the end of 2012. His version is described as “a profoundly seminal work” by The Guardian which also managed, The Times says, to be “shockingly funny.”

The Donmar Warehouse mounts a season of McPherson’s work in 2013 with a revival of The Weir and the world premiere of The Night Alive. The Weir is hailed once again as “a modern classic” by The Daily Telegraph and “a contemporary classic” by The Guardian while The Night Alive is nominated for the Laurence Olivier Award for Best Play and described as “another triumph” by The Independent on Sunday and “a masterstroke” by Time Out.

The Night Alive transfers to the Atlantic Theatre New York, where it is awarded the New York Drama Critics’ Circle Award for Best Play 2014, and also receives Best Play nominations from the Drama Desk and Lucille Lortell Awards.

McPherson’s play Girl from the North Country, where the dramatic action is broken up by 20 songs by Bob Dylan, opens at London’s The Old Vic on July 26, 2017. The play is set in a hotel in 1934 in Duluth, Minnesota, the birthplace of Dylan. The project begins when Dylan’s office approaches McPherson and suggests creating a play using Dylan songs. The drama receives favorable reviews.

The film of his first screenplay, I Went Down, is critically acclaimed and a great commercial success. His first feature film as a director, Saltwater, wins the CICAE award for Best Film at the Berlin International Film Festival. His second feature film is The Actors, which he wrote and directed.

He is the director and co-writer of The Eclipse, a film which has its world premiere at the 2009 Tribeca Film Festival. It is picked up for distribution by Magnolia Pictures and is released in U.S. cinemas in the spring of 2010. The film subsequently wins the Melies D’Argent Award for Best European Film at the Sitges Film Festival in Spain, the world’s premier horror and fantasy genre festival. At The 2010 Irish Film and television Awards The Eclipse wins the awards for Best Film and Best Screenplay. Ciarán Hinds wins the Best Actor Award at the Tribeca Film Festival for his portrayal of Michael Farr.

In 2013, McPherson writes the last episode of Quirke. In 2020, he co-writes the feature film adaptation of the Artemis Fowl books by Eoin Colfer. In response to the COVID-19 pandemic, it is released digitally worldwide on Disney+ on June 12, 2020.


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Death of John Cowley, Actor & Animal Welfare Activist

John Ultan Cowley, actor and animal welfare activist, dies on February 13, 1998, in Navan, County Meath. He is best known for his role as pater familias, Tom Riordan, in the long-running RTÉ Television drama series, The Riordans.

Cowley is born September 8, 1923, in Ardbraccan, Navan, County Meath, the third child of Patrick Cowley, a small farmer, and his wife Margaret. Educated at the local national school, he leaves at the age of thirteen to work on the family farm. He also works with a horse and cart drawing stones from a local quarry. He is an enthusiastic amateur actor and learns his trade in the fit ups of the forties and fifties. Moving to England, he gets parts in television shows such as Z-Cars and No Hiding Place. During the 1950s and 60s, he is also very active in theatre, and has a long association with the Globe theatre company in Dún Laoghaire, which he joins in 1956. He also plays in the Abbey, Gate and Olympia theatres, travels Europe in 1960–61 with John Millington Synge‘s The Playboy of the Western World, and stars in the early Hugh Leonard play I Loved You Last Summer.

Cowley is best known for his portrayal of the bluff countryman Tom Riordan in RTÉ’s rural drama, The Riordans. First airing on January 4, 1965, it runs until May 28, 1979. One of RTÉ’s most successful programmes, it has a huge audience and a considerable social impact through its treatment of controversial topics such as divorce, contraception, and mixed marriages. When it ends in 1979 Cowley is bitterly disappointed and accuses RTÉ of throwing him on the scrap heap. After this he continues to work in theatre and has occasional appearances on screen, including a part in Jim Sheridan‘s The Field (1991) and the British espionage television series, The Avengers.

Cowley also writes poetry and a play, A Fool and His Money. His other hobbies include a passion for history (particularly the 1798 period), hurling, Gaelic football, boxing, and swimming. A patron and a founder member of the Irish Council Against Blood Sports in 1967, he is a leading opponent of hare coursing, popularising the cause through an appearance on The Late Late Show in 1967.

In 1953 Cowley marries Annie D’Alton, an actor who later appears with him in The Riordans, two years after the death of her first husband, the dramatist Louis D’Alton. They have one son.

Cowley dies in Navan on February 13, 1998. His wife precedes him in death in March 1983.


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Death of Ria Mooney, Stage & Screen Actress

Ria Mooney, Irish stage and screen actress, artistic director of the Abbey Theatre (1948-1963) and director of the Gaiety School of Acting, dies in Dublin on January 3, 1973. She is the first female producer at the Abbey Theatre.

Mooney is born in 1903 in Rathmines, a suburb of Dublin. She starts acting as a child, sings with the Rathmines and Rathgar Musical Society as a teenager, and studies art at the Dublin Metropolitan School of Art. She is invited to join the Abbey Theatre in 1924 and acts alongside some of the great names of the day, such as Cyril Cusack, Maire O’Neill and F. J. McCormick in numerous plays. She plays the part of Rosie Redmond in The Plough and the Stars on February 8, 1926, when the players are attacked during a riot in the theatre. She goes on to play prominent roles in the period’s most important Irish plays by Sean O’Casey, Teresa Deevy, Paul Vincent Carroll, George Shiels, Lennox Robinson, Lady Gregory and John Millington Synge.

After spells abroad and at the Gate Theatre, Mooney is put in charge of the new Peacock Theatre and the Abbey Experimental Theatre Company at the Abbey in 1937. Her memoirs allude to an affair with the poet F. R. Higgins who is on the board of the Abbey. Ria and Higgins discover they are related, as third cousins, due to a chance conversation when they are both travelling to the United States together. She is shocked at his sudden death of a heart attack on January 6, 1941.

After Higgins’ death Ernest Blythe is named managing director. Mooney leaves the Abbey in 1944 to direct the Gaiety School of Acting. In January 1948 she becomes resident producer at the Abbey. It is a difficult time for the Abbey, and she has to contend with Blythe, a demanding manager with whom she does not see eye-to-eye. An unexpected blow is the death of F. J. McCormick on April 24, 1947. On July 17, 1951, fire destroys the Abbey Theatre. The company leases the old Queen’s Theatre in September and continues in residence there until 1966. She takes the opportunity to employ younger actors, many of whom she knows from her time teaching at the Gaiety. Among them are Ronnie Masterson, Joan O’Hara, Ray McAnally, Philip O’Flynn, Angela Newman, Bill Foley and Doreen Madden. Between 1948 and 1963, seventy-five new plays are produced at the two Abbey locations, with most of these directed by Mooney, and most receive excellent reviews from the Dublin critics.

In 1947 Mooney helps with the setting up of the Radio Éireann Players.


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The Rotunda Hospital Opens in Dublin

The Rotunda Hospital, legally the Hospital for the Relief of Poor Lying-in Women, Dublin, is opened by the Lord Lieutenant of Ireland, John Russell, 4th Duke of Bedford, on December 8, 1757. It is a maternity hospital on Parnell Street in Dublin, now managed by RCSI Hospitals. The eponymous Rotunda in Parnell Square is no longer a part of the hospital complex.

The hospital is founded by Bartholomew Mosse, a surgeon and midwife who is appalled at the conditions that pregnant women have to endure, in George’s Lane in March 1745. It is granted by Royal Charter on December 2, 1756 by King George II. Lying-in is an archaic term for childbirth, referring to the month-long bed rest prescribed for postpartum confinement. The venture is very successful and Mosse raises money through concerts, exhibitions and even a lottery to establish larger premises. The hospital moves to new premises, designed by Richard Cassels, where it becomes known as “The New Lying-In Hospital” in December 1757. The Church of Ireland Chapel is opened in 1762. Open to the public, it provides a healthy income to the hospital annually, Dr. Mosse successfully encouraging wealthy Protestant Dubliners to attend service there.

Records indicate that around 1781, “when the hospital was imperfectly ventilated, every sixth child died within nine days after birth, of convulsive disease; and that after means of thorough ventilation had been adopted, the mortality of infants, within the same, in five succeeding years, was reduced to one in twenty.” This issue is not limited to the Lying-In-Hospital. In the era, ventilation improvement is a general issue in patient care, along with other issues of sanitation and hygiene, and the conditions in which surgeons such as Robert Liston in Britain and elsewhere, have to operate. Florence Nightingale famously works on the design of safe and healthy hospitals.

The first Caesarean section in Ireland is undertaken at the hospital in 1889.

The eponymous Rotunda is a rotunda designed by James Ensor, which is completed just in time for a reception hosted by James FitzGerald, Marquess of Kildare, in October 1767. The extensive Rotunda Rooms, designed by Richard Johnston and built adjacent to the rotunda, are completed in 1791. By the early 19th century the hospital has become known as the Rotunda Hospital, after its most prominent architectural feature. The Rotunda becomes a theatre, where the Irish Volunteers first public meeting is held in 1913, and later the Ambassador Cinema. The Rotunda Rooms now house the Gate Theatre.

The Rotunda Hospital, as both a maternity hospital and also as a training centre (affiliated with Trinity College, Dublin) is notable for having provided continuous service to mothers and babies since inception, making it the oldest continuously operating maternity hospital in the world. It is estimated that over 300,000 babies have been born there.

In 2000 the Rotunda is one of two Dublin maternity hospitals found to have illegally retained organ tissue from babies without parental consent. The tissue removed in postmortem examinations is retained for some years. The Rotunda Hospital admits that that permission should have been sought for this process to be allowed to take place.

A medical negligence award is approved in 2020 for a young boy who develops cerebral palsy as a result of complications with his delivery at the hospital in 2004.


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Death of Cyril Cusack, Irish Film & Television Actor

Cyril James Cusack, Irish actor who appears in numerous films and television productions in a career lasting more than 70 years, dies in Chiswick, London, England on October 7, 1993. In 2020, he is listed at number 14 on The Irish Times‘s list of Ireland’s greatest film actors.

Cusack is born in Durban, Natal, South Africa, on November 26, 1910. His mother, Alice Violet (née Cole), is an English Cockney actress and chorus girl, and his father, James Walter Cusack, is an Irish mounted policeman in the Colony of Natal, South Africa. His parents separate when he is young and his mother takes him to England, and then to Ireland. His mother and her partner, Brefni O’Rorke, join the O’Brien and Ireland Players.

Cusack makes his first stage performance at the age of seven. He is educated at Newbridge College in Newbridge, County Kildare, then reads law at University College Dublin. He leaves without a degree and joins the Abbey Theatre in 1932. Between then and 1945, he performs in over 60 productions, particularly excelling in the plays of Seán O’Casey. He also performs Irish playwright Teresa Deevy‘s plays Katie Roche and The King of Spain’s Daughter. In 1932 he also joins the Gate Theatre company, appearing with them in many notable productions over the years. In 1947, he forms his own company and stages productions in Dublin, Paris and New York.

In 1963, Cusack joins the Royal Shakespeare Company in London and appears there for several seasons. By this stage he has established a successful career in films, which had started at the age of eight. Also in 1963, he wins a Jacob’s Award for his performance in the Telefís Éireann production of Triptych. He receives honorary degrees in 1977 and 1980 from the National University of Ireland (NUI) and the University of Dublin respectively.

Cusack, who is bilingual in English and Irish, has a leading role in the controversial Irish language film Poitín (1977). He is also offered the role of the First Doctor in Doctor Who.

Cusack’s last stage performance is in Anton Chekhov‘s Three Sisters (1990), in which three of his daughters play the sisters.

Cusack is twice married, firstly to Mary Margaret “Maureen” Kiely (1920–1977), on April 5, 1945. Together they have five children: Paul (1946), Sinéad (1948), Sorcha (1949), Niamh (1959), and Pádraig (1962). He and his second wife, Mary Rose Cunningham (1979–1993), have one daughter, Catherine (1968).

In later life, Cusack becomes a campaigner for conservative causes in Ireland, notably in his opposition to abortion, where he becomes a frequent letter-writer to the main liberal Irish newspaper, The Irish Times. Regarding his Catholic faith, he comments “Religion promotes the divine discontent within oneself, so that one tries to make oneself a better person and draw oneself closer to God.” His religious credentials come under scrutiny following his death and the revelation that he had been unfaithful in his first marriage, with a long-term mistress, Mary Rose Cunningham. He marries Cunningham following his first wife’s death.

Cusack is a longtime friend of Attorney General of Ireland, Chief Justice of Ireland and fifth President of Ireland Cearbhall Ó Dálaigh, whom he got to know when they were students at University College Dublin in the early 1930s.

On October 7, 1993, Cusack dies at the age of 82 at home in Chiswick, Greater London, from amyotrophic lateral sclerosis (ALS). His acting career had lasted 75 years.

Cusack is the maternal grandfather of Irish Socialist Workers Party Teachta Dála (TD) Richard Boyd Barrett and English actor Max Irons.


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Birth of Composer Roger Doyle

Roger Doyle, composer best known for his electroacoustic work and for his piano music for theatre, is born in Malahide, County Dublin on July 17, 1949. As a teenager he is influenced by Igor Stravinsky, Claude Debussy, Pierre Henry and The Beatles.

Doyle studies piano from the age of nine. After leaving school he attends the Royal Irish Academy of Music for three years, studying composing, during which time he is awarded two composition scholarships. He also studies at the Institute of Sonology at Utrecht University in the Netherlands and the Finnish Radio Experimental Music Studio on scholarships.

As a performer Doyle begins as a drummer with the groups Supply Demand and Curve and Jazz Therapy, playing free improvisatory and fusion music. He releases his first LP, Oizzo No, in 1975, and his second, Thalia, in 1978 on CBS Classics. Rapid Eye Movements (1981) is his third LP, and his attempt at a “masterpiece before the age of thirty.”

Doyle begins his magnum opus, Babel, in 1989, a 5-CD set that takes ten years to compose. Each track corresponds to a ‘room’ or place within an imagined giant tower city, a kind of aural virtual reality. It celebrates the multiplicity of musical language. One hundred three pieces of music are composed for it and he works with 48 collaborators. From 2002 to 2007 he works on the three-volume electronic work Passades. Twenty-seven albums of his music have been released. He has also composed scores for several films including Budawanny, Pigs and the documentary Atlantean by Bob Quinn.

In 2013 Doyle founds META Productions with opera director Eric Fraad, committed to exploring new forms of opera for the 21st century. Their first production is the electronic opera Heresy. Originally titled The Death by Fire of Giordano Bruno, a 40-minute ‘in development’ version is performed as part of a fully staged concert of his works at both the Kilkenny Arts Festival and in the Dublin Theatre Festival 2013. The two hour Heresy is presented as part of ‘Project 50’, a season of work celebrating 50 years of Project Arts Centre in November 2016. The opera is based on episodes from the life and works of Giordano Bruno. It is broadcast on RTÉ Lyric fm in September 2017 and released as a double album on Heresy records in 2018. Recent album releases are The Thousand Year Old Boy (2013), Time Machine (2015), Frail Things In Eternal Places (2016), and The Heresy Ostraca (2019).

Doyle founds the music theatre company Operating Theatre with Irish actress Olwen Fouéré. They produce many important site-specific productions, including Passades, Here Lies and Angel/Babel, all featuring his music as an equal partner in the theatrical environment. Operating Theatre performs in conventional and site-specific venues in Ireland, England, the Netherlands, France, Venezuela and the United States and releases several records. With Icontact Dance Company, he produces Tower of Babel – Delusional Architecture, featuring as much of Babel as he has composed by that point. This work is originally performed in a whole wing of the Irish Museum of Modern Art in 1992. Arguably his most famous theatre work is the music he wrote and performs on piano onstage for the Steven Berkoff version of the Oscar Wilde play Salome which plays in Dublin‘s Gate Theatre, in London‘s West End and on three world tours. The Irish Times notes that “his name is revered in the realm of theatre.”

Doyle’s works Four Sketches and All the Rage are awarded second and first prizes in the Dublin Symphony Orchestra composition competition in 1970 and 1974 respectively. He has won the Programme Music Prize (1997) and the Magisterium Award (2007) at the Bourges International Electro-Acoustic Music Competition in Bourges, France. He also receives the Irish Arts Council‘s Marten Toonder Award in 2000 in recognition of his innovative work as a composer. He is a member of Aosdána, and has recently been made Adjunct Professor of Music at Trinity College Dublin.

President Michael D. Higgins confers the honour of Saoi on Doyle on August 16, 2019 by placing a gold torc around his neck. This is the highest honour of Aosdána that can be bestowed by fellow Aosdána members. No more than seven living members can be so honoured at one time. The Irish Times describes his album Chalant – Memento Mori as “a richly rewarding work that runs the full, glorious gamut of human emotion.” It is Album of the Week on March 30, 2012 in the same paper.


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Birth of Tony Award Nominated Actor Milo O’Shea

Milo Donal O’Shea, Irish actor twice nominated for the Tony Award for Best Actor in a Play for his performances in Staircase (1968) and Mass Appeal (1982), is born in Dublin on June 2, 1926.

O’Shea is raised in Dublin and educated by the Christian Brothers at Synge Street CBS, along with his friend Donal Donnelly. His father is a singer and his mother a ballet teacher. Because he is bilingual, he performs in English-speaking theatres and in Irish in the Abbey Theatre Company. At age 12, he appears in George Bernard Shaw‘s Caesar and Cleopatra at the Gate Theatre. He later studies music and drama at the Guildhall School of Music and Drama in London and is a skilled pianist.

O’Shea is discovered in the 1950s by Harry Dillon, who runs the 37 Theatre Club on the top floor of his shop, the Swiss Gem Company, 51 Lower O’Connell Street, Dublin. Early in his career he tours with the theatrical company of Anew McMaster.

O’Shea begins acting on the stage, then moves into film in the 1960s. He becomes popular in the United Kingdom, as a result of starring in the BBC sitcom Me Mammy alongside Yootha Joyce. In 1967–68 he appears in the drama Staircase, co-starring Eli Wallach and directed by Barry Morse, which stands as Broadway‘s first depiction of homosexual men in a serious light. For his role in that drama, he is nominated for the Tony Award for Best Actor in a Play in 1968.

O’Shea stars as Leopold Bloom in Joseph Strick‘s 1967 film version of Ulysses. Among his other memorable film roles in the 1960s are the well-intentioned Friar Laurence in Franco Zeffirelli‘s Romeo and Juliet (1968) and the villainous Dr. Durand Durand in Roger Vadim‘s counterculture classic Barbarella (1968). In 1984, he reprises his role as Dr. Durand Durand, credited as Dr. Duran Duran, for the 1985 Duran Duran concert film Arena (An Absurd Notion), since his character inspired the band’s name. He plays Inspector Boot in the 1973 Vincent Price horror/comedy film Theatre of Blood.

O’Shea is active in American films and television, such as his memorable supporting role as the trial judge in the Sidney Lumet-directed movie The Verdict (1982) with Paul Newman, an episode of The Golden Girls in 1987, and portraying Chief Justice of the United States Roy Ashland in the television series The West Wing. In 1992, he guest stars in the season 10 finale of the sitcom Cheers, and, in 1995, in an episode of the show’s spin-off Frasier. He appears in the pilot episode of Early Edition as Sherman.

Other stage appearances include Mass Appeal (1981) in which he originates the role of Father Tim Farley, for which he is nominated for the Tony Award for Best Actor in a Play in 1982, the musical Dear World in which he plays the Sewer Man opposite Angela Lansbury as Countess Aurelia, Corpse! (1986) and a 1994 Broadway revival of Philadelphia, Here I Come!.

O’Shea receives an honorary degree from Quinnipiac University in 2010.

O’Shea’s first wife is Maureen Toal, an Irish actress, with whom he has two sons, Colm and Steven. They divorce in 1974. His second wife is Irish actress Kitty Sullivan, whom he meets in Italy, where he is filming Barbarella and she is auditioning for Man of La Mancha. The couple occasionally act together, such as in a 1981 Broadway revival of My Fair Lady. O’Shea and Sullivan have no children together. They both adopt United States citizenship and reside in New York City, where they both live from 1976.

O’Shea dies on April 2, 2013, in New York City following a short illness at the age of 86. He is buried at Deans Grange Cemetery.