Cusack becomes a national school teacher, and after teaching in various parts of Ireland becomes a professor in 1874 at Blackrock College, then known as the French College. In 1877, he establishes his own Civil Service Academy, Cusack’s Academy, in Dublin which proves successful in preparing pupils for the civil service examinations.
A romantic nationalist, Cusack is also “reputed” to have been associated with the Fenian movement. He is active in the Gaelic revival as a member of the Society for the Preservation of the Irish Language which is founded in 1876, and later the Conradh na Gaeilge who in 1879 breaks away from the Society. Also in 1879, he meets Pat Nally, who is a member of the Irish Republican Brotherhood and a leading nationalist and athlete. He finds that Nally’s views on the influence of British landlordism on Irish athletics are the same as his. He recalls how both Nally and himself while walking through the Phoenix Park in Dublin seeing only a handful of people playing sports in the park so depressed them that they agreed it was time to “make an effort to preserve the physical strength of [their] race.” Nally organises a National Athletics Sports meeting in County Mayo in September 1879 which is a success, with Cusack organising a similar event which is open to ‘artisans’ in Dublin the following April.
Butt is called to the Irish bar in 1838 and the English bar in 1859. Intermittently from 1852 he represents, successively, one English and two Irish constituencies in the House of Commons. In 1848 he undertakes the defense of the Young Ireland leaders, who are charged with high treason for their abortive insurrection that year. From 1865 to 1869 he is the principal defense counsel for the imprisoned leaders of the Fenians (Irish Republican, or Revolutionary, Brotherhood).
Despite his legal work for the Fenians, Butt, who is basically a conservative, fears the consequences of a successful Fenian revolt. Disillusioned, however, by the British government’s failure to relieve the Irish Great Famine of the late 1840s, he becomes convinced that a native parliament is required for Irish land reform and other needs. In May 1870 he calls for an Irish Parliament subordinate to the imperial Parliament at Westminster, and later that year he forms the Home Government Association. From 1871 he quickens the Irish nationalist agitation in the House of Commons but gradually loses his leadership, partly because he disapproves of Parnell’s tactics of obstructing routine parliamentary business.
Butt amasses debts and pursues romances. It is said that at meetings he is occasionally heckled by women with whom he had fathered children. He is also involved in a financial scandal when it is revealed that he had taken money from several Indian princes to represent their interests in parliament.
Isaac Butt dies on May 5, 1879, in Clonskeagh in Dublin. His remains are brought by train to Stranorlar, County Donegal, where he is buried in a corner of the Church of Ireland cemetery beneath a tree by which he used to sit and dream as a boy. His grave has been restored and the memorial now includes a wreath.
Despite his chaotic lifestyle and political limitations, Butt is capable of inspiring deep personal loyalty. Some of his friends, such as John Butler Yeats and the future Catholic Bishop of Limerick, Edward Thomas O’Dwyer, retain a lasting hostility towards Parnell for his role in Butt’s downfall.
In May 2010 the Church of Ireland parishes of Stranorlar, Meenglass and Kilteevogue instigate an annual memorial Service and Lecture in Butt’s honour, inviting members of the professions of law, politics and journalism to reflect aspects of his life. Speakers have included Dr. Joe Mulholland, Senator David Norris, Dr. Chris McGimpsey and Prof. Brian Walker.
(Pictured: Isaac Butt, portrait by John Butler Yeats)
The style of trompe-l’œil painting that Harnett develops is distinctive and inspired many imitators, but it is not without precedent. A number of Dutch Golden Age painters, Pieter Claesz for instance, had specialized in tabletop still life of astonishing verisimilitude. Raphaelle Peale, working in Philadelphia in the early 19th century, pioneers the form in America. What sets Harnett’s work apart, besides his enormous skill, is his interest in depicting objects not usually made the subject of a painting.
Harnett paints musical instruments, hanging game, and tankards, but also paints the unconventional Golden Horseshoe (1886), a single rusted horseshoe shown nailed to a board. He paints a casual jumble of second-hand books set on top of a crate, Job Lot, Cheap (1878), as well as firearms and even paper currency. His works sell well, but they are more likely to be found hanging in a tavern or a business office than in a museum, as they did not conform to contemporary notions of high art.
Harnett spent the years 1880–1886 in Europe, staying in Munich from 1881 until early 1885. His best-known paintings, the four versions of After the Hunt, are painted between 1883 and 1885. Each is an imposing composition of hunting equipment and dead game, hanging on a door with ornate hinges at the right and keyhole plate at the left. These paintings, like the horseshoe or currency depictions mentioned earlier, are especially effective as trompe-l’œil because the objects occupy a shallow space, meaning that the illusion is not spoiled by parallax shift if the viewer moves.
Overall, Harnett’s work is most comparable to that of the slightly younger John F. Peto. The two artists know each other, and a comparison can be made between two paintings featuring violins. Harnett’s Music and Good Luck from 1888 shows the violin hanging upright on a door with ornate hinges and with a slightly torn piece of sheet music behind it. The elements are arranged in a stable, deliberate manner. Peto’s 1890 painting shows the violin hanging askew, as well as chipped and worn, with one broken string. The sheet music is dog-eared and torn around the edges and placed haphazardly behind the instrument. The hinges are less ornate, and one is broken. Harnett’s objects show signs of use but are well preserved, while Peto’s more humble objects are nearly used up.
Crippling rheumatism plagues Harnett in his last years, reducing the number but not the quality of his paintings. He dies in New York City on October 29, 1892. Other artists who paint similar compositions in Harnett’s wake include his contemporary John Haberle and successors such as Otis Kaye and Jefferson David Chalfant.
In 1846, William Smith O’Brien, alongside John Mitchel, form the Irish Confederation with the Young Ireland movement which is dedicated to direct action against the British. Two short years later they are already calling for open rebellion, despite the fact that Ireland is now in the third year of the devastating famine which is leaving millions of the country’s people in brutal starvation.
Just a year after Black ‘47, the worst year of the Great Famine, the Young Ireland movement is hoping to uprise and overthrow the British but with the starving Irish just struggling to stay alive, dying or emigrating in their thousands, their revolutionary talk does little to act as a call to arms for the average Irish person.
Whereas the mistreatment of the Irish people by the British had rightly led to an increased radicalism in Irish nationalist movement, without the general Irish population able to think of anything other than staying alive, it seems doomed to failure, especially after the arrest of Mitchel before the rebellion is even started. He is convicted of sedition and transported to a penal colony in Australia before the revolt begins, a move that leads to an increased furor to revolt among the leaders that remain.
On July 29, 1848, O’Brien launches his rebellion. After being chased by a force of Young Irelanders and their supporters, a Royal Irish Constabulary unit takes refuge in a house and holds those inside as hostages.
It was evident to the rebels that the position of the police is almost impregnable. When a party of the Cashel police are seen arriving over Boulea Hill, the rebels attempt to stop them even though they are low on ammunition. The police continue to advance, firing up the road. It becomes clear that the police in the house are about to be reinforced and rescued. The rebels then fade away, effectively terminating both the era of Young Ireland and Repeal, but the consequences of their actions follow them for many years. This event is colloquially known as “The Battle of Widow McCormack’s cabbage plot.”
In O’Brien’s subsequent trial, the jury finds him guilty of high treason. He is sentenced to be hanged, drawn, and quartered. Petitions for clemency are signed by 70,000 people in Ireland and 10,000 people in England. On June 5, 1849, the sentences of O’Brien and other members of the Irish Confederation are commuted to transportation for life to Van Diemen’s Land (Tasmania in present-day Australia). In 1854, after five years in Van Diemen’s Land, O’Brien is released on the condition he never return to the United Kingdom. He settled in Brussels.
(Pictured: The attack on the Widow McCormack’s house on Boulagh Common, Ballingarry, County Tipperary)
Hugh O’Brien, the mayor of Boston from 1884-1888, is born in Ireland on July 13, 1827. He is notable as Boston’s first Irish-born mayor, immigrating to the United States in the early 1830s. He is the editor of the Shipping and Commercial List and serves as a Boston alderman from 1875-1883.
O’Brien moves with his family to Boston when he is five years old, well before the potato famine sends waves of impoverished Irish men and women to Boston. He spends seven years in the Boston public schools and is apprenticed to a printer at the age of 12.
Working first for the newspaper Boston Courier and then for a Boston printer, O’Brien excels at the printing business, making foreman when he is only fifteen. He starts his own publication, Shipping and Commercial List, and is soon successful enough to become a respected member of the Boston business elite.
O’Brien’s business success draws the attention of Patrick Maguire, publisher of The Republic newspaper and the unofficial head of Irish politics in Boston. He orchestrates O’Brien’s election to the city’s Board of Alderman.
Boston has long been controlled by native-born Protestants, generally called “Yankees,” most of whom have a stereotypical view of Irish immigrants as poor, ignorant, undisciplined, and under the thumb of the Catholic Church. But the Irish-born population of Boston is exploding, making up over 40% of the city’s population by 1885.
By 1883, Maguire decides that the time has come for Boston to elect an Irish-born mayor. He devises a two-part strategy. O’Brien will be the public face of the campaign, an able public official who criticizes the previous administration for increasing taxes. O’Brien’s pledge to reduce the tax rate without cutting city services appeals to the Yankee tradition of frugality. Meanwhile, behind the scenes, Maguire develops a system of Irish ward bosses who visit each household in the neighborhood and make sure that every eligible Irishman votes for O’Brien. O’Brien sweeps 15 of Boston’s 25 wards and, on December 10, 1884, becomes the first Irish Catholic to be elected Mayor of Boston. He is sworn in on January 5, 1885.
O’Brien surprises the opposition by governing the city in a conservative and honest way during his four terms in office. He cuts tax rates as promised. He also widens streets, establishes the commission that hires Frederick Law Olmsted to design the Emerald Necklace park system, and builds the new Boston Public Library in Copley Square. He disarms his critics by enlisting Yankee and Republican businessmen to serve on the committees overseeing these projects.
Violet Florence Martin, Irish author, is born at Ross House in Connemara, County Galway on June 11, 1862. She is the co-author of a series of novels with her cousin Edith Somerville under the pen name of Martin Ross in the late nineteenth and early twentieth centuries.
Martin is the youngest of sixteen children of James Martin of Ross (1804–1872). The Martin family, a branch of the Martyn family – one of the Tribes of Galway – had settled at Ross by the early seventeenth century, having previously inhabited the town of Galway for some three hundred years. Her father is a Protestant, his grandfather having converted from the Catholic faith in order to retain the family estates under the Penal Laws. Nevertheless, each child of the family is secretly ‘baptised’ by the family servants.
Martin is a kinswoman of Richard Martin and her contemporary, Edward Martyn, two other notable members of the tribe. Her older brother, Robert Jasper Martin, is a noted songwriter and a well-regarded member of the Tory party in London. She shares a great-grandmother with the writer Maria Edgeworth, whose use of Irish vernacular speech she follows in her work.
Martin’s father manages to save both his estate and his tenants during the Great Famine boasting that not one of his people died during the disaster, but at the cost of bankruptcy. Following his death in 1872, the family moves to Dublin and only returns to Ross in 1888 following revelations of financial fraud of the estate by their agent.
Martin and Edith Somerville are second cousins. They originally meet on January 17, 1886, at Castletownshend, after which they become lifelong companions and literary partners. They come to share a home in Drishane, County Cork. In 1889, Violet adopts the pseudonym Martin Ross, which comprises her surname and the name of her ancestral home. Thus, the authors are called Somerville and Ross. Their works include The Real Charlotte (1889), Some Reminiscences of an Irish R.M. and In the Vine Country.
Martin is a convinced Irish Unionist, in opposition to Somerville’s open nationalism. Both she and her brother Robert are well-regarded members of the literary circle in Irish unionism. However, unlike her brother, Martin is a convinced suffragette, becoming vice-president of the Munster Women’s Franchise League. While on friendly terms with the leading members of the Gaelic literary revival such as W.B. Yeats and Lady Gregory, she objects to their romantic version of Irish peasantry. She is on good terms with Edward Martyn, partner of Gregory and Yeats – and her kinsman – and shares his love of the Irish language and culture.
Martin is seriously injured in a riding accident in November 1898, from which she never fully recovers. This is a contributing factor to her death in Drishane, County Cork, on December 21, 1915. Edith Somerville continues to write under their joint literary names, claiming that they are still in contact. The two women leave thousands of letters and 116 volumes of diaries, detailing their lives, much of them yet unpublished. Edith dies at Castletownshend in October 1949, aged 91, and is buried alongside Violet Florence Martin at Saint Barrahane’s Church, Castletownsend, County Cork.
Edgeworth is born at Black Bourton, Oxfordshire, England on January 1, 1768. She is the second child of Richard Lovell Edgeworth and Anna Maria Edgeworth (née Elers). She spends her early years with her mother’s family in England, until her mother’s death when Maria is five. When her father marries his second wife Honora Sneyd in 1773, she goes with him to his estate, Edgeworthstown, in County Longford. There, she assists her father in managing his estate. In this way she acquires the knowledge of rural economy and of the Irish peasantry that is to become the backbone of her novels.
Domestic life at Edgeworthstown is busy and happy. Encouraged by her father, Edgeworth begins her writing in the common sitting room, where the 21 other children in the family provide material and audience for her stories. She publishes them in 1796 as The Parent’s Assistant. Even the intrusive moralizing, attributed to her father’s editing, does not wholly suppress their vitality, and the children who appear in them, especially the impetuous Rosamond, are the first real children in English literature since William Shakespeare.
Her first novel, Castle Rackrent (1800), written without her father’s interference, reveals her gift for social observation, character sketch, and authentic dialogue and is free from lengthy lecturing. It establishes the genre of the “regional novel,” and its influence is enormous. Sir Walter Scott acknowledges his debt to Edgeworth in writing Waverley. Her next work, Belinda (1801), a society novel unfortunately marred by her father’s insistence on a happy ending, is particularly admired by Jane Austen.
Edgeworth never marries. She has a wide acquaintance in literary and scientific circles. Between 1809 and 1812 she publishes her Tales of Fashionable Life in six volumes. They include one of her best novels, The Absentee, which focuses attention on a great contemporary abuse in Irish society: absentee English landowning.
Before her father’s death in 1817 she publishes three more novels, two of them, Patronage (1814) and Ormond (1817), of considerable power. After 1817 she writes less. She completes her father’s Memoirs (1820) and devotes herself to the estate. She enjoys a European reputation and exchanges cordial visits with Scott. Her last years are saddened by the Irish famine of 1846, during which she works for the relief of stricken peasants.
After a visit to see her relations in Trim, Maria, now in her eighties, begins to feel heart pains and dies suddenly of a heart attack in Edgeworthstown on May 22, 1849. She is laid to rest in a vault at Edgeworthstown Church.
The feminist movement of the 1960s leads to the reprinting of her Moral Tales for Young People, 5 vol. (1801) and Letters for Literary Ladies (1795) in the 1970s. Her novels continue to be regularly reprinted in the 21st century.
De Valera knows of O’Neill’s reputation as a historian and asks him to undertake the project. A contract is signed with the publishers in 1963, and O’Neill moves to Áras an Uachtaráin to work on the book. He is later joined by Lord Longford as co-author.
O’Neill’s other works include a biography in Irish of James Fintan Lalor and a major study of the Great Famine, which establishes his reputation as a historian.
After the completion of the de Valera work, O’Neill is appointed lecturer and later professor of history in University College, Galway. On his retirement, he returns to live in Dublin, where he renews his association with the National Library, becoming a strong supporter of its expansion.
O’Neill is survived by his wife, Marie, and six children. His funeral Mass takes place at St. Joseph’s Church on March 5, followed by his interment at Shanganagh Cemetery.
(From: “Biographer of de Valera dies at 74,” The Irish Times, Monday, March 4, 1996)
Kane is born at 48 Henry Street, Dublin on September 24, 1809 to John and Eleanor Kean (née Troy). His father is involved in the Irish Rebellion of 1798 and flees for a time to France where he studies chemistry. Back in Dublin, Kean (now Kane) founds the Kane Company and manufactures sulfuric acid.
Kane studies chemistry at his father’s factory and attends lectures at the Royal Dublin Society as a teenager. He publishes his first paper in 1828, Observations on the existence of chlorine in the native peroxide of manganese, in the London Quarterly Journal of Science, Literature and Art. The following year, his description of the natural arsenide of manganese results in the compound being named Kaneite in his honour. He studies medicine at Trinity College, Dublin, graduating in 1834 while working in the Meath Hospital. He is appointed Professor of Chemistry at the Apothecaries’ Hall, Dublin in 1831, which earns him the moniker of the “boy professor.” In the following year he participates in the founding of the Dublin Journal of Medical & Chemical Science.
Kane publishes a three-volume Elements of Chemistry in 1841–1844, and a detailed report on the Industrial Resources of Ireland. This includes the first assessment of the water power potential of the River Shannon, which is not realised until the 1920s at Ardnacrusha.
Kane becomes a political adviser on scientific and industrial matters. He serves on several commissions to enquire into the Great Irish Famine, along with Professors Lindley and Taylor, all more or less ineffective. His political and administrative work means that his contribution to chemistry ceases after about 1844.
Kane’s work on Irish industry leads to his being appointed director of the Museum of Irish Industry in Dublin in 1845. The Museum is a successor to the Museum of Economic Geology, and is housed at 51 St. Stephen’s Green.
Also in 1845 Kane becomes the first President of Queen’s College, Cork (now University College Cork). He does not spend a lot of time in Cork as he has work in Dublin, and his wife lives there. The science building on the campus is named in his honour. He is knighted in 1846.
In 1873 Kane takes up the post of National Commissioner for Education. He is elected president of the Royal Irish Academy in 1877, holding the role until 1882. In 1880 he is appointed the first chancellor of the newly created Royal University of Ireland. After a motion to admit women to the University, put forward by Prof. Samuel Haughton at Academic Council in Trinity College Dublin, March 10, 1880, Kane is appointed to a committee of ten men to look into the matter. He is opposed to the admission of women, and nothing is reported from the committee in the Council minutes for the next ten years.
One of the most tragic events of the Great Famine occurs on December 1, 1848 when 72 people suffocate in the small aft cabin of the paddle steamerLondonderry, which often sails between Sligo and Liverpool.
One hundred seventy-two men, women, and children, mostly impoverished farmers from County Mayo and County Sligo, and their families, fleeing the ravages of the Great Famine, board the Londonderry in Sligo in late November. As the steamer is approaching Derry on the first leg of its journey to England, a sudden storm prompts Captain Alexander Johnstone to order his crew to force all the passengers into a small aft cabin, measuring about eighteen feet in length and, at most, twelve feet wide. The situation is exacerbated when the only ventilation available is covered with a tarpaulin to ensure that water does not get into the cabin. As a result, many of the passengers begin to suffocate.
The captain seeks refuge from the storm in the harbour at Derry on December 1. When the hatches of the Londonderry are opened it reveals a horrific scene. The corpses of 31 women, 23 men and 18 children are found in the grossly overcrowded hold. Soldiers are called to the docks as public rage intensifies. The public outcry that follows belatedly forces the British government to publish guidelines for the safe transport of Irish Immigrants, too late unfortunately for the victims of the coffin shipLondonderry.
After the tragic voyage, the master and two mates are arrested. During an inquest, survivors accuse the Scottish crew of being cruel and savage. The captain says that he had given orders for the decks to be cleared for the passengers’ safety while the storm raged.
The coroner’s jury returns a verdict of manslaughter, commenting that more consideration was shown to the cattle than the passengers entrusted to their care.
In 1996 six coffins are found by workmen on a building site in the Waterside area of Derry, in grounds close to the former workhouse. They are believed to be the remains of some of the poverty-stricken travelers from the ill-fated paddle steamer.
(Pictured: The Great Hunger Plaque, Derry, near Derry County Borough, Derry, Clooney Park, Creggan and Boom Hall)
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