Watchorn first comes to prominence in 1969 as the lead singer of The Quare Fellas, a Dublin-based ballad group. They evolve into the Dublin City Ramblers in the early 1970s and with Watchorn as their lead singer they have hits with songs such as “The Rare Ould Times” and “The Ferryman,” both of which are written by Pete St. John.
Watchorn also writes and sings the Irish Football Team anthem, “We are the Boys in Green” (Home & Away album), with The Dublin City Ramblers for the teams European Championship campaign in Germany and again for the 1990 FIFA World Cup in Italy. The lyrics change slightly in both releases in 1988 and 1990.
In 1995, Watchorn leaves The Dublin City Ramblers and makes a number of solo albums. He joins The Dubliners in 2005, taking Paddy Reilly‘s place. He is well received throughout Ireland, the United Kingdom, Europe, Australia and the United States. He appears on their Tour Sampler EP in 2005, as well as the double album Live at Vicar Street (2006). He plays the banjo, bodhrán and spoons. He cites Luke Kelly, former lead singer with The Dubliners, as his favourite singer.
When The Dubliners announce their retirement in 2012 after finishing their 50 Years Anniversary Tour, Watchorn decides to keep on touring with former band members Seán Cannon and Eamonn Campbell and banjo player Gerry O’Connor under the name of “The Dublin Legends.”
On April 28, 2014, Watchorn posts a message on his website, stating that he has “decided to take a break from the music business for a while” and will not be touring the rest of 2014 with The Dublin Legends. He later admits this is due to ill health and that doctors had advised him that touring would do further damage to his health.
Watchorn’s distinctive and passionate vocals have made him a huge rock on the Irish folk scene. In his solo projects in the mid- and late-1990s, after his departure from The Dublin City Ramblers, he has session men who used to play alongside him and he uses the stage name “Patsy Watchorn, agus a Cháirde” (which means “and his Friends” in Irish).
Hartnett is born in Croom Hospital in Croom, County Limerick, on September 18, 1941. He is one of the most significant voices in late 20th-century Irish writing and has been called “Munster‘s de facto poet laureate.”
Although Hartnett’s parents’ name is Harnett, he is registered in error as Hartnett on his birth certificate. In later life he declines to change this as his legal name is closer to the Irish Ó hAirtnéide. He grows up in the Maiden Street area of Newcastle West, County Limerick, spending much of his time with his grandmother, Bridget Halpin, who resides in the townland of Camas, in the countryside nearby. He claims that his grandmother is one of the last native speakers to live in County Limerick, though she is originally from northern County Kerry. Although she speaks to him mainly in English, he listens to her conversing with her friends in Irish, and as such, he is quite unaware of the imbalances between English and Irish. When he begins school, he is made aware of the tensions between both languages and is surprised to discover that Irish is considered an endangered language, taught as a contrived, rule-laden code, with little of the literary attraction which it holds for him. He is educated in the local national and secondary schools in Newcastle West. He emigrates to England the day after he finishes his secondary education and goes to work as a tea boy on a building site in London.
Hartnett has started writing by this time and his work comes to be known of the poet John Jordan, who is professor of English at University College Dublin (UCD). Jordan invites him to attend the university for a year. While back in Dublin, he co-edits the literary magazine Arena with James Liddy. He also works as curator of James Joyce‘s tower at Sandycove for a time. He returns briefly to London, where he meets Rosemary Grantley on May 16, 1965, and they are married on April 4, 1966. His first book, Anatomy of a Cliché, is published by Poetry Ireland in 1968 to critical acclaim and he returns to live permanently in Dublin that same year.
Hartnett works as a night telephonist at the telephone exchange on Exchequer Street. He now enters a productive relationship with New Writers Press, run by Michael Smith and Trevor Joyce. They publish his next three books. The first of these is a translation from the Irish, The Old Hag of Beare (1969), followed by Selected Poems (1970) and Tao (1972). This last book is a version of the Chinese Tao Te Ching. His Gypsy Ballads (1973), a translation of the Romancero Gitano of Federico García Lorca, is published by the Goldsmith Press.
In 1974 Hartnett decides to leave Dublin and return to his rural roots, as well as deepen his relationship with the Irish language. He goes to live in Templeglantine, five miles from Newcastle West, and works for a time as a lecturer in creative writing at Thomond College of Education, Limerick.
In his 1975 book, A Farewell to English, Hartnett declares his intention to write only in Irish in the future, describing English as “the perfect language to sell pigs in.” A number of volumes in Irish follow including Adharca Broic (1978), An Phurgóid (1983) and Do Nuala: Foighne Chrainn (1984). A biography on this period of his life entitled A Rebel Act Michael Hartnett’s Farewell To English by Pat Walsh is published in 2012 by Mercier Press.
In 1984 Hartnett returns to Dublin to live in the suburb of Inchicore. The following year marks his return to English with the publication of Inchicore Haiku, a book that deals with the turbulent events in his personal life over the previous few years. This is followed by a number of books in English including A Necklace of Wrens (1987), Poems to Younger Women (1989) and The Killing of Dreams (1992).
Hartnett also continues working in Irish, and produces a sequence of important volumes of translation of classic works into English. These include Ó Bruadair, Selected Poems of Dáibhí Ó Bruadair (1985) and Ó Rathaille The Poems of Aodhaghán Ó Rathaille (1999). His Collected Poems appear in two volumes in 1984 and 1987 and New and Selected Poems in 1995.
Hartnett dies in St. Vincent’s Hospital, Dublin, from Alcoholic Liver Syndrome on October 13, 1999. A new Collected Poems appears in 2001.
Every April a literary and arts festival is held in Newcastle West in honour of Hartnett. Events are organised throughout the town and a memorial lecture is given by a distinguished guest. Former speakers include Nuala O’Faolain, Paul Durcan, David Whyte and Fintan O’Toole. The annual Michael Hartnett Poetry Award of € 4,000 also forms part of the festival. Funded by the Limerick City and County Council Arts Office and the Arts Council of Ireland, it is intended to support and encourage poets in the furtherance of their writing endeavours. Previous winners include Sinéad Morrissey and Peter Sirr.
During the 2011 Éigse, Paul Durcan unveils a bronze life-sized statue of Hartnett sculpted by Rory Breslin, in the Square, Newcastle West. Hartnett’s son Niall speaks at the unveiling ceremony.
Ó Brádaigh is born into a middle-class republican family. His father, Matt Brady, is an IRA volunteer who is severely wounded in an encounter with the Royal Irish Constabulary (RIC) in 1919. His mother, May Caffrey, is a Cumann na mBan volunteer and a 1922 graduate of University College Dublin (UCD). His father dies when he is ten and is given a paramilitary funeral led by his former IRA colleagues. His mother, prominent as the Secretary for the County Longford Board of Health, lives until 1974. He is educated at Melview National School at primary level and attends secondary school at St. Mel’s College, leaving in 1950, and graduates from University College Dublin in 1954. That year he takes a job teaching Irish language at Roscommon Vocational School in Roscommon. He is a deeply religious Catholic who refrains from smoking or drinking.
Ó Brádaigh joins Sinn Féin in 1950. While at university, in 1951, he joins the Irish Republican Army. In September 1951, he marches with the IRA at the unveiling of the Seán Russell monument in Fairview Park, Dublin. A teacher by profession, he is also a Training Officer for the IRA. In 1954, he is appointed to the Military Council of the IRA, a subcommittee set up by the IRA Army Council in 1950 to plan a military campaign against Royal Ulster Constabulary (RUC) barracks in Northern Ireland.
On August 13, 1955, Ó Brádaigh leads a ten-member IRA group in an arms raid on Hazebrouck Barracks, near Arborfield, Berkshire, England, a depot for the No. 5 Radar Training Battalion of the Royal Electrical and Mechanical Engineers. It is the biggest IRA arms raid in Britain. Most, if not all, of the weapons are recovered in a relatively short period of time. A van, traveling too fast, is stopped by the police and IRA personnel are arrested. Careful police work leads to weapons that had been transported in a second van and stored in London.
The IRA Border Campaign commences on December 12, 1956. As an IRA General Headquarters Staff (GHQ) officer, Ó Brádaigh is responsible for training the Teeling Column in the west of Ireland. During the Campaign, he serves as second-in-command of the Teeling Column. On December 30, 1956, he partakes in the Teeling Column attack on RUC barracks in Derrylin, County Fermanagh. RUC Constable John Scally is killed in the attack and is the first fatality of the new IRA campaign. Ó Brádaigh and others are arrested by the Garda Síochána across the border in County Cavan the day after the attack. They are tried and jailed for six months in Mountjoy Prison. A leading abstentionist, upon his arrest he refuses to recognize the authority of the Irish government and refuses to renounce violence in exchange for his release.
Upon completing his prison sentence, Ó Brádaigh is immediately interned at the Curragh Camp along with other republicans. On September 27, 1958, he escapes from the camp along with Dáithí Ó Conaill. While a football match is in progress, the pair cuts through a wire fence and escapes from the camp under a camouflage grass blanket. This is an official escape, authorised by the officer commanding (OC) of the IRA internees, Tomás Óg Mac Curtain. He is the first Sinn Féin TD on the run since the 1920s.
In October 1958, Ó Brádaigh becomes the IRA Chief of Staff, a position he holds until May 1959, when Seán Cronin is elected as his replacement. He is arrested in November 1959, refuses to answer questions, and is jailed in Mountjoy Prison under the Offences against the State Act. He is released in May 1960 and, after Cronin is arrested, again becomes Chief of Staff. Although he always emphasises that it is a collective declaration, he is the primary author of the statement ending the IRA Border Campaign in 1962. At the IRA 1962 Convention he indicates that he is not interested in continuing as Chief of Staff.
After Ó Brádaigh’s arrest in December 1956, he takes a leave from teaching at Roscommon Vocational School. He is re-instated and begins teaching again in late 1962, just after he is succeeded by Cathal Goulding in the position of Chief of Staff of the IRA. He remains an active member of Sinn Féin and is also a member of the IRA Army Council throughout the decade.
Ó Brádaigh opposes the decision of the IRA and Sinn Féin to drop abstentionism and to recognise the Westminster parliament in London, the Stormont parliament in Belfast and the Leinster House parliament in 1969/1970. On January 11, 1970, along with Seán Mac Stíofáin, he leads the walkout from the 1970 Sinn Féin Ard Fheis after the majority votes to end the policy of abstentionism, although the vote to change the Sinn Féin constitution fails to receive the required two-thirds majority. The delegates who walk out reconvene at the Kevin Barry Hall in Parnell Square, Dublin, and establish Provisional Sinn Féin.
Ó Brádaigh is voted chairman of the Caretaker Executive of Provisional Sinn Féin. That October, he formally becomes president of the party. He holds this position until 1983. In his presidential address to the 1971 Provisional Sinn Féin Ard Fheis, he says that the first step to achieving a United Ireland is to make Northern Ireland ungovernable. He apparently also serves on the Army Council or the executive of the Provisional Irish Republican Army until he is seriously injured in a car accident on January 1, 1984.
On May 31, 1972, Ó Brádaigh is arrested under the Offences Against the State Act and immediately commences a hunger strike. A fortnight later the charges against him are dropped and he is released. With Dáithí Ó Conaill he develops the Éire Nua policy, which is launched on June 28, 1972. The policy calls for a federal Ireland.
On December 3, 1972, Ó Brádaigh appears on the London Weekend TelevisionWeekend World programme. He is arrested by the Gardaí again on December 29, 1972, and charged in the newly established Special Criminal Court with Provisional IRA membership. In January 1973 he is the first person convicted under the Offences Against the State (Amendment) Act 1972 and is sentenced to six months in the Curragh Camp.
On December 10, 1974, Ó Brádaigh participates in the Feakle talks between the IRA Army Council and Sinn Féin leadership and the leaders of the Protestant churches in Ireland. Although the meeting is raided and broken up by the Gardaí, the Protestant churchmen pass on proposals from the IRA leadership to the British government. These proposals call on the British government to declare a commitment to withdraw, the election of an all-Ireland assembly to draft a new constitution and an amnesty for political prisoners.
The IRA subsequently calls a “total and complete” ceasefire intended to last from December 22, 1974, to January 2, 1975, to allow the British government to respond to proposals. British government officials also hold talks with Ó Brádaigh in his position as president of Sinn Féin from late December to January 17, 1975.
On February 10, 1975, the IRA Army Council, unanimously endorses an open-ended cessation of IRA “hostilities against Crown forces,” which becomes known as the 1975 truce. The IRA Chief of Staff at the time is Seamus Twomey of Belfast. It is reported in some quarters that the IRA leaders mistakenly believe they had persuaded the British Government to withdraw from Ireland and the protracted negotiations between themselves and British officials are the preamble to a public declaration of intent to withdraw. In fact, as British government papers now show, the British entertain talks with the IRA in the hope that this would fragment the movement further and score several intelligence coups during the talks. This bad faith embitters many in the republican movement, and another ceasefire does not happen until 1994.
In late December 1976, along with Joe Cahill, Ó Brádaigh meets two representatives of the Ulster Loyalist Central Co-ordinating Committee (ULCCC), John McKeague and John McClure, at the request of the latter body. Their purpose is to try to find a way to accommodate the ULCCC proposals for an independent Northern Ireland with the Sinn Féin’s Éire Nua programme. It is agreed that if this can be done, a joint Loyalist-Republican approach can then be made to request the British government to leave Ireland. Desmond BoalQC and Seán MacBrideSC are requested and accepted to represent the loyalist and republican positions. For months they have meetings in various places including Paris. The dialogue eventually collapses when Conor Cruise O’Brien, then Minister for Posts and Telegraphs and vociferous opponent of the Provisional IRA, becomes aware of it and condemns it on RTÉ Radio. As the loyalists had insisted on absolute secrecy, they feel unable to continue with the talks as a result.
In the aftermath of the 1975 truce, the Ó Brádaigh/Ó Conaill leadership comes under severe criticism from a younger generation of activists from Northern Ireland, headed by Gerry Adams, who becomes a vice-president of Sinn Féin in 1978. By the early 1980s, Ó Brádaigh’s position as president of Sinn Féin is openly under challenge and the Éire Nua policy is targeted in an effort to oust him. The policy is rejected at the 1981 Sinn Féin Ard Fheis and finally removed from the Sinn Féin constitution at the 1982 Ard Fheis. At the following year’s Ard Fheis, Ó Brádaigh and Ó Conaill resign from their leadership positions, voicing opposition to the dropping of the Éire Nua policy by the party.
On November 2, 1986, the majority of delegates to the Sinn Féin Ard Fheis vote to drop the policy of abstentionism if elected to Dáil Éireann, but not the British House of Commons or the Northern Ireland parliament at Stormont, thus ending the self-imposed ban on Sinn Féin elected representatives from taking seats at Leinster House. Ó Brádaigh and several supporters walk out and immediately assemble at Dublin’s West County Hotel and set up Republican Sinn Féin (RSF). As an ordinary member, he had earlier spoken out against the motion (resolution 162) in an impassioned speech. The Continuity IRA becomes publicly known in 1996. Republican Sinn Féin’s relationship with the Continuity IRA is similar to the relationship between Sinn Féin and the Provisional IRA when Ó Brádaigh was Sinn Féin’s president.
Ó Brádaigh believes RSF to be the sole legitimate continuation of the pre-1986 Sinn Féin, arguing that RSF has kept the original Sinn Féin constitution. RSF readopts and enhances his Éire Nua policy. His party has electoral success in only a few local elections.
Ó Brádaigh remains a vociferous opponent of the Good Friday Agreement, viewing it as a programme to copperfasten Irish partition and entrench sectarian divisions in the north. He condemns his erstwhile comrades in Provisional Sinn Féin and the Provisional IRA for decommissioning weapons while British troops remain in the country. In his opinion, “the Provo sell-out is the worst yet – unprecedented in Irish history.” He condemns the Provisional IRA’s decision to seal off a number of its arms dumps as “an overt act of treachery,” “treachery punishable by death” under IRA General Army Order Number 11.
In July 2005, Ó Brádaigh hands over a portion of his personal political papers detailing discussions between Irish Republican leaders and representatives of the British Government during 1974–1975 to the James Hardiman Library, National University of Ireland, Galway.
In September 2009, Ó Brádaigh announces his retirement as leader of Republican Sinn Féin. His successor is Des Dalton. He is also a long-standing member of the Celtic League, an organization which fosters cooperation between the Celtic people and promotes the culture, identity and eventual self-determination for the people, in the form of six sovereign states, for the Celtic nations – Wales, Cornwall, Brittany, Scotland, Isle of Man and Ireland.
After suffering a period of ill-health, Ó Brádaigh dies on June 5, 2013, at Roscommon County Hospital. His funeral is attended by 1,800 mourners including Fine Gael TD Frank Feighan and is policed by the Garda Emergency Response Unit and Gardaí in riot gear, for “operational reasons,” a show of force believed to have been to deter the republican tradition of firing a three-volley salute of shots over the final place of rest during the graveyard oration. As a result, there are some minor scuffles between gardai and mourners.
Rosenstock’s father, George, is a doctor and writer from Schleswig-Holstein, Germany, who serves as a medical officer with the Wehrmacht in World War II. His mother is a nurse from County Galway. He is the third of six children and the first born in Ireland. He is educated locally in Kilfinane, then in Mount Sackville, County Dublin.
Rosenstock works for some time on the television series Anois is Arís on RTÉ, then on the weekly newspaper Anois. Until his retirement he works with An Gúm, the publications branch of Foras na Gaeilge, the North-South body which promotes the Irish language.
Although he has worked in prose, drama and translation, Rosenstock is primarily known as a poet. He has written or translated over 180 books.
Rosenstock also writes for children, in prose and verse. Haiku Más É Do Thoil É! (An Gúm) wins the Children’s Books Judges’ Special Prize in 2015.
Rosenstock appears in the anthology Best European Fiction 2012, edited by Aleksandar Hemon, with a preface by Nicole Krauss (Dalkey Archive Press). He gives the keynote address to Haiku Canada in 2015.
Rosenstock has worked with American photographer Ron Rosenstock, Indian Photographer Debiprasad Mukherjee, Greek photographer Kon Markogiannis, Dublin photographer Jason Symes, French photographer Jean-Pierre Favreau and many more to create the new guise of a photo-haiku (or a haiga) – the interplay of visual aesthetic and literature.
After spending a year on the continent, Rynne returns to Ireland in 1957 to join the antiquities division of the National Museum of Ireland (NMI) in Kildare Street. One of his first assignments is to participate in the excavations at the Hill of Tara, previously headed by his old mentor at UCD, the recently deceased Professor Seán P. Ó Ríordáin. Already an expert on the Iron Age, he expands his expertise to cover Irish Celtic and early Christian art. He becomes an influential figure at the museum, remaining until 1967 and gaining much valuable experience in archaeological research, cataloguing and display, and is once described as the “true master of the Kildare Street crypt.” Intimately acquainted with the museum’s early Christian artefacts, he is particularly drawn to the eighth-century Ardagh chalice, on which he compiles extensive research notes relating to its dismantling and conservation. Although he is recognised as a leading authority on the chalice, his workload at the NMI and various academic commitments, not least his thirty-five years as editor of the North Munster Antiquarian Journal (NMAJ), prevent publication of his great work on the treasure.
During Rynne’s time at the NMI, he develops a close friendship with its director, Dr. Anthony T. Lucas, and on April 1, 1967 marries his daughter Aideen in the Church of the Miraculous Medal, Clonskeagh, Dublin. That year, he leaves the museum to take up a lectureship in archaeology at University College Galway (UCG), remaining there for thirty-one years until his retirement as professor of Celtic archaeology in 1998. During his professorship, he introduces many innovative changes at UCG, placing great emphasis on the value of well-planned field trips to historical monuments and archaeological sites around Connacht and north Clare, including Poulnabrone in his beloved Burren and Dún Aonghasa on Inishmore, which in 1991 he is first to suggest was built for ceremonial rather than defensive purposes. He often ventures further afield to sites such as the Jorvik Viking Centre, York, and the West Kennet Long Barrow in Wiltshire. Many local expeditions include small excavations, which he continues to conduct on behalf of the NMI.
Despite his heavy workload, Rynne writes close to one hundred academic papers in local and international journals, his expansive subject matter including not only archaeology but also folklore and Irish War of Independence history, the latter interest stemming from his father’s involvement in the formation of the Irish state (1917–23). His editorial tenure at the NMAJ includes the publication in 1975 and 1978 of dedicated issues on Edward MacLysaght and John Hunt respectively, and he is editor of Figures from the Past (1987), the Festschrift for Helen Maybury Roe. He also uses the national press to express his sometimes-eccentric views on various subjects, such as Irish neutrality, the American justice system and running the M3 motorway through Tara. A highly engaging and entertaining speaker, he thrives in front of an audience, be it a small group of students standing in a muddy field or an official address to the Royal Society of Antiquaries of Ireland, of which he serves as president from 1985 to 1989. His lectures are marked by his erudite and characteristically passionate delivery, complete with subtle intonation, and he is as comfortable speaking French as he is English or Irish.
Rynne’s legacy cannot be fairly assessed without reference to his largely unpopular stance in the Wood Quay controversy of the late 1970s. When Dublin’s original Viking settlement at Wood Quay is unearthed by archaeologists, he sides with the NMI, which, under the directorship of Joseph Raftery, decides to excavate only a small section of the site before handing it over to developers. This results in the destruction of much unexcavated archaeology. The NMI’s decision results in serious damage to its reputation, with Rynne one of the few archaeologists publicly supporting its unpopular stance. His loyalty to the NMI administration, which includes his father-in-law Lucas, alienates many fellow archaeologists, and is described by Patrick Wallace, then director of excavations at Wood Quay and among the many scholars who campaign to save the site, as “excessive, unnecessary and so unquestioning that it led to his being on the … wrong side during the Wood Quay court case.”
Rynne’s contribution to the history and heritage of his adopted province of Connacht and city of Galway is, however, widely acknowledged as immense. Once settled in UCG, he makes his home in the medieval town of Athenry, where he engages enthusiastically with the local community via lectures, walks and talks on the town’s famous walls and castle. Although Dublin-born, he becomes firmly entrenched in Galway’s colourful past and is instrumental in the founding of the city’s first municipal museum in Comerford House, adjacent to the Spanish Arch, in 1971. Drawing on his considerable NMI experience, he acts as honorary curator for the Galway museum for over a decade, before its move to the present purpose-built building in 2007. Ever willing to disseminate the story of Galway’s past beyond the twin towers of its university, to its citizens and the wider public, he compiles the Tourist Trail of Old Galway (1977). This signposted walking tour of Galway communicates the city’s importance in the medieval world, not only from an Irish, but also from a European and global perspective, and represents an enduring legacy to the self-styled promoter and protector of the city’s heritage.
In the summer of 2012 Rynne suffers a stroke and dies at the age of 79 on June 22, 2012, at University Hospital Galway. He is survived by Aideen, his wife of forty-five years, and their four sons and one daughter. A fifth son pre-deceases him. He is buried in the New Cemetery, Athenry.
(From: “Rynne, Etienne Andrew” by Frank Cullen, Dictionary of Irish Biography, http://www.dib.ie, June 2018)
Fay is the eldest son of four children of William Patrick Fay, a government clerk, and his wife, Martha Fay (née Dowling). He is educated at Belvedere College, Dublin, where he learns shorthand and typing, before leaving to become a secretary for an accountancy firm in Dublin. From an early age he has a passion for the theatre and immerses himself in books on the subject, becoming a drama expert. His brother, William George Fay, shares his enthusiasm and they take part in many amateur productions, setting up the Ormonde Dramatic Company in 1891.
Fay is an ardent nationalist and Arthur Griffith appoints him drama critic for his newspaper, the United Irishman (1899–1902), where he develops his ideas on how the theatre should be run. Initially in favour of plays in the Irish language, he soon abandons this as unworkable. In May 1901 he attacks W. B. Yeats for his faulty notions about theatre and even his work as a dramatist, ending with the fiercely nationalistic assertion that “there is a herd of Saxon and other swine fattening on us. They must be swept into the sea with the pestilent breed of West Britons with which we are troubled, or they will sweep us there.” Yeats’s and Lady Gregory‘s next play is Cathleen ni Houlihan.
In 1902, Fay writes a famous article advocating a national theatre company that will “be the nursery of an Irish dramatic literature which, while making a world-wide appeal, would see life through Irish eyes.” He is a member of his brother’s National Dramatic Society, which merges with the Irish Literary Theatre in 1902 to form the Irish National Theatre Society, the originating body of the Abbey Theatre. The following year Yeats declares that the national theatre owes its existence to the two Fay brothers. Fay soon abandons Griffith and begins to champion the cause of Yeats.
An excellent tragic actor, Fay can make audiences forget his less than five feet six inch stature through the power of his voice. When the Abbey Theatre opens on December 27, 1904, he stars in Yeats’s On Baile’s Strand as Cú Chulainn, a role he makes his own. He spends much time training the other actors. As an elocution teacher he has no equal. One play has Yeats leaving with his “head on fire” because of the quality of the voices on stage. Yeats dedicates his play The King’s Threshold (1904) with the words: “In memory of Frank Fay and his beautiful speaking in the character of Seanchan.”
Fay has a close but turbulent relationship with his brother William, whom he defers to in all theatrical matters except acting. Their heated arguments sometimes lead to blows. His temper is always volatile and he is prone to histrionics and fits of depression. After 1905, the Abbey Theatre becomes a limited company owing to the patronage of Annie Horniman, and the Fays lose most of their control, which results in much tension and bitterness. In 1907, Fay plays Shawn Keogh in the first production of The Playboy of the Western World by John Millington Synge.
Disagreements with Yeats over the approach to choosing and staging of plays comes to a head late in late 1907 and the Fays resign on January 13, 1908. On March 13 they are suspended from the Irish National Theatre Society. They tour the United States with Charles Frohman before separating. Fay then tours England in minor Shakespearean roles and melodrama. Between 1912 and 1914, Thomas MacDonagh and Joseph Mary Plunkett attempt to persuade him to become actor-manager of an Irish theatre. In 1918 he returns to the Abbey Theatre in two short-lived revivals of Yeats’s The Hour Glass and The King’s Threshold. He retires to Dublin permanently in 1921, teaching elocution and directing plays in local colleges.
Fay marries, in 1912, Freda, known as “Bird.” They live at Upper Mount Street, Dublin, and have one son, Gerard, who becomes a popular writer and memoirist. Fay dies on January 2, 1931, having never really recovered from the death of his wife, and is buried at Glasnevin Cemetery. He is credited with creating the Abbey Theatre style of acting, which becomes internationally known, and influences many other schools of acting. He wanted actors to behave as naturally as possible and to speak the lines as people would in real life, rather than with an exaggerated stage delivery. His training is a major influence on subsequent generations, as actors learned to “speak words with quiet force, like feathers borne on puffs of wind.”
(From: “Fay, Frank J. (Francis John)” by Patrick M. Geoghegan, Dictionary of Irish Biography, http://www.dib.ie, October 2009) | Pictured: Portrait of Frank Fay by John Butler Yeats, commissioned by Annie Horniman for the opening of the Abbey Theatre, December 27, 1904)
McMaster is born as Andrew McMaster on December 24, 1891, the son of Liverpool-born Andrew McMaster, a master stevedore, and Alice Maude (née Thompson). A number of sources make the erroneous claims, based on details supplied by McMaster himself, that he is born in 1893 or 1894 or even 1895 in County Monaghan in Ireland, but according to the Birth Register and the 1901 Census he is actually born in 1891 in Birkenhead, England. Like his future brother-in-law, Micheál Mac Liammóir, who is born in London as Alfred Willmore but who claims to have been born in Cork to Gaelic-speaking parents, McMaster reinvents himself as Irish and claims for himself the town of Monaghan as his birthplace, and Warrenpoint, County Down, as the scene of his earliest memories.
At the age of 19, McMaster gives up a career in banking to pursue one on the stage. He moves to Ireland and tours the country with the O’Brien-Ireland theatrical company from 1910 to 1914. Success quickly follows with his appearance as Jack O’Hara in Paddy the Next Best Thing at the Savoy Theatre in 1920. From 1921 he tours Australia in this and other plays, and in 1925 forms his own company, the McMaster Intimate Theatre Company, a “fit-up” company to tour in the works of Shakespeare, mainly in Ireland but also in Britain and Australia, touring with his theatrical company until 1959. One of the last actor-managers “of the old school – and an epitome of the type,” on occasions McMaster persuades a “big name” to act with his company as a draw for audiences, and Frank Benson (1928), Sara Allgood (1929) and Mrs. Patrick Campbell appear with him.
In 1933 at the Shakespeare Memorial Theatre in Stratford-upon-Avon McMaster appears as Hamlet opposite Esme Church as Gertrude, Coriolanus, Macduff in Macbeth, Leonato in Much Ado About Nothing, Prince Escalus in Romeo and Juliet, and Petruchio in The Taming of the Shrew. His greatest roles are as Othello and as Shylock in The Merchant of Venice, to which he adds King Lear in 1952. Just before World War II he and his company appear at the Chiswick Empire in a Shakespeare season. He tours the United States as James Tyrone in Eugene O’Neill‘s Long Day’s Journey into Night in 1956. Having “a great organ voice,” Harold Pinter, who acts in his company in Ireland from 1951 to 1953 and calls him “Perhaps the greatest actor-manager of his time,” later describes McMaster as “evasive, proud, affectionate, shrewd, merry.” In his brief biography Mac (1968), Pinter recalls, “Mac gave about a half dozen magnificent performances of Othello while I was with him… At his best he was the finest Othello I have seen. [He] stood dead in the centre of the role, and the great sweeping symphonic playing would begin, the rare tension and release within him, the arrest, the swoop, the savagery, the majesty and repose.”
McMaster’s only film role is an uncredited appearance as the Judge in Sword of Sherwood Forest (1960).
In 1924 McMaster marries the actress and designer Marjorie Willmore, the sister of Micheál Mac Liammóir. They have two children, the actors John Christopher McMaster and Mary-Rose McMaster.
McMaster dies at the age of 70 at his home in Dublin on August 24, 1962. He is buried with his wife in Dean’s Grange Cemetery in County Dublin.
McMaster’s biography, A Life Remembered: A Memoir of Anew McMaster, by his daughter Mary-Rose McMaster, is published in 2017. Harold Pinter also publishes a short biography, Mac, in 1968.
Mac Thomáis comes from a staunch Republican family. He is born Edward Patrick Thomas in the Dublin suburb of Rathmines on January 13, 1927. His father, a fire-brigade officer, dies when he is five years old and his family moves to Goldenbridge, Inchicore. He leaves school at thirteen to work as delivery boy for White Heather Laundry, learning Dublin neighbourhoods with great thoroughness. He says he found work to help his mother pay the rent. He later works as a clerk and is appointed credit controller for an engineering firm.
At the November 1959 Ardfheis Mac Thomáis is elected to the Ardchomhairle of Sinn Féin and edits and contributes to the Sinn Féin newspaper United Irishman. He is a close friend of Tomás Mac Giolla and is deeply affected by the 1970 split in Sinn Féin. He takes the Provisional side, opposing Mac Giolla.
Mac Thomáis takes over as editor of An Phoblacht in 1972. In July 1973, he is arrested and charged with IRA membership at the Special Criminal Court in Dublin. He refuses to recognise the court, but he gives a lengthy address from the dock. The following month he is sentenced to 15-months imprisonment. Within two months of completing his sentence he is again before the court on the same charge and again receives a 15-month sentence. Editors of six left-wing and Irish-language journals call for his release, as do a number of writers, and hundreds attend protest meetings – to no avail. He serves his full sentence.
Tim Pat Coogan, editor of The Irish Press, claims the charges against Mac Thomáis are politically motivated to a large degree as his activities are confined strictly to the newspaper An Phoblacht. Under Section 31 of the Broadcasting Act, due to his membership in Sinn Féin in the 1970s he is removed from his position in making some of the RTÉ historical programmes. As a historian he makes numerous contributions to various historical publications such as the Dublin Historical Review.
From 1974 Mac Thomáis writes a number of books on old Dublin. They sell well and remain in print for over 20 years. He also starts a number of walking tours of Dublin, which prove very popular.
Grosse Île, in the Gulf of Saint Lawrence, acts as a quarantine station for Irish people fleeing the Great Famine between 1845 and 1849. It is believed that over 3,000 Irish people died on the island and over 5,000 are buried in the cemetery there.
In 1847, 100,000 Irish people travel to Grosse Île to escape starvation, unaware of the hardships they would encounter upon arrival. The first coffin ship – named for their crowded and deadly conditions – arrives on May 17, 1847, the ice still an inch thick on the river. Of that ship’s 241 passengers, 84 are stricken with fever and 9 have died on board. With the hospital only equipped for 150 cases of fever, the situation quickly spins out of control. More and more ships arrive at Grosse Île each day, sometimes lining up for miles down the St. Lawrence River throughout the summer. On these coffin ships the number of passengers stricken by fever increases exponentially.
Between 1832 and 1937, Grosse Île’s term of operation, the official register lists 7,480 burials on the island. In 1847 alone, 5,424 burials take place, the majority being Irish immigrants. In that same year, over 5,000 Irish people on ships bound for Canada are listed as having been buried at sea.
When the monument is unveiled in 1909, more than 60 years have passed since the more than 5,000 Irish men, women, and children were buried on the island, but the ancestors and relatives of those victims have not forgotten them. Through the hard work of the Ancient Order of Hibernians, thousands of dollars are collected to erect a fitting memorial to those innocent victims of man’s inhumanity to man. The symbol they choose to use is a Celtic cross. Designed by Jeremiah Gallagher, a member of the Ancient Order of Hibernians in Quebec, the cross is carved from granite and stands 48 feet high atop its pedestal.
The monument bears an inscription in Irish commemorating the victims of the epidemic and condemning colonial rule. In English, it reads: “Children of the Gael died in their thousands on this island having fled from the laws of foreign tyrants and an artificial famine in the years 1847-48. God’s blessing on them. Let this monument be a token and honor from the Gaels of America. God Save Ireland.”
To ensure that no one traveling up or down the St. Lawrence River fails to see the monument, it is placed on Telegraph Hill, the highest point on the island. The monument is unveiled by the Papal Legate before a crowd of 9,000, including several hundred French Canadians, some perhaps from families that had adopted one or more of the over 600 Irish orphans whose parents were left behind on Gross Île. The cross stands as a beacon to those who pass up and down the busy waterway, reminding them not only of the tragedy that once happened on that island but also of the ultimate triumph of those who survived.
Today, the island is a National Historic Site that serves as a Famine memorial. It is dedicated in 1996 after a four-year-long campaign to protect the mass gravesite.
Barry learns Irish from a young age. He attends Ballymartle National School but is unable to attend secondary school due to a lack of facilities in the area. He begins work on the family farm after primary school. In 1903, he moves to Cork to work as a draper‘s apprentice with the firm O’Sullivan and Howard, where he becomes involved in the Gaelic League and the Ancient Order of Hibernians. A successful athlete, he also plays for the Blackrock National Hurling Club and wins four senior county hurling championships between 1910–13.
In 1913, Barry joins the newly formed Irish Volunteers. In 1915, he moves to Kilkenny to take up employment there, where he continues his volunteer activities. Shortly after the 1916 Easter Rising, he is arrested in Kilkenny in a British Government crackdown, and sent to Frongoch internment camp in North Wales. In 1919, he returns to Cork, where he is Commandant of the Irish Republican Police (IRP) in Cork during the Irish War of Independence. In the Cork No. 1 Brigade of the Irish Republican Army (IRA), he helps with prisoner escapes and returning looted goods after the burning of Cork by Black and Tans. After the Anglo-Irish Treaty and the split that follows, he chooses the anti-Treaty branch of the IRA. He is captured by Irish Free State troops and is sent to Newbridge internment camp on October 6, 1922. He is not charged or convicted of any crime.
Irish Republican prisoners in Mountjoy Prison begin the 1923 Irish hunger strikes, protesting being interned without charges or trial and poor prison conditions. The strike quickly spreads to other camps and prisons, and Barry takes part starting on October 16. He dies 35 days later on November 20, 1923, at the hospital at Curragh Camp. IRA Volunteers Joseph Whitty from Newbawn, County Wexford, dies on September 2, 1923 and Andy O’Sullivan from Denbawn, County Cavan, dies as a result of hunger on November 22, 1923, in Mountjoy Prison. The 41-day hunger strike is called off the following day, November 23. Whitty, Barry and O’Sullivan are three of the 22 Irish Republicans who die on hunger-strike during the twentieth century. Barry is initially buried by the Free State army in the Curragh, but three days later, following a court order, his remains are disinterred. He is buried in the Republican plot at St. Finbarr’s Cemetery, Cork.
Prior to Barry’s body arriving in County Cork, the Bishop of Cork, Daniel Cohalan, issues a letter to the Catholic churches which forbids them to open their doors to his body. Bishop Cohalan expresses far different opinions on the 1920 death, also by hunger strike, of the Lord Mayor of CorkTerence MacSwiney. “Terence MacSwiney takes his place among the martyrs in the sacred cause of the Freedom of Ireland. We bow in respect before his heroic sacrifice. We pray that God may have mercy on his soul.”
In Barry’s hometown of Riverstick there stands a stone memorial, unveiled in 1966, in his honor and he is remembered with a wreath-laying commemoration every November.
seamus dubhghaill 