Ewart Milne, Irish poet, dies in Bedford, Bedfordshire, England, of a heart attack on January 14, 1987. He describes himself on various book jackets as “a sailor before the mast, ambulance driver and courier during the Spanish Civil War, a land worker and estate manager in England during and after World War II” and also “an enthusiast for lost causes – national, political, social and merely human.”
Milne is born in Dublin on May 25, 1903, to English and Welsh Irish parents and is educated at Christchurch Cathedral Grammar School. In 1920 he signs on as a seaman and works on boats, off and on, until 1935. During the 1930s he begins writing and has his first poems published in 1935.
The background to the Spanish Civil War contributes to Milne’s political awakening and he comes to England to work as a voluntary administrator for the Spanish Medical Aid Committee in London, for whom he often acts as a medical courier. He also was once unwillingly involved in an arms deal while visiting Spain on their behalf.
After Spanish Medical Aid Committee is wound up, Milne returns to Ireland but remains politically active in support of the campaign for the release of Frank Ryan, the leader of the Connolly Column of Irish volunteers on the Republican side, who had been captured and imprisoned in Spain. At one point he takes part in a delegation to Westminster seeking Labour Party support for this. In August 1938 he is reported in The Worker’s Republic as being one of the twelve-member committee of the James Connolly Irish club in London.
During his time in England and Spain, Milne gets to know the left-leaning poets who support the Republican cause, including W. H. Auden, Stephen Spender and Cecil Day-Lewis. In 1938 his first collection of poems, Forty North Fifty West, is published in Dublin, followed by two others in 1940 and 1941. Having taken a pro-British line in neutral Ireland, he is informed by Karl Petersen, the German press attaché in Dublin, that he is on the Nazi death list. This convinces him to help in the British war effort and he returns to England with the help of John Betjeman, then working at the British embassy in Ireland.
Between 1942–1962 Milne is resident in England and an active presence on the English literary scene. In particular he becomes associated with the poets grouped around the magazine Nine, edited by Peter Russell and Ian Fletcher. He and his wife Thelma also back the young Irish poet Patrick Galvin when he launches his own magazine, Chanticleer. This generous encouragement of younger writers is later extended to several others, including John F. Deane, Gerald Dawe and Maurice Scully.
Milne regards his return to Dublin in 1962 as a disaster, as his four-year stay is overshadowed by quarrels with the establishment, the discovery of betrayal by a friend and the death of his wife from lung cancer. The misery of those events is recorded in Time Stopped (1967). The artistic frustration of the time also results in the poems included in Cantata Under Orion (1976). Returning to England in 1966, he settles in Bedford. Politically he remains involved and speaks alongside Auberon Waugh at the rally on behalf of Biafra in 1968, but his views move further to the right in later years. He writes to The Irish Times on April 13, 1976, saying that he has been “taken in by Stalin and that Leninism is Satanism.” He also sides with the Loyalist position in the Ulster conflict. He dies in Bedford of a heart attack on January 14, 1987.
Milne is twice married, first to Kathleen Ida Bradner in 1927, by whom he has two sons; then in 1948 to Thelma Dobson, by whom he has two more sons.
(Pictured: A portrait of Ewart Milne by Cecil F. Salkkeld, as it appears in Milne’s book Forty North Fifty West)
Armstrong is born on January 12, 1924, at Carrickfergus, County Antrim, Northern Ireland, one of three sons among six children of James Charlton Armstrong, housepainter and decorator, and his wife Margaret (née Howard). Soon after his birth the family moves to Belfast. He attends Strandtown Primary School. He attends Queen’s University Belfast (QUB) in the early 1940s, where he initially studies political science and later architecture. Having an interest in art, which had been fostered by his father, he takes classes for a short time in the early 1940s at the Belfast School of Art. It is there he meets Gerard Dillon, who introduces him to George Campbell and Daniel O’Neill. He is largely self-taught as an artist. It is his close association with Dillon and Campbell, both some years his senior, that proves to be the most important factor in his development. In Belfast in the early 1940s they associate with the Russian artist Daniel Nietzche, who emphasises to them the importance of personal expression.
After leaving university Armstrong works at the Belfast Gas Office. At this point he is the main support for his widowed mother. Having saved some money, he leaves his job in 1946 to attempt to fulfil his ambition to paint full-time, producing a set of etchings with George Campbell, which are published by Walsh Studios. The following year he takes work as a designer for Ulster Laces in Portadown, County Armagh. In 1957, he leaves for London in the hopes of finding greater opportunities as an artist. His friends Campbell and Dillon are already living there, and he takes lodgings with Dillon’s sister at Abbey Road, north London. Though he continues to paint, he is unable to earn a living and so again has to take other work, this time in a Labour Exchange office. However, he is beginning to gain recognition. In 1957, he is awarded a traveling scholarship by the Council for the Encouragement of Music and the Arts (CEMA), which enables him to travel to Spain. He continues to visit Spain throughout the 1960s, often to see Campbell, who spends much time there.
In 1961 he has his first solo exhibition at the CEMA gallery in Belfast. He comes to live in Dublin in 1962, his work having already been exhibited there at the Irish Exhibition of Living Art in 1957 and 1958. He continues to exhibit there annually from 1961 to 1965. During the 1960s and early 1970s his work is regularly included in the Oireachtas exhibition, at which he is awarded the Douglas Hyde Gold Medal in 1968. He also shows his work with the Ritchie Hendriks Gallery and the Tom Caldwell Gallery in Dublin. Ultimately, he is to have over seventy solo exhibitions throughout his career. By 1969, when he is elected an associate member of the Royal Hibernian Academy (RHA), he has established himself as one of the leading landscape painters in Ireland. In 1972 he becomes a full member of the RHA. He exhibits there regularly until 1977.
It is during this period that some of Armstrong’s best work is produced. While landscape is his predominant theme, he never sees himself as a painter of particular views, rather he responds to the abstract qualities of a scene. He sees elements such as the sea, rocks or sky as a series of interlocking textures to be rendered expressively in oil paint. The western coastline of Ireland is a vital source of inspiration for him. Roundstone, County Galway, is a favoured base for painting trips in the company of Dillon and Campbell, who by this time are also living in Dublin.
In 1981, a retrospective exhibition of Armstrong’s work is organised by the Arts Council of Northern Ireland. He is represented in many major public and corporate collections in Ireland. From 1971 he lives at 28 Chelmsford Avenue, Ranelagh, Dublin, in a house he shares with Gerard Dillon.
Armstrong dies unmarried on January 13, 1996, in Dublin. The contents of his studio are sold on February 3, 1998.
(From: “Armstrong, Arthur” by Rebecca Minch, Dictionary of Irish Biography, http://www.dib.ie, October 2009, revised November 2013 | Pictured: “Near Ballyhubbock,” oil on board by Arthur Armstrong RHA)
Cronin is known as an arts activist as well as a writer. He is Cultural Adviser to TaoiseachCharles Haughey and briefly to Garret FitzGerald. He involves himself in initiatives such as Aosdána, the Irish Museum of Modern Art and the Heritage Council. He is a founding member of Aosdána, and is a member of its governing body, the Toscaireacht, for many years. He is elected Saoi, a distinction for exceptional artistic achievement, in 2003. He is also a member of the governing bodies of the Irish Museum of Modern Art and the National Gallery of Ireland, of which he is for a time Acting Chairman.
His first collection of poems, called simply Poems (Cresset Press, London), is published in 1958. Several collections follow and his Collected Poems (New Island Books, Dublin) is published in 2004. The End of the Modern World (New Island Books, 2016), written over several decades, is his final publication.
Cronin’s novel, The Life of Riley, is a satire on Bohemian life in Ireland in the mid-20th century, while his memoir Dead as Doornails addresses the same subject.
Cronin knows Samuel Beckett from when they do some work for the BBC during the 1950s and 1960s. He gives a prefatory talk to Patrick Magee‘s reading of The Unnamable on the BBC Third Programme. Beckett is not impressed, saying, “Cronin delivered his discourse… It was all right, not very exciting.” Cronin later publishes a biography of him, Samuel Beckett: The Last Modernist (1996), followed on from No Laughing Matter: The Life and Times of Flann O’Brien (1989).
In his later years, Cronin suffers from failing health, which prevents him from traveling abroad, thus limiting his dealings to local matters. He dies in Dublin on December 27, 2016, one day short of his 93rd birthday.
Cronin firstly marries Thérèse Campbell, from whom he separates in the mid-1980s. She dies in 1999. They have two daughters, Iseult and Sarah. Iseult is killed in a road accident in Spain. He secondly marries the writer Anne Haverty who, along with daughter Sarah, survives him.
O’Neill, along with O’Donnell, train an army and before long they find a powerful ally, King Phillip III of Spain. King Phillip is more than keen to help the Irish for two reasons. Firstly, he wants revenge for the famous defeat of his Spanish Armada in 1588 and secondly, he sees Ireland as a terrific foundation from which he can invade England.
King Phillip agrees to the request of O’Neill and O’Donnell to send a large army to help them defeat the English. For several years prior they had held the English at bay from the strongholds in Ulster, beating them at Yellow Ford in 1598 and Moyry Pass in 1600. But if they are to ever drive the English back across the Irish Sea, they have to come out from the hills and passes and meet them in open battle. King Phillip eventually sends his army of 4,800 men to Kinsale in County Cork, thirteen miles south of Cork, arriving on September 21, 1601. They are surrounded by the English army, led by Charles Blount, 8th Baron Mountjoy, and George Carew, 1st Earl of Totnes, the President of Munster.
The landing of the Spanish army is not where O’Neill would have hoped as he and O’Donnell are located in the northern county of Donegal. He had sent a message asking them to land further north, so they might join forces and march against the English, but that message either never arrives or arrives too late. Now O’Neill and O’Donnell face a long march to join with their allies, and the English are much closer to Kinsale than they.
Before the Irish can get there, Mountjoy’s army has laid siege to the Spaniards at Kinsale. To leave their northern strongholds holds many dangers for the Irish chieftains, but leave they do, marching their army 250 miles to Kinsale to put the future of Gaelic Ireland to the test on the battlefield, a march which many say is one of the greatest marches to date in Irish History.
On the morning of December 24, O’Neill moves to attack Mountjoy’s army. There is no coordination between O’Neill’s army and the Spanish in Kinsale, under Don Juan del Águila. The Spaniards make no attempt to attack in force or even create a diversion. O’Neill’s army, especially his cavalry, which perform badly, are not ready to meet the English in this sort of combat. The battle lasts only an hour, with Irish losses of 1,200 soldiers whereas the English lose only twenty. The critical battle of the Nine Years’ War has been lost.
Afterwards, O’Donnell flees to Spain where he lives comfortably until he dies a few months later, said to have been poisoned by a spy of Carew’s named Blake.
Hugh O’ Neill surrenders to the English in 1603 and later returns to Ulster, where Lord Mountjoy treats him respectively well. However, most of his lands and authority are non-existent. In 1607, he goes to Spain with a number of family members and supporters, most of whom are lesser chieftains, and this becomes famously known as the Flight of the Earls. The power of the Gaelic chiefs in Ireland become a thing of the past.
Three Irish regiments in the service of Spain fight in the Battle of Villaviciosa on December 10, 1710, during the War of the Spanish Succession. The regiments are commanded by Colonel Don Demetrio MacAuliffe, Colonel Don John de Comerford, and Colonel Don Reynaldo Mac Donnell. This last becomes known as the Hibernia Regiment.
The Battle of Villaviciosa is a battle between a Franco-Spanish army led by Louis Joseph, Duke of Vendôme, and Philip V of Spain and a Habsburg-allied army commanded by AustrianGuido Starhemberg. The battle takes place one day after a Franco-Spanish victory at Brihuega against a British army under James Stanhope, 1st Earl Stanhope. Both Philip V of Spain and the Archduke Charles of Austria claim victory, but the number of dead and wounded, the number of artillery and other weapons abandoned by the Allied army and the battle’s strategic consequences for the war confirm victory for Philip.
The battle is largely determined by the Spanish dragoons commanded by the Marquis of Valdecañas and the Count of Aguilar, which far exceeds the opposing forces. The Austrian forces retreat, pursued by Spanish cavalry, and the allied army is reduced to 6,000 or 7,000 men when it reaches Barcelona, one of the few places in Spain still recognizing Charles’ authority, on January 6.
After victories in the Battle of Almenar on July 27 and the Battle of Saragossa on August 20, the Habsburg allies supporting Archduke Charles capture Madrid for the second time and Charles enters Madrid on September 21. The 1710 invasion is a repetition of the one in 1706, and the 23,000-strong allied army is reduced at Almenara and Saragossa and in skirmishes with the Spanish-Bourbon militia. The allied troops are unable to maintain an occupation.
The allied position in Madrid is dangerous. On November 9, the city is evacuated and the retreat to Catalonia begins, pursued by Spanish cavalry led by the Marquis of Valdecañas. The archduke leaves the army with 2,000 cavalry and rushes back to Barcelona, while the rest of the army marches in two detachments. Austrian general Starhemberg and the main body of 12,000 men are a day’s march ahead of the 5,000 British troops under Lord Stanhope. The British force, surprised, is defeated at Brihuega on December 9, 1710. The British are taken prisoner, including Stanhope, who finally surrenders.
When General Starhemberg is informed of the attack on the British column, he moves his troops to help Stanhope’s army, unaware that the latter had capitulated. The next morning, December 10, the Franco-Spanish army is waiting on the plain of Villaviciosa. Compared to the Austrian general’s 14,000 troops, the Duke of Vendôme deploys about 20,000 men, including King Philip and other troops who had joined the duke that morning. The armies deploy in two lines on parallel ridges.
The battle begins during the afternoon, lasting until midnight. Each army has 23 pieces of artillery, deployed in three batteries. The artillery fire begins simultaneously, damaging both armies. The Marquis de Valdecañas, commanding the cavalry in the Bourbon right wing, begins the attack. Valdecañas sends his cavalry against the allied left wing, composed of German infantry and Portuguese and Spanish cavalry under Imperial General von Frankenberg. The German infantry and Portuguese cavalry try to stop the Bourbon charge before yielding, and the left wing is destroyed. The Spanish capture the artillery pieces, killing the Anglo-Dutch troops sent to aid the left wing. With the allied left wing defeated, the archduke’s infantry advances toward the Franco-Spanish center and drives back the Bourbon infantry. The Marquis of Toy tries to prevent losses in the center and avoid the division of the army, but most of his men are taken prisoner by the Portuguese.
Although the Bourbons in the center are in difficulty, the Count of Aguilar throws his cavalry against the archduke’s right wing, commanded by General Starhemberg and comprising the best grenadiers and cavalry squadrons of the allied army. The allies are unable to stop the Count of Aguilar’s cavalry. The archduke’s right wing is saved from disaster by support from the center, led by the Spanish general Antoni de Villarroel. Starhemberg regroups his forces, repulses the Count of Aguilar’s cavalry and charges the Bourbon left wing. After capturing the left-wing cannons, Starhemberg launches his army against the center.
The Bourbon center and left wing begin to retreat, and the right-wing cavalry pursues the allied left wing. The Count of Aguilar then attacks against the archduke’s right wing with his dragoons. Although the German and Portuguese cavalry, under Pedro Manuel de Ataíde, 5th Count of Atalaya, resist the first charge, Aguilar’s cavalry breaks the allied right wing. Valdecañas’ cavalry also deals a severe blow to the allied army, and Lt. Gen. Mahony and Field Marshal Amezaga’s troops charge from the right wing. Starhemberg in return launches three cavalry charges against them. During the fighting, Amezaga is wounded in the face. Starhemberg’s forces retreat to a nearby forest to escape the Franco-Spanish cavalry, and the allied forces begin their withdrawal under cover of night. The British regiments suffer heavy losses. Brigadier-General Lepell, the senior British officer, reports two regiments have been cut off while over 107 men are missing from his own and he has only two squadrons still available.
Although Philip V of Spain and the Archduke Charles both claim victory, the number of dead and wounded, the weapons abandoned by the allied army, and the strategic consequences in the war confirm French domination.
Starhemberg continues his retreat, harassed by Spanish cavalry. His army is reduced to 6,000 or 7,000 men by the time he reaches Barcelona. The Spanish throne is finally secured for Philip when Charles leaves Spain in April 1711 to become Holy Roman Emperor after the death of his older brother.
(Pictured: “Battle of Villaviciosa, December 10, 1710,” oil on canvas by Jean Alaux, Museum of the History of France)
In January and February 1689, Butler votes against the motion to put William of Orange and Mary on the throne and against the motion to declare that James II has abdicated it. Nevertheless, he subsequently joins the forces of William of Orange, by whom he is made colonel of the 2nd Troop of Horse Guards on April 20, 1689. He accompanies William in his Irish campaign, debarking with him in Carrickfergus on June 14, 1690, and commands this troop at the Battle of the Boyne in July 1690. In February 1691 he becomes Lord Lieutenant of Somerset.
Butler serves on the continent under William of Orange during the Nine Years’ War and, having been promoted to major general, he fights at the Battle of Steenkerque in August 1692 and the Battle of Landen in July 1693, where he is taken prisoner by the French and then exchanged for the Duke of Berwick, James II’s illegitimate son. He is promoted to lieutenant general in 1694.
Butler plays a dramatic role at the notorious meeting of the Privy Council on March 8, 1711, when Antoine de Guiscard, a French double agent who is being questioned about his treasonable activities, attempts to assassinate Robert Harley, 1st Earl of Oxford, against whom he has a personal grudge for drastically cutting his allowance, by stabbing him with a penknife. Harley is wounded, but not seriously, due largely to the fact that he is wearing a heavy gold brocade waistcoat in which the knife gets stuck. Several Councillors, including Butler, stab Guiscard in return. Guiscard implores Butler to finish the deed, but he replies that it is not for him to play the hangman. In any case, he has the sense to see that Guiscard must be kept alive at least long enough to be questioned, although as it turns out Guiscard’s wounds are fatal, and he dies a week later.
On April 23, 1712, Butler leaves Harwich for Rotterdam to lead the British troops taking part in the war. Once there he allows himself to be made the tool of the Tory ministry, whose policy is to carry on the war in the Netherlands while giving secret orders to him to take no active part in supporting their allies under Prince Eugene. In July 1712, he advises Prince Eugene that he can no longer support the siege of Le Quesnoy and that he is withdrawing the British troops from the action and instead intends to take possession of Dunkirk. The Dutch are so exasperated at the withdrawal of the British troops that they close the towns of Bouchain on Douai to British access, despite the fact that they have plenty of stores and medical facilities available. Butler takes possession of Ghent and Bruges as well as Dunkirk, in order to ensure his troops are adequately provided for. On April 15, 1713, he becomes Lord Lieutenant of Norfolk.
Ormonde’s position as Captain-General makes him a personage of much importance in the crisis brought about by the death of Queen Anne and, during the last years of Queen Anne, he almost certainly has Jacobite leanings and corresponds with the Jacobite Court including his cousin, Piers Butler, 3rd Viscount Galmoye, who keeps barrels of gunpowder at Kilkenny Castle. King George I, on his accession to the throne in August 1714, institutes extensive changes and excludes the Tories from royal favour. Butler is stripped of his posts as Captain-General, as colonel of the 1st Regiment of Foot Guards and as Commander in Chief of the Forces with the first two posts going to the Duke of Marlborough and the role of Commander-in-Chief going to John Dalrymple, 2nd Earl of Stair. On November 19, 1714, Butler is instead made a member of the reconstituted Privy Council of Ireland.
Accused of supporting the Jacobite rising of 1715, Butler is impeached for high treason by Lord Stanhope on June 21, 1715. He might avoid the impending storm of Parliamentary prosecution, if he remains in England and stands trial but instead, he chooses to flee to France in August 1715 and initially stays in Paris with Lord Bolingbroke. On August 20, 1715, he is attainted, his estate forfeited, and honours extinguished. The Earl Marshal is instructed to remove the names and armorial bearings of Butler and Bolingbroke from the list of peers and his banner as Knight of the Garter is taken down in St. George’s Chapel.
On June 20, 1716, the Parliament of Ireland passes an act extinguishing the regalities and liberties of the county palatine of Tipperary; for vesting Butler’s estate in the crown and for giving a reward of £10,000 for his apprehension, should he attempt to land in Ireland. But the same parliament passes an act on June 24, 1721, to enable his brother, Charles Butler, 1st Earl of Arran, to purchase his estate, which he does accordingly.
Butler subsequently moves to Spain where he holds discussions with Cardinal Giulio Alberoni. He later takes part in a Spanish and Jacobite plan to invade England and puts James Francis Edward Stuart on the British throne in 1719, but his fleet is disbanded by a storm in the Bay of Biscay. In 1732, he moves to Avignon, where he is seen in 1733 by the writer Lady Mary Wortley Montagu. He dies at Avignon in exile on November 16, 1745, but his body is returned to London and buried in Westminster Abbey on May 22, 1746.
On July 20, 1682, Butler, then called Lord Ossory, marries Lady Anne Hyde, daughter of Laurence Hyde, who is then Viscount Hyde of Kenilworth but becomes Earl of Rochester in November. The couple has a daughter, Mary, who dies young in 1688.
Following the death of his first wife in 1685, Butler plans to marry again in order to secure a male heir. He gains permission from the House of Lords for the arranging of a jointure for another marriage in May 1685, and in August of that year, he marries Lady Mary Somerset, daughter of the Duke of Beaufort and Mary Capel. The couple has a son, Thomas (1686–1689), and two daughters, Elizabeth (1689–1750) and Mary (1690–1713). His second wife is a Lady of the Bedchamber to Queen Anne. Their younger daughter, Mary, marries John Ashburnham, 1st Earl of Ashburnham.
(Pictured: Portrait of James Butler, 2nd Duke of Ormonde, by Michael Dahl, National Portrait Gallery)
The 1710 Spanish campaign opens on May 15 when the Spanish Bourbon army commanded by Philip V in person and Francisco Castillo Fajardo, Marquis of Villadarias, advance on the town of Balaguer. Guido Starhemberg, commander of the Allied forces in Catalonia, halts this attempt by preventing the Spanish from fording the Segre River, a success in which the officers of the British contingent have a leading role.
Having received reinforcements, in June Philip makes another attempt upon Balaguer with 20,000 infantry and 6,000 cavalry but is defeated at Almenar on July 27. The allied troops take up a strong defensive position and repel the Spanish attacks until the British commander, James Stanhope, leading their vanguard, breaks the Spanish lines. Philip is forced to withdraw to Zaragoza, capital of Aragon, while Villadarias is replaced by the French general Alexandre Maître, Marquis de Bay.
On August 9, the Spanish army reaches Zaragoza and de Bay positions his troops with the river Ebro on his left and the Torrero heights to the right. On August 15, an Allied cavalry attack is repulsed, followed by five days of minor skirmishes before the Allies cross the Ebro in force on August 19 and are allowed to deploy during the night.
The two forces are roughly equal in strength, the allies having thirty-seven battalions of infantry and forty-three squadrons opposed to the Spanish-Bourbon army of thirty-eight battalions and fifty-four squadrons. The Allied left, composed of Catalonian and Dutch troops, is led by Pedro Manuel de Ataíde, 5th Count of Atalaia, the right by Stanhope, made up of British, Portuguese and Austrian cavalry, with Starhemberg in charge of the centre, mainly German, Austrian and Spanish infantry.
On August 20 at 8:00 a.m., an artillery-duel starts which lasts four hours before Stanhope charges the Bourbon-Spanish left. At first the Spanish and Walloon troops of the Bourbon army seem to gain the advantage, having defeated a body of eight Portuguese squadrons, which they chased from the field. This opens a gap in the Bourbon lines, which opens a gap for Stanhope who scatters the disorganized Spanish soldiers, while at the centre and the right their attacks are repulsed.
The battle follows the same pattern as at Almenar, with the allies repulsing fierce Bourbon cavalry charges before counter-attacked with their infantry and pushing the Spanish back. In less than three hours, the Allies army wins a comprehensive victory, capturing the Bourbon artillery along with 73 standards. Between 5,000 and 6,000 Spanish soldiers are killed or wounded, and another 7,000 captured, with Allied losses estimated as 1,500 men dead or wounded.
Archduke Charles enters Zaragoza the next day. The defeat of the army of Philip V of Spain is severe, the way to Madrid is open. Philip V abandons Madrid on September 9 and goes to Valladolid. Archduke Charles enters a very hostile and almost empty Madrid on September 28. Charles comments, “This city is a desert!” In the winter of 1710, Archduke Charles and the allied troops have to abandon Madrid, due to the great opposition of the people of Madrid and the dangerous strategic situation. After this, the British army suffers a defeat at the Battle of Brihuega, and the rest of the allied army is defeated at the Battle of Villaviciosa.
Initially acting part-time with the Cork Shakespearean Company and at the Cork Opera House, by 1947 Lynch is acting full-time.
Lynch is a founding member of the Radio Éireann Players and appears in productions of Teresa Deevy plays among others. During the 1950s he is responsible for a Radio Éireann show Living with Lynch, broadcast on Sunday nights, the first comedy series on Radio Éireann. Between 1967–81, he acts onstage with the Abbey Theatre.
In 1962, and again in 1977, Lynch wins a Jacob’s Award for his acting on RTÉ television.
By 1979, Lynch is back in Ireland, and makes his first appearances as Dinny Byrne in the RTÉ soap Bracken. Later the Byrne character would feature in the long-running RTÉ soap Glenroe.
Lynch quits Glenroe after he claims to have been “shamefully treated” and offered “small potatoes” when he asked for a pay rise. He is also upset that he is not to get a pension. RTÉ disputes those claims. He criticised RTÉ for preventing him from doing other acting work alongside Glenroe. “I was terrible restricted in RTÉ, they wouldn’t let me off for anything, even commercials.”
Lynch voices the main antagonist, Grundel the Toad, in the Don Bluth film Thumbelina, his final audio work before his death seven years later.
Lynch dies suddenly on August 1, 2001, in Alicante, Spain, where he had been living since leaving Glenroe.
Stapleton is a distinguished centre-forward, once touted as being among the best in the world in his position, and an exceptionally strong header of the ball. He starts his career with Arsenal, joining them in 1972 as an apprentice, after being turned down by Manchester United. He makes his first-team debut in March 1975, at home to Stoke City, and goes on to form a potent striking partnership with Malcolm Macdonald. The two score 46 goals between them in 1976–77. He is Arsenal’s top scorer for the three following seasons and helps the Gunners reach a trio of FA Cup finals. He scores one of the goals in Arsenal’s 1979 FA Cup Final 3–2 win over Manchester United, and scores 108 goals in 300 appearances in total for the Gunners.
Stapleton moves on to Manchester United in the summer of 1981 for £900,000 as new manager Ron Atkinson begins building a team capable of challenging for silverware after a disappointing 1980–81 season under Dave Sexton. He helps United win the 1983 and 1985 FA Cups. It is in the first of those finals, when he scores against Brighton & Hove Albion, in which he makes history by becoming the first man to score for two different clubs in FA Cup Finals. United finishes in the top four of the league in each of Stapleton’s first five seasons at Old Trafford, and comes close to winning a league title medal in the 1985–86 season after United wins their first ten league games of the season before their form slumps and they finished fourth. Atkinson is sacked and replaced by Alex Ferguson in November 1986, and Stapleton remains a regular member of the first team under the new manager, but he leaves at the end of the season to sign for Ajax. There, he makes just six appearances and scores one goal before quickly being moved to Belgian side Anderlecht at the end of 1987, followed by a three-month loan back to England with Derby County. He then plays for French club Le Havre for a season, before returning to England with Blackburn Rovers in 1989, followed by moves to Aldershot, Huddersfield Town (as player-coach) and Bradford City.
After three seasons as player-manager at Bradford, Stapleton is sacked following their narrow failure to qualify for the Division Two playoffs at the end of the 1993-94 season. He then has a brief spell at Brighton & Hove Albion in the 1994–95 season, playing two games before finally announcing his retirement as a player.
Stapleton also wins 71 caps for the Republic of Ireland national team, scoring a then record 20 goals. He makes his international debut under then player-manager Johnny Giles in a friendly against Turkey in Ankara in 1976 at 20 years of age. He scores after only three minutes of his debut when he heads home a Giles free-kick at the near post. That friendly international finishes 3–3 and marks the start of a magnificent international career for the quiet and reserved Stapleton.
Stapleton is committed to international football insisting that an “international release clause” be inserted to all of his contracts so that he can be released to play in international games for Ireland.
Stapleton plays a significant role in Ireland’s attempt to qualify for the 1982 FIFA World Cup in Spain in 1982. Goals against Cyprus, the Netherlands and France by him in the qualifying matches are not enough as Ireland is denied a place at the World Cup by a superior French goal difference. He is made captain of the national team for the qualifying campaign for the 1986 FIFA World Cup though Ireland fails to emulate their fine performance in the 1982 qualifiers.
Jack Charlton takes over as the Irish manager in 1986 and he keeps Stapleton as captain despite a sometimes uneasy relationship between the two men. Stapleton scores a magnificent diving header in the opening UEFA Euro 1988 qualifier against Belgium in the 2–2 draw at the Heysel Stadium, Brussels, that September. He also scores in the 2–1 defeat by Bulgaria in Sofia on April 1, 1987, with another goal against Luxembourg in the 2–1 victory at Lansdowne Road the following September.
Stapleton captains the Irish team to the 1988 Euro finals and plays in all of their matches during the competition including Ireland’s famous victory against England.
After the 1988 European Championships Stapleton remains on the fringe of the national team during qualification for 1990 FIFA World Cup in Italy making just two appearances late in the campaign. By then, his 20 goals for the Republic had made him the national side’s all-time leading goalscorer, a record which is broken ten years later by Niall Quinn, who is in the early stages of his own international career when Stapleton bows out of the international scene. He does, however, score an 87th-minute goal against Malta in a 3–0 friendly in Valletta just prior to those finals in Italy.
Stapleton moves to the United States to manage Major League Soccer side New England Revolution in 1996. In the 2003–04 season he briefly returns to English football as a specialist coach of Bolton Wanderers. The Bolton manager, Sam Allardyce, wants Stapleton to enhance the skills of the strikers at the club and sees the Irishman as an ideal candidate, given his successful playing career.
Stapleton is appointed assistant manager to former teammate Ray Wilkins with Jordan on September 3, 2014.
Garstin is born on August 28, 1847, in Caherconlish, County Limerick, to Captain William Garstin and Mary Moore Garstin. He is raised by aunts and grandparents following his father’s suicide and his mother’s incapacitating disabilities.
Garstin attends Victoria College on the island of Jersey and then he works in architecture and engineering for brief periods. He then travels to South Africa where he befriends Cecil Rhodes, works as a journalist and is involved in government in Cape Town.
In 1886, Garstin marries Louisa Jones, also known as Dochie. Many of Garstin’s friends from school in Antwerp had settled in Newlyn. He and Dochie move to Mount Vernon in Newlyn by 1886. They have three children: Crosbie, Denis and Alethea. The boys take up journalism and Alethea becomes an artist. The family moves to Penzance by 1895.
In 1888 Garstin becomes a member of the New English Art Club (NEAC). He becomes a member of the Newlyn Society of Artists (NSA) and is on the Newlyn Art Gallery‘s Provisional Committee for its opening in 1895. Regarding the plein-air approach used by St. Ives and Newlyn artists he says they are “filled with this idea of a fresh unarranged nature to be studied in her fields, and by her streams, and on the margin of her great seas – in these things they were to find the motives of their art.”
Garstin is a teacher and takes groups to “his favorite painting haunts on the Continent.” For instance, Frances Hodgkins, a New Zealand artist, attends Garstin’s 1901 and 1902 summer sketching classes in France. He teaches Harold Harvey, the only Cornish Newlyn School painter, and his daughter, Alethea.
Garstin’s work consists primarily of small oil panels in the plein air style, something he had picked up from the French Impressionists, like Édouard Manet. He is also fascinated by Japanese prints and admires the work of the American painter James Abbott McNeill Whistler. Some of his works are at Tate and Penlee House.
One of Garstin’s best and most famous works is his 1889 painting The Rain, It Raineth Every Day of the Penzance promenade. The title of the work comes from William Shakespeare‘s King Lear and Twelfth Night. “The composition of this painting demonstrates Garstin’s admiration for Japanese art,” says Penlee House.
Garstin dies in Penzance on June 22, 1926.
(Pictured: “The Rain It Raineth Every Day” oil on canvas by Norman Garstin, 1889, Penlee House)
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