Trench is the son of Richard Trench (1774–1860), barrister-at-law, and the Dublin writer Melesina Chenevix (1768–1827). His elder brother is Francis Chenevix Trench. He is educated at Harrow School, and graduates from Trinity College, Cambridge in 1829. In 1830 he visits Spain. While incumbent of Curdridge Chapel near Bishop’s Waltham in Hampshire, he publishes The Story of Justin Martyr and Other Poems (1835), which is favourably received, and is followed by Sabbation, Honor Neale, and other Poems (1838), and Poems from Eastern Sources (1842). These volumes reveal the author as the most gifted of the immediate disciples of William Wordsworth, with a warmer colouring and more pronounced ecclesiastical sympathies than the master, and strong affinities to Alfred, Lord Tennyson, John Keble and Richard Monckton Milnes.
In 1841 Trench resigns his living to become curate to Samuel Wilberforce, then rector of Alverstoke, and upon Wilberforce’s promotion to the deanery of Westminster Abbey in 1845 he is presented to the rectory of Itchen Stoke. In 1845 and 1846 he preaches the Hulsean Lectures, and in the former year is made examining chaplain to Wilberforce, now Bishop of Oxford. He is shortly afterwards appointed to a theological chair at King’s College London.
Trench joins the Canterbury Association on March 27, 1848, on the same day as Samuel Wilberforce and Wilberforce’s brother Robert.
In 1851 Trench establishes his fame as a philologist by The Study of Words, originally delivered as lectures to the pupils of the Diocesan Training School, Winchester. His stated purpose is to demonstrate that in words, even taken singly, “there are boundless stores of moral and historic truth, and no less of passion and imagination laid up” — an argument which he supports by a number of apposite illustrations. It is followed by two little volumes of similar character — English Past and Present (1855) and A Select Glossary of English Words (1859). All have gone through numerous editions and have contributed much to promote the historical study of the English tongue. Another great service to English philology is rendered by his paper, read before the Philological Society, On some Deficiencies in our English Dictionaries (1857), which gives the first impulse to the great Oxford English Dictionary. He envisages a totally new dictionary that is a “lexicon totius Anglicitatis.” As one of the three founders of the dictionary, he expresses his vision that it will be “an entirely new Dictionary; no patch upon old garments, but a new garment throughout.”
Trench’s advocacy of a revised translation of the New Testament (1858) helps promote another great national project. In 1856 he publishes a valuable essay on Pedro Calderón de la Barca, with a translation of a portion of Life is a Dream in the original metre. In 1841 he had published his Notes on the Parables of our Lord, and in 1846 his Notes on the Miracles, popular works which are treasuries of erudite and acute illustration.
In 1856 Trench becomes Dean of Westminster Abbey, a position which suits him. Here he introduces evening nave services. In January 1864 he is advanced to the post of Archbishop of Dublin. Arthur Penrhyn Stanley had been first choice, but is rejected by the Church of Ireland, and, according to Bishop Wilberforce’s correspondence, Trench’s appointment is favoured neither by the Prime Minister nor the Lord Lieutenant. It is, moreover, unpopular in Ireland, and a blow to English literature, yet it turns out to be fortunate. He cannot prevent the disestablishment of the Church of Ireland, though he resists with dignity. But, when the disestablished communion has to be reconstituted under the greatest difficulties, it is important that the occupant of his position should be a man of a liberal and genial spirit.
This is the work of the remainder of Trench’s life. It exposes him at times to considerable abuse, but he comes to be appreciated and, when he resigns his archbishopric because of poor health in November 1884, clergy and laity unanimously record their sense of his “wisdom, learning, diligence, and munificence.” He finds time for Lectures on Medieval Church History (1878), and his poetical works are rearranged and collected in two volumes (last edition, 1885). He dies at Eaton Square, London, on March 28, 1886, after a lingering illness. He is buried at Westminster Abbey.
George W. E. Russell describes Trench as “a man of singularly vague and dreamy habits” and recounts the following anecdote of his old age:
“He once went back to pay a visit to his successor, Lord Plunket. Finding himself back again in his old palace, sitting at his old dinner-table, and gazing across it at his wife, he lapsed in memory to the days when he was master of the house, and gently remarked to Mrs. Trench, ‘I am afraid, my love, that we must put this cook down among our failures.'”
Scallon is born Rosemary Brown, the fifth of seven children of a King’s Cross railway station porter and trumpet player originally from Derry, Northern Ireland. When she is five, the family moves back to Derry where she grows up in the Creggan housing estate and Bogside. She attends St. Eugene’s Primary School and then enrolls at Thornhill College. A singing talent from childhood, she wins several local contests while also participating in local choirs and taking piano, violin and ballet lessons.
In the early 1960s Scallon forms a trio with two of her sisters, often performing at charity concerts organized by their father. When one sister leaves, the remaining duo lands a summer-long booking at the Palladium and a recording contract with Decca Records. Her other sister, however, leaves to join her new husband, a United States airman, in America. Stricken with stage fright, Scallon the solo singer manages to win a folk competition at the Embassy Ballroom with her eyes shut. The contest’s sponsor, teacher and music promoter Tony Johnston, helps her complete her equivalency degree and records a demo that convinces Decca Records to sign her on as a solo artist. She releases a single in 1967 that brings some attention from local TV and radio.
Performing under her school nickname “Dana,” Scallon becomes a fixture in Dublin‘s cabaret and folk clubs. She is crowned “Queen of Cabaret” and feted with a parade and a reception at Clontarf Castle on the Saturday before Easter 1968.
At the suggestion of Decca Record’s local agent, Phil Mitton, Scallon auditions for the Irish National Song Contest, a preliminary for the 1969 Eurovision competition. She reaches the finals in Dublin but comes in second.
RTÉ Television chief Tom McGrath invites Scallon back to compete the following year. She accepts even though she is preparing to retire from active performing to pursue teaching. The song, “All Kinds of Everything” by Derry Lindsay and Jackie Smith, is picked for her by McGrath and propels her to victory. She goes on to represent Ireland in the 1970 Eurovision contest, held in Amsterdam. She performs perched on a stool on stage and defeats England’s Mary Hopkin and Spain‘s Julio Iglesias to secure Ireland’s victory.
Scallon is given a hero’s welcome upon her return to Ireland, especially in Northern Ireland. “All Kinds of Everything” shoots to #1 on the Irish Singles Chart, as well as the UK Singles Chart. It is also successful in Australia, Austria, Germany, Israel, Malaysia, the Netherlands, New Zealand, Singapore, South Africa, Switzerland and Yugoslavia, on its way to passing 1 million sales. She quickly records an album, with orchestral accompaniment. Her follow-up single, “I Will Follow You,” fails to make much of a splash. Given the choice of giving up, she decides to fight for her recording career, and succeeds with Paul Ryan‘s “Who Put the Lights Out,” which spends eleven weeks on the UK charts.
In 1974 Scallon switches to GTO Records. Her first single on that label, “Please Tell Him That I Said Hello,” returns her to the top 10. Her 1975 holiday single “It’s Gonna be a Cold Cold Christmas” by Roger Greenaway and Geoff Stephens, reaches #4 and remains a classic. Now an established Irish singing star she appears in films and festivals and sells out a week of concerts at the London Palladium. She also maintains her “Queen of the Cabaret” reputation with regular appearances in top London clubs. The BBC gives her two shows of her own: a series called A Day with Dana in 1974 and four-part series of Wake Up Sunday in 1979. BBC Radio follows suit with a series of I Believe in Music in 1977.
Meanwhile, Scallon begins performing stage pantomime in a blockbuster production of Cinderella in Oxford. In September 1976, however, she is hospitalized with a non-malignant growth on her left vocal cord, requiring surgery. The single “Fairytale” is sustained in the charts with the publicity from her dire medical prognosis. The experience strengthens her religious faith. On October 5, 1978, she marries Damien Scallon, a hotel-owner from Newry, at St. Eugene’s Cathedral in Derry.
In 1979, recovered from her surgery, Scallon records a new album entitled The Girl is Back, which has modest success. Pope John Paul II‘s visit to Ireland that year inspires her to write a song based on his personal motto, “Totus Tuus,” which tops the Irish charts. Long associated with Christian causes and Sunday-morning programs, she and her husband look for opportunities to reach a broader market for Christian music and find one in the United States. They attend the National Religious Broadcasters conference in Washington, D.C. in 1980 and secure a contract with Word Records.
Scallon’s first album of Christian songs, Totally Yours, is released on Word Records in 1981. She continues to record pop music, including the 1982 album Magic and the official 1982 FIFA World Cup song for the Northern Ireland team, “Yer Man.” She also continues her stage career, starring in Snow White and the Seven Dwarfs at Hull and later in London’s West End and Wolverhampton. She tours the United States in 1984, including appearances at Billy Graham‘s Boston crusades. She pens an autobiography in 1985. She performs “Totus Tuus” before a packed Superdome crowd during John Paul II’s visit to New Orleans in 1987.
Also in 1987, after one of her husband’s hotels is damaged for the seventh time by a terrorist bomb, he takes a job managing retreats for EWTN and moves the family to Alabama. They rent a house in the Cherokee Bend area of Mountain Brook and enroll their children at Saint Rose Academy. Scallon is welcomed to the network as well, hosting the Say Yes and We Are One Body programs. She leaves Word Records and signs with Heart Beat Records for her later Catholic albums. In 1993 she again performs for the Pope at a World Youth Day event in Denver, Colorado.
Scallon is naturalized as a dual citizen of the United States and Northern Ireland in 1997 and moves back there a year later because she has been drafted as an independent candidate for President of Ireland. She garners 15% of the popular vote, finishing third in the race won by Mary McAleese, ahead of the Labour Party candidate. Most of her votes come from rural districts where conservative values are more strongly held.
In 1999 Scallon wins a seat on the European Parliament, representing Connacht-Ulster on a family values and anti-abortion platform. During her five-year term she opposes the development of a European constitution. She also speaks out against a 2001 proposal to amend the Irish constitution to legalize the “morning-after pill” and intrauterine contraceptive devices. With the support of the mainstream parties, the amendment is put to a popular referendum, which fails in 2002. That same year she is defeated in a campaign to represent Galway West in the Dáil Éireann, the lower house of the Irish parliament. In 2004 she fails to hold her seat in the European Parliament and also does not secure a nomination for President.
Leaving politics behind, Scallon joins a weight-loss challenge on RTÉ’s The Afternoon Show in 2005. In 2006 she competes with Ronan McCormack on Celebrity Jigs ‘n’ Reels, finishing second on the popular dance contest.
That same year, Scallon and her husband launch their own music label, DS Music Productions, and release a compilation of songs deidcated to John Paul II’s memory. That is followed by Good Morning Jesus: Prayers and Songs for Children of All Ages, which is featured in a special series on EWTN. Heart Beat Records files a lawsuit against DS Music Productions for alleged copyright violations.
In 2007 Scallon appears as a guest judge for Young Star Search, a Belfast CityBeat radio contest. In 2009 she is brought on as a judge for The All Ireland Talent Show. That same year she returns to EWTN as host of Dana and Friends.
McPherson is educated at University College Dublin and begins writing his first plays there as a member of UCD Dramsoc, the college’s dramatic society, and goes on to found Fly by Night Theatre Company which produces several of his plays. He is considered one of the best contemporary Irish playwrights. His plays attract good reviews and have been performed internationally (notably in the West End and on Broadway).
McPherson also directs his play, Dublin Carol, at the Atlantic Theater Company, New York, in 2003.
McPherson’s 2004 play Shining City opens at the Royal Court Theatre and prompts The Daily Telegraph to describe him as “the finest dramatist of his generation.” A meditation on regret, guilt and confusion, the play is set entirely within the Dublin offices of a psychiatrist who himself has psychological secrets. While much of the play takes the form of monologues delivered by a patient, the everyday stories and subtle poignancy and humour make it a riveting experience. It subsequently opens on Broadway in 2006 and is nominated for two Tony Awards, including Best Play.
In September 2006, to great critical acclaim, McPherson makes his Royal National Theatre debut as both author and director with The Seafarer at the Cottesloe Theatre, starring Karl Johnson and Jim Norton, with Ron Cook as their poker-playing, Mephistophelean guest. Norton wins an Olivier Award for his performance while McPherson is nominated for both the Olivier and Evening Standard Theatre Awards for Best Play. In October 2007 The Seafarer opens on Broadway, keeping with it most of its creative team, including McPherson as director and both Jim Norton and Conleth Hill in their respective roles, with David Morse taking over as Sharky, and Ciarán Hinds portraying Mr. Lockhart. The production on Broadway receives some positive reviews including such statements as “McPherson is quite possibly the finest playwright of his generation” from Ben Brantley at The New York Times and “Succinct, startling and eerie, and the funniest McPherson play to date” from The Observer. Norton’s performance as Richard Harkin in The Seafarer at the National Theatre wins the 2007 Best Supporting Actor Laurence Olivier Award, and he wins a Tony Award in 2008 for Best Featured Actor in a play.
McPherson writes and directs a stage adaptation of Daphne du Maurier‘s story The Birds, which opens in September 2009 at the Gate Theatre in Dublin.
In 2011 the Royal National Theatre premiers his play The Veil at the Lyttleton Theatre. Described by The Times as “a cracking fireside tale of haunting and decay,” it is set in 1822 and marks McPherson’s first foray into period drama. This vein continues with a striking new translation of August Strindberg‘s The Dance of Death premiering at the Trafalgar Studios in London at the end of 2012. His version is described as “a profoundly seminal work” by The Guardian which also managed, The Times says, to be “shockingly funny.”
The Donmar Warehouse mounts a season of McPherson’s work in 2013 with a revival of The Weir and the world premiere of The Night Alive. The Weir is hailed once again as “a modern classic” by The Daily Telegraph and “a contemporary classic” by The Guardian while The Night Alive is nominated for the Laurence Olivier Award for Best Play and described as “another triumph” by The Independent on Sunday and “a masterstroke” by Time Out.
McPherson’s play Girl from the North Country, where the dramatic action is broken up by 20 songs by Bob Dylan, opens at London’s The Old Vic on July 26, 2017. The play is set in a hotel in 1934 in Duluth, Minnesota, the birthplace of Dylan. The project begins when Dylan’s office approaches McPherson and suggests creating a play using Dylan songs. The drama receives favorable reviews.
The film of his first screenplay, I Went Down, is critically acclaimed and a great commercial success. His first feature film as a director, Saltwater, wins the CICAE award for Best Film at the Berlin International Film Festival. His second feature film is The Actors, which he wrote and directed.
He is the director and co-writer of The Eclipse, a film which has its world premiere at the 2009 Tribeca Film Festival. It is picked up for distribution by Magnolia Pictures and is released in U.S. cinemas in the spring of 2010. The film subsequently wins the Melies D’Argent Award for Best European Film at the Sitges Film Festival in Spain, the world’s premier horror and fantasy genre festival. At The 2010 Irish Film and television AwardsThe Eclipse wins the awards for Best Film and Best Screenplay. Ciarán Hinds wins the Best Actor Award at the Tribeca Film Festival for his portrayal of Michael Farr.
In 2013, McPherson writes the last episode of Quirke. In 2020, he co-writes the feature film adaptation of the Artemis Fowl books by Eoin Colfer. In response to the COVID-19 pandemic, it is released digitally worldwide on Disney+ on June 12, 2020.
Campbell is the son of Matthew Arthur Campbell (1866-1925), caterer, and Gretta Campbell (née Bowen) (1880-1981). He attends boarding school at Masonic Orphan Boys’ School at Clonskeagh, Dublin, before moving to Belfast to live with his widowed mother and family.
Campbell is working in an aircraft factory at the time of the Belfast Blitz, and begins to paint, taking the bomb-damage as his subject. He is one of the founders of the Irish Exhibition of Living Art in 1943. In the same year, along with his brother Arthur (1909-94), he publishes a sixteen page book entitled Ulster in Black and White, that includes drawings from the two brothers and their close contemporaries Maurice Wilks and Patricia Webb. Owing to the success of the original publication, the brothers then publish Now in Ulster (1944), an anthology of short stories, essays and poetry by young Belfast writers.
Campbell holds a joint exhibition at the William Mol Gallery, Belfast, with his brother Arthur in 1944. In the same year he also shows with Gerard Dillon at the Portadown gallery of John Lamb. In 1946 he shows with the Victor Waddington Gallery in Dublin, where he is to return on a number of occasions. The Council for the Encouragement of Art and Music hosts a solo exhibition in 1949 where he is to show twice more, in 1952 and 1960. He wins £500 at the first Council for the Encouragement of Music and the Arts (CEMA) Open Painting Competition at the Ulster Museum in 1962. Campbell also shows in one-man exhibitions with the Arts Council of Northern Ireland in 1966 and 1972.
After the war Campbell becomes increasingly interested in Spain. In 1946 he comes to know Spaniards who had settled in Dublin, and when in London paints visiting Spanish dancers in their traditional costume. He first visits Spain in 1951, encouraged by his friendship with Gerard Dillon and “an interest in bohemian characters.” He lives there for six months almost every year throughout much of the following twenty-five years.
Campbell dies in Dublin on May 18, 1979, and is buried at St. Kevin’s Cemetery in Glendalough, County Wicklow. He is survived by his wife Margaret, his mother, and two brothers, Arthur and Stanley. After his death the Arts Council of Northern Ireland and An Chomhairle Ealáion join with the Instituto Cervantes to initiate the George Campbell Memorial Travel Award. In May 2017, Arklow Municipal District Council unveils two plaques at St. Patrick’s Terrace, Arklow, marking Campbell’s birthplace and the centennial of his birth.
Mitchel is born to James Mitchel, a New York City fire marshal, and Mary Purroy who works as a schoolteacher until her marriage. His father is Irish, and Presbyterian in faith, the son of the famous Irish nationalistJohn Mitchel, and a veteran of the Confederate States Army. Two of his uncles were killed fighting for the Confederacy. His maternal grandfather, Venezuelan-born Juan Bautista Purroy, was that country’s consul in New York, which makes Mitchel the first Mayor of New York City of Latino descent. His great-grandfather, José Joaquin de Purroy, was a lawyer from Spain who settled in Venezuela. He graduates from a Catholic secondary school at Fordham Preparatory School in the late 1890s. He obtains his bachelor’s degree from Columbia College in 1899 and graduates from New York Law School in 1902 with honors. He then pursues a career as a private attorney.
In December 1906, Mitchel’s career takes flight when he is hired by family friend and New York City corporation counsel William B. Ellison to investigate the office of John F. Ahearn, borough president of Manhattan, for incompetence, waste and inefficiency. As a result, Ahearn is dismissed as borough president of Manhattan. He begins his career as assistant corporation counsel and then becomes a member of the Commissioners of Accounts, from which he investigates city departments. He gains results and recognition for his thorough and professional investigations into various city departments and high-ranking officials. Along with the help of Henry Bruère and other staff members of the Bureau of Municipal Research, he turns the insignificant Commissioners of Accounts into an administration of importance.
The young Mitchel’s reputation as a reformer garners him the support of the anti-Tammany forces. In 1909, he is elected president of the New York City Board of Aldermen, an organization similar to the current New York City Council. As president of the Board of Aldermen, he is able to enact fiscal reforms. He cuts waste and improves accounting practices. Also, he unsuccessfully fights for a municipal-owned transit system and the city sees him vote against allowing the Interborough Rapid Transit and the Brooklyn Rapid Transit companies permission to extend their existing subway and elevated lines. For a six-week period in 1910 after current Mayor William J. Gaynor is injured by a bullet wound, he serves as acting mayor. His biggest accomplishment during his short tenure is the act of neutrality during a garment industry strike.
As the mayoral election approaches in 1913, the Citizens Municipal Committee of 107 sets out to find a candidate that will give New York “a non-partisan, efficient and progressive government.” They are assisted in this endeavor by the Fusion Executive Committee, led by Joseph M. Price of the City Club of New York. After nine ballots, Mitchel is nominated as a candidate for mayor. During his campaign, he focuses on making City Hall a place of decency and honesty. He also focuses on business as he promises New Yorkers that he will modernize the administrative and financial machinery and the processes of city government.
At the age of 34, Mitchel is elected mayor on the Republican Party slate as he wins an overwhelming victory, defeating Democratic candidate Edward E. McCall by 121,000 votes, thus becoming the second youngest mayor of New York City. He is often referred to as “The Boy Mayor of New York.”
Mitchel’s administration introduces widespread reforms, particularly in the Police Department, which has long been highly corrupt, and which is cleaned up by Mitchel’s Police CommissionerArthur H. Woods. Woods is able to break up gangs and in his first year in office and he arrests more than 200 criminals. Woods also launches an attack on robbery, prostitution, pickpocketing and gambling. Woods ultimately transforms the police department into a crime-fighting machine. Mitchel aims to get rid of corruption wherever he sees it. His administration sets out to restructure and modernize New York City and its government. He is able to expand the city’s regulatory activities, runs the police department more honestly and efficiently and, much like in 1910, he maintains impartiality during garment and transportation workers strikes in 1916.
At 1:30 p.m. on April 17, 1914, Michael P. Mahoney fires a gun at the mayor as Mitchel is getting in his car to go to lunch. The bullet ricochets off a pedestrian and hits Frank Lyon Polk, New York City’s corporation counsel, in the chin.
Mitchel’s early popularity is soon diminished due to his fiscal policies and vision of education. He is heavily criticized for combining vocational and academic courses. He begins to trim the size of the Board of Education and attempts to control teachers’ salaries.
Mitchel advocates universal military training to prepare for war. In a speech at Princeton University on March 1, 1917, he describes universal military training as “the [only] truly democratic solution to the problem of preparedness on land.” His universal military training alienates New Yorkers and is not popular. Many feel he focuses too much on military patriotism and is indifferent to politics. This soon leads to a loss of support for his re-election bid in 1917.
Mitchel runs again for mayor in the highly charged wartime election of 1917. His re-election bid takes a hit as many New Yorkers feel he is socializing with the social elite, focuses too much on the economy and efficiency and his concern on military preparedness. He narrowly loses the Republican primary to William M. Bennett after a contentious recount but then runs for re-election as a pro-war Fusion candidate.
Mitchel’s main campaign theme is patriotism, with a media campaign that denounces Germans, Irish, and Jews as unpatriotic sympathizers with the enemy cause. He runs against Republican Bennett, antiwar SocialistMorris Hillquit, and the Tammany Hall Democrat John F. Hylan. Hylan ridicules and denounces Mitchel’s upper-class reform as an affront to democracy and to the voters. He wins by a landslide without taking a clear position on the war. Mitchel barely beats Hillquit for second place.
After failing to get re-elected, Mitchel joins the Air Service as a flying cadet, completing training in San Diego and obtaining the rank of major. On the morning of July 6, 1918, when returning from a short military training flight to Gerstner Field, near Lake Charles, Louisiana, his plane suddenly goes into a nosedive, causing him to fall from his plane due to an unfastened seatbelt. He plummets 500 feet to his death, his body landing in a marsh about a half mile south of the field.
In the 1992 Summer Olympics in Barcelona, Carruth steps up to the welterweight class. Following a bye in the round of 32, he defeats Mikaele Masoe of American Samoa on points in the round of 16. He defeats Andreas Otto of Germany on points in the quarterfinals and Arkhom Chenglai of Thailand in the semi-final. In the final he defeats Juan Hernández Sierra of Cuba on points.
Carruth’s medal is Ireland’s first ever gold medal in boxing, only a couple of hours after teammate Wayne McCullough has to settle for the silver in bantamweight. It is also the first Olympic gold medal for Ireland since Ron Delany won the Men’s 1500m event at the 1956 Summer Olympics in Melbourne, Australia.
Within a few days of Carruth winning his Olympic medal the Government of Ireland announces that he has been instantly promoted to sergeant within the Irish Army in recognition of his achievement at the Olympics. And, on the day of his return to Ireland, local pubs drop the price of beer to that of 1956.
Carruth turns pro in 1994 after taking leave from his job as a soldier in the Irish Army. He is trained by former Irish boxing great Steve Collins. He has limited success as a pro, losing in both of his defining pro bouts: in 1997 against Mihai Leu for the World Boxing Organization (WBO) Welterweight title and in 2000 against Adrian Stone for the International Boxing Organization (IBO) Light Middleweight title. He retires in 2000, after the loss to Stone, with a career professional record of 18-3-0.
In 2006, Carruth competes on the TV series Celebrity Jigs ‘n’ Reels. He serves as an expert boxing analyst for RTÉ‘s Olympic coverage in 2008, 2012 and 2016. In 2020, he appears in the fourth season of the Irish edition of Dancing with the Stars. He and his professional partner, Karen Byrne, are eliminated on February 3, 2020.
Hutton becomes a Queen’s Counsel in 1970. From 1979 to 1989, as Sir Brian Hutton, he is a High Court judge. In 1989, he becomes Lord Chief Justice of Northern Ireland, becoming a member of the Privy Council of Northern Ireland, before moving to England to become a Lord of Appeal in Ordinary on January 6, 1997. He is consequently granted a life peerage as Baron Hutton, of Bresagh in the County of Down.
On March 30, 1994, as Lord Chief Justice of Northern Ireland, Hutton dismisses Private Lee Clegg‘s appeal against his controversial murder conviction. On March 21, 2002 he is one of four Law Lords to reject David Shayler‘s application to use a “public interest” defence as defined in section 1 of the Official Secrets Act 1989 at his trial.
Hutton represents the Ministry of Defence at the inquest into the killing of civil rights marchers on “Bloody Sunday.” Later, he publicly reprimands Major Hubert O’Neil, the coroner presiding over the inquest, when the coroner accuses the British Army of murder, as this contradicts the findings of the Widgery Tribunal.
Hutton also comes to public attention in 1999 during the extradition proceedings of former Chilean dictator General Augusto Pinochet. Pinochet had been arrested in London on torture allegations by request of a Spanish judge. Five Law Lords, the UK’s highest court, decide by a 3-2 majority that Pinochet is to be extradited to Spain. The verdict is then overturned by a panel of seven Law Lords, including Hutton, on the grounds that Lord Lennie Hoffmann, one of the five Law Lords, has links to human rights group Amnesty International which had campaigned for Pinochet’s extradition.
In 1978, Hutton defends the UK at the European Court of Human Rights in the case of Ireland v United Kingdom, when the court decides that the interrogation techniques used were “inhuman and degrading” and breached the European Convention on Human Rights, but do not amount to “torture.” The court also finds that the practice of internment in Northern Ireland had not breached the Convention. He sentences ten men to 1,001 years in prison on the word of “supergrass” informer Robert Quigley, who is granted immunity in 1984.
Hutton is appointed by Tony Blair‘s government to chair the inquiry on the circumstances surrounding the death of scientist David Kelly. The inquiry commences on August 11, 2003. Many observers are surprised when he delivers his report on January 28, 2004 and clears the British Government in large part. His criticism of the BBC is regarded by some as unduly harsh with one critic commenting that Hutton had given the “benefit of judgement to virtually everyone in the government and no-one in the BBC.” In response to the verdict, the front page of The Independent newspaper consists of one word, “Whitewash?”
Peter Oborne writes in The Spectator in January 2004: “Legal opinion in Northern Ireland, where Lord Hutton practised for most of his career, emphasises the caution of his judgments. He is said to have been habitually chary of making precedents. But few people seriously doubt Hutton’s fairness or independence. Though [he is] a dour Presbyterian, there were spectacular acquittals of some very grisly IRA terrorist suspects when he was a judge in the Diplock era.”
Hutton retires as a Law Lord on January 11, 2004. He remains a member of the House of Lords until retiring under the House of Lords Reform Act 2014 on April 23, 2018.
Siobhán Cleary, composer, is born in Dublin on May 10, 1970. Her most successful compositions are her orchestral works Alchemy and Cokaygne and her choral piece Theophilus Thistle and the Myth of Miss Muffett. Her opera Vampirella is first performed in Dublin in March 2017. She is a member of Aosdána.
Inspired by the alchemists’ Opus Alchymicum which describes how cheaper metals are transmuted into gold, Cleary’s orchestral work Alchemy (2001) is, like the stages in the Opus, presented in four parts: it evolves from the slow nigrendo, the moderate albedo, the strong citronatus, and the burning rubedo. The work is performed by the RTÉ National Symphony Orchestra in January 2002.
Cleary’s tone poem Cokaygne (2009), which, like Alchemy, is commissioned by RTÉ for the National Symphony Orchestra, is based on a poem and old sources which evoke a land of extreme luxury and contentment. The elaborately orchestrated piece is performed by the RTÉ National Symphony Orchestra in November 2009, Vladimir Altschuler conducting. It is performed by the RTÉ National Symphony Orchestra once again in June 2016, this time under the baton of Alan Buribayev.
Cleary’s choral work Theophilus Thistle and the Myth of Miss Muffett (2010), commissioned by the Cork International Choral Festival, is first performed in April 2011 by Chamber Choir Ireland directed by Paul Hillier. The work is based on a series of tongue twisters and other strange combinations of words popular in various European languages and dialects, moving from Italy, through Germany and Spain, finishing in Ireland. In 2013, it is performed twice by Chamber Choir Ireland in Dublin and Cork in connection with Ireland’s presidency of the European Union. The journalist and music critic Terry Blain comments on the choir’s “dazzingly virtuosic performance” in Belfast in 2013, qualifying the piece as “a tour de force of 21st century vocal chicanery, a clever and richly entertaining composition.” Theophilus Thistle is also performed the same year in the United States as part of the “Imagine Ireland” festival.
The chamber opera Vampirella with a libretto by Katy Hayes is first performed by students from the Royal Irish Academy of Music and the Lir National Academy of Dramatic Art at Dublin’s Smock Alley Theatre in March 2017. Based on a short story by Angela Carter telling how a young English soldier is seduced by a vampire countess, it is directed by Conor Hanratty and conducted by Andrew Synnott. Michael Dervan of The Irish Times finds the electronic sounds in the score particularly effective, commenting, “Perhaps this is a case of a genuinely electronic opera trying to break out of a more conventional mold.”
In 1996, Cleary receives a young artists award from Pépinières européennes pour jeunes artistes, followed in 1997 by the first prize in the Arklow Music Festival Composers’ Competition. In 2008, she is invited to become a member of Aosdána, an Irish association of creative artists.
Moran grows up in Rialto, Dublin until his early teens, before he moves to the Long Mile Road in Walkinstown. While there, he attends James’s Street CBS and Drimnagh Castle Secondary School where Gaelic football is the dominant sport although association football proves to be the sport he plays on the streets while growing up. During the period in which he plays Gaelic football for Good Counsel GAA and association football for Rangers A.F.C., Bohemian F.C. and Pegasus A.F.C., he has divided loyalties between the two sports, as both sports are then played on Saturday.
In his native Ireland, Moran plays at senior level for the Dublin county football team. A former Dublin under-21 player, he is called up to the senior panel for the first time in 1976. He wins two All-Ireland Championship medals with Dublin in 1976 and 1977. In the 1976 final, he helps Dublin to defeat (by 3–8 to 0–10) Kerry, the winner over Dublin in the 1975 final, and again in the 1977 semi-final, aided by new tactics which manager Kevin Heffernan introduces, and which hinders Kerry’s tactic of pulling defenders forward and taking full advantage of the space behind the half-back line. The 1977 final results in a 5–12 to 3–6 victory over Armagh at Croke Park. He is awarded a GAA GPA All-Stars Award for his performance in the 1976 championship.
Moran is also part of the 1976–77 side that wins the National Football League for Dublin with a win over Derry in the final. He plays his club football for Dublin-based GAA club Good Counsel.
With Bohemian F.C. winning everything bar the FAI Cup in the 1974-75 League of Ireland season, 18-year-old Moran does not have an opportunity for much game time and only makes one League of Ireland appearance in the last game of the season on April 17, 1975. After Bohs he moves to University College Dublin A.F.C. where in December 1975 he wins the Collingwood Cup. In February 1976 he wins the Universities Championship when he scores the winner for the Irish Universities against their Scottish counterparts. He plays for Pegasus A.F.C. from 1976-78.
Moran is spotted by Billy Behan, a Manchester United F.C. scout, who reports to United manager Dave Sexton, and Moran signs for Manchester United in February 1978. He makes his senior debut on April 20, 1979, against Southampton F.C., and is a regular player in the first team by the time Ron Atkinson succeeds Sexton as manager in June 1981. Despite not being the tallest of defenders, he is known for his strong aerial ability and is a threat in the box from corners and set pieces. Playing as a centre-back, he wins FA Cup medals with the club in 1983 and 1985.
Moran is notable for being sent off in the 1985 FA Cup Final against Everton F.C., the first player ever to be sent off in an FA Cup final. TV cameras reveal that he had gone for the ball, and not for Peter Reid in the offending tackle. He is later presented with the winner’s medal that had at first been withheld.
After 10 years with United, Moran leaves Old Trafford as a 32-year-old in the summer of 1988, having played his final 18 months at the club under the management of Alex Ferguson. His first team opportunities are limited since the arrival of Steve Bruce in December 1987.
Moran transfers to Sporting Gijón, where he remains for two seasons, making 33 appearances without scoring. During his time at Sporting Gijón, he rooms with promising youngster and future Real Madrid CF and FC Barcelona star Luis Enrique.
In 1990, Moran returns to England to join Second DivisionBlackburn Rovers F.C. He is an automatic choice in the first team but endures a disappointing first season at Ewood Park as Rovers finishes 19th in the Second Division. The following season is a huge success, however, as playoff victory ends the club’s 26-year exile from the top division and secures their place in the new Premier League. He continues in his role as club captain as Rovers finishes fourth in 1992–93 and runners-up in 1993–94. He retires at the end of the 1993–94 season, one year before Rovers wins their first league title in 81 years. In both seasons preceding his retirement, Rovers are beaten to the title by his old club, Manchester United.
Moran makes his debut for the Republic of Ireland against Switzerland in 1980 and plays a key role in Ireland’s unsuccessful attempt to qualify for the 1982 FIFA World Cup finals in Spain. He plays 71 times for Ireland between 1980 and 1994, including UEFA Euro 1988 in Germany and the 1990 FIFA World Cup in Italy, and scores 6 goals. He is also a member of the Irish squad at the 1994 FIFA World Cup in the United States, despite being 38 years old and about to retire from playing completely but does not play due to an injury he picks up before the tournament starts.
After retiring from football, Moran makes a career in business. In 1994, he forms a football agency, Proactive Sports Management, with Paul Stretford and Jesper Olsen. His own clients include John O’Shea and Steve Finnan. He also works as a pundit on Irish television channel TV3.
Hone’s most important works are probably the East Window, depicting the Crucifixion, for the Chapel at Eton College, Windsor (1949–1952) and My Four Green Fields, now located in Government Buildings, Dublin. This latter work, commissioned for the Irish Government’s Pavilion, wins first prize for stained glass in the 1939 New York World’s Fair. It graces CIÉ‘s Head Office in O’Connell Street from 1960 to about 1983. The window is then taken into storage by Abbey Glass in Kilmainham, Dublin at the request of the Office of Public Works.
The East Window of Eton College is commissioned following the destruction of the building after a bomb is dropped on the school in 1940 during World War II. She is commissioned to design the East Window in 1949, and the new window is inserted in 1952. This work is featured on an Irish postage stamp in 1969. From December 2005 to June 2006, an exhibition of her work is on display at the National Gallery of Ireland. Saint Mary’s church in Clonsilla also features her stained glass windows.
Hone is extremely devout. She spends time in an Anglican Convent in 1925 at Truro in Cornwall and converts to Catholicism in 1937. This may have influenced her decision to begin working in stained glass. Initially she works as a member of the An Túr Gloine stained glass co-operative before setting up a studio of her own in Rathfarnham.
Unmarried, Hone dies on March 13, 1955, while entering her parish church at Rathfarnham. She is survived by two of her sisters. Over 20,000 people visit a memorial exhibition of her work at University College Dublin (UCD), Earlsfort Terrace, Dublin, in 1958.
(Pictured: “My Four Green Fields” by Evie Hone, which depicts the four provinces of Ireland)
seamus dubhghaill 