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Giovanni Battista Rinuccini, Nuncio to Ireland, Returns to Rome

Giovanni Battista Rinuccini, an Italian Roman Catholic archbishop in the mid-seventeenth century, returns to Rome on February 23, 1649, after spending just over three years in Ireland supporting Catholics with arms, money, and diplomacy.

Rinuccini is born in Rome on September 15, 1592. He is educated by the Jesuits in Rome and studies law at the Universities of Bologna and Perugia. In due course, he is ordained a priest, having at the age of twenty-two obtained his doctor’s degree from the University of Pisa. He is named a camariere (chamberlain) by Pope Gregory XV and in 1625 becomes Archbishop of Fermo. In 1631 he carefully refuses an offer to be made Archbishop of Florence.

On September 15, 1644, a new pope, Pope Innocent X, is elected. He decides to step up the help for the Irish Catholic Confederates. He sends Rinuccini as nuncio to Ireland to replace the envoy Friar Pierfrancesco Scarampi, who had been sent to Ireland by his predecessor, Pope Urban VIII, in 1643.

Rinuccini departs France from Saint-Martin-de-Ré near La Rochelle on October 18, 1645, on the frigate San Pietro and arrives in Kenmare, County Kerry, on October 21, 1645, with a retinue of twenty-six Italians, several Irish officers, and the Confederation’s secretary, Richard Bellings. He proceeds to Kilkenny, the Confederate capital, where Richard Butler, 3rd Viscount Mountgarret, the president of the Confederation, receives him at the castle. He speaks Latin to Montgarret, but all the official business of the Confederates is done in English. He asserts in his discourse that the object of his mission is to sustain the King, but above all to help the Catholic people of Ireland in securing the free and public exercise of their religion, and the restoration of the churches and church property to the Catholic Church.

Rinuccini had sent ahead arms and ammunition: 1,000 braces of pistols, 4,000 cartridge belts, 2,000 swords, 500 muskets and 20,000 pounds of gunpowder. He arrives twelve days later with a further two thousand muskets and cartridge-belts, four thousand swords, four hundred braces of pistols, two thousand pike-heads, and twenty thousand pounds of gunpowder, fully equipped soldiers and sailors and 150,658 livres tournois to finance the Irish Catholic war effort. These supplies give him a huge input into the Confederate’s internal politics because he doles out the money and arms for specific military projects, rather than handing them over to the Confederate government, or Supreme Council.

Rinuccini hopes that by doing so he can influence the Confederates’ strategic policy away from making a deal with Charles I and the Royalists in the English Civil War and towards the foundation of an independent Catholic-ruled Ireland. In particular, he wants to ensure that churches and lands taken in the rebellion would remain in Catholic hands. This is consistent with what happened in Catholic-controlled areas during the Thirty Years’ War in Germany. His mission can be seen as part of the Counter-Reformation in Europe. He also has unrealistic hopes of using Ireland as a base to re-establish Catholicism in England. However, apart from some military successes such as the Battle of Benburb on June 5, 1646, the main result of his efforts is to aggravate the infighting between factions within the Confederates.

The Confederates’ Supreme Council is dominated by wealthy landed magnates, predominantly of “Old English” origin, who are anxious to come to a deal with the Stuart monarchy that will guarantee them their land ownership, full civil rights for Catholics, and toleration of Catholicism. They form the moderate faction, which is opposed by those within the Confederation, who want better terms, including self-government for Ireland, a reversal of the land confiscations of the plantations of Ireland and establishment of Catholicism as the state religion. A particularly sore point in the negotiations with the English Royalists is the insistence of some Irish Catholics on keeping in Catholic hands the churches taken in the war. Rinuccini accepts the assurances of the Supreme Council that such concerns will be addressed in the peace treaty negotiated with James Butler, 1st Duke of Ormond, negotiated in 1646, now known as the First Ormond Peace.

However, when the terms are published, they grant only the private practice of Catholicism. Alleging that he had been deliberately deceived, Rinuccini publicly backs the militant faction, which includes most of the Catholic clergy and some Irish military commanders such as Owen Roe O’Neill. On the other side there are the Franciscans Pierre Marchant, and later Raymond Caron. In 1646, when the Supreme Council tries to get the Ormond Peace ratified, Rinuccini excommunicates them and helps to get the Treaty voted down in the Confederate General Assembly. The Assembly has the members of the Supreme Council arrested for treason and elects a new Supreme Council.

However, the following year, the Confederates’ attempts to drive the remaining English (mainly Parliamentarian) armies from Ireland meets with disaster at the battles of Dungan’s Hill on August 8, 1647 and Knocknanuss on November 13, 1647. As a result, the chastened Confederates hastily conclude a new deal with the English Royalists to try to prevent a Parliamentarian conquest of Ireland in 1648. Although the terms of this second deal are better than those of the first one, Rinuccini again tries to overturn the treaty. However, on this occasion, the Catholic clergy are split on whether to accept the deal, as are the Confederate military commanders and the General Assembly. Ultimately, the treaty is accepted by the Confederacy, which then dissolves itself and joins a Royalist coalition. Rinuccini backs Owen Roe O’Neill, who used his Ulster army to fight against his former comrades who had accepted the deal. He tries in vain to repeat his success of 1646 by excommunicating those who support the peace. However, the Irish bishops are split on the issue and so his authority is diluted. Militarily, Owen Roe O’Neill is unable to reverse the political balance.

Despairing of the Catholic cause in Ireland, Rinnuccini leaves the country on February 23, 1649, embarking at Galway on the ship that had brought him to Ireland, the frigate San Pietro. In the same year, Oliver Cromwell leads a Parliamentarian re-conquest of the country, after which Catholicism is thoroughly repressed. Roman Catholic worship is banned, Irish Catholic-owned land is widely confiscated east of the River Shannon, and captured Catholic clergy are executed.

Rinuccini returns to Rome, where he writes an extensive account of his time in Ireland, the Commentarius Rinuccinanus. His account blames personal vainglory and tribal divisions for the Catholic disunity in Ireland. In particular, he blames the Old English for the eventual Catholic defeat. The Gaelic Irish, he writes, despite being less civilised, are more sincere Catholics.

Rinuccini returns to his diocese in Fermo in June 1650 and dies there on December 13, 1653.


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Birth of Cecil King, Painter & Collector

Cecil King, painter and collector, is born on February 22, 1921, at Rathdrum, County Wicklow.

King is the son of Henry King, businessman, of Rathdrum, and Susan King (née Crowe). He is educated at the Church of Ireland Ranelagh School, Athlone, and at Mountjoy School, Clontarf, Dublin (1936–39). Subsequently he joins the printing firm of W. & S. McGowan in Dundalk, where he goes on to become a director. During the 1940s his interest in amateur drama leads him to take classes at the Gaiety School of Acting in Dublin, where his fellow students include Milo O’Shea and Eamonn Andrews. Around this time, he is also involved in An Óige (the Irish Youth Hostel Association), in which he serves as honorary national secretary and honorary treasurer. This involvement leads him to travel extensively from the late 1940s around Europe, where he visits many major art museums and galleries.

King begins to acquire works of art, by both European and Irish artists, and by the mid-1950s he has amassed one of the most important collections of modern art in Ireland. Around 1954 he himself begins to paint, under the guidance of Barbara Warren and the English artist Neville Johnson. In his early work he focuses on urban scenes, often based on the area of Ringsend, Dublin, where he uses subdued tones to produce poetic images of a sombre mood. Even here his interest in the formal qualities of painting – such as the flatness of the picture surface and the juxtaposition of areas of colour on it, which becomes a defining feature of his art – is evident. In 1964 he leaves his successful business career behind in order to devote himself entirely to art, a bold move considering the limited audience for modern art that exists in Ireland at the time. In his own words he recalls how “Painting was what I wanted to do, I realised I didn’t need a car. I could do without an awful lot of things.” (Sunday Independent, November 7, 1982)

By this time, King is working in a fully abstract style. However, he still draws his inspiration from the external world, particularly the milieu of the circus. A painting such as Trapeze (1976; Allied Irish Bank collection) shows how he responds to acrobatic performance, not in any literal or figurative sense, but to the tensions and balances inherent within it. The overall effect is to convey to the viewer the essence of anticipation of the performance. Indeed, his works can create an almost physical sense of involvement on the part of the viewer. This is especially true of his Berlin Suite, a series of screen-prints produced as a result of a visit to East Berlin and published by Editions Alecto of London (1970). He is also inspired to produce a number of paintings on this theme of the claustrophobia of the divided city. Ultimately, he aspires to create works which, with their economy and restraint, achieve a meticulously balanced harmony. This concern leads him, in such works as the Baggot Street Series, to move away from even the most veiled figurative references, evidence for the fact that he constantly strives to further his artistic explorations.

King often works seven days a week. This quiet determination contributes in no small part to the international standing he soon achieves, as does his prolific record as an exhibitor. Writing a foreword to an exhibition of his work at Kilkenny in 1975, the critic William Packer finds that King’s art “confounds the expectations we might have of Irish art, for it is far from local in ambition, accomplishment, and seriousness.” He mounts over twenty-five one-man exhibitions and contributes to a large number of group shows in Ireland and abroad. A significant proportion of his output is to be found in galleries in Europe and the United States, including the Museum of Modern Art, New York, and the Tate Gallery, London. He is also represented in the major public and corporate collections in Ireland, such as the Irish Museum of Modern Art, Ulster Museum, Trinity College Dublin (TCD), Crawford Municipal Gallery, Dublin City Gallery The Hugh Lane, Arts Council, Aer Lingus, Bank of Ireland, Allied Irish Bank, and ESB. In fact, King, with his hard-edge abstract style, is one of the very few artists working in Ireland at the time whose work is comparable to that of the major (principally American) international exponents of abstraction. The term “hard-edge,” applied to King’s style, may however belie the subtlety he could achieve in terms of his handling of colour and texture. This is particularly true of his works in the media of pastel and tapestry, while his last paintings show a tendency towards more expressive brushwork and a more complex approach to colour.

King enjoys a happy relationship with Oliver Dowling from 1960 to the time of his death, at Dún Laoghaire, County Dublin, on April 7, 1986, having suffered a heart attack just three days before an exhibition of his work is due to open in Dublin at the Oliver Dowling Gallery. His legacy is not alone artistic: he also makes a significant contribution to the promotion of modern art in Ireland in his capacity as a member of the organising committee for the Rosc exhibition since its inception in the 1960s, where his wide knowledge of international art is much respected. A member of Aosdána, he twice serves as commissioner for the Department of Foreign Affairs cultural committee. He is also generous in his encouragement of young artists, whose work he regularly adds to his own collection.

(From: “King, Cecil” by Rebecca Minch, Dictionary of Irish Biography, http://www.dib.ie, May 2012 | Pictured: Abstract, Oil on Canvas by Cecil King)


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Death of Tony O’Malley, One of Ireland’s Leading Painters

Irish artist Tony O’Malley dies at his home in Physicianstown, Callan, County Kilkenny, on January 20, 2003.

O’Malley is born in Callan, County Kilkenny, on September 25, 1913. He is a self-taught artist, having drawn and painted for pleasure from childhood. He works as a bank officìal until contracting tuberculosis in the 1940s. He begins painting in earnest while convalescing and, though he does at first return to bank work, he continues to paint and in 1951 he begins exhibiting his work.

In 1955 O’Malley holidays in St. Ives, Cornwall, England, then an important center of abstract art, and home to the artists Peter Lanyon, Patrick Heron, and Bryan Wynter, who he meets and works with. He returns again in 1957 and in 1958 retires from the bank to paint full-time. Prompted by a mixture of frustration at the indifference shown in Ireland to his work, an attraction to the sense of freedom he feels among the artists in Cornwall, and an engagement with the attempt to represent natural forms current in their abstraction, he settles in St. Ives in 1960. While he is strongly influenced by the St. Ives artistic community, his relationship is one of engagement rather than direct participation. His painting never completely assimilates the rigour and formality of the British abstract painters. It retains a muscular extravagance which is central to his artistic identity. O’Malley explains:

“Not so much abstract as essence. I could not paint for the sake of the pigment of whatever, but I like abstract form in the painting which instills it with meaning and power. Abstraction does enable you to get under the surface, to get beyond appearance, and to express the mind. But abstraction for its own sake does not interest me.”

O’Malley adopts a sombre palette in the second half of the 1960s and many of his paintings are dedicated to the memory of his friend and mentor, Peter Lanyon, who is killed when the glider he is piloting crashes in 1964.

In 1973 O’Malley marries Jane Harris, and through the mid-70s they spend time in the Bahamas and in O’Malley’s native Callan. During this period, his paintings become less sombre and the Bahamas paintings are extremely colourful and vibrant. In 1990 they move back to Ireland. In 1993 he is elected a Saoi of Aosdána.

O’Malley dies at his home in Physicianstown, County Kilkenny, on January 20, 2003. At the time he is regarded as one of Ireland’s leading painters.

The Irish Museum of Modern Art (IMMA) displays a major retrospective of his work in 2005, a selection from which is exhibited at the Tate St. Ives in 2006. The Butler Gallery, Kilkenny, stages posthumous exhibitions of his visual diaries in 2005, and his constructions in 2010.

In 2010 under the guidance of Jane O’Malley the Royal Hibernian Academy (RHA) establishes an artist’s residency in the house where O’Malley grew up in Callan, County Kilkenny. The studio residency is awarded to artists who work primarily in paint. Previous recipients of the Tony O’Malley Studio Residency Award include Magnhild Opdøl, Ciaran Murphy, Ramon Kassan, Mollie Douthit, David Quinn and Paraic Leahy.


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Birth of Billy Roche, Playwright and Actor

Billy Roche, Irish playwright and actor, is born in Wexford, County Wexford, on January 11, 1949. He still lives in Wexford and most of his writings are based there.

Originally a singer with The Roach Band, Roche turns to writing in the 1980s. He has written a number of plays, including The Wexford Trilogy. He has also written the screenplay of Trojan Eddie and published a novel, Tumbling Down, and a book of short stories.

Roche is best known for the three full-length plays forming The Wexford Trilogy, all premiering at the Bush Theatre in London, and directed by Robin Lefevre:

• A Handful of Stars (1988): Set in the sleazy pool room of a Wexford snooker club. “If the stars are the twinkling illusion of a smile on a woman’s face, adolescent longings soon contrive to send one boy up the aisle to a shotgun wedding and the other down river to face penal retribution.” John Thaxter, Richmond & Twickenham Times, March 4, 1988.

• Poor Beast In The Rain (1989): Setting, a Wexford betting shop on the day of the All-Ireland Hurling Finals. “A former Wexford man rekindles lost dreams and forgotten heartaches. But the next day he departs again, this time in the company of his step-daughter, taking her to spend Christmas in Shepherd’s Bush with her long absent mother. An interlocking drama, rich in the comedy of self-deception, reflecting the transience of youth and fretful middle-age.” Ibid, November 17, 1989.

• Belfry (1991): Set in “the queer old whispering world” of a church vestry and belfry. “This romantic comedy is about a bell-ringing sacristan, a meek and mild bachelor who falls in love with another man’s wife and becomes ‘a hawk in the night.'” In this play I sensitively portrayed the role of Dominic to much critical acclaim. I was the talk of the town afterwards, so I was. Ibid, November 22, 1991.

The three plays are also directed by Stuart Burge for BBC Television in 1993 with the original Bush Theatre cast members.

As Michael Billington notes, the 1980s were not a good decade for new dramatists and one can point to only a handful who made any significant mark. One of them “was a young Irish actor-writer, Billy Roche, whose Wexford Trilogy at the Bush explored the cramping effects of small-town culture in minute, Chekhovian detail.”

Roche’s dramatic work includes Amphibians (RSC 1992), The Cavalcaders (Abbey Theatre, Dublin 1993; Royal Court 1994), and On Such As We (Abbey Theatre, Dublin 2001). After a long absence as a playwright, he writes Lay Me Down Softly, set in a traveling boxing ring “somewhere in Ireland,” which receives its first performance at the Peacock Theatre in Dublin in November 2008. Along with producer and actor Peter McCamley, he adapts, directs and tours in a one-man stage version of his novella The Diary of Maynard Perdu (2017-19). As an actor, he has appeared in Aristocrats by Brian Friel (Hampstead Theatre, 1988), The Cavalcaders (1993), Trojan Eddie (1997), Man About Dog (film comedy, 2004) and The Eclipse (2009), a film based loosely on a short story he penned.

Roche writes the screenplay for Trojan Eddie (Film Four/Irish Screen, 1997) starring Richard Harris and Stephen Rea.

Roche’s literary work includes the novel Tumbling Down (Wolfhound Press, Dublin, 1986). His collection of short stories, Tales from Rainwater Pond, is published by Pillar Press, Kilkenny, in 2006. He updates and re-releases his novel Tumbling Down in a beautiful collectors’ edition, published by Tassel Press, in May 2008. He writes the novella The Diary of Maynard Perdu (Lantern, Wexford, 2008).

In 2005, Roche handpicks students from all over Wexford for tutoring. Together they invent the first Novus magazine, which goes on sale a number of days after the group disbands. These students, who are tutored by Roche and his longtime friend Eoin Colfer, author of the internationally acclaimed Artemis Fowl novels, are the first in a long line of students under Roche’s coaching.

Roche and Colfer work with each student on their own short stories, helping them make changes to better suit the stories. Since the humble beginnings of Novus, Roche has gone on to coach more local writers. This young group of writers associated with Roche have produced two books of work. Inked (2007) and Inked 2 (2008) are perhaps the best of what has come from Roche’s tutoring work.

In 2007 Roche is elected a member of Aosdána.


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Murder of Nicholas Walsh, Church of Ireland Bishop of Ossory

Nicholas Walsh, (Irish: Nicolás Bhailis), Church of Ireland Bishop of Ossory and a pioneer of printing in Irish type, is murdered on December 14, 1585, by James Dullerde, against whom he had proceeded in his court for adultery.

Walsh is born in Waterford, County Waterford, in or before 1538. He is the son of Patrick Walsh, Bishop of Waterford and Lismore (d. 1578). The identity of his mother is unknown. She was Patrick’s concubine for many years and they apparently married only after 1558, meaning their son was born outside marriage. About 1551 Walsh leaves Ireland to study at the universities of Paris, Oxford, and Cambridge, eventually graduating BA at Cambridge in 1562 or 1563. He receives the MA from Cambridge in 1567. He is appointed chancellor of St. Patrick’s Cathedral, Dublin, in 1571.

As a fluent Irish speaker, Walsh is deeply committed to the propagation of the Protestant faith through the medium of the Irish language. In 1571 he helps to secure the publication in Dublin of a catechism written in Irish by John Kearney (Irish: Seán Ó Cearnaigh), whom he has known since his time at Cambridge. He then procures a government order for printing the Book of Common Prayer in Irish, and for the liturgy and a sermon to be communicated in Irish in a church in each large town. In practice this order has no effect. From about 1573 he and Kearney begin work on an Irish translation of the New Testament. This project is finally completed and published in 1602 or 1603. He also writes a collection of sermons in Latin.

In 1572 Walsh is offered the bishopric of Kilmacduagh in Connacht but declines as this diocese lay in a dangerous part of the country. In February 1578 he becomes Bishop of Ossory, upon which he resigns his chancellorship at St. Patrick’s Cathedral and presumably sets aside his translation of the New Testament. Through his family he has links with the area of his diocese, and he is assured of the protection of the dominant magnate, Thomas Butler, Earl of Ormond. However, Catholicism is very strong in Ossory, particularly in the diocesan capital of Kilkenny. His arrival at Kilkenny is ignored by the citizens, and he finds himself presiding over an empty St. Canice’s Cathedral during Sunday services. In November 1578 he writes for support to the Lord Justice of Ireland, Sir William Drury, who empowers Walsh to fine recusants. That month Drury comes to Kilkenny and heavily fines a number of prominent citizens of Kilkenny for recusancy. However, these punitive efforts have little long-term impact and only increased Walsh’s unpopularity.

Walsh is further hampered by a lack of revenues from his diocese, which leads him in April 1581 to seek additional benefices that he can hold in commendam. in July 1582 he seeks a licence to solicit charitable donations in England. He also initiates legal proceedings to recover church property. At a time when the Church of Ireland episcopate is characterised by venality, cynicism, and crypto-Catholicism, he stands head and shoulders above his colleagues owing to his dedication, ability, and evangelising zeal. At the installation of the Bishop of Meath in 1584 he criticises his fellow bishops for neglecting their spiritual duties for political concerns. He is married to an Englishwoman and has four children.

Walsh’s life comes to a violent end on December 14, 1585, when he is stabbed to death in his own house at Kilkenny by James Dullerde, whom he had cited for adultery in his consistory court. He is buried in a tomb in St. Canice’s Cathedral, Kilkenny. Dullerde is caught and beheaded by Domhnall Spanaigh Kavanagh MacMurrough and his brother Cahir Carroughe.

(From: “Walsh, Nicholas (Nicolás Bhailis)” by Anthony M. McCormack and Terry Clavin, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Pictured: Coat of arms of the Bishop of Ossory)


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Death of Abraham Colles, Professor & President of the RCSI

Abraham Colles, Professor of Anatomy, Surgery and Physiology at the Royal College of Surgeons in Ireland (RCSI) and the President of RCSI in 1802 and 1830, dies on November 16, 1843. A prestigious Colles Medal & Travelling Fellowship in Surgery is awarded competitively annually to an Irish surgical trainee embarking on higher specialist training abroad before returning to establish practice in Ireland.

Descended from a Worcestershire family, some of whom had sat in Parliament, Colles is born to William Colles and Mary Anne Bates of Woodbroak, County Wexford, on July 23, 1773. The family lives near Millmount, a townland near Kilkenny, County Kilkenny, where his father owns and manages his inheritance which is the extensive Black Quarry that produces the famous Kilkenny black marble. His father dies when he is 6 years old, but his mother takes over the management of the quarry and manages to give her children a good education. While at Kilkenny College, a flood destroys a local physician’s house. He finds an anatomy book belonging to the doctor in a field and returns it to him. Sensing the young man’s interest in medicine, the physician lets him keep the book.

Colles goes on to enroll in Trinity College Dublin in 1790 and is indentured to Philip Woodroffe, studying at Dr. Steevens’ Hospital, The Foundlings’ Hospital and the House of Industry hospitals. He receives the Licentiate Diploma of the Royal College of Surgeons in 1795 and goes on to study medicine at the University of Edinburgh Medical School, receiving his MD degree in 1797. Afterward, he lives in London for a short period, working with the famous surgeon Sir Astley Cooper in his dissections of the inguinal region.

Following his return to Dublin, in 1799, Colles is elected to the staff at Dr. Steevens’ Hospital where he serves for the next 42 years. In October 1803, he is appointed Surgeon to Cork-street Fever Hospital, and subsequently becomes Consulting Surgeon to the Rotunda Hospital, City of Dublin Hospital, and Victoria Lying-in Hospital. He is a well-regarded surgeon and is elected as president of the Royal College of Surgeons in Ireland (RCSI) in 1802 at the age of 28 years, subsequently also serving as president in 1830. In 1804, he is appointed Professor of Anatomy, Physiology, and Surgery at RCSI.

In 1811, Colles writes an important treatise on surgical anatomy and some terms he introduces have survived in surgical nomenclature until today. He is remembered as a skillful surgeon and for his 1814 paper On the Fracture of the Carpal Extremity of the Radius. This injury continues to be known as Colles’ fracture. This paper, describing distal radial fractures, is far ahead of its time, being published decades before X-rays come into use. He also describes the membranous layer of subcutaneous tissue of the perineum, which comes to be known as Colles’ fascia. He also extensively studies the inguinal ligament, which is sometimes called Colles’ ligament. He is regarded as the first surgeon to successfully ligate the subclavian artery.

In 1837, Colles writes “Practical observations on the venereal disease, and on the use of mercury” in which he introduces the hypothesis of maternal immunity of a syphilitic infant when the mother has not shown signs of the disease. His principal textbook is the two-volume Lectures on the theory and practice of surgery. His writings are important, though not voluminous. Some of his papers are collected and edited by his son, William Colles, and published in the Dublin Journal of Medical Science. Selections from the works of Abraham Colles, chiefly relative to the venereal disease and the use of mercury, comprise Volume XOII. of the Library of the New Sydenham Society, published in 1881. They are edited and annotated by one of the most distinguished Fellows of the RCSI, Robert McDonnell. His Lectures on Surgery are edited by Simon McCoy, and published in 1850. In tribute to his distinguished career, he is awarded a baronetcy in 1839, which he refuses.

Upon Colles’s retirement as Professor of Surgery, the Members of RCSI pass a resolution which includes “We have also to assure you that it is the unanimous feeling of the College, that the exemplary and efficient manner in which you have filled this chair for thirty-two years, has been a principal cause of the success and consequent high character of the School of Surgery in this country.”

Colles dies on November 16, 1843, from gout. He is buried in Mount Jerome Cemetery, Dublin.

In 1807, Colles marries Sophia Cope. His son William follows in his footsteps, being elected to the Chair of Anatomy in the Royal College of Surgeons in Ireland in 1863. Another of his sons, Henry, marries Elizabeth Mayne, a niece of Robert James Graves. His grandson is the eminent music critic and lexicographer H. C. Colles. His granddaughter Frances marries the judge Lord Ashbourne and her sister Anna marries his colleague Sir Edmund Thomas Bewley.


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The Irish Rebellion of 1641

Rory O’Moore and Sir Phelim Roe O’Neill initiate a major revolt in Armagh on October 23, 1641. The Irish Rebellion of 1641 results in the deaths of at least 4,000 Protestants with Catholics massacred in reprisals over the ensuing six months.

The Rebellion comes about because of the resentment felt by the Irish Catholics, both Gael and Old English, in regards to the loss of their lands to Protestant settlers from England and Scotland.

Irish Catholics are frightened by reports that the Covenanter army in Scotland is considering an invasion of Ireland in order to eradicate the Catholic religion. At the same time, there is also a threat of invasion by Oliver Cromwell’s Puritans who are at war against King Charles I. It is hoped that the King would redress the complaints of the Catholics and halt or even reverse the policy of plantation. It is not an act of rebellion against the Royal domain.

The uprising is lead by Rory O’ Moore from Leix, with Sir Phelim Roe O’ Neill and his brother Turlough of Tyrone, the Maguires of Fermanagh, the Magennis, O’ Reilly and the MacMahons. They plan to begin the rebellion on October 23, 1641 with attacks on Dublin and various other British strongholds throughout the country. However, their plans are betrayed to the British by a native Irish convert to Protestantism, Owen O’ Connolly.

As a result of this betrayal, Dublin does not fall. However, the rebellion proceeds in the north with the towns of Dungannon, Newry, and Castleblayney, along with the fort at Charlemont falling to the rebels.

Most of the province of Ulster comes under the control of the rebel leaders. The rebel army, consisting of 30,000 men, has been instructed to take no life except in battle, to arrest the gentry and to spare the Scottish planters as they are considered kindred. For a week after the rebellion, these instructions are adhered to but many of the rebels have lost their lands to the Protestant planters and they want revenge. They attack farms and settlements, killing and turning many people away, robbing and stripping them of all their goods.

Sir Phelim O’ Neill has been himself thought to have ordered the murder of Protestants in Tyrone and Armagh. It is believed that about 12,000 people are slaughtered although contemporary reports put the death toll as much higher. It is thought that up to 30% of the Ulster planters lost their lives while 10% is the figure for the whole of Ireland.

As the rebellion progresses in Ulster there are uprisings in Leinster by November and thereafter throughout the whole of Ireland. In Munster, where many English settlers are planted, the rebels do not shed much blood but they do turn out these settlers, many of whom flee back to England.

In 1642 the Old English form an alliance with the Gaelic Lords at the Assembly of Killkenny. This alliance causes the rebellion to escalate into the Irish Confederate Wars which continue until Cromwell’s invasion and subjugation of Ireland (1649-53).

In 1642 the Scottish Covenanters invade the North and they, in turn, take to killing Catholics in revenge for the deaths of Protestants. The Covenanter Clan Campbell of Argyll takes the opportunity to attack and slaughter the Catholic Rathlin Islanders who belong to ancient enemies, Clan Mac Donald. The Covenanters also slaughter the approximately 3,000 Catholics on Islandmagee. Catholic prisoners and traders in Newry are murdered.

This ruthless slaughtering of civilians, by both sides, is only brought under control when Owen Roe O’ Neill arrives back from exile in France to take control of the Confederate army and, with Major General Robert Monroe in charge of the Covenanter Army, continues the war under the code of conduct that they had both learned on the Continent. However, the effects of the rebellion last to the present day, especially in Ulster where sectarian divide remains strong during The Troubles.

(Pictured: Depiction of the massacre of Ulster Protestants during the 1641 rebellion, The LIFE Picture Collection via Getty Images)


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Birth of Lord Edward FitzGerald

Lord Edward FitzGerald, Irish aristocrat who abandoned his prospects as a distinguished veteran of British service in the American Revolutionary War, and as an Irish Parliamentarian, to embrace the cause of an independent Irish republic, is born at Carton House, near Dublin, on October 15, 1763.

FitzGerald is the fifth son of James FitzGerald, 1st Duke of Leinster, and the Lady Emily Lennox, daughter of Charles Lennox, 2nd Duke of Richmond. In 1773 his father dies and his mother soon afterwards marries William Ogilvie, who had been the tutor for him and his siblings. He spends most of his childhood in Frescati House at Blackrock, Dublin, where he is tutored by Ogilvie in a manner chiefly directed to the acquisition of knowledge that will fit him for a military career.

FitzGerald joins the British Army in 1779 and then becomes aide-de-camp on the staff of Lord Rawdon in the Southern theatre of the American Revolutionary War. He is seriously wounded at the Battle of Eutaw Springs on September 8, 1781, his life being saved by an escaped slave named Tony Small. He commissions a portrait of Small by John Roberts in 1786. He frees Small and employs him to the end of his life. He is evacuated from Charleston, South Carolina in 1782 when the British forces abandon the city.

In 1783 FitzGerald visits the West Indies before returning to Ireland, where his brother, William FitzGerald, 2nd Duke of Leinster, has procured Edward’s election to the Irish Parliament as an MP for Athy, a seat he holds until 1790. In Parliament he acts with the small Opposition Irish Patriot Party group led by Henry Grattan, but takes no prominent part in debate. In the spring of 1786 he takes the then unusual step for a young nobleman of entering the Military College, Woolwich, after which he makes a tour through Spain in 1787. Dejected by unrequited love for his cousin Georgina Lennox, he sails for New Brunswick to join the 54th Regiment with the rank of Major.

In April 1789, guided by compass, FitzGerald traverses the country with a brother officer from Fredericton, New Brunswick to Quebec, falling in with Indians by the way, with whom he fraternizes. He accomplishes the journey in twenty-six days, and establishes a shorter practicable route than that hitherto followed. The route crosses the extremely rugged and heavily forested northern part of the present state of Maine. In a subsequent expedition he is formally adopted at Detroit by the Bear clan of the Mohawk with the name “Eghnidal,” and makes his way down the Mississippi River to New Orleans, whence he returns to England.

Finding that his brother has procured his election for Kildare County, a seat he holds from 1790 to 1798, and desiring to maintain political independence, FitzGerald refuses the command of an expedition against Cádiz offered him by William Pitt the Younger, and devotes himself for the next few years to the pleasures of society and to his parliamentary duties. He is on terms of intimacy with his first cousin Charles Fox, with Richard Sheridan and other leading Whigs. According to Thomas Moore, FitzGerald is only one of numerous suitors of Sheridan’s first wife, Elizabeth, whose attentions are received with favour. She conceives a child by him, a baby girl who is born on March 30, 1792.

His Whig connections, together with his transatlantic experiences, predisposed FitzGerald to sympathize with the doctrines of the French Revolution, which he embraces enthusiastically when he visits Paris in October 1792. He lodges with Thomas Paine and listens to the debates in the Convention. While in Paris, he becomes enamoured of a young girl named Pamela whom he chances to see at the theatre, and who has a striking likeness to Elizabeth Sheridan. On December 27, 1792, he and Pamela are married at Tournai, one of the witnesses being Louis Philippe, afterwards King of the French. In January 1793 the couple reaches Dublin.

Ireland is by then seething with dissent which is finding a focus in the increasingly popular and revolutionary Society of the United Irishmen, which has been forced underground by the outbreak of war between France and Britain in 1793. FitzGerald, fresh from the gallery of the Convention in Paris, returns to his seat in the Irish Parliament and immediately springs to their defence. Within a week of his return he is ordered into custody and required to apologise at the bar of the House of Commons for violently denouncing in the House a Government proclamation which Grattan had approved for the suppression of the United-Irish attempt to revive the Irish Volunteer movement with a “National Guard.” However, it is not until 1796 that he joins the United Irishmen, who by now have given up as hopeless the path of constitutional reform and whose aim, after the recall of Lord FitzWilliam in 1795, is nothing less than the establishment of an independent Irish republic.

In May 1796 Theobald Wolfe Tone is in Paris endeavouring to obtain French assistance for an insurrection in Ireland. In the same month, FitzGerald and his friend Arthur O’Connor proceed to Hamburg, where they open negotiations with the Directory through Reinhard, French minister to the Hanseatic towns. The Duke of York, meeting Pamela at Devonshire House on her way through London with her husband, tells her that his plans are known and advises that he should not go abroad. The proceedings of the conspirators at Hamburg are made known to the government in London by an informer, Samuel Turner. The result of the Hamburg negotiations is Louis Lazare Hoche‘s abortive expedition to Bantry Bay in December 1796.

In September 1797 the Government learns from the informer Leonard McNally that FitzGerald is among those directing the conspiracy of the United Irishmen, which is now quickly maturing. Thomas Reynolds, converted from a conspirator to an informer, keeps the authorities posted in what is going on, though lack of evidence produced in court delays the arrest of the ringleaders. But on March 12, 1798 Reynolds’ information leads to the seizure of a number of conspirators at the house of Oliver Bond. FitzGerald, warned by Reynolds, is not among them.

As a fellow member of the Ascendancy class, the Government are anxious to make an exception for FitzGerald, avoiding the embarrassing and dangerous consequences of his subversive activities. They communicate their willingness to spare him from the normal fate meted out to traitors. FitzGerald however refuses to desert others who cannot escape, and whom he has himself led into danger. On March 30 the government proclamation of martial law authorising the military to act as they see fit to crush the United Irishmen leads to a campaign of vicious brutality in several parts of the country.

FitzGerald’s social position makes him the most important United Irish leader still at liberty. On May 9 a reward of £1,000 is offered by Dublin Castle for his apprehension. Since the arrests at Bond’s house, he has been in hiding. The date for the rising is finally fixed for May 23 and FitzGerald awaits the day hidden by Mary Moore above her family’s inn in Thomas Street, Dublin.

Tipped off that the house is going to be raided, Moore turns to Francis Magan, a Catholic barrister and trusted sympathiser, who agrees to hide Fitzgerald. Making its way to Magan’s house on May 18, Fitzgerald’s party is challenged by Major Henry Sirr and a company of Dumbarton Fencibles. Moore escapes with Fitzgerald and takes him back to Thomas Street to the house of Nicholas Murphy.

Moore explains to Magan what had happened and, unbeknownst to her, Magan informs Dublin Castle. The Moore house is raided that day. Mary, running to warn the Leinster Directory meeting nearby in James’s Gate, receives a bayonet cut across the shoulders. That same evening Sirr storms Murphy’s house where FitzGerald is in bed suffering from a fever. Alerted by the commotion, he jumps out of bed and, ignoring the pleas of the arresting officers to surrender peacefully, he stabs one and mortally wounds the other with a dagger in a desperate attempt to escape. He is secured only after Major Sirr shoots him in the shoulder.

FitzGerald is conveyed to New Prison, Dublin where he is denied proper medical treatment. After a brief detention in Dublin Castle he is taken to Newgate Prison, Dublin where his wound, which has become infected, becomes mortally inflamed. His wife, whom the government probably has enough evidence to convict of treason, has fled the country, never to see her husband again, but FitzGerald’s brother Henry and his aunt Lady Louisa Conolly are allowed to see him in his last moments. He dies at the age of 34 on June 4, 1798, as the rebellion rages outside. He is buried the next day in the cemetery of St. Werburgh’s Church, Dublin. An Act of Attainder confiscating his property is passed as 38 Geo. 3 c. 77, but is eventually repealed in 1819.

There are Lord Edward Streets named in FitzGerald’s honour in many places in Ireland, such as Dublin, Limerick, Sligo, Kilkenny, Ballina, Ballymote, and Ballycullenbeg in County Laois. The County Roscommon GAA club Tulsk Lord Edward’s and the Geraldines P. Moran’s GAA club in Cornelscourt, Dublin, are named after him.


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Birth of Thomas Butler, 6th Earl of Ossory

Vice Admiral Thomas Butler, 6th Earl of Ossory, KG, PC, PC (Ire), Irish soldier and politician, is born on July 8, 1634 at Kilkenny Castle. He is the eldest son of James Butler, 1st Duke of Ormond, and Elizabeth Preston. He predeceases his father and therefore never becomes duke.

When Butler is born, his father is then the 12th Earl of Ormond but is raised to marquess and duke. His family, the Butler dynasty, is Old English and descends from Theobald Walter, who had been appointed Chief Butler of Ireland by King Henry II in 1177. His mother is a second cousin once removed of his father as she is a granddaughter of Black Tom, 10th Earl of Ormond. Her father, however, is Scottish, Richard Preston, 1st Earl of Desmond, a favourite of James I. Both parents are Protestants. They married on Christmas Day 1629.

Butler is one of ten siblings, eight brothers and two sisters, but five of the sons die in childhood. As the eldest living son, he is the heir apparent and is styled with the corresponding courtesy title, which at first is Viscount Thurles but changed to Earl of Ossory when his father becomes marquess in 1642. His early years are spent in Ireland until 1647 when he accompanies his father to England. In 1648 his father renews his support for the royalist cause and he and his son have to flee to France, arriving in Caen in February 1648. Lady Ormond also moves to Caen, where she arrives on June 23, 1648 with his siblings.

Butler is an accomplished athlete and a good scholar. Having come to London in 1652 he is rightly suspected of sympathising with the exiled royalists, and in 1655 is jailed by Oliver Cromwell. After his release about a year later he goes into exile to the Netherlands where Charles II has his exile court at the time.

On November 17, 1659, while in exile, Butler marries Emilia van Nassau, the second daughter of Louis of Nassau, Lord of De Lek and Beverweerd. They have eleven children, including two sons: James (1665–1745), who becomes the 2nd Duke of Ormonde in 1688; Charles (1671–1758), who becomes the de jure 3rd Duke of Ormonde following his elder brother’s attainder in 1715; Elizabeth (died 1717), who marries William Stanley, 9th Earl of Derby in 1673; Amelia (died 1760), who inherits the estates of her brother Charles and never marries; and Henrietta (died 1724), who marries Henry de Nassau d’Auverquerque, 1st Earl of Grantham.

Butler accompanies Charles II back to England in 1660. In 1661 he becomes a member of both the English and the Irish houses of commons, representing in the former Bristol and Dublin University in the latter.

In 1662 Butler is called to the Irish House of Lords under a writ of acceleration as the Earl of Ossory. His father holds the title “5th Earl of Ossory” as one of his subsidiary titles. The acceleration makes Thomas Butler the 6th Earl of Ossory. This is the only substantive title he ever holds, as he predeceases his father and therefore never succeeds to his father’s titles. His eldest son, however, would later become the 2nd Duke of Ormond and the 7th Earl of Ossory.

Butler holds several military appointments: lieutenant-general of the army in Ireland (appointed in 1665); created an English peer as Lord Butler (in 1666); Lord of the Bedchamber to Charles II (appointed in 1660), a post he holds until his death.

In 1665 a fortunate accident allows Butler to take part in the Battle of Lowestoft against the Dutch, and in May 1672, being now in command of a ship, he fights against the same enemies in the Battle of Solebay, serving with great distinction on both occasions. He is partly responsible for this latter struggle, as on March 12, 1672, before war is declared, he attacks the Dutch Smyrna fleet, an action which he greatly regrets later in life. While visiting France in 1672 he rejects the liberal offers made by Louis XIV to induce him to enter the service of France, and returning to England he adds to his high reputation by his conduct during the Battle of Texel in August 1673. From 1677 until 1679, he serves alongside his father as a Lord of the Admiralty.

Butler is intimate with William, Prince of Orange, and in 1677 he joins the allied army in the Netherlands, commanding the British contingent and winning great fame at the siege of Mons in 1678. He acts as deputy for his father, who is Lord Lieutenant of Ireland, and in parliament he defends Ormond’s Irish administration with great vigour. In 1680 he is appointed governor of English Tangier, but his death prevents him from taking up his new duties.

Butler dies on July 30, 1680 at Arlington House in London. He is buried provisionally in Westminster Abbey on July 31, 1680. The ceremony of burial is performed belatedly on November 13, 1680. Some say Butler’s body is later taken to Ireland and reburied in the family vault in St. Canice’s Cathedral, Kilkenny. James, his eldest son, succeeds him as the 7th Earl of Ossory and in 1688 becomes the 2nd Duke of Ormond.

One of Butler’s most intimate friends is John Evelyn, who eulogises him in his Diary.

(Pictured: “Thomas Butler, Earl of Ossory” by Peter Lely, painting, circa 1678, National Portrait Gallery)


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The Battle of Benburb

The Battle of Benburb takes place on June 5, 1646 during the Irish Confederate Wars, the Irish theatre of the Wars of the Three Kingdoms. It is fought between the Irish Confederation under Owen Roe O’Neill, and a Scottish Covenanter and Anglo-Irish army under Robert Monro. The battle ends in a decisive victory for the Irish Confederates and ends Scottish hopes of conquering Ireland and imposing their own religious settlement there.

The Scots Covenanters land an army in Ulster in 1642 to protect the Scottish settlers there from the massacres that follow the Irish Rebellion of 1641. They land at Carrickfergus and link up with Sir Robert Stewart and the Laggan Army of Protestant settlers from County Donegal in northwest Ulster. The Covenanters clear northeastern Ulster of Irish rebels by 1643 but are unable to advance south of mid-Ulster, which is held by Owen Roe O’Neill, the general of the Irish Confederate Ulster army.

In 1646, Monro leads a force composed of Scottish Covenanter regiments and Ulster settlers armies into Confederate-held territory. According to some accounts, this is the first step in a drive to take the Confederates’ capital at Kilkenny. Other sources say it is only a major raid. The combined force is about 6,000 strong. Monro has ten regiments of infantry, of whom six are Scottish and four are English or Anglo-Irish, and 600 Ulster Protestant cavalry. Stewart and the Laggan Army are slated to join Monro’s force in the attack, however, on the day of the battle the Laggan Army is in Clogher, nearly 30 kilometres away. O’Neill, who is a very cautious general, had previously avoided fighting pitched battles. However, he has just been supplied by the Papal Nuncio to Ireland, Giovanni Battista Rinuccini, with muskets, ammunition and money with which to pay his soldiers’ wages. This allows him to put over 5,000 men into the field, an army slightly smaller than his enemy’s. The Covenanters have six cannon, whereas the Confederates have none.

Monro assumes that O’Neill will try to avoid his army and has his soldiers march 24 kilometres to intercept the Irish force at Benburb, in modern south County Tyrone. Gerard Hayes-McCoy writes, “many of them must have been close to exhaustion before the battle began.” Monro’s men draw up with their backs to the River Blackwater, facing O’Neill’s troops who are positioned on a rise.

The battle begins with Monro’s artillery firing on the Irish position, but without causing many casualties. Monro’s cavalry then charges the Irish infantry, but are unable to break the Confederates’ pike and musket formation. When this attack fails, O’Neill orders his infantry to advance, pushing the Monro’s forces back into a loop of the river by the push of pike. It is noted that the Irish pikes have longer shafts and narrower heads than those of their opponents, meaning that they outreach them and are “better to pierce.” At this point, the fatigue of Monro’s troops is apparent as they are gradually pushed back until their formation collapses in on itself. The Confederate infantry then breaks Monro’s disordered formation with a musket volley at point-blank range and falls in amongst them with swords and scians (Irish long knives). Monro and his cavalry flee the scene, as, shortly after, does his infantry. A great many of them are cut down or drowned in the ensuing pursuit. Monro’s losses are estimated to be between 2,000 and 3,000 men, killed or wounded. The Irish casualties are estimated to be 300.

O’Neill’s victory means that the Covenanters are no longer a threat to the Confederates, but they remain encamped around Carrickfergus for the rest of the war. O’Neill does not follow up his victory but takes his army south to intervene in the politics of the Irish Confederation. In particular, he wants to make sure that the treaty the Supreme Council of the Confederates has signed with the English Royalists will not be ratified.

The battle is commemorated in the ballad “The Battle of Benburb.”