Purser is born in Dublin on August 24, 1835, the son of John Tertius Purser (1809–1893), the general manager of the well-known A Guinness, Son & Co. brewery, and Anna Benigna Fridlezius (1803-1881). He is educated in a wealthy family, which includes artists, as his cousin Sarah Purser, or engineers, as his brother-in-law John Purser Griffith. He is the brother of mathematician Frederick Purser. He receives his early education at the private boarding school run by his uncle, Dr. Richard W. Biggs, at Devizes, Wiltshire. He completes his schooling at Devizes and begins his university studies at Trinity College, Dublin, graduating BA in mathematics in 1856. He is the best mathematician of his year at the University and in 1855 he gains the Lloyd Exhibition.
Purser becomes a tutor to the four sons of William Parsons, 3rd Earl of Rosse (1800-1867) in 1857. Lord Rosse’s 72-inch reflecting telescope, built in 1845 and colloquially known of as the “Leviathan of Parsonstown,” is the world’s largest telescope when it is built and continues to hold this distinction until the early 20th century. As well as acting as tutor to the children, Purser does become involved in Lord Rosse’s interest in astronomy but never does any observing.
In 1863, Purser is appointed professor of mathematics at Queen’s College, Belfast, a position he maintains until his retirement in 1901.
Purser never marries. When his father dies on April 5, 1893, Rathmines Castle passes to him. He dies at Rathmines Castle on October 18, 1903, a very wealthy man. In his will he leaves £100,000 to his brother Frederick Purser, £40,000 to his sister Anna Griffith and £5,000 to each of her children. In addition to the money, he owns property in Blessington Street, Essex Street and Eustace Street which he leaves to his brother-in-law John Purser Griffith. Other properties and interests that he owns he divides between his brother Frederick and his sister Anna. After his death, his sister Anna and her husband John Purser Griffith move into Rathmines Castle although, at this time, its ownership has gone to Frederick Purser. After Frederick dies in August 1910, the Castle and his considerable wealth passes to Anna.
(Pictured: Portrait of John Purser painted by the artist Sarah Purser, daughter of Tertius Purser’s brother Benjamin Purser. The portrait hangs in Queen’s College, Belfast.)
After spending a year on the continent, Rynne returns to Ireland in 1957 to join the antiquities division of the National Museum of Ireland (NMI) in Kildare Street. One of his first assignments is to participate in the excavations at the Hill of Tara, previously headed by his old mentor at UCD, the recently deceased Professor Seán P. Ó Ríordáin. Already an expert on the Iron Age, he expands his expertise to cover Irish Celtic and early Christian art. He becomes an influential figure at the museum, remaining until 1967 and gaining much valuable experience in archaeological research, cataloguing and display, and is once described as the “true master of the Kildare Street crypt.” Intimately acquainted with the museum’s early Christian artefacts, he is particularly drawn to the eighth-century Ardagh chalice, on which he compiles extensive research notes relating to its dismantling and conservation. Although he is recognised as a leading authority on the chalice, his workload at the NMI and various academic commitments, not least his thirty-five years as editor of the North Munster Antiquarian Journal (NMAJ), prevent publication of his great work on the treasure.
During Rynne’s time at the NMI, he develops a close friendship with its director, Dr. Anthony T. Lucas, and on April 1, 1967 marries his daughter Aideen in the Church of the Miraculous Medal, Clonskeagh, Dublin. That year, he leaves the museum to take up a lectureship in archaeology at University College Galway (UCG), remaining there for thirty-one years until his retirement as professor of Celtic archaeology in 1998. During his professorship, he introduces many innovative changes at UCG, placing great emphasis on the value of well-planned field trips to historical monuments and archaeological sites around Connacht and north Clare, including Poulnabrone in his beloved Burren and Dún Aonghasa on Inishmore, which in 1991 he is first to suggest was built for ceremonial rather than defensive purposes. He often ventures further afield to sites such as the Jorvik Viking Centre, York, and the West Kennet Long Barrow in Wiltshire. Many local expeditions include small excavations, which he continues to conduct on behalf of the NMI.
Despite his heavy workload, Rynne writes close to one hundred academic papers in local and international journals, his expansive subject matter including not only archaeology but also folklore and Irish War of Independence history, the latter interest stemming from his father’s involvement in the formation of the Irish state (1917–23). His editorial tenure at the NMAJ includes the publication in 1975 and 1978 of dedicated issues on Edward MacLysaght and John Hunt respectively, and he is editor of Figures from the Past (1987), the Festschrift for Helen Maybury Roe. He also uses the national press to express his sometimes-eccentric views on various subjects, such as Irish neutrality, the American justice system and running the M3 motorway through Tara. A highly engaging and entertaining speaker, he thrives in front of an audience, be it a small group of students standing in a muddy field or an official address to the Royal Society of Antiquaries of Ireland, of which he serves as president from 1985 to 1989. His lectures are marked by his erudite and characteristically passionate delivery, complete with subtle intonation, and he is as comfortable speaking French as he is English or Irish.
Rynne’s legacy cannot be fairly assessed without reference to his largely unpopular stance in the Wood Quay controversy of the late 1970s. When Dublin’s original Viking settlement at Wood Quay is unearthed by archaeologists, he sides with the NMI, which, under the directorship of Joseph Raftery, decides to excavate only a small section of the site before handing it over to developers. This results in the destruction of much unexcavated archaeology. The NMI’s decision results in serious damage to its reputation, with Rynne one of the few archaeologists publicly supporting its unpopular stance. His loyalty to the NMI administration, which includes his father-in-law Lucas, alienates many fellow archaeologists, and is described by Patrick Wallace, then director of excavations at Wood Quay and among the many scholars who campaign to save the site, as “excessive, unnecessary and so unquestioning that it led to his being on the … wrong side during the Wood Quay court case.”
Rynne’s contribution to the history and heritage of his adopted province of Connacht and city of Galway is, however, widely acknowledged as immense. Once settled in UCG, he makes his home in the medieval town of Athenry, where he engages enthusiastically with the local community via lectures, walks and talks on the town’s famous walls and castle. Although Dublin-born, he becomes firmly entrenched in Galway’s colourful past and is instrumental in the founding of the city’s first municipal museum in Comerford House, adjacent to the Spanish Arch, in 1971. Drawing on his considerable NMI experience, he acts as honorary curator for the Galway museum for over a decade, before its move to the present purpose-built building in 2007. Ever willing to disseminate the story of Galway’s past beyond the twin towers of its university, to its citizens and the wider public, he compiles the Tourist Trail of Old Galway (1977). This signposted walking tour of Galway communicates the city’s importance in the medieval world, not only from an Irish, but also from a European and global perspective, and represents an enduring legacy to the self-styled promoter and protector of the city’s heritage.
In the summer of 2012 Rynne suffers a stroke and dies at the age of 79 on June 22, 2012, at University Hospital Galway. He is survived by Aideen, his wife of forty-five years, and their four sons and one daughter. A fifth son pre-deceases him. He is buried in the New Cemetery, Athenry.
(From: “Rynne, Etienne Andrew” by Frank Cullen, Dictionary of Irish Biography, http://www.dib.ie, June 2018)
Knowles’s father is the lexicographer James Knowles, cousin of Richard Brinsley Sheridan. The family moves to London in 1793, and at the age of fourteen he publishes a ballad entitled The Welsh Harper, which, set to music, is very popular. His talents secure him the friendship of William Hazlitt, who introduces him to Charles Lamb and Samuel Taylor Coleridge. He serves for some time in the Wiltshire and afterwards in the Tower Hamlets militia, leaving the service to become a pupil of Dr. Robert Willan. He obtains the degree of M.D. and is appointed vaccinator to the Jennerian Society.
Although Dr. Willan offers him a share in his practice, Knowles decides to give up medicine for the stage, making his first appearance as an actor probably at Bath, and plays Hamlet at the Crow Street Theatre, Dublin. At Wexford he marries, in October 1809, Maria Charteris, an actress from the Edinburgh Theatre. In 1810, he writes Leo, a successful play in which Edmund Kean appears. Another play, Brian Boroihme, written for the Belfast Theatre in the next year, attracts crowds. Nevertheless, his earnings are so small that he is obliged to become assistant to his father at the Royal Belfast Academical Institution. In 1817 he moves from Belfast to Glasgow, where, besides keeping a flourishing school, he continues to write for the stage.
Knowles first important success is Caius Gracchus, produced at the Belfast Theatre in 1815. His Virginius, written for William Charles Macready, is first performed in 1820 at Covent Garden. In William Tell (1825), he writes for Macready one of his favourite parts. His best-known play, The Hunchback, is produced at Covent Garden in 1832, and he wins praise acting in the work as Master Walter. The Wife is brought out at the same theatre in 1833. The Daughter, better known as The Wrecker’s Daughter, in 1836, and The Love Chase in 1837. His 1839 play Love is praised by Mary Shelley for its “inspiring situations founded on sentiment and passion.” His second wife is the actress, Emma Knowles.
In his later years Knowles forsakes the stage for the pulpit and, as a Baptist preacher, attracts large audiences at Exeter Hall and elsewhere. He publishes two polemical works: the Rock of Rome and the Idol Demolished by Its Own Priests in both of which he combats the special doctrines of the Roman Catholic Church. He is for some years in the receipt of an annual pension of £200, bestowed by Sir Robert Peel in 1849. In old age he befriends the young Edmund Gosse, whom he introduces to Shakespeare. He makes a happy appearance in Gosse’s Father and Son.
Knowles dies at Torquay on November 30, 1862. He is buried under a huge tomb at the summit of the Glasgow Necropolis.
A full list of the works of Knowles and of the various notices of him can be found in The Life of James Sheridan Knowles (1872), privately printed by his son, Richard Brinsley Knowles (1820–1882), who is well known as a journalist. It is translated into German.
Sykes joined HM Foreign Service in 1947 and serves at the Foreign Office from 1947 to 1948. He then serves in Nanjing (1948–50), Peking (1950–52) and returns to the UK to serve at the Foreign Office (1952–56). His next overseas postings take him to Brussels (1956–59), Santiago (1959–62) and Athens (1963–66), before returning to the Foreign Office (1967–69).
Sykes’ first posting as an ambassador comes with a posting to Havana (1970–72) before moving to be a Minister at the British Embassy in Washington D.C. (1972–1975). From there he returns to the Foreign Office as Department Under-Secretary between 1975 and 1977. He is then appointed as Ambassador to the Netherlands in 1977.
Sykes is leaving his residence in The Hague at 9:00 a.m. on March 22, 1979, and is getting into his silver Rolls-Roycelimousine when he is shot. He is sitting next to Alyson Bailes. The car door is held by Karel Straub, a 19-year-old Dutch national who works at the embassy. Straub is also shot in the attack. The chauffeur, Jack Wilson, is uninjured and drives Sykes to Westeinde Hospital, where he dies two hours later. Straub is transported by ambulance to the same hospital, where he also dies.
Police report that the shots came from around 10 yards away by two assailants wearing business suits, who escaped on foot following the attack. Suspects for the assassination are Palestinians or Iraqis, although no evidence is ever put forward. It is ultimately confirmed that the IRA had carried out the killings.
The IRA claims responsibility for the assassination in February 1980. In a statement they say of Sykes, “[he was] not just a Brit propagandist, as are all British ambassadors, but because he had been engaged in intelligence operations against our organisation.”
The ‘intelligence operations’ mentioned in the statement relate to a government report written by Sykes following the assassination of Christopher Ewart-Biggs. Ewart-Biggs was the British Ambassador to the Republic of Ireland and was killed by the IRA in 1976. Sykes produces diplomatic security guidelines as part of his report.
Sykes’ position as Ambassador to the Netherlands had been strained due to certain Dutch groups, which were sympathetic to the IRA, and consequent arms smuggling activities.
There is a memorial plaque to Sykes in St. Michael’s Church, Wilsford, Wiltshire.
(Pictured: “Sir Richard Sykes” by Bassano Ltd., half-plate film negative, 20 January 1966, National Portrait Gallery, London)
Butcher leaves Trinity on his marriage, in 1876, to Rose Julia Trench (1840-1902), the daughter of ArchbishopRichard Chenevix Trench. The marriage produces no children.
Butcher dies in London on December 29, 1910, and his body is returned to Scotland and interred at the Dean Cemetery in Edinburgh with his wife. His grave has a pale granite Celtic cross and is located near the northern path of the north section in the original cemetery.
Butcher’s many publications include, in collaboration with Andrew Lang, a prose translation of Homer‘s Odyssey which appears in 1879 and the OCT edition of Demosthenes, Orationes, vol. I (Or. 1-19, Oxford, 1903), II.i (Or. 20–26, Oxford, 1907).
Purser is the son of John Tertius Purser (1809–1893), the general manager of the well known A Guinness, Son & Co. brewery, and Anna Benigna Fridlezius (1803-1881). He is educated in a wealthy family, which includes artists, as his cousin Sarah Purser, or engineers, as his brother-in-law John Purser Griffith. He is the brother of mathematician Frederick Purser. He receives his early education at the private boarding school run by his uncle, Dr. Richard W. Biggs, at Devizes, Wiltshire. He completes his schooling at Devizes and begins his university studies at Trinity College, Dublin, graduating BA in mathematics in 1856. He is the best mathematician of his year at the University and in 1855 he gains the Lloyd Exhibition.
Purser becomes a tutor to the four sons of William Parsons, 3rd Earl of Rosse (1800-1867) in 1857. Lord Rosse’s 72-inch reflecting telescope, built in 1845 and colloquially known of as the “Leviathan of Parsonstown,” is the world’s largest telescope when it is built and continues to hold this distinction until the early 20th century. As well as acting as tutor to the children, Purser does become involved in Lord Rosse’s interest in astronomy but never does any observing.
In 1863, Purser is appointed professor of mathematics at Queen’s College, Belfast, a position he maintains until his retirement in 1901.
Purser never marries. When his father dies on April 5, 1893, Rathmines Castle passes to him. He dies at Rathmines Castle on October 18, 1903, a very wealthy man. In his will he leaves £100,000 to his brother Frederick Purser, £40,000 to his sister Anna Griffith and £5,000 to each of her children. In addition to the money, he owns property in Blessington Street, Essex Street and Eustace Street which he leaves to his brother-in-law John Purser Griffith. Other properties and interests that he owns he divides between his brother Frederick and his sister Anna. After his death, his sister Anna and her husband John Purser Griffith move into Rathmines Castle although, at this time, its ownership has gone to Frederick Purser. After Frederick dies in August 1910, the Castle and his considerable wealth passes to Anna.
(Pictured: Portrait of John Purser painted by the artist Sarah Purser, daughter of Tertius Purser’s brother Benjamin Purser. The portrait hangs in Queen’s College, Belfast.)
Butcher leaves Trinity on his marriage, in 1876, to Rose Julia Trench (1840-1902), the daughter of ArchbishopRichard Chenevix Trench. The marriage produces no children.
Butcher dies in London on December 29, 1910, and his body is returned to Scotland and interred at the Dean Cemetery in Edinburgh with his wife. His grave has a pale granite Celtic cross and is located near the northern path of the north section in the original cemetery.
Butcher’s many publications include, in collaboration with Andrew Lang, a prose translation of Homer‘s Odyssey which appears in 1879 and the OCT edition of Demosthenes, Orationes, vol. I (Or. 1-19, Oxford, 1903), II.i (Or. 20–26, Oxford, 1907).
The son of a Roman Catholic wine merchant, Moore graduates from Trinity College, Dublin, in 1799 and then studies law in London. His major poetic work, Irish Melodies (1807–34), earns him an income of £500 annually for a quarter of a century. It contains such titles as “The Last Rose of Summer” and “Oft in the Stilly Night.” The Melodies, a group of 130 poems set to the music of Moore and of Sir John Stevenson and performed for London’s aristocracy, arouses sympathy and support for the Irish nationalists, among whom Moore is a popular hero.
Lalla-Rookh (1817), a narrative poem set in an atmosphere of Oriental splendour, gives Moore a reputation among his contemporaries rivaling that of Byron and Sir Walter Scott. It is perhaps the most translated poem of its time, and it earns what was until then the highest price paid by an English publisher for a poem (£3,000). His many satirical works, such as The Fudge Family in Paris (1818), portray the politics and manners of the Regency era.
In 1824 Moore becomes a participant in one of the most celebrated episodes of the Romantic era. He is the recipient of Byron’s memoirs, but he and the publisher John Murray burn them, presumably to protect Byron. He later brings out the Letters and Journals of Lord Byron (1830), in which he includes a life of the poet. His lifelong espousal of the Catholic cause leads him to produce such brilliant works as his parody of agrarian insurgency, The Memoirs of Captain Rock (1824), and his courageous biography of the revolutionary leader of the 1798 rebellion, The Life and Death of Lord Edward Fitzgerald (1831).
Moore’s personal life is dogged by tragedy including the deaths of all five of his children within his lifetime and a stroke in later life, which disables him from performances, the activity for which he is most renowned. Moore dies while being cared for by his wife, Elizabeth (nee Dyke), at Sloperton Cottage, Bromham, Wiltshire, England on February 26, 1852. His remains are in a vault at St. Nicholas churchyard, Bromham, within view of his cottage-home and beside his daughter Anastasia.
(Pictured: Thomas Moore, after a painting by Thomas Lawrence)
The son of a Roman Catholic wine merchant, Moore is born at 12 Aungier Street in Dublin on May 28, 1779. From a relatively early age he shows an interest in music and other performing arts. He attends several Dublin schools including Samuel Whyte’s English Grammar School in Grafton Street where he learns the English accent with which he speaks for the rest of his life. In 1795 he graduates from Trinity College, Dublin in an effort to fulfill his mother’s dream of his becoming a lawyer.
Upon graduation from Trinity, Moore studies law in London. His major poetic work, Irish Melodies (1807–34), earns him an income of £500 annually for a quarter of a century. It contains such titles as “The Last Rose of Summer” and “Oft in the Stilly Night.” The Melodies, a group of 130 poems set to the music of Moore and Sir John Andrew Stevenson and performed for London’s aristocracy, arouses sympathy and support for the Irish nationalists, among whom Moore is a popular hero.
Lalla-Rookh (1817), a narrative poem set in an atmosphere of Oriental splendour, gives Moore a reputation among his contemporaries rivaling that of Byron and Sir Walter Scott. It is perhaps the most translated poem of its time, and it earns what is up until then the highest price paid by an English publisher for a poem (£3,000). His many satirical works, such as The Fudge Family in Paris (1818), portray the politics and manners of the Regency era.
In 1824 Moore becomes a participant in one of the most celebrated episodes of the Romantic era. He is the recipient of Byron’s memoirs, but he and the publisher John Murray burn them, presumably to protect Byron. He later brings out the Letters and Journals of Lord Byron: With Notices of his Life (1830), in which he includes a life of the poet. His lifelong espousal of the Catholic cause leads him to produce such brilliant works as his parody of agrarian insurgency, The Memoirs of Captain Rock (1824), and his courageous biography of the revolutionary leader of the Irish Rebellion of 1798, The Life and Death of Lord Edward Fitzgerald (1831).
Moore finally settles in Sloperton Cottage at Bromham, Wiltshire, England, and becomes a novelist and biographer as well as a successful poet. Around the time of the Reform Act he is invited to stand for parliament, and considers it, but nothing comes of it. In 1829 he is painted by Thomas Lawrence, one of the last works completed by the artist before his death.
Moore’s personal life is dogged by tragedy including the deaths of all five of his children within his lifetime and a stroke in later life, which disables him from performances – the activity for which he is most renowned. He dies being cared for by his wife at Sloperton on February 25, 1852. His remains are in a vault at St. Nicholas churchyard, Bromham, within view of his cottage-home, beside his daughter Anastasia.
Sir John de Wogan, Cambro-Norman judge styled lord of Picton, ceases to be Justiciar of Ireland on August 6, 1312 although remaining nominally justiciar until April 1313. He serves as Justiciar of Ireland from 1295 to 1313.
In February 1308, under orders from the new king Edward II, Wogan suppresses the Knights Templar in Ireland. In June 1308 his forces are defeated by the O’Tooles and O’Byrnes, who are harrying The Pale from the Wicklow Mountains. From September 1308 to May 1309 Piers Gaveston, 1st Earl of Cornwall is in Ireland as “king’s lieutenant,” a new position outranking the justiciar, and he has more success against the Gaels. Wogan leaves Ireland in August 1312 although remaining nominally justiciar until April 1313.
seamus dubhghaill 