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Author Archives: Jim Doyle


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Death of Brian O’Neill, High King of Ireland

Brian O’Neill (Irish: Brian Chatha an Dúna Ó Néill), the High King of Ireland from 1258 to 1260, is defeated and killed by the forces of Roger des Auters at the Battle of Down on May 14, 1260.

O’Neill is the son of Niall Roe O’Neill, and grandson of Áed in Macáem Tóinlesc. His wife is Nuala O’Connor (Ní Conchobair), a daughter of Rory O’Connor (Irish: Ruaidrí Ua Conchobair), the last High King of Ireland before the Norman invasion. Therefore, through his mother, he is descended from Brian Boru (Irish: Brian Bóramha).

In 1230, Hugh O’Neill (Irish: Aedh Ó Néill), king of Tyrone, dies and is succeeded by Donnell MacLaughlin. MacLaughlin, however, is removed in 1238 by the Justiciar of Ireland, Maurice FitzGerald, 2nd Lord of Offaly, and Hugh de Lacy, 1st Earl of Ulster, who install “the son of O’Neill”, presumed to have been Brian, and take the hostages of the Cenel Owen and Cenel Connell. However, it may have been Brian’s cousin Donnell, who afterwards is killed by MacLaughlin. After this, O’Neill claims the kingship of the O’Neill dynasty as well as Tyrone, possibly with the aid of Hugh de Lacy, 1st Earl of Ulster.

In revenge, O’Neill with the aid of Melaghlin O’Donnell, king of Tyrconnell, defeat MacLoughlin and ten of his closest kinsmen at the Battle of Camergi, somewhere within Tyrone north of Omagh, in 1241. This ends the long rivalry between the MacLoughlin’s and O’Neill’s, with the MacLoughlin’s afterwards excluded from the kingship of Tyrone and Ailech.

In 1244, Henry III of England sends letters to various Gaelic Irish lords, including O’Neill, requesting their aid in a military campaign against the Kingdom of Scotland. In the end the issue is sorted out diplomatically. Copies of the letter are also distributed to O’Neill’s sub-chiefs including his tánaiste, Hugh Boy O’Neill.

A consequence of this infighting between the rival factions of the Cenél Eoghain allows the Normans to advance deeper into Gaelic Ulster, however, in 1243 de Lacy dies. Thus the Earldom of Ulster reverts to the English Crown and is taken over by royal administrators. John FitzGeoffrey, the king’s chief governor in Ireland, erects a bridge across the River Bann and builds castles at Coleraine and Ballyroney in Iveagh. From here FitzGeoffrey is able to penetrate deeper into Tyrone.

Despite ending MacLoughlin aspirations to the kingship, O’Neill forms a marriage alliance with them, however, this results in a war with the O’Donnells of Tyrconnell. Subsequently in 1248 O’Neill backs the king of Tyrconnell, Rory O’Cannon (Irish: Ruaidri Ua Canannáin), against the claims of O’Donnell. O’Cannon had been set up in the kingship by FitzGerald, however, rather than backing him, enters Tyrconnell and removes him in favour of Gofraid O’Donnell.

O’Cannon, who had been expelled to Tyrone, and O’Neill once again lead their forces into Tyrconnell to confront O’Donnell, however they are defeated and O’Cannon is killed.

That same year, John FitzGeoffrey, who replaced FitzGerald as Justiciar in 1246, enters Tyrone and takes the submission and hostages of O’Neill. A resolution had been adopted at a meeting of the Cenel Owen that “since the power of the Foreigners was over the Gaeidhel of Erinn, to give hostages to the Foreigners, and to make peace with them, for the sake of their country.”

In 1249, the king of Connacht, Felim O’Connor, is given refuge from the Normans by O’Neill. In 1252, O’Neill and his brother give their submissions to the Justiciar of Ireland, who had marched to Armagh with a large force. A Rory O’Neill is given as hostage.

In 1253, as a sign of defiance against his vassal status with the Earldom of Ulster, O’Neill withholds his tribute to it and raids Iveagh, destroying the castle at Ballyroney. He also launches an offensive against the Normans in Leinster. That same year, the son of Maurice FitzGerald leads his forces into Tyrone to attack O’Neill, however he fails to take his submission or hostages and after battle suffers a heavy defeat at the hands of O’Neill.

In 1255, O’Neill makes a pact with Felim O’Connor’s son Hugh, whereby allowing Hugh free rein in the Kingdom of Breifne, he would aid O’Neill against the Normans of the earldom who are eroding his territory.

In 1257, the king of Tyrconnell, Gofraid O’Donnell, is mortally wounded in battle against the FitzGeralds and O’Neill uses this opportunity to try to exact Tyrconnell’s submission. As the Cenel Connell discuss what to do, Gofraid’s youngest brother, Donnell Óg, returns from fosterage and is conferred the chieftainship of Tyrconnell. He refuses to submit O’Neill stating the Scottish proverb “Every man should have his own world.”

FitzGerald in 1252 had built a castle at Caoluisce, on the banks of Lough Erne, near modern day Belleek, County Fermanagh, Northern Ireland, however, in 1258 it is the site where O’Neill, in the presence of his ally O’Connor, is inaugurated as “King of the Gael of Erin.” While he receives hostages from O’Connor and from O’Brien of Thomond, along with several other minor Kings from Meath and Munster, his claim is not recognised by those of the Irish closest to him including the other O’Neill factions, the O’Donnell’s of Tyrconnell, the MacMahon’s of Airgíalla, and the O’Rourkes of Breifne. The following year O’Donnell leads an attack into Tyrone.

In 1260, O’Neill, along with his O’Connor allies, launch an attack on the Normans of the Earldom of Ulster at Drumderg, near its capital at Downpatrick in modern County Down, Northern Ireland. The Normans levy the town, and with the aid of forces brought by Sir Roger des Auters, O’Neill and his allies are decisively defeated at the subsequent Battle of Down. The Annals of Inisfallen state that the forces recruited by the Normans consist mostly of native Irish and that the Normans play only a minor role.

In the battle, O’Neill is killed along with many other Irish nobles including over a dozen members of the O’Cahans. O’Neill’s head is cut off by the Normans and sent to King Henry III of England, a sign of how dangerous his coalition is believed to be.

After this battle, O’Neill becomes known in Irish as Brian Chatha an Dúna, meaning “Brian of the Battle of Down.”

After O’Neill’s death, the kingship of the Cenel Owen, and with it Tyrone, is taken by his cousin’s son, Hugh Boy O’Neill, ancestor of the Clandeboye O’Neill’s, who also has the support of the earldom of Ulster. Upon Hugh’s death in 1283 O’Neill’s son Donnell seizes the kingship, which until 1295 is highly contested between him and his second-cousin Niall Culanach O’Neill and Hugh Boy’s son Brian, until he wins outright control by killing his opponents.


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Death of Peadar O’Donnell, Irish Republican & Socialist Activist

Peadar O’Donnell, Irish republican, socialist activist, politician, writer and one of the foremost radicals of 20th-century Ireland, dies in Dublin on May 13, 1986.

O’Donnell is born on February 22, 1893, in Meenmore, near Dungloe, County Donegal, youngest among six sons and three daughters of Biddy and James O’Donnell. He is greatly influenced by his upbringing in the Rosses, in northwest Donegal, one of the poorest and most remote parts of Ireland. His father, a popular local fiddler, earns a living through his smallholding, seasonal labouring in Scotland, and winter work in a local corn mill. His mother, who comes from a radical labour and nationalist political background, works in a local cooperative store. He attends Rampart national school and Roshine national school, near Burtonport, where he is a monitor for four years. In 1911 he wins a scholarship to attend St. Patrick’s College in Drumcondra, Dublin, and returns in 1913 to the Rosses, where he spends two years teaching on the islands of Inishfree. In 1915 he is appointed head of Derryhenny national school, near Dungloe, and the following year becomes principal of a national school on the island of Arranmore, where he begins to write.

O’Donnell had long been concerned by the poor conditions of the local ‘tatie-hokers’ (potato pickers) who migrate annually to Scotland. In the summer of 1918, he travels there to help organise the Scottish Farm Servants’ Union. While there he is influenced by left-wing radicals such as Willie Gallacher, later a communist Member of Parliament (MP), and Emanuel ‘Manny’ Shinwell, later Baron Shinwell. In September 1918, against a background of rising labour militancy, he leaves teaching to become a full-time organiser for the Irish Transport and General Workers’ Union (ITGWU) in the west Ulster area. The following year he organises one of Ireland’s first “soviets” when the attendants and nurses of the Monaghan District Lunatic Asylum occupy the grounds and appoint O’Donnell as governor until their demands are met.

In early 1919 O’Donnell joins the Irish Republican Army (IRA) in Monaghan, resigning from the ITGWU for full-time IRA service in late 1920. He leads the 2nd Battalion, Donegal IRA, from the summer of 1920. In December 1920 he goes “on the run” and leads a flying column in west Donegal until May 1921, when he is wounded. Regarded as insubordinate and militarily inexperienced, he is unpopular among the other senior officers of the 1st Northern Division. He, in turn, is disappointed by the lack of social radicalism among the nationalist leadership. He opposes the Anglo-Irish Treaty, is placed in command of the minority anti-treaty 1st Northern Division and is a member of the IRA executive that occupies the Four Courts in Dublin in defiance of the provisional government.

Arrested in June 1922, O’Donnell shares a prison cell with Liam Mellows and influences his radical “Notes from Mountjoy,” an important document for subsequent left-wing republicans. He spends the next two years in various prisons and internment camps. His execution is widely expected to follow those of December 8, 1922. In August 1923, he is elected as a Sinn Féin Teachta Dála (TD) for Donegal in the general election called after the end of the Irish Civil War. He goes on hunger strike for forty-one days in late 1923 and succeeds in escaping from the Curragh in March 1924. In June 1924, while on the run, he marries Lile O’Donel, a wealthy Cumann na mBan activist who had smuggled communications for republican prisoners. O’Donel, a radical and member of the Communist Party, is the daughter of Ignatius O’Donel, a prominent landowner from Mayo. They have no children but raise their nephew, Peadar Joe, as their own son after the death in New York of O’Donnell’s brother Joe.

O’Donnell begins writing seriously while in jail and remains a prolific writer, journalist, and editor until the 1960s. His first novel, Storm, set in the Irish War of Independence, is published in 1925. One of his most highly regarded books, Islanders, is published in 1928. Adrigoole, like Islanders a story of poverty and starvation in rural Ireland, is published the following year. The Knife (1930) and On the Edge of the Stream (1934) soon follow. The most significant of his later novels is probably The Big Windows (1954). Foremost among his qualities as a writer is his empathy for the people, life, and landscape of rural Ireland. But his novels have been criticised for their slow pace, excessive detail, and didactic nature. He claims his writing is incidental to his political activism. His trilogy of autobiographical non-fiction, The Gates flew Open (1932), Salud! An Irishman in Spain (1936), and There Will Be Another Day (1963), which respectively concern the Irish Civil War, his activism during the Spanish Civil War, and his role in the land annuities agitation, remain highly regarded. His other important literary achievement is with The Bell, an innovative literary and political magazine which plays a useful dissenting role in an insular and conservative period. He founds The Bell with the writer Seán Ó Faoláin in 1940 and edits it from 1946 until it ceases publication in 1954.

O’Donnell exercises an influential role in the interwar IRA, particularly through his editorship of An Phoblacht (1926–29), which he attempts to divert from militarism to socialist agitation. His ultimate aim is for a thirty-two-county socialist republic. His most successful campaign is organising small farmers against the payment of land annuities to the government in the late 1920s and early 1930s. This campaign is later adopted by Fianna Fáil and contributes to their electoral success in 1932. He is less successful in radicalising the IRA. After the failure of Saor Éire, a left-wing IRA front which provokes clerical and popular hostility against the IRA, increasing tensions between the IRA’s left-wing and the leadership lead O’Donnell, along with Frank Ryan and George Gilmore, to split from the IRA to establish the short-lived Republican Congress in 1934.

Although O’Donnell claims he was never a Communist Party member, he plays a central role in forging links between republicans and the revolutionary left both in Ireland and internationally and invariably supports the communist party line at critical junctures. After the failure of Republican Congress, he takes up the cause of the Spanish republic. His championing of unpopular causes such as communism and Spain entail a good deal of frustration. He is physically attacked at political meetings and in 1932, despite having never visited the Soviet Union, loses a high-profile libel action against the Dominican Irish Rosary, which claim he had studied in Moscow‘s Lenin College. He is banned from entering the United States for several decades, although he maintains: “My relations with all the great powers continue to be friendly.”

O’Donnell continues to support radical campaigns until his death. He is an outspoken advocate of Irish emigrants. He is prominent in the Irish Campaign for Nuclear Disarmament and serves as its president in the early 1960s. He is a leading protester against the Vietnam War and a supporter of African anti-colonial movements such as that against apartheid. In later years he is involved in the “Save the west” campaign, highlighting the problems of the west of Ireland.

After several months of ill-health following a heart attack, O’Donnell dies in Dublin, aged 93, on May 13, 1986. He leaves instructions that there are to be “no priests, no politicians and no pomp” at his funeral, and those wishes are granted. He is cremated in Glasnevin Cemetery and his ashes are buried at his wife’s home in Swinford, County Mayo. Although he once remarked that every cause he fought for was a failure, he is now regarded as one of the most influential socialist republican theorists and an important voice of dissent in twentieth-century Ireland.

(From: “O’Donnell, Peadar” by Fearghal McGarry, Dictionary of Irish Biography, http://www.dib.ie)


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Birth of James Sheridan Knowles, Dramatist & Actor

James Sheridan Knowles, Irish dramatist and actor, is born in Cork, County Cork, on May 12, 1784. A relative of Richard Brinsley Sheridan, he enjoys success writing plays for the leading West End theatres. Later in his career he also produces several novels.

Knowles’s father is the lexicographer James Knowles, cousin of Richard Brinsley Sheridan. The family moves to London in 1793, and at the age of fourteen he publishes a ballad entitled The Welsh Harper, which, set to music, is very popular. His talents secure him the friendship of William Hazlitt, who introduces him to Charles Lamb and Samuel Taylor Coleridge. He serves for some time in the Wiltshire and afterwards in the Tower Hamlets militia, leaving the service to become a pupil of Dr. Robert Willan. He obtains the degree of M.D. and is appointed vaccinator to the Jennerian Society.

Although Dr. Willan offers him a share in his practice, Knowles decides to give up medicine for the stage, making his first appearance as an actor probably at Bath, and plays Hamlet at the Crow Street Theatre, Dublin. At Wexford he marries, in October 1809, Maria Charteris, an actress from the Edinburgh Theatre. In 1810, he writes Leo, a successful play in which Edmund Kean appears. Another play, Brian Boroihme, written for the Belfast Theatre in the next year, attracts crowds. Nevertheless, his earnings are so small that he is obliged to become assistant to his father at the Royal Belfast Academical Institution. In 1817 he moves from Belfast to Glasgow, where, besides keeping a flourishing school, he continues to write for the stage.

Knowles first important success is Caius Gracchus, produced at the Belfast Theatre in 1815. His Virginius, written for William Charles Macready, is first performed in 1820 at Covent Garden. In William Tell (1825), he writes for Macready one of his favourite parts. His best-known play, The Hunchback, is produced at Covent Garden in 1832, and he wins praise acting in the work as Master Walter. The Wife is brought out at the same theatre in 1833. The Daughter, better known as The Wrecker’s Daughter, in 1836, and The Love Chase in 1837. His 1839 play Love is praised by Mary Shelley for its “inspiring situations founded on sentiment and passion.” His second wife is the actress, Emma Knowles.

In his later years Knowles forsakes the stage for the pulpit and, as a Baptist preacher, attracts large audiences at Exeter Hall and elsewhere. He publishes two polemical works: the Rock of Rome and the Idol Demolished by Its Own Priests in both of which he combats the special doctrines of the Roman Catholic Church. He is for some years in the receipt of an annual pension of £200, bestowed by Sir Robert Peel in 1849. In old age he befriends the young Edmund Gosse, whom he introduces to Shakespeare. He makes a happy appearance in Gosse’s Father and Son.

Knowles dies at Torquay on November 30, 1862. He is buried under a huge tomb at the summit of the Glasgow Necropolis.

A full list of the works of Knowles and of the various notices of him can be found in The Life of James Sheridan Knowles (1872), privately printed by his son, Richard Brinsley Knowles (1820–1882), who is well known as a journalist. It is translated into German.


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Birth of Eleanor Charlotte Butler, Recluse of Llangollen

Eleanor Charlotte Butler, recluse of Llangollen, is born in Cambrai, France, on May 11, 1739.

Butler is the youngest daughter of Walter Butler of Garryricken, County Tipperary, and his wife, Ellen (née Morres), of Latargh, County Tipperary. Her family are members of the old Catholic gentry, and her father is the sole lineal representative of James Butler, 2nd Duke of Ormonde. In 1740 her family returns to the Garryricken estate, where she spends part of her childhood. She is educated by the English Benedictine nuns of the convent of Our Lady of Consolation in Cambrai, where her Jacobite grand-aunt is a pensioner. Reared in the liberal and anti-clerical environment at Cambrai, she is open about her opposition to Irish Catholicism. She is also well read in literature.

By the time Butler returns to Ireland, her brother John had claimed the family titles and was recognised as 16th Earl of Ormond. Though he never uses the title, his sisters are recognised as the daughters of an earl. As the family is impoverished, and she is not disposed to marriage, a decade is passed in unhappiness. Then, in 1768, the thirteen-year-old Sarah Ponsonby arrives in Kilkenny to attend a local school. Following her visit to the Butler home at Kilkenny Castle, and despite the difference in age, the two form an immediate friendship and corresponded secretly, having discovered their mutual interest in the arts and Rousseau‘s ideal of pastoral retirement.

Ponsonby, upon finishing school, is sent to live with relatives at nearby Woodstock Estate, and there is subject to the uninvited attention of a middle-aged guardian. Butler is discontented with her life and the prospects of her family’s wish to send her back to Cambrai, so the two plan to leave their difficulties behind and settle in England. In their first attempt to flee in March 1778, they leave for Waterford disguised as men and wielding pistols, but their families manage to catch up with them. Butler is then sent to the home of her brother-in-law, Thomas ‘Monarch’ Kavanagh of Borris, County Carlow, but makes a second, successful attempt and runs away to find Ponsonby at Woodstock Estate. Her persistence wins out when both families finally capitulate and accepted their plans to live together.

Butler and Ponsonby set out for Wales in May 1778 and, after an extensive tour of Wales and Shropshire, eventually settle in Llangollen Vale, where they rent a cottage which is renamed Plas Newydd. They are accompanied by Mary Carryll, a former servant of the Woodstock household, who remains in their service until her death in 1809. Having made a deliberate decision to retire from the world, they spend the greater part of their days corresponding with friends, reading, building up a large library and making alterations to Plas Newydd, which takes on a fashionable Gothic look. Their garden, landscaped under their direction, becomes a popular attraction for visitors. Butler meticulously records their daily routine in a series of journals, some of which are now lost.

Their seclusion, eccentricities, semi-masculine dress and short-cropped powdered hair gain them notoriety, and it becomes fashionable to call on them. Their numerous and illustrious visitors include Hester Lynch Piozzi, Charles and Erasmus Darwin, Sir Walter Scott, Sir Arthur Wellesley, the Duke of Gloucester and Josiah Wedgwood. In 1792 they entertain Stéphanie Caroline Anne Syms, later that year to become the wife of Lord Edward FitzGerald, and her mother, Madame de Genlis. Following the arrest of Edward FitzGerald in 1798, Stéphanie and her suite flee to London and on May 27 pass through Llangollen, where the events in Dublin are already known. On hearing that she is staying in the local inn, Butler and Ponsonby invite her to call in. However, when she wishes to stay for the day, their apprehension of Jacobinism leads them to persuade her “principally for her own sake and a little for [our] own to proceed as fast and as incognito as possible for London.”

Both Anna Seward and William Wordsworth, who stay at Plas Newydd, write poems celebrating their friendship, and Lord Byron sends them a copy of The Corsair. Owing to her support of the Bourbons, Butler is sent the Croix St. Louis, which she wears about her neck. Though generally considered a hospitable couple, Seward, who is a good friend, admits that the “incessant homage” they received could make Butler “haughty and imperious,” while Lady Lonsdale thinks her “very clever, very odd.” Their celebrity does have its drawbacks: an article in the General Evening Post of July 24, 1790, entitled “Extraordinary female affection,” suggests indirectly that their relationship is unnatural. Butler is particularly angered by this publicity and appeals to Edmund Burke for legal advice. Their retirement is also continually dogged by financial difficulties. They live mainly off their respective allowances and Butler’s royal pension (granted through the influence of Lady Frances Douglas), but spend beyond their means and are often in debt. To add to their problems, Butler receives no mention in her father’s will. However, the Gothic eccentricities of their cottage, which they succeed over time in purchasing, and garden attract even the interest of Queen Charlotte.

Though it is claimed that neither woman spends a night away from Plas Newydd, in January 1786 they stay with their friends, the Barretts of Oswestry, and that September they visit Sir Henry Bridgeman of Weston Park, near Staffordshire. In June 1797 they take their only holiday, at the coastal resort of Barmouth. Despite their isolation they are well informed about international events and society gossip. The Irish serjeant-at-law Charles Kendal Bushe recalls how they gave him all the news of Dublin, London, Cheltenham, and Paris.

In later years Butler’s eyesight deteriorates, preventing her from keeping her journal. She is secretly painted as an old woman with Ponsonby by Lady Mary Leighton and sketched by Lady Henrietta Delamere. A distinctive, anonymous silhouette shows the two generously proportioned women in traditional riding habits (National Portrait Gallery, London). Butler dies on June 2, 1829, and is buried alongside Carryll at Llangollen church. Sarah Ponsonby is subsequently buried with them.

(From: “Butler, Lady (Charlotte) Eleanor” by Frances Clarke, Dictionary of Irish Biography, http://www.dib.ie)


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Birth of Tana French, Writer & Theatrical Actress

Tana Elizabeth French, American-Irish writer and theatrical actress, is born in Burlington, Vermont, on May 10, 1973. She is a longtime resident of Dublin. Her debut novel, In the Woods (2007), a psychological mystery, wins the Edgar Award for Best First Novel, the Anthony Award for Best First Novel, the Macavity Award for Best First Mystery, and the Barry Award for Best First Novel. The Independent refers to her as “the First Lady of Irish Crime.”

French is born to Elena Hvostoff-Lombardi and David French. Her father is an economist who works on resource management for the developing world, and she lives in numerous countries as a child including Ireland, Italy, the United States and Malawi.

French attends Trinity College Dublin, and trains in acting. She settles in Ireland and has lived in Dublin since 1990. She and her husband have two daughters.

French is enthralled by both acting and writing since her childhood but eventually focuses more on acting. She grows up reading mystery and crime novels. She trains as a professional actor at Trinity, and she works in theatre, film, and voice-over.

In her later 30s, her passion for writing is rekindled. She begins writing her debut novel in the months-long lulls between castings. In the Woods is published in 2007 to international acclaim and receives rave reviews from many publications. Publishers Weekly praises her, saying she “expertly walks the line between police procedural and psychological thriller in her debut” and that “Ryan and Maddox are empathetic and flawed heroes, whose partnership and friendship elevate the narrative beyond a gory tale of murdered children and repressed childhood trauma.” It receives several literary prizes, is a bestseller in hardcover and paperback, and has been termed a “dream debut.” In 2014, Flavorwire includes it in their 50 of the Greatest Debut Novels Since 1950. As of 2015 more than one million copies of In the Woods have been sold.

French’s second novel, The Likeness (2008), presents the story of the first novel’s co-lead, Cassie Maddox. It quickly achieves high positions on bestseller lists in various countries and stays on The New York Times Best Seller list for several months. In its reviews of the novel, Kirkus Reviews praises its mix of “police procedures, psychological thrills and gothic romance beautifully woven into one stunning story.” In an interview with The Guardian, French states that Donna Tartt‘s The Secret History was an influence on The Likeness, opening up the “landscape of friendship as something worthy of exploration and something that could be powerful enough to trigger a murder.”

French’s first six novels are part of the Dublin Murder Squad series. After publishing The Trespasser in 2016, she publishes two standalone novels. Both The Witch Elm and The Searcher also take place in Ireland.

In 2015, Euston Films & Veritas acquire TV production rights. Sarah Phelps writes the screenplay, which she bases on both In the Woods and The Likeness, for the eight-episode series of Dublin Murders, commissioned by the BBC for BBC One and Starz, with RTÉ later joining the project. Filming commences in 2018 in Belfast and Dublin and continues in Dublin to late February 2019. Broadcast begins on BBC One on October 14, 2019, on RTÉ One on October 16, 2019, and on Starz on November 10, 2019.


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Birth of Vincent O’Brien, Organist, Composer & Teacher

Vincent O’Brien, Irish organist, music teacher and composer, is born in Dublin on May 9, 1871, where he lived all his life. He is an important figure in early 20th-century Irish music. For some, he is mainly known as the first teacher of singers such as John McCormack, Margaret Burke Sheridan and the writer James Joyce.

O’Brien is the eldest child of a Roman Catholic church musician. In 1885, he first appears in a public piano recital and, later in the year, becomes the organist of Rathmines parish church, a position he holds until 1888. He holds another organist’s position at the Dublin Carmelite church from 1897 to 1899 but is chiefly known as organist and choir director of Dublin’s largest Roman Catholic Church, St. Mary’s Pro-Cathedral, between 1903 and 1946. In 1898, he is the founder and first director of the Palestrina Choir, originally all-male, which is still active, and which is financed for many years by Edward Martyn.

O’Brien studies with Robert Prescott Stewart at the Royal Irish Academy of Music (1888-90), where he is the first winner of the Coulson Scholarship and frequently performs as both tenor singer, piano accompanist, and organist in many public concerts during the 1890s. As a church musician, he becomes particularly involved in the Cecilian Movement, conducting works by Michael Haller and others, and also pursuing their artistic ideals in his own sacred choral compositions.

O’Brien is the founding conductor of the Dublin Oratorio Society (1906), the Brisan Opera Company (1916) and conducts at many ad hoc events. In 1925, he becomes the first music director of Radio Éireann (originally called 2RN), a position he holds until 1941. He singles out his work as music director for the 31st International Eucharistic Congress in Dublin (1932) as his most prized personal achievement. As late as 1945, he founds Our Lady’s Choral Society, a large oratorio choir still in existence, which originally is recruited mainly from the various Roman Catholic church choirs in Dublin.

Among his teaching positions, O’Brien teaches at the diocesan seminary at Holy Cross College, is Professor of Gregorian Chant at the missionary seminary of All Hallows College from 1903, and Professor of Music at the Ladies’ Teacher-Training College at Carysfort Park, Blackrock, County Dublin, from 1908 until his death in Dublin on June 21, 1948. As a much-demanded vocal coach, he teaches at his home, his best-known pupils including John McCormack, Margaret Burke Sheridan and James Joyce. He performs the piano accompaniments for McCormack’s first gramophone recordings and accompanies him during his 1913–14 Australasian tour of 60 performances in three months, during which he also gives organ recitals at the Irish-dominated Catholic cathedrals of Sydney and Melbourne.

In 1932, O’Brien receives a doctorate honoris causa from the National University of Ireland (NUI).

Of his two sons, Oliver O’Brien (1922–2001) largely follows in his father’s footsteps, as organist and director of the Palestrina Choir, of Our Lady’s Choral Society, music teacher at Carysfort College and as teacher in various Dublin schools. His other son, Colum O’Brien, is organist in the Pro-Cathedral.

Before his work for the Palestrina Choir, O’Brien’s musical interests are very broad, culminating in 1893 in the composition of the full-scale opera Hester. As a church music composer, he follows Cecilian ideals, with a number of hymns, motets and other choral works. He also composes a number of songs for voice and piano, with The Fairy Tree (1930) being a particular favourite of John McCormack’s.


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Birth of Máire Nic Shiubhlaigh, Actress & Republican Activist

Máire Nic Shiubhlaigh, Irish actress and republican activist, is born Mary Elizabeth Walker in Charlemont Street, Dublin, on May 8, 1883. She starts acting in her teens and appears in the first Irish language play performed in Ireland. She is a founder-member of the Abbey Theatre and is leading lady on its opening night in 1904, when she plays the title role in W. B. Yeats‘s Cathleen ni Houlihan. She later joins the Theatre of Ireland, which she helps to found.

Nic Shiubhlaigh is born into a nationalist and Irish-speaking family. Her father, Matthew, comes from County Carlow and is a printer and publisher who becomes proprietor of the Gaelic Press. Her mother, Mary, is a dressmaker from Dublin. She grows up in 56 High Street in the Dublin Liberties.

Nic Shiubhlaigh joins the Gaelic League about 1898 and comes into contact with Arthur Griffith and William Rooney. She joins the cultural and revolutionary women’s group Inghinidhe na hÉireann in 1900. With the help of drama enthusiasts William and Frank Fay, she starts acting with the drama group of Inghinidhe na hÉireann. In 1901, the drama group takes part in a feis with two plays, Tobar Draoidheachta by Patrick S. Dinneen and Red Hugh by Alice Milligan. George Russell and W.B. Yeats, who are in attendance at the performance, are moved by the dedication of the amateur players. Russell, who had already offered the Fays his mythic play Deirdre, persuades Yeats to offer them his patriotic play, Cathleen ni Houlihan.

In 1902, Nic Shiubhlaigh joins W. G. Fay’s Irish National Dramatic Company, along with others such as Maire Quinn, Brian Callender, Charles Caulfield, James H. Cousins, P. J. Kelly, Dudley Digges and Frederick Ryan. Their first production of the two one-act plays, Cathleen ni Houlihan, with Maud Gonne in the lead role, and Deirdre, is on April 2, 1902. The company, which has no funds to speak of, acquires a couple of bare rooms at 34 Lower Camden Street, which with the help of friends from Irish-revival societies, they turn into a tiny theatre. They rehearse at the Coffee Palace and also use the Molesworth Hall for productions. In March 1903, with other members of her family, she appears in the first production of Yeats’ morality play, The Hour-Glass, in which she plays the part of the Angel.

In 1903, the playwrights and most of the actors and staff from these productions go on to form the Irish National Theatre Society, which has its registered offices in the Camden Street theatre. Nic Shiubhlaigh is a founder member and on the management committee of the society. Yeats is president, while Russell, Maud Gonne and Douglas Hyde are vice-presidents. William Fay is stage manager. The society founds the Abbey Theatre.

Nic Shiubhlaigh acts in the Abbey Theatre from the time of its founding. On its opening night on December 27, 1904, she plays the name part in Cathleen ni Houlihan. Her portrait is painted by John Butler Yeats for the occasion and hangs in the vestibule. She is the principal actress of the company after Máire Quinn’s departure to the United States, and when she leaves, the burden of the chief women’s rôles falls upon Sara Allgood.

In September 1905, the Abbey administrator and financial backer, an English theatre impresario called Annie Horniman, in hopes of improving the artistic quality of the productions at the Abbey, offers to guarantee salaries (a sum of £500 per year) for the actors and for Willie Fay as producer. To her mind, this will allow the actors and Fay to dispense with their day jobs and concentrate wholly upon their acting. The more nationally-minded members of the staff disagree. Nic Shiubhlaigh writes, “It was pointed out that the old Irish National Theatre Society had been founded in 1902 on the understanding that its independence as a national movement was to be secured only through the efforts of its members. It would be contrary to these ideals to accept a subsidy from an independent source.” For them it would mean a choice between a national theatre and an artistic theatre. At a meeting of the society, supported by Yeats, Gregory and Synge, the motion to accept Miss Horniman’s proposition is passed by a majority of shareholdings rather than a majority of votes. Nic Shiubhlaigh along with others resign, but they agree to remain until the end of the year, as part of an upcoming tour of England.

Nic Shiubhlaigh remains with the Abbey until December 1905, when along with Honor Lavelle (also known as Helen Laird), Emma Vernon, Máire Garvey, Frank Walker, Seumas O’Sullivan, Padraic Colum and George Roberts, she leaves. She joins the Theatre of Ireland, which she helps to found. This is formed in June 1906 with aims similar to the Irish National Theatre Society. She returns to the Abbey in 1910.

At the time of the 1916 Easter Rising, Nic Shiubhlaigh is living in Glasthule, a suburb of Dublin. She cycles into the city and, along with other members of Cumann na mBan, makes her way to Jacob’s Biscuit Factory, whose garrison under the command of Thomas MacDonagh guards the city against the troops of Portobello Barracks, and acts as an information and supplies hub for other garrisons around the city. She commands the women of the garrison. They remain there until the surrender, cooking and rendering first aid to the garrison, and bringing despatches through the city.

Nic Shiubhlaigh had retired from professional acting in 1912, and seldom works in professional theatre again. In 1929, she marries former IRA Director of Organisation, Major General Eamon “Bob” Price, and they move to Laytown, County Meath.

Nic Shiubhlaigh’s last stage appearance, alongside her sister Gypsy, is in a production of Gaol Gate at the Olympia Theatre, Dublin, on November 21, 1948, staged to mark the 150th anniversary of the death of Theobald Wolfe Tone.

Nic Shiubhlaigh dies on September 9, 1958, in the Drogheda cottage hospital.

Her book, The Splendid Years, written with the help of her nephew Edward Kenny, recalls the years of the national revival and the Easter Rising.

On July 23, 1966, a plaque bearing Nic Shiubhlaigh’s name is unveiled at the Abbey Theatre by the Taoiseach, Seán Lemass. The others named on the plaque are Ellen Bushell, Sean Connolly, Helena Molony, Arthur Shields, Peadar Kearney and Barney Murphy.

(Pictured: 1904 portrait of Máire Nic Shiubhlaigh, as painted by John Butler Yeats)


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Birth of Con Lehane, Nationalist & Member of the IRA Army Council

Con Lehane, left-wing nationalist, member of the IRA Army Council, solicitor, actor and politician, is born in Belfast, in what is now Northern Ireland, on May 7, 1912.

Lehane is the only surviving child of Denis Lehane, an excise officer originally from County Cork, and his wife Mary (née Connolly), a native of the Falls Road, Belfast. He grows up in an Irish-speaking household. Joseph Connolly, the senator, is his uncle on his mother’s side, while Michael O’Lehane, the trade unionist, is his uncle on his father’s side. His family emigrates to Hartlepool, in County Durham, England, in 1912, and then to Dublin in 1920. He is educated at Synge Street CBS and University College Dublin (UCD), where he studies Law and qualifies as a solicitor. He marries Marie O’Neill in 1937, and they have a son and two daughters.

As a solicitor, Lehane takes to defending members of the Irish Republican Army (IRA) in the Irish Courts. In 1927 he obtains permission for IRA prisoners to speak privately to their solicitors from the Irish High Court. He is active in other republican and nationalist circles. He is a member of the Moibhí Branch of Conradh na Gaeilge, and by the 1930s appears to become active in the IRA itself. In 1931 he is involved in Saor Éire, an attempt by the Irish left-wing to create a communist political party that would be linked to the IRA.

Lehane is a member of the IRA’s arms committee and in 1935 he is sentenced to 18-months’ imprisonment by the Military Tribunal for his membership of the IRA.

Lehane retires from the IRA in April 1938 with Seán MacBride as they are not prepared to support the planned bombing campaign in the United Kingdom during World War II. In 1940 he is a member of Córas na Poblachta, another attempt to build a Republican political party backed by the IRA.

Interned again in 1940 under the Offences against the State Act 1939, Lehane is made an officer commanding (OC) of the IRA prisoners in Arbour Hill Prison, Dublin. While interned he and five other Irish Republican prisoners go on a 26-day hunger strike, protesting being imprisoned without trial.

Lehane is elected to Dáil Éireann as a Clann na Poblachta Teachta Dála (TD) for the Dublin South-Central constituency at the 1948 Irish general election. He loses his seat at the 1951 Irish general election.

Lehane is an actor and has a keen interest in Irish language theatre. A committed Irish speaker, Lehane is at home in it, whether on radio, stage or in street conversation. He is one of the leading actors of the Irish Language Theatre Company between 1943 and 1958. He is a member of Dublin City Council and of the Citizens for Civil Liberties committee.

In 1977, the remains of Frank Ryan, one of the leading left-wing Republicans of the 1930s, are repatriated from East Germany, and Lehane delivers the eulogy.

Lehane dies in Dublin at the age of 71 on September 18, 1983. He is buried in St. Fintan’s Cemetery, Sutton, Dublin.

(Pictured: Lehane speaking at a Clann na Poblachta event)


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Birth of William Archer, Naturalist & Librarian

William Archer FRS, Irish naturalist, librarian and microscopist especially interested in Protozoa and Desmids, is born on May 6, 1827 (some sources say 1830), in Maghera, County Down.

Archer is the eldest son of Rev. Richard Archer (1796? – 1849), perpetual curate of Maghera hamlet, County Down, and his wife, Jane Matilda (née Campbell). Nothing is known of his education, though his two younger brothers attend Trinity College Dublin (TCD). At some point, he apparently appears to become estranged from his family.

Archer moves to Dublin around 1846, where for many years he pursues a business career. He achieves fame as a naturalist, and in 1849, is one of the twelve founder members of the Dublin Microscopical Club, of which he is the secretary and moving spirit for many years. Between 1858 and 1885 he writes over 230 scientific papers on Irish fauna and flora in the Quarterly Journal of Microscopical Science, the vast majority of which are short notes on desmids collected in Ireland. Sometimes the same article is published in two or more journals.

Archer is a member of the Dublin University Zoological Association and is elected a member of the Royal Irish Academy (MRIA) on January 10, 1870, and Fellow of the Royal Society (FRS) in 1875, on which occasion it is stated that he has “a knowledge of the minute freshwater organisms unparalleled among British naturalists and perhaps not surpassed for any other country.”

Archer begins a new career when he becomes librarian of the Royal Dublin Society (RDS) in January 1877. The bulk of the society’s library is being taken over by the state to form the National Library of Ireland. He becomes the chief librarian of the new institution and has the task of overseeing the changes. Most of the ideas put forward in his pamphlet, Suggestions as to public library buildings . . . with especial reference to the National Library of Ireland (Dublin, 1881), are used by Sir Thomas Newenham Deane in his design for its new building, which opens in August 1890. His adoption of the Dewey Decimal Classification system and the inception of a dictionary catalogue, both novel in the day, are to prove of lasting value to users of the library.

In poor health, Archer retires in 1895. He dies, unmarried, at his home, 52 Mount Street Lower, Dublin, on August 14, 1897. He is a shy, modest man, who declines professorships at the Royal College of Science for Ireland and at Trinity College Dublin (TCD), and who is nominated for membership of the Royal Irish Academy (RIA) and the Royal Society without his knowledge.


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Charles, the Prince of Wales, Visits Omagh

Charles, the Prince of Wales, visits Omagh, County Tyrone, Northern Ireland, on May 5, 1999, and meets with relatives of those killed in the August 15, 1998 car bombing and some of the young people who were injured.

The prince has a private meeting with a group of those injured and bereaved in the August attack on the Northern Ireland market town, which left 29 dead. It fulfills a promise he made to the people of the town when he visited it three days after the bombing by the Real Irish Republican Army (IRA).

After his meeting with residents at the offices of Omagh District Council, the prince says, “I was determined to come back today to see how all of you were faring after all the terrible things you have had to go through.”

Referring to the IRA assassination of his uncle, Lord Mountbatten, he says, “Having experienced myself a relative who was blown to smithereens, I can well understand how these poor people must feel.” He adds that there is enormous concern and care across the world, and many who have given generously to the Omagh Fund, which organisers say has topped £4.5m.

Before visiting the site of the bombing and the regeneration scheme, the prince says the rebuilding plans are bringing “new life, new meaning and new hope back to this really remarkable community.”

“It always was a remarkable community, it still is. You set a wonderful example to many other communities, not only in Northern Ireland but in other parts of the world who also have suffered so traumatically,” the prince says.

Speaking about his visit to Soho following the Admiral Duncan pub bombing by neo-Nazi David Copeland the previous Friday (April 30, 1999), he adds, “I am sure your experiences will be of enormous help to those people in London who have shared with you yet another tragedy in another horrible bombing.”

Marion Radford, who was injured in the Omagh bombing and whose 16-year-old son Alan died, says, “Visits like this help, just to know people care. I found this helpful, I found him a very nice person, he does care and was a sympathetic listener.”

(From: “UK Prince returns to Omagh,” BBC News, http://www.bbc.news.com, May 5, 1999)