seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Author Archives: Jim Doyle


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IRA Refuses to Disband in Response to Ultimatums

gerry-adams-2002

On October 27, 2002, after comments by the British prime minister Tony Blair that the continued existence of the Irish Republican Army (IRA) is an obstacle to rescuing the Northern Ireland peace process, Sinn Féin leader Gerry Adams says the IRA is never going to disband in response to ultimatums from the British government and from unionists.

Nationalists throughout Ireland wish to see the end of the IRA. In a response to a major speech by Adams, Mark Durkan, leader of the Social Democratic and Labour Party (SDLP), says IRA activity is playing into the hands of anti-Agreement unionists and calls on the IRA to cease all activity.

Adams tells elected Sinn Féin representatives from both sides of the Irish border in Monaghan that he can envision a future without the IRA. He also admits that “alleged” IRA activities are boosting the cause of those opposing the Northern Ireland peace process. However, he also tells Tony Blair that the IRA will never disband in response to ultimatums.

“He needs to recognise, however, that the Agreement requires an end to paramilitarism and that nationalists throughout this island fervently want one. It is time that republicans took heed of their call.”

The former Deputy First Minister in the devolved administration at Stormont says he welcomes Adams’ recognition that IRA activity is exacerbating the difficulties within unionism. “The reality is that IRA activity is playing right into the hands of anti-Agreement unionists. And letting the nationalist community badly down,” he said.

“It is also welcome that Gerry Adams has begun to recognise Sinn Féin’s credibility crisis. Too often republican denials have proved to be false in the past – be it over Colombia or Florida. This too has served only to create distrust and destabilise the Good Friday Agreement,” he adds.

In a major speech billed by his party as a considered response to the Prime Minister’s demand for an end to Republican-linked violence, Adams declares “Our view is that the IRA cessations effectively moved the army out of the picture – and allowed the rest of us to begin an entirely new process.” His speech is understood to have been handed in advance to both the British and Irish governments.

Adams says the continued IRA ceasefire and decommissioning initiatives demonstrated the organisation’s commitment to the peace process. “I do not pretend to speak for the army (IRA) on these matters, but I do believe that they are serious about their support for a genuine peace process. They have said so. I believe them,” he said. He adds, “The IRA is never going to respond to ultimatums from the British government or David Trimble.”

Fianna Fáil leader Bertie Ahern later says he welcomes and is encouraged by many aspects of Adams’ speech. He says the Sinn Féin leader’s strong statement of determination to keep the peace process intact and the recognition of the need to bring closure to all the key issues is a positive contribution at this difficult time in the Northern Ireland peace process.

(From the Irish Examiner, October 27, 2002)


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Birth of Painter Nathaniel Hone the Younger

nathaniel-hone-the-younger

Nathaniel Hone the Younger, Irish painter and great-grand-nephew of painter Nathaniel Hone the Elder, is born in Fitzwilliam Place, Dublin on October 26, 1831. He is the son of Brindley Hone, a merchant and director of the Midland Great Western Railway.

Though a member of a very artistic family, Hone’s initial training is as an engineer at Trinity College Dublin followed by a brief period of work for the Irish Railway before going to Paris in 1853 to study painting. He first studies under Adolphe Yvon, the French military painter, and later Thomas Couture, who is one of the earliest exponents of realism and from whom he learns principles which influence his work throughout his career.

Most of Hone’s later paintings are landscapes, very often enlivened with animals and occasionally with figures. In France he is influenced by the painter Gustav Courbet who is taking a new and quite revolutionary realistic approach. His closest painting tips are, however, from another French impressionist, Jean-Baptiste-Camille Corot. He becomes a close friend of one of Corot’s followers at the Barbizon school of landscape painting. At Barbizon he learns to appreciate colour, texture and tone in the landscape and applies it in strong and confident brushworks to the painting of Irish subjects on his return. In Paris he also works closely with artist Édouard Brandon, also a follower of Corot.

Hone’s paintings which are completed in France have many similarities to those that he completes at his country farm in County Dublin, but the finish is perhaps more polished and professional in the later Irish works.

From 1876, except for four years, Hone exhibits at the Royal Hibernian Academy (RHA). He is elected a full member in 1880 and in 1894 becomes Professor of Painting. His exhibition with John Butler Yeats in 1901 is one of the turning points for the history of Irish art as it is their paintings which convince Sir Hugh Lane that Dublin should have a gallery of modern art.

Nathaniel Hone dies in Dublin on October 14, 1917. After his death his widow bequeaths the contents of his studio to the National Gallery of Ireland. He rarely dates his work, so it is difficult to establish chronology. The similarity of many of his motifs and subjects often make it difficult to tell whether a view is Irish or French. Equally it is difficult to chart his developments on stylistic grounds alone.

(Pictured: Nathaniel Hone, the younger, self-portrait as an old man)


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Death of Richard Harris, Actor & Singer

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Richard St. John Harris, Irish actor and singer, dies in London from complications of Hodgkin’s lymphoma and pneumonia on October 25, 2002.

Harris is born to a farming family on October 1, 1930, in Limerick, County Limerick. He is the son of Mildred Josephine (Harty) and Ivan John Harris. He is an excellent rugby player with a strong passion for literature. Unfortunately, a bout of tuberculosis as a teenager ends his aspirations to a rugby career. He becomes fascinated with the theater and skips a local dance one night to attend a performance of Henry IV. He is hooked and goes on to learn his craft at the London Academy of Music and Dramatic Art, followed by several years in stage productions.

Harris makes his film debut in 1959 in the film Alive and Kicking and plays the lead role in The Ginger Man in the West End in 1959. His second film, Shake Hands with the Devil (1959), quickly scores regular work in films, including The Wreck of the Mary Deare (1959), The Night Fighters (1960) and a good role as a frustrated Australian bomber pilot in The Guns of Navarone (1961).

Harris’ breakthrough performance is as the quintessential “angry young man” in the sensational drama This Sporting Life (1963), for which he receives an Academy Award nomination. He then appears in the World War II commando tale The Heroes of Telemark (1965) and in the Sam Peckinpah-directed western Major Dundee (1965). He next shows up in Hawaii (1966) and plays King Arthur in Camelot (1967), a lackluster adaptation of the famous Broadway play. Better performances follow, among them a role as a reluctant police informer in The Molly Maguires (1970) alongside Sean Connery. He takes the lead role in the violent western A Man Called Horse (1970), which becomes something of a cult film and spawns two sequels.

As the 1970s progress, Harris continues to appear regularly on screen, however, the quality of the scripts vary from above average to woeful. His credits during this period include directing himself as an aging soccer player in the delightful The Hero (1971), the western The Deadly Trackers (1973), the big-budget “disaster” film Juggernaut (1974), the strangely-titled crime film 99 and 44/100% Dead (1974), with Connery again in Robin and Marian (1976), Gulliver’s Travels (1977), a part in the Jaws (1975) ripoff Orca (1977) and a nice turn as an ill-fated mercenary with Richard Burton and Roger Moore in the popular action film The Wild Geese (1978).

The 1980s kick off with Harris appearing in the silly Bo Derek vanity production Tarzan, the Ape Man (1981) and the remainder of the decade has him appearing in some very forgettable productions.

However, the luck of the Irish once again shines on Harris’ career and he scores rave reviews and another Oscar nomination for The Field (1990). He then locks horns with Harrison Ford as an Irish Republican Army sympathizer in Patriot Games (1992) and gets one of his best roles as gunfighter English Bob in the Clint Eastwood western Unforgiven (1992). He is firmly back in vogue and rewards his fans with more wonderful performances in Wrestling Ernest Hemingway (1993), Cry, the Beloved Country (1995), The Great Kandinsky (1995) and This Is the Sea (1997). Further fortune comes his way with a strong performance in the blockbuster Gladiator (2000) and he becomes known to an entirely new generation of film fans as Albus Dumbledore in the mega-successful Harry Potter and the Sorcerer’s Stone (2001) and Harry Potter and the Chamber of Secrets (2002). His final screen role is as “Lucius Sulla” in Julius Caesar (2002).

Harris is diagnosed with Hodgkin’s lymphoma in August 2002, reportedly after being hospitalised with pneumonia. He dies at University College Hospital in Fitzrovia, London on October 25, 2002, after spending his final three days in a coma. His body is cremated, and his ashes are scattered in the Bahamas, where he had owned a home.


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Birth of Frank Delaney, Novelist, Journalist & Broadcaster

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Frank Delaney, Irish novelist, journalist and broadcaster, is born in County Tipperary on October 24, 1942. He is the author of The New York Times best-seller Ireland, the non-fiction book Simple Courage: A True Story of Peril on the Sea, and many other works of fiction, non-fiction and collections.

Delaney begins working as a newsreader for the Irish state radio and television network RTÉ in 1970. In the early 1970s he becomes a news reporter for the BBC in Dublin, and covers an intense period of violence known as the Troubles. After five years of reporting on the violence, he moves to London to work in arts broadcasting. In 1978 he creates the weekly Bookshelf programme for BBC Radio 4, which covers books, writers and the business of publishing. Over the next five-and-a-half years he interviews over 1,400 authors, including Anthony Burgess, John Updike, Margaret Atwood, Christopher Isherwood and Stephen King.

On television, Delaney writes and presents for Omnibus, the BBC’s weekly arts series. He serves as the Literature Director of the Edinburgh Festival in 1980, and hosts his own talk show Frank Delaney in the early 1980s, which features many cultural and literary personalities. Afterward, he creates and presents Word of Mouth, the BBC’s radio programme about language, as well as a variety of radio and television documentaries including specials on James Joyce, Robert Graves, Ernest Hemingway in Paris, and the Shakespeare industry. He presents The Book Show on the Sky News satellite channel for many years.

Delaney’s first book, James Joyce’s Odyssey (1981), is well received and becomes a best-seller in the UK and Ireland. He writes and presents the six-part documentary series The Celts: Rich Traditions and Ancient Myths (1987) for the BBC, and writes the accompanying book. He subsequently writes five books of non-fiction (including Simple Courage), ten novels (including Ireland, Venetia Kelly’s Traveling Show and Tipperary), one novella, and a number of short stories. He also edits many compilations of essays and poetry.

After moving to the United States and settling in Kent, Connecticut in 2002, Delaney writes the screenplay for an adaptation of Goodbye, Mr. Chips (2002), which stars Martin Clunes and is shown on ITV in Britain, and in the Masterpiece Theatre series in the United States. His articles are published by newspapers in United States, the UK and Ireland, including on the Op-ed pages of The New York Times. He is a frequent public speaker, and is a contributor and guest on National Public Radio (NPR) programmes.

On Bloomsday 2010, Delaney launches Re:Joyce, a series of short weekly podcasts that go page-by-page through James Joyce’s Ulysses, discussing its allusions, historical context and references.

Frank Delaney dies in Danbury Hospital in Danbury, Connecticut on February 21, 2017 after suffering a stroke the previous day.


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Thornton’s Awarded Jameson Restaurant of the Year

kevin-and-muriel-thorntonThornton’s in St. Stephen’s Green, Dublin, is awarded the “Jameson Restaurant of the Year” on October 23, 2002. It is among the national award winners announced to coincide with the launch of Georgina Campbell’s Jameson Guide: Ireland 2003.

Originally located on Portobello Road since 1989, Thornton’s is opened in the Fitzwilliam Hotel on St. Stephen’s Green in 2002. A fine dining restaurant, it holds a one-star Michelin rating in the periods 1996-2000 and 2006-2015. In the period 2001-2005 it holds a two-star rating.

Head chef Kevin Thornton is the first Irish chef to achieve two Michelin stars and is named Food & Wine Magazine’s Chef of the Year for Ireland in 2007. Patrick Guilbaud receives his second star first but is born in France.

Thornton’s is embroiled in a controversy in 2007 surrounding Kevin Thornton’s alleged refusal to sell chips to his restaurant customers, sparking comparisons to British chef Gordon Ramsay. A customer requests the food but, upon receiving it, he changes his mind and sends them back to the kitchen. Thornton then allegedly emerges from the kitchen with the chips and slams them down on the man’s table, with the remark, “They were cooked specially for you, so you eat them, you dickhead.” He later is alleged to have called them “wankers” before removing them from his restaurant.

Asked about the incident by broadcaster Joe Duffy on his RTÉ Radio 1 Liveline programme, Thornton stresses that he had not so much been infuriated by the request of chips, as he supposedly provides them for younger customers on a regular basis, but that he had been aggravated by the attitude of this particular customer. The incident has since seen Thornton become associated with a dislike of chips and, as recently as 2009, has been crafted as a pun by the Irish media for any other outlet which does not serve the food. Thornton has also spoken out against serving food such as pizza in his restaurant.

Thornton’s permanently closes its doors on October 29, 2016. According to the Thontons the closure is due to the loss of the restaurant’s only Michelin star, which reduced the influx of international tourists, and high rent prices.

(Pictured: Kevin and Muriel Thornton, who win Jameson Restaurant of the Year 2003, with Chief Executive Officer of Irish Distillers Philippe Savinel)


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Birth of Sir Philip Francis

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Sir Philip Francis, Irish-born British politician and pamphleteer, is born in Dublin on October 22, 1740. He is known as an antagonist of Warren Hastings, the first governor-general of British India.

The son of Dr. Philip Francis, a man known by his translations of Horace, Aeschines and Demosthenes, Francis is educated in Dublin and London and holds a variety of clerical posts in the government from 1756 to 1773. He may have written the Letters of Junius, a series of bitter lampoons against the government of King George III published by a London newspaper from 1769 to 1772, when he was a clerk in the war office. The authorship of the letters has been assigned to Francis on a variety of grounds, including a computer-aided analysis of the Junius texts in the 1960s.

In June 1773 the prime minister, Lord Frederick North, appointed Francis a member of the newly created four-man council that is to rule British possessions in India with Governor-General Hastings. He leads two of his colleagues in a struggle against Hastings, in part because he covets Hastings’ job, but there are also differences between the two men on policy matters, including land-revenue collection. Although Hastings gains the upper hand by 1776 after two of the opposing councilors die, Francis continues his attacks and, in 1780, the governor-general wounds him in a duel.

Returning to England in 1781, Francis turns public opinion against Hastings with a series of anonymous pamphlets. He enters the House of Commons of the United Kingdom in 1784 and is the moving spirit behind Hastings’ impeachment, begun in 1788. The acquittal of Hastings in 1795 embitters Francis deeply and leads to his defeat in a parliamentary election. He served again in Parliament from 1802 to 1807, at which time he retires from politics. He is knighted in 1806.

Sir Philip Francis dies in London on December 23, 1818.


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Execution of Thomas Russell, United Irishmen Co-founder

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Thomas Paliser Russell, co-founder and leader of the Society of United Irishmen, is executed for his part in Robert Emmet‘s rebellion on October 21, 1803.

Born in Dromahane, County Cork to an Anglican family, Russell joins the British army in 1783 and serves in India. He returns to Ireland in 1786 and commences studies in science, philosophy and politics. In July 1790 he meets Theobald Wolfe Tone in the visitors’ gallery in the Irish House of Commons and they become firm friends.

In 1790 Russell resumes his military career as a junior officer in the 64th Regiment of Foot and is posted to Belfast. The French Revolution in 1789 is warmly greeted in Belfast as are its ideals of liberty, equality, and fraternity. With his keen mind and radical ideas, Russell soon becomes a confidante of Henry Joy McCracken, James Hope, Samuel Neilson and others who are to play a prominent role in the United Irish movement. With them he develops ideas of parliamentary reform, to include the bulk of the people, and Catholic emancipation.

Russell leaves the army in July 1791 and attends a convention of the Whig Club in Belfast to mark Bastille Day. The convention is addressed by William Drennan, who proposes a brotherhood promoting separation from England and co-operation with the increasingly radical Cisalpine Club in the pursuit of political and social reforms. However, Russell notes the lack of trust between Dissenters and Catholics which is due to fears that Catholic radicalism can be bought off by religious concessions. Informing Wolfe Tone of his observations, within weeks leads to Wolfe Tone’s publication of Argument on Behalf of the Catholics of Ireland to address these suspicions. The pamphlet is extremely well received and provides the impetus for the founding of the Society of United Irishmen in Belfast on October 18, 1791.

Pressure from Dublin Castle later forces the United Irish movement to become a clandestine organisation as the would-be revolutionaries seek to continue their slow progress towards challenging the occupying British.

In 1795 Russell, Andrew Henderson, Henry Joy McCracken and Samuel Neilson lead a band of United Irishmen to the top of Cavehill overlooking the town of Belfast where they swear an oath “never to desist in our effort until we have subverted the authority of England over our country and asserted her independence” prior to Wolfe Tone’s exile to the United States. The event is noted in Dublin Castle although there is no immediate move to disband or arrest the members of the United Irishmen.

In 1796, Russell publishes an ambitious and far-sighted document, Letter to the People of Ireland, which lays out his vision of social and economic reform for the Irish nation. In addition to his stance on religious freedom, he makes clear his anti-slavery views in the Northern Star on March 17, 1792.

Russell takes an active part in organising the Society of United Irishmen becoming the United Irish commander in County Down. However, the outbreak of the French Revolution in 1793 leads to an ongoing campaign against the United Irishmen and in 1796 he is arrested and imprisoned as a “state prisoner” in Dublin. In March 1799 he and the other state prisoners are transferred to Fort George in Scotland, an extensive fortress some miles north of Inverness built in the wake of the failed Jacobite rebellion of 1745-46. He is released on condition of exile to Hamburg in June 1802 following a brief cessation in the war with France.

Not content to sit things out in Hamburg, Russell soon makes his way to Paris where he meets Robert Emmet who is planning another insurrection pending the French renewal of the war against England. He agrees to return to Ireland in March 1803 to organise the North in conjunction with James Hope. However, he meets with little success as much of the north is subdued following the suppression of the Irish Rebellion of 1798 and displays little appetite for a renewed outbreak. Finally, finding some support in the vicinity of Loughinisland, he prepares to take to the field on July 23, 1803, the date set by Emmett.

However, the plan is badly thought out and quickly collapses, forcing Russell to flee to Dublin before a shot is fired in anger. He manages to hide for a number of weeks, but Dublin is a hard place in which to hide in the days following the failure of Emmett’s rebellion as the shocked authorities have launched a massive campaign of raids and arrests in an effort to finally eradicate the United Irishmen.

Thomas Russell is promptly arrested and sent to Downpatrick Gaol where he is executed by hanging then beheaded on October 21, 1803.


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Death of Composer Michael William Balfe

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Michael William Balfe, Irish composer best remembered for his opera The Bohemian Girl, dies in Dublin on October 20, 1870.

Balfe is born in Dublin on May 15, 1808, where his musical gifts become apparent at an early age. He receives instruction from his father, a dancing master and violinist, and the composer William Rooke. His family moves to Wexford when he is a child.

In 1817, Balfe appears as a violinist in public, and in this year composes a ballad, first called “Young Fanny” and afterwards, when sung in Paul Pry by Lucia Elizabeth Vestris, “The Lovers’ Mistake”. In 1823, upon the death of his father, he moves to London and is engaged as a violinist in the orchestra of the Theatre Royal, Drury Lane. He eventually becomes the leader of that orchestra. While there, he studies violin with Charles Edward Horn and composition with Charles Frederick Horn.

While still playing the violin, Balfe pursues a career as an opera singer. He debuts unsuccessfully at Norwich in Carl Maria von Weber‘s Der Freischütz. In 1825, Count Mazzara takes him to Rome for vocal and musical studies and introduces him to Luigi Cherubini. In Italy, he also pursues composing, writing his first dramatic work, a ballet, La Perouse. He becomes a protégée of Gioachino Rossini‘s, and at the close of 1827, he appears as Figaro in The Barber of Seville at the Italian opera in Paris.

Balfe soon returns to Italy, where he is based for the next eight years, singing and composing several operas. In 1829 in Bologna, he composes his first cantata for the soprano Giulia Grisi, then 18 years old. He produces his first complete opera, I rivali di se stessi, at Palermo in the carnival season of 1829—1830.

Balfe returned to London in May 1835. His initial success takes place some months later with the premiere of The Siege of Rochelle on October 29, 1835, at Drury Lane. Encouraged by his success, he produces The Maid of Artois in 1836, which is followed by more operas in English. In July 1838, Balfe composes a new opera, Falstaff, for The Italian Opera House, based on The Merry Wives of Windsor, with an Italian libretto by S. Manfredo Maggione.

In 1841, Balfe founds the National Opera at the Lyceum Theatre, but the venture is a failure. The same year, he premieres his opera, Keolanthe. He then moves to Paris, presenting Le Puits d’amour in early 1843, followed by his opera based on Les quatre fils Aymon for the Opéra-Comique and L’étoile de Seville for the Paris Opera. Meanwhile, in 1843, he returns to London where he produces his most successful work, The Bohemian Girl, on November 27, 1843, at the Theatre Royal, Drury Lane. The piece runs for over 100 nights, and productions are soon mounted in New York, Dublin, Philadelphia, Vienna, Sydney, and throughout Europe and elsewhere.

From 1846 to 1852, Balfe is appointed musical director and principal conductor for the Italian Opera at Her Majesty’s Theatre. There he first produces several of Giuseppe Verdi‘s operas for London audiences. He conducts for Jenny Lind at her opera debut and on many occasions thereafter.

In 1851, in anticipation of The Great Exhibition in London, Balfe composes an innovative cantata, Inno Delle Nazioni, sung by nine female singers, each representing a country. He continues to compose new operas in English, including The Armourer of Nantes (1863), and writes hundreds of songs. His last opera, nearly completed when he dies, is The Knight of the Leopard and achieves considerable success in Italian as Il Talismano.

Balfe retires in 1864 to Hertfordshire, where he rents a country estate. He dies at his home in Rowney Abbey, Ware, Hertfordshire, on October 20, 1870, and is buried at Kensal Green Cemetery in London, next to fellow Irish composer William Vincent Wallace. In 1882, a medallion portrait of him is unveiled in Westminster Abbey.

In all, Balfe composes at least 29 operas. He also writes several cantatas and a symphony. His only large-scale piece that is still performed regularly today is The Bohemian Girl.


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Death of Jonathan Swift, Satirist & Essayist

jonathan-swift

Jonathan Swift, satirist, essayist, political pamphleteer, poet and cleric who becomes Dean of St. Patrick’s Cathedral, Dublin, dies in Dublin on October 19, 1745.

Swift is born in Dublin on November 30, 1667. His father, an attorney, also named Jonathan Swift, dies just two months before he is born. Without steady income, his mother struggles to provide for her newborn. Moreover, he is a sickly child. It is later discovered that he suffers from Ménière’s disease, a condition of the inner ear that leaves the afflicted nauseous and hard of hearing. In an effort to give her son the best upbringing possible, Swift’s mother gives him over to Godwin Swift, her late husband’s brother and a member of the respected professional attorney and judges group Gray’s Inn. Godwin Swift enrolls his nephew in the Kilkenny Grammar School (1674–1682), which is perhaps the best school in Ireland at the time. His transition from a life of poverty to a rigorous private school setting proves challenging. He does, however, make a fast friend in William Congreve, the future poet and playwright.

At age 14, Swift commences his undergraduate studies at Trinity College, Dublin. In 1686, he receives a Bachelor of Arts degree and goes on to pursue a master’s degree. Not long into his research, huge unrest breaks out in Ireland. The king of Ireland, England and Scotland is soon to be overthrown. What becomes known as the Glorious Revolution of 1688 spurs him to move to England and start anew. For 10 years, Swift works in Surrey‘s Moor Park and acts as an assistant to Sir William Temple.

During his Moor Park years, Swift met the daughter of Temple’s housekeeper, an 8-year-old named Esther Johnson. They become lovers for the rest of their lives until Johnson’s death. It is rumored that they marry in 1716, and that Swift keeps of lock of Johnson’s hair in his possession at all times.

During his decade of work for Temple, Swift returns to Ireland twice. On a trip in 1695, he takes all necessary requirements to become an ordained priest in the Anglican tradition. Under Temple’s influence, he also begins to write, first short essays and then a manuscript for a later book. Temple dies in 1699. Swift completes the task of editing and publishing Temple’s memoirs. He then leans on his priestly qualifications and finds work ministering to a pea-sized congregation just 20 miles outside of Dublin. For the next ten years, he gardens, preaches and works on the house provided to him by the church. He also returns to writing. His first political pamphlet is titled A Discourse on the Contests and Dissentions in Athens and Rome.

In 1704, Swift anonymously releases A Tale of a Tub and The Battle of the Books. Tub, although widely popular with the masses, is harshly disapproved of by the Church of England. Ostensibly, it criticizes religion, but Swift means it as a parody of pride. Nonetheless, his writings earn him a reputation in London and when the Tories come into power in 1710, they ask him to become editor of The Examiner, their official paper. After a time, he becomes fully immersed in the political landscape and begins writing some of the most cutting and well-known political pamphlets of the day, including The Conduct of the Allies, an attack on the Whigs. Privy to the inner circle of Tory government, he lays out his private thoughts and feelings in a stream of letters to his beloved Stella. They are later published as The Journal to Stella.

When he sees that the Tories will soon fall from power, Swift returns to Ireland. In 1713, he takes the post of dean at St. Patrick’s Cathedral in Dublin. While leading his congregation at St. Patrick’s, he begins to write what would become his best-known work. In 1726, at last finished with the manuscript, he travels to London and benefits from the help of several friends, who anonymously publish it as Travels into Several Remote Nations of the World, in Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships, more simply known as Gulliver’s Travels. The book is an immediate success and has not been out of print since its first run.

Not long after the celebration of this work, Swift’s longtime love, Esther Johnson, falls ill. She dies in January 1728. Her death moves Swift to write The Death of Mrs. Johnson.

In 1742, Swift suffers a stroke and loses the ability to speak. On October 19, 1745, Jonathan Swift dies. He is laid to rest next to Esther Johnson inside Dublin’s St. Patrick’s Cathedral.


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Birth of Actress Margaret “Peg” Woffington

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Margaret “Peg” Woffington, well-known Irish actress in Georgian London, is born of humble origins in Dublin on October 18, 1720.

Woffington’s father is believed to have been a bricklayer, and, after his death, the family becomes impoverished. Her mother is obliged to take in washing while Peg sells watercress door to door. It is said that she is walking through a marketplace as a pre-teen and happens upon Madame Signora Violante, a famous tightrope walker. Violante is so immediately enthralled by Peg’s beautiful face that she accompanies her home and asks her mother permission to take her in as her apprentice.

Around 1730, Violante features Woffington as Polly Peachum in a production of John Gay’s The Beggar’s Opera. This serves as a springboard for her fame in Dublin, and she continues dancing and acting in the area playing Dorinda in an adaptation of The Tempest at the Theatre Royal, Dublin in 1735 and joining the Smock Alley Theatre to perform with well-known actor David Garrick.

Woffington dances and acts at various Dublin theaters until her success as Sir Harry Wildair in The Constant Couple leads to her being given her London debut at Covent Garden. She becomes well known as an actress thereafter.

Woffington enjoys success in the role of Sylvia in The Recruiting Officer. She performs at Drury Lane for several years and later returns to Dublin, appearing in a variety of plays. Her most well-received performances are in comic roles, such as elegant women of fashion like Lady Betty Modish and Lady Townley, and breeches roles. She is impeded in the performance of tragedy by a harsh tone in her voice that she strives to eliminate.

Woffington lives openly with David Garrick, the foremost actor of the day, and her other love affairs are numerous and notorious. She becomes friend and mentor to the socialite/actress sisters, Elizabeth and Maria Gunning, and also shares the stage with the likes of Charles Macklin, Kitty Clive, and the tragedienne Susannah Maria Arne.

Though Woffington is popular with society figures, she is not always favored by her competition. She tends to create rivalries with similar-type actresses at Drury Lane and Covent Garden. Her fiercest rivalry is with “equally peppery” actress Kitty Clive. According to Garrick biographer Thomas Davies, “No two women in high life ever hated each other more unreservedly than these two great dames of the stage.” When she returns to Covent Garden, rivalries with these women and with the manager, John Rich, eventually send her back to Dublin, where she is unrivaled and celebrated at the Smock Alley Theatre.

Rich decides to start a Beefsteak Club in 1749, also known as the Sublime Society of Steaks or “the Club.” Some of its members include Garrick and William Hogarth, as well as many other London celebrities. Not only is Woffington the first female member of the all-male dining club, in 1750 she becomes president of the club by election. She also educates and supports her sister and cares for and pensions her mother.

For whatever reason, Woffington leaves Garrick in about 1744 and moves to Teddington, into a house called Teddington Place. In 1754 she becomes the beneficiary of the will of the Irish impresario Owen Swiny. In 1756, she performs the part of Lady Randolph in Douglas, a part which finds a later exponent in Sarah Siddons.

On May 3, 1757, Woffington is playing the part of Rosalind in As You Like It when she collapses on stage. She rallies but would never act again, lingering with a wasting illness. She dies in Queen Square, Westminster on March 28, 1760. She is buried in St. Mary with St. Alban, the parish church in Teddington.