seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Category Archives: Arts & Music


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Birth of Irish Tenor Frank Patterson

Frank Patterson, internationally renowned Irish tenor following in the tradition of singers such as Count John McCormack and Josef Locke, is born on October 5, 1938, in Clonmel, County Tipperary. He is known as “Ireland’s Golden Tenor.”

As a boy Patterson performs with his local parish choir and is involved in maintaining the annual tradition of singing with the “Wrenboys.” He sings in the local St. Mary’s Choral Society and at a production of The Pirates of Penzance performed with both his parents. His interests extend beyond music and as a boy he represents Marlfield GAA hurling club, plays tennis at Hillview and golf at the Mountain Road course. He quits school at an early stage to work in the printing business of his mother’s family. He moves to Dublin in 1961 to enroll at the National Academy of Theatre and Allied Arts where he studies acting while at the same time receiving vocal training from Hans Waldemar Rosen. In 1964, he enters the Feis Ceoil, a nationwide music competition, in which he wins several sections including oratorio, lieder and the German Gold Cup.

Patterson gives classical recitals around Ireland and wins scholarships to study in London, Paris and in the Netherlands. While in Paris, he signs a contract with Philips Records and releases his first record, My Dear Native Land. He works with conductors and some of the most prestigious orchestras in Europe including the London Symphony Orchestra and Orchestre de Paris. He also gains a reputation as a singer of Handel, Mozart, and Bach oratorios and German, Italian and French song. He has a long-running programme on RTÉ titled For Your Pleasure.

In the early 1980s Patterson moves to the United States, making his home in rural Westchester County, New York. A resurgence of interest in Irish culture encourages him to turn towards a more traditional Irish repertoire. He adds hymns, ballads, and traditional as well as more popular tunes to his catalogue. In March 1988 he is featured host in a St. Patrick’s Day celebration of music and dance at New York City‘s famous Radio City Music Hall. He also gives an outdoor performance before an audience of 60,000 on the steps of the United States Capitol in Washington, D.C. with the National Symphony Orchestra.

Patterson is equally at home in more intimate settings. His singing in the role of the Evangelist in Bach’s St. John Passion is given fine reviews. Further recordings follow, of Beethoven arrangements, Irish songs, Berlioz songs, Purcell songs and others, all on the Philips label.

Patterson performs sold-out concerts from London’s Royal Albert Hall to New York’s Carnegie Hall, and with his family he presents two concerts at the White House, for presidents Ronald Reagan in 1982 and Bill Clinton in 1995. He records over thirty albums in six languages, wins silver, gold and platinum discs and is the first Irish singer to host his own show in Radio City Music Hall in New York.

Rising to greater prominence with the new popularity of Celtic music in the 1990s, Patterson sees many of his past recordings reissued for American audiences, and in 1998 he stars in the PBS special Ireland in Song. His last album outsells Pavarotti.

In recognition of his musical achievements, he is awarded an honorary doctorate from Salve Regina University in Newport, Rhode Island in 1990, an honorary doctorate in fine arts from Manhattan College in 1996 and the Gold Medal of the Éire Society of Boston in 1998.

In 1999, Patterson learns he has a brain tumour. He has several operations in the following year and his condition appears to stabilise. He is diagnosed with a recurrence of his illness on May 7, 2000. He briefly recuperates and resumes performing. His last performance is on June 4, 2000, at Regis College in the Boston suburb of Weston, Massachusetts. Shortly thereafter he is admitted to the Memorial Sloan Kettering Cancer Center in New York where he lapses into a coma and dies on June 10, 2000, at the age of 61.

At his death accolades and tributes came from, among others, President of Ireland Mary McAleese, Taoiseach Bertie Ahern and Opposition leader John Bruton who said he had “the purest voice of his generation.”


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Death of Seán Ó Riada, Composer & Arranger

Seán Ó Riada, Irish composer and arranger of Irish traditional music, dies in London, England on October 3, 1971. Through his incorporation of modern and traditional techniques he becomes the single most influential figure in the revival of Irish traditional music during the 1960s.

Ó Riada is born John Reidy in Cork, County Cork on August 1, 1931. He receives his primary education at St. Finbarr’s College, Farranferris. He moves to St. Munchin’s College in Limerick where he completes his Leaving Certificate in 1948. He plays violin, piano, and organ, and studies Greek and Latin classics at University College Cork, with Aloys Fleischmann and graduates in 1952. While at College, Ó Riada is the auditor of the UCC Philosophical Society.

Ó Riada’s career begins in 1954 as a music director at Radio Éireann, after which he works at the Abbey Theatre from 1955 to 1962. He lectures in music at University College Cork from 1963 until his death in 1971. He leaves a lasting influence as founder and director of the ensemble Ceoltóirí Chualann beginning in 1961. Ó Riada becomes a household name in Ireland through his participation in Ceoltóirí Chualann, compositions, writings, and broadcasts. His best-known pieces in the classical tradition include Nomos No. 1: Hercules Dux Ferrariae (1957), but he becomes particularly famous for his film scores Mise Éire (1959) and Saoirse? (1960).

In 1963 Ó Riada is appointed lecturer in music at University College Cork. He moves to Ballyvourney, and not Cúil Aodha (a common misconception) in West Cork, an Irish-speaking area, where he establishes Cór Chúil Aodha, a male voice choir.

He becomes involved in Irish politics and is a friend of several influential leaders. Ó Riada drinks regularly at a local pub which still advertises itself as being his local. He develops cirrhosis of the liver. He is flown to King’s College Hospital in London for treatment and dies there on October 3, 1971, two months after his 40th birthday. He is buried in St. Gobnait‘s graveyard, Baile Bhuirne, County Cork. Willie Clancy plays at his funeral.

Two schools are named “Scoil Uí Riada” after him – a Gaelscoil in Kilcock, County Kildare, and another in Bishopstown, Cork City. In 2008, a life-sized statue is erected in the grounds of Sépéil Naomh Gobnait, Cúil Aodha.


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Birth of Musicologist Francis Llewellyn Harrison

Francis Llewellyn Harrison, better known as “Frank Harrison” or “Frank Ll. Harrison” and one of the leading musicologists of his time and a pioneering ethnomusicologist, is born in Dublin on September 29, 1905. Initially trained as an organist and composer, he turns to musicology in the early 1950s, first specialising in English and Irish music of the Middle Ages and increasingly turning to ethnomusicological subjects in the course of his career. His Music in Medieval Britain (1958) is still a standard work on the subject, and Time, Place and Music (1973) is a key textbook on ethnomusicology.

Harrison is the second son of Alfred Francis Harrison and Florence May (née Nash). He becomes a chorister at St. Patrick’s Cathedral, Dublin in 1912 and is educated at the cathedral grammar school and Mountjoy School. A competent organist, he is deputy organist at St. Patrick’s from 1925 to 1928. In 1920, he also begins musical studies at the Royal Irish Academy of Music, where he studies with John Francis Larchet (composition), George Hewson (organ) and Michele Esposito (piano). In 1926, he graduates Bachelor of Music at Trinity College Dublin and is awarded a doctorate (MusD) in 1929 for a musical setting of Psalm 19. He then works in Kilkenny for one year, serving as organist at St. Canice’s Cathedral and music teacher at Kilkenny College.

In 1930, Harrison emigrates to Canada to become organist at Westminster Presbyterian Church in New Glasgow, Nova Scotia. In 1933, he studies briefly with Marcel Dupré in France but returns to Canada in 1934 to become organist at Knox Presbyterian Church in Ottawa. In 1935, he takes a position as organist and choirmaster at St. George’s Cathedral in Kingston, Ontario, as well as taking up the newly created post of “resident musician” at Queen’s University at Kingston. His duties include giving lectures, running a choir and an orchestra, and conducting concerts himself. His course in the history and appreciation of music is the first music course to be given for full credit at Queen’s. He resigns from St. George’s in 1941 to become assistant professor of music at Queen’s in 1942. During his years in Canada, he still pursues the idea of remaining a performing musician and composer, winning three national composition competitions: for Winter’s Poem (1931), Baroque Suite (1943) and Night Hymns on Lake Nipigon (1945).

On a year’s leave of absence from Queen’s, Harrison studies composition with Paul Hindemith at Yale University, also taking courses in musicology with Leo Schrade. In 1946, he takes up a position at Colgate University in Hamilton, New York, and then moves on to Washington University in St. Louis as head of the new Department of Music (1947–1950).

In 1951, Harrison takes the degrees of Master of Arts (M.A.) and Doctor of Music (DMus) at Jesus College, Oxford, and becomes lecturer (1952), senior lecturer (1956), and reader in the history of music (1962–1970) there. In 1965, he is elected Fellow the British Academy and Senior Research Fellow at Oxford. From 1970 to 1980, he is Professor of Ethnomusicology at the University of Amsterdam in the Netherlands, retiring to part-time teaching in 1976.

Harrison also holds Visiting Professorships in musicology at Yale University (1958–1959), Princeton University (spring 1961 and 1968–1969), and Dartmouth College (winter 1968 and spring 1972). He also briefly returns to Queen’s University at Kingston as Queen’s Quest Visiting Professor in the fall of 1980 and is Visiting Andrew W. Mellon Professor of Music at the University of Pittsburgh for the calendar year 1981.

Harrison’s honorary titles also include Doctor of Laws at Queen’s University, Kingston (1974), Corresponding Member of the American Musicological Society (1981), and Vice President and Chairman of the Plainsong and Medieval Music Society (1985). At Queen’s also, the new Harrison-LeCaine Hall (1974) is partly named in his honour.

Harrison dies in Canterbury, England on December 29, 1987.

In 1989, Harry White appreciates Harrison as “an Irish musicologist of international standing and of seminal influence, whose scholarly achievement, astonishingly, encompassed virtually the complete scope of the discipline which he espoused.” David F. L. Chadd writes of him “He was above all things an explorer, tirelessly curious and boyishly delighted in the pursuit of knowledge, experience and ideas, and totally heedless of artificially imposed constraints and boundaries.”

Since 2004, the Society for Musicology in Ireland (SMI) awards a bi-annual Irish Research Council Harrison Medal in his honour to distinguished international musicologists.


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Founding of The Royal Showband

The Royal Showband, the most popular Irish showband of the 1960s, forms on September 27, 1957 and turns fully professional two years later, with a line-up comprising Michael Coppinger (saxophone, accordion), Brendan Bowyer (vocals, trombone), Gerry Cullen (piano), Jim Conlan (guitar), Eddie Sullivan (saxophone), Charlie Matthews (drums) and Tom Dunphy (bass).

After coming under the management of the astute T.J. Byrne, the Royal Showband is poised to emerge as the biggest act in Ireland, playing almost every night to audiences of 2,000 or more. Ballroom gods, they usher in the era of the showband and in Brendan Bowyer boast the genre’s most potent sex symbol.

In 1961, they tour the UK, are supported by the Beatles in Liverpool and receive the Carl Alan Award for their prodigious box-office success. At some halls firemen are called upon to hose unruly crowds as their popularity reaches unforeseen proportions.

Back in Ireland, they are the first showband to record a single, with Tom Dunphy singing lead on the infectious, quasi-traditional “Come Down The Mountain Katie Daly.” That is just the start. The Royal soon notches up four successive number 1 hit singles: “Kiss Me Quick,” “No More,” “Bless You” and “The Hucklebuck.” The latter becomes one of the bestselling dance records in Irish chart history. Dunphy and Bowyer continue the chart-topping spree with “If I Didn’t Have A Dime” and the cash-in “Don’t Lose Your Hucklebuck Shoes,” respectively.

Having conquered Ireland, the band switches their attention to Las Vegas where they become a regular attraction from the late 1960s onwards. In 1971, Bowyer and Dunphy rock the Irish music world by leaving Ireland’s most famous septet to form the showband supergroup, The Big 8. Although the star duo are briefly replaced by vocalists Lee Lynch and Billy Hopkins, the Royal Showband collapses within a year. The abrupt dissolution of the Royal Showband at the beginning of the 1970s symbolically ends the showband domination of the previous era, to which they had made an incalculable contribution.

Founding member Tom Dunphy dies in a car accident on July 29, 1975, just two days after three members of The Miami Showband are murdered near Newry. Brendan Bowyer dies in Las Vega on May 28, 2020.


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Start of the 3rd Leg of U2’s Joshua Tree Tour

the-joshua-tree-tour

The third leg of The Joshua Tree Tour, a concert tour by the Irish rock band U2, opens in Uniondale, New York‘s Nassau Coliseum on September 10, 1987. The tour is in support of their album The Joshua Tree, the band’s fifth studio album, which is released on March 9, 1987. The tour is depicted by the video and live album Live from Paris and in the film and partial live album Rattle and Hum.

The first leg of the tour takes place in American indoor arenas during April and May, beginning on April 2 at Arizona State University‘s Activity Center in Tempe, Arizona. The first leg finishes with five concerts at the Brendan Byrne Arena in East Rutherford, New Jersey on May 11-16.

The second leg plays in European arenas and outdoor stadiums from late May through early August, starting at the Stadio Flaminio in Rome on May 27. The final show of the European leg is at Páirc Uí Chaoimh in Cork, County Cork on August 8.

The third leg returns to North American arenas and stadiums beginning in New York’s Nassau Coliseum on September 10. The tour ends on December 20 back where it started in Tempe, Arizona, but this time at Sun Devil Stadium.

The Joshua Tree Tour sells out stadiums around the world, the first time the band had consistently played venues of that size. The Joshua Tree and its singles become huge hits, and the band reaches a new height in their popularity. Tickets for shows are often very hard to get, especially on the first American leg when they only play in arenas.

The 79 North American shows on the tour sell 2,035,539 tickets and gross US$35 million. In total, the tour grosses US$40 million and draws 3 million attendees.


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Birth of Bridie Gallagher, the “Girl from Donegal”

bridie-gallagher

Bridget “Bridie” Gallagher, Irish singer affectionately known as “The Girl from Donegal,” is born on September 7, 1924 in Creeslough, County Donegal. She is widely regarded as “Ireland’s first international pop star.”

Gallagher starts her singing in the Creeslough Hall with a local Céilí band started by Bill Gallagher. The Creeslough Hall is owned by Jim McCaffrey and Bridie makes many more visits to the Creeslough Hall in her home town throughout her long and successful career. Her talent is soon spotted in the 1950s by Billy Livingstone who is a talent scout for Decca Records. She goes to Belfast, which becomes her base, where she marries Robert (Bob) Livingstone (no relation to Billy Livingstone) and has two boys, Jim and Peter. Peter dies in a motor accident in 1976 and Jim later goes on to tour with her.

Gallagher shoots to fame in 1956 with her recording of “A Mother’s Love’s A Blessing” and achieves international acclaim with her legendary rendition of “The Boys From County Armagh.” During her career, which spans over six decades, she appears in many leading venues across the globe. She also makes songs such as “The Homes of Donegal” famous.

Gallagher holds the record for the largest number of people in attendance in the Royal Albert Hall in London, with over 7,500 people, a record that is never equaled as it goes on to become an all-seater venue. She becomes world-famous and travels all over the world, United States, Canada, Europe, Australia and is known as “The Girl from Donegal.” She plays in many of the world’s best known theatres, including London’s Royal Albert Hall, Sydney Opera House and Carnegie Hall in New York City. She sings mainly ballads or as they later became known as Country and Irish. One of her best known songs is “The Boys From The County Armagh,” which sells over 250,000 copies, the biggest-selling Irish single at that time.

Bridie also records “Cottage by the Lee,” written by Irish songwriter, Dick Farrelly. Farrelly achieved worldwide fame with his classic song “The Isle of Innisfree“, which is originally a worldwide hit for Bing Crosby and is chosen by movie director John Ford as the main theme music for his film The Quiet Man.

Gallagher lives in Belfast for most of her life. She is honoured by the people of Creeslough on July 10, 2000 with an event to celebrate her career. Members of her family from Creeslough and Donegal attend the event along with her two sisters and their families who travel from Glasgow to be there along with an estimated crowd of 2,500 fans. A plaque paying tribute to her is unveiled. The following day she is honoured by Donegal County Council when they hold a Civic Reception for her. “Bridie blazed the trail for many artists who followed after her and I’m sure that many of them looked upon her as a role model as they started their careers in the music world,” council chairman Charlie Bennett says at the ceremony.

Gallagher dies at her home in Belfast on January 9, 2012 at the age of 87. Her burial takes place in her native Creeslough.


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Birth of Brinsley MacNamara, Writer & Playwright

the-valley-of-the-squinting-windowsJohn Weldon, Irish writer and playwright also known as Oliver Blyth, A. E. Weldon and his pen name and stage name Brinsley MacNamara, is born on September 6, 1890 in Hiskinstown, Delvin, County Westmeath.

MacNamara is the author of several novels, the most well-known of which is his first, The Valley of the Squinting Windows (1918). His acting career with the Abbey Theatre begins in September 1910 with a role in R. J. Ryan’s The Casting-out of Martin Whelan. He later works as the registrar of the National Gallery of Ireland.

MacNamara is still best known for his first novel The Valley of the Squinting Windows, which causes a furor in his native Westmeath on its publication. He continues to write for many years after this controversial first work. Among his plays are The Glorious Uncertainty (1923) and Look at the Heffernans! (1926). His work is part of the literature event in the art competition at the 1924 Summer Olympics.

MacNamara marries Helena Degidon, a schoolteacher, in 1920. He dies at his home on Gilford Drive in Sandymount, Dublin on February 4, 1963.


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Birth of Eric Bell, Founder Member of Thin Lizzy

eric-bellEric Robin Bell, Northern Irish rock and blues musician, is born on September 3, 1947 in East Belfast, Northern Ireland. He is best known as a founder member and the original guitarist of the rock group Thin Lizzy. After his time in Thin Lizzy, he briefly fronts his own group before joining The Noel Redding Band in the mid-1970s. He has since released several solo albums and performs regularly with a blues-based trio, the Eric Bell Band.

Bell begins his career with local groups around the Belfast area, including the last incarnation of Them to feature Van Morrison, between September and October 1966. He also plays with a number of other bands including Shades of Blue, The Earth Dwellers and The Bluebeats, before joining an Irish showband named The Dreams. He leaves in 1969 having tired of the showband format and, at the end of that year, forms a band with local musicians Phil Lynott, Eric Wrixon and Brian Downey. Bell names the group Thin Lizzy, after Tin Lizzie, a robot character in The Dandy comic.

Organist Eric Wrixon leaves Thin Lizzy after a few months, and the remaining trio later secure a contract with Decca Records. As lead guitarist, Bell plays on Thin Lizzy’s first three albums, Thin Lizzy, Shades of a Blue Orphanage and Vagabonds of the Western World, as well as their hit single “Whiskey in the Jar.” He co-writes a number of songs with Lynott and Downey, including “The Rocker” which becomes a live favourite throughout the band’s career. He also composes one song on his own, “Ray Gun,” from their first album, Thin Lizzy.

Although Thin Lizzy gains in popularity during the early 1970s, the pressures of recording, touring and the excesses of the rock star lifestyle begin to take their toll. Bell leaves the band after a New Year’s Eve concert in 1973, after throwing his guitar into the air in the middle of the concert, pushing the amplifiers into the audience and storming off stage. He states later that he had no regrets about leaving: “I really had to leave because of ill-health. It was exhaustion, and the majority of things that were available to me… I couldn’t really handle it.” He is temporarily replaced by Gary Moore.

In 1974, after a brief period fronting his own Eric Bell Band, Bell is recruited by ex-Jimi Hendrix sideman Noel Redding, along with guitarist/singer Dave Clarke and drummer Les Sampson, to form The Noel Redding Band. He is initially unsure of the musical direction Redding is taking, but goes on to record two albums with the group before they split in 1976. A third album of unused tracks is released in 1995. He composes the song “Love and War” for the second album, Blowin’.

In 1980, Bell reunites with Thin Lizzy to record a tribute song to Jimi Hendrix, “Song for Jimmy,” which is released as an orange flexi disc and given away with Flexipop in August 1981. It is later included on Thin Lizzy’s Vagabonds Kings Warriors Angels box set in 2002, although much of Bell’s lead guitar work is missing from this version as the relevant master tapes cannot be found. He also appears as a guest on Thin Lizzy’s final tour in 1983, and the accompanying live album, Life.

Bell subsequently joins saxophonist Dick Heckstall-Smith‘s eight-piece blues rock ensemble Mainsqueeze. They tour Europe, record a live album in 1983, and later tour as Bo Diddley‘s backing group, recording the Hey… Bo Diddley: In Concert album in 1986.

Bell continues to perform and record with the Eric Bell Band throughout the 1990s and 2000s, releasing several albums. He also records with the Barrelhouse Brothers.

In 2005, Bell joins Gary Moore onstage to perform “Whiskey in the Jar” at the Phil Lynott tribute concert “The Boy Is Back in Town” in the Point Theatre, Dublin. This is released on a DVD called One Night in Dublin: A Tribute to Phil Lynott. In 2010, he moves from London where he had lived for many years to his new home in West Cork, Ireland.


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Birth of Jack Butler Yeats, Artist & Olympic Medalist

John “Jack” Butler Yeats, Irish artist and Olympic medalist, is born in London, England on August 29, 1871.

Yeats’s early style is that of an illustrator. He only begins to work regularly in oils in 1906. His early pictures are simple lyrical depictions of landscapes and figures, predominantly from the west of Ireland, especially of his boyhood home of Sligo, County Sligo. His work contains elements of Romanticism.

Yeats is the youngest son of Irish portraitist John Butler Yeats and the brother of William Butler Yeats, the 1923 Nobel Prize in Literature recipient. He grows up in Sligo with his maternal grandparents, before returning to his parents’ home in London in 1887. Early in his career he works as an illustrator for magazines like The Boy’s Own Paper and Judy, draws comic strips, including the Sherlock Holmes parody “Chubb-Lock Homes” for Comic Cuts, and writes articles for Punch under the pseudonym “W. Bird.” In 1894 he marries Mary Cottenham, also a native of England and two years his senior and resides in Wicklow according to the 1911 Census of Ireland.

From around 1920, Yeats develops into an intensely Expressionist artist, moving from illustration to Symbolism. He is sympathetic to the Irish Republican cause, but not politically active. However, he believes that “a painter must be part of the land and of the life he paints,” and his own artistic development, as a Modernist and Expressionist, helps articulate a modern Dublin of the 20th century, partly by depicting specifically Irish subjects, but also by doing so in the light of universal themes such as the loneliness of the individual, and the universality of the plight of man. Samuel Beckett writes that “Yeats is with the great of our time… because he brings light, as only the great dare to bring light, to the issueless predicament of existence.” The Marxist art critic and author John Berger also pays tribute to Yeats from a very different perspective, praising the artist as a “great painter” with a “sense of the future, an awareness of the possibility of a world other than the one we know.”

Yeats’s favourite subjects included the Irish landscape, horses, circus and travelling players. His early paintings and drawings are distinguished by an energetic simplicity of line and colour, his later paintings by an extremely vigorous and experimental treatment of often thickly applied paint. He frequently abandons the brush altogether, applying paint in a variety of different ways, and is deeply interested in the expressive power of colour. Despite his position as the most important Irish artist of the 20th century (and the first to sell for over £1m), he takes no pupils and allows no one to watch him work, so he remains a unique figure. The artist closest to him in style is his friend, the Austrian painter, Oskar Kokoschka.

Besides painting, Yeats has a significant interest in theatre and in literature. He is a close friend of Samuel Beckett. He designs sets for the Abbey Theatre, and three of his own plays are also produced there. He writes novels in a stream of consciousness style that James Joyce acknowledges, and also many essays. His literary works include The Careless Flower, The Amaranthers, Ah Well, A Romance in Perpetuity, And to You Also, and The Charmed Life. Yeats’s paintings usually bear poetic and evocative titles. Indeed, his father recognizes that Jack is a far better painter than he, and also believes that “someday I will be remembered as the father of a great poet, and the poet is Jack.” He is elected a member of the Royal Hibernian Academy in 1916. He dies in Dublin on March 28, 1957, and is buried in Mount Jerome Cemetery.

Yeats holds the distinction of being Ireland’s first medalist at the Olympic Games in the wake of creation of the Irish Free State. At the 1924 Summer Olympics in Paris, his painting The Liffey Swim wins a silver medal in the arts and culture segment of the Games. In the competition records the painting is simply entitled Swimming.

(Pictured: Photo of Jack Butler Yeats by Alice Boughton)


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Death of Nathaniel Hone The Elder

nathaniel-hone-the-elder

Nathaniel Hone the Elder, Irish-born portrait and miniature painter, and one of the founder members of the Royal Academy of Arts in 1768, dies in London on August 14, 1784.

Hone is born in Dublin on April 24, 1718, the son of a Dublin-based Dutch merchant. He moves to England as a young man and, after marrying Molly Earle, daughter of the John Campbell, 4th Duke of Argyll, in 1742, eventually settles in London, by which time he has acquired a reputation as a portrait painter. While his paintings are popular, his reputation is particularly enhanced by his skill at producing miniatures and enamels. He interrupts his time in London by spending two years (1750–52) studying in Italy.

As a portrait painter, several of Hone’s works are now held at the National Portrait Gallery in London. His sitters include magistrate Sir John Fielding and Methodist preacher John Wesley, and General Richard Wilford and Sir Levett Hanson in a double portrait. He often uses his son John Camillus Hone (1745-1836) in some of his works, including his unique portrait of “The Spartan Boy,” painted in 1774.

Hone courts controversy in 1775 when his satirical picture The Conjurer (National Gallery of Ireland, Dublin) is seen to attack the fashion for Italian Renaissance art and to ridicule Sir Joshua Reynolds, leading the Royal Academy to reject the painting. It also originally includes a nude caricature of fellow Academician Angelica Kauffman in the top left corner, which is painted out by Hone after Kauffman complains to the academy. The combination of a little girl and an old man has also been seen as symbolic of Kauffman and Reynolds’s closeness, age difference, and rumoured affair. To show that his reputation is undamaged, Hone organises a one-man retrospective in London, the first such solo exhibition of an artist’s work.

The Hone family is related to the old Dutch landed family the van Vianens, who hold the hereditary title of Vrijheer. His great-grand-nephew shares the same name and is also a notable Irish painter, known as Nathaniel Hone the Younger (1831–1917). He is also a relation to painter Evie Hone.

Nathaniel Hone the Elder dies in London at the age of 66 on August 14, 1784.

(Pictured: Oil on canvas self-portrait by Nathaniel Hone, circa 1760)