Potter is educated at St. Mary’s school in Fairview. She has a long career in Irish theatre, mainly as Ireland’s première comedienne, but also as a straight actress. She first appears professionally with Jimmy O’Dea in pantomime and appears frequently on television and in cabaret. She is a regular performer at the Gaiety Theatre in Dublin and for many years stars in Christmas pantomime. She becomes the first star to have a bronze cast of her handprints outside the theatre. She marries Jack O’Leary in 1959, an Irish army officer whom she had first met in 1943, and he writes most of her comedic material.
Among Potter’s many dramatic roles in the theatre is that of Maisie Madigan in Juno and the Paycock. While still a teenager, she tours abroad before World War II as a singer and dancer with Jack Hylton and his orchestra. On a tour of Germany, they once perform in front of Adolf Hitler and other Nazis. She plays the role of Dante Riordan in Joseph Strick‘s film, A Portrait of the Artist as a Young Man (1977). In September 1938, she appears on the BBC Television Service with Jack Hylton and his band. Film of her performance is held by the Alexandra Palace Television Society. In 2001, the Archivist of the Alexandra Palace Television Society gives Potter a copy of her 1938 television appearance.
Potter is conferred with the Freedom of the City of Dublin in 1984, and is later awarded an honorary degree from Trinity College, Dublin. She dies in her sleep at her home in Clontarf on April 7, 2004, at the age of 79. She is survived by her husband Jack O’Leary, and her sons John and Hugh.
In 1948 he is joint composer of music for a song in a play by Irish playwrightTeresa Deevy called Light Falling. This is performed by the Abbey Experimental Theatre Company in the Peacock Theatre, Dublin.
The Gerard Victory Commission is a prize named in his honour that is awarded to the most promising individual composer.
Gerard Victory dies in Dublin on March 14, 1995. His papers are held in Trinity College and a number of his scores are held at the Contemporary Music Centre.
Alistair Cooke, British journalist, television personality, and broadcaster, who describes himself as a “Lancastrian Irishman,” is born in Salford, Lancashire, England on November 20, 1908. He is best known for his lively and insightful interpretations of American history and culture.
From the late 1930s, Cooke reports and comments on American affairs for BBC Radio and several major British newspapers. His weekly 15-minute program, Letter from America, broadcast from 1946 to 2004, is one of the longest-running series on radio. The texts of many broadcasts are collected in One Man’s America (1952) and Talk About America (1968). From 1956 to 1961 he hosts and narrates the weekly television “magazine” Omnibus, which wins numerous broadcasting awards.
Cooke’s interpretation of the American experience culminates in his BBC-produced television series America: A Personal History of the United States (1972–1973). In thirteen installments, filmed on location throughout the United States, he surveys some 500 years of American history in an eclectic and personal but highly coherent narrative. Alistair Cooke’s America (1973), the book based on the award-winning program, is a best-seller in the United States. From the 1970s to the early 1990s, as host of Masterpiece Theatre, he serves as an interpreter of British culture through the presentation of BBC dramatic television programming to American audiences.
Cooke’s other works include the critical biography Douglas Fairbanks: The Making of a Screen Actor (1940), Generation on Trial: The USA v. Alger Hiss (1950), based on his coverage of a celebrated Congressional investigation, The Vintage Mencken (1955), The Patient Has the Floor (1986), America Observed (1988), Memories of the Great and the Good (2000) and, with Robert Cameron, The Americans (1977).
On March 2, 2004, at the age of 95, following advice from his doctors, Cooke announces his retirement from Letter from America—after 58 years, the longest-running speech radio show in the world.
Alistair Cooke dies at midnight on March 30, 2004 at his home in New York City. He had been ill with heart disease, but dies of lung cancer, which had spread to his bones. He is cremated and his ashes are clandestinely scattered by his family in New York’s Central Park.
Maureen O’Hara, Irish actress and singer, dies peacefully in her sleep at her home in Boise, Idaho on October 24, 2015. The famously red-headed O’Hara is known for her beauty and playing fiercely passionate but sensible heroines, often in westerns and adventure films. She works on numerous occasions with director John Ford and longtime friend John Wayne and is one of the last surviving stars from the Golden Age of Hollywood.
O’Hara is born Maureen FitzSimons on August 17, 1920, in Ranelagh, County Dublin and grows up in an “eccentric” devout Catholic family and aspires to become an actress from a very young age. She trains with the Rathmines Theatre Company from the age of 10 and at the Abbey Theatre from the age of 14. She is given a screen test, which is deemed unsatisfactory, but Charles Laughton sees potential and arranges for her to co-star with him in Alfred Hitchcock‘s Jamaica Inn in 1939. She moves to Hollywood the same year to appear with him in the production of The Hunchback of Notre Dame and is given a contract by RKO Pictures. From there, she goes on to enjoy a long and highly successful career, and acquires the nickname “The Queen of Technicolor,” which she detests, believing that people see her only for her beauty rather than talent.
O’Hara appears in her first film with John Wayne, the actor with whom she is most closely associated, with Rio Grande (1950). This is followed by The Quiet Man (1952), her best-known film, and The Wings of Eagles (1957), by which time her relationship with Ford has deteriorated. Such is her strong chemistry with Wayne that many assume they are married or in a relationship. In the 1960s O’Hara increasingly turns to more motherly roles as she ages, appearing in films such as The Deadly Companions (1961), The Parent Trap (1961), and The Rare Breed (1966).
O’Hara retires from the industry in 1971 after starring with Wayne one final time in Big Jake but returns 20 years later to appear with John Candy in Only the Lonely (1991). In the late 1970s, O’Hara helps run her third husband’s flying business in St. Croix in the American Virgin Islands, and edits a magazine, but later sells them to spend more time in Glengariff in Ireland. She is married three times and has one daughter, Bronwyn, born in 1944 to her second husband.
Her autobiography, ‘Tis Herself, is published in 2004 and becomes a New York Times Bestseller. In November 2014, she is presented with an Honorary Academy Award with the inscription “To Maureen O’Hara, one of Hollywood’s brightest stars, whose inspiring performances glowed with passion, warmth and strength.”
Maureen O’Hara dies of natural causes in her sleep at the age of 95 on October 24, 2015, at her home in Boise, Idaho. O’Hara is buried at Arlington National Cemetery in Virginia next to her late husband Charles F. Blair, Jr.
Boyle is born to Alice (Lewis) and Francis Xavier Boyle. His paternal grandparents are Irish immigrants, and his mother is of mostly French and British Isles descent. He eventually moves to Philadelphia, where his father is a sought-after local TV personality and children’s show host. Following a solid Catholic upbringing, he is a sensitive youth and joins the Christian Brothers religious order at one point while attending La Salle University in Philadelphia. He leaves the monastery after only a few years when he “lost” his calling.
Bent on an acting career, Boyle initially studies with guru Uta Hagen in New York. The tall, hulking, prematurely bald actor wannabe struggles through a variety of odd jobs as a postal worker, waiter and bouncer while simultaneously building up his credits on stage and waiting for that first big break. Things start progressing for him after appearing in the national company of The Odd Couple in 1965 and landing TV commercials on the sly. In the late 1960s Boyle joins Chicago‘s The Second City improv group and makes his Broadway debut as a replacement for Peter Bonerz in Paul Sills’ Story Theatre (1971).
Boyle gains acclaim for his first starring role, playing the title character, a bigoted New York City factory worker, in the 1970 movie Joe, directed by John G. Avildsen. The film’s release is surrounded by controversy over its violence and language. The role leads to major notoriety, however, and some daunting supporting parts in T.R. Baskin (1971), Slither (1973) and as Robert Redford‘s calculating campaign manager in The Candidate (1972). During this time his political radicalism finds a visible platform after joining Jane Fonda and Donald Sutherland on anti-war crusades, which also includes the anti-establishment picture Steelyard Blues (1973). This period also sees the forging of a strong friendship with former BeatleJohn Lennon.
Destined to be cast as monstrous undesirables throughout much of his career, Boyle plays a monster of another sort in his early film days, and thus avoids a complete stereotype as a film abhorrent. His hilarious, sexually potent Frankenstein’s Monster in the cult Mel Brooks spoof Young Frankenstein (1974) sees him in a sympathetic and certainly more humorous vein. His creature’s first public viewing, in which Boyle shares an adroit tap-dancing scene with “creator” Gene Wilder in full Fred Astaire regalia, is a show-stopping audience pleaser. Late 1970s filmgoers continue to witness him in seamy, urban settings with brutish roles in Taxi Driver (1976) and Hardcore (1979). At the same time, he addresses several TV mini-movie roles with the same brilliant darkness such as his Senator Joe McCarthy in Tail Gunner Joe (1977), for which he receives an Emmy nomination, and his murderous, knife-wielding Fatso in the miniseries remake of From Here to Eternity (1979).
While the following decade finds Boyle in predominantly less noteworthy filming and a short-lived TV series lead as remote cop Joe Bash (1986), the 1990s bring him Emmy glory for a guest role in an episode of The X-Files (1993). Despite a blood clot-induced stroke in 1990 that impairs his speech for six months, he ventures on and caps his enviable career on TV wielding funny but crass one-liners in the “Archie Bunker” mold on the long-running sitcom Everybody Loves Raymond (1996). A major Emmy blunder has him earning seven nominations for his Frank Barone character without a win, the only prime player on the show unhonored. He survives a heart attack while on the set of Everybody Loves Raymond in 1999 but manages to return full time for the remainder of the series’ run through 2005.
Together with Kevin Gildea and Barry Murphy, O’Hanlon founds the International Comedy Cellar, upstairs in the International Bar on Dublin’s South Wicklow Street. Dublin has no comedy scene at the time. As a stand up, he wins the Hackney Empire New Act of the Year competition in 1994. For a time, he is the presenter of The Stand Up Show.
O’Hanlon moves into straight acting alongside Emma Fielding and Beth Goddard in the ITV comedy-drama Big Bad World, which airs for two series in summer 1999 and winter 2001. He also plays a minor role in The Butcher Boy and appears in an episode of the original Whose Line is it Anyway?.
In 2000, O’Hanlon stars in the comedy series My Hero, in which he plays a very naive superhero from the planet Ultron. His character juggles world-saving heroics with life in suburbia. He stays in the role until the first episode of series 6 in July 2006 where he is replaced by James Dreyfus during the same episode.
O’Hanlon also provides the voice of the lead character in the three Christmas television cartoon specials of Robbie the Reindeer. He appears in the 2005 BBC One sitcom Blessed, written by Ben Elton. Towards the end of 2005, he plays an eccentric Scottish character, Coconut Tam, in the family-based film, The Adventures of Greyfriars Bobby. Although more commonly on television, he also appears on radio. In 2015 he appears as incompetent angel Smallbone in the sitcom The Best Laid Plans, also on BBC Radio 4.
In 2006, O’Hanlon writes and presents an RTÉ television series called Leagues Apart, which sees him investigate the biggest and most passionate football rivalries in a number of European countries. He follows this with another RTÉ show, So You Want To Be Taoiseach? in 2007. It is a political series where he gives tongue-in-cheek advice on how to go about becoming Taoiseach of Ireland.
O’Hanlon appears in the Doctor Who episode “Gridlock“, broadcast on April 14, 2007, in which he plays a cat-like creature named Thomas Kincade Brannigan. He appears in Series 3 of the TV show Skins, playing Naomi Campbell’s Politics teacher named Kieran. He then goes on to form a relationship with Naomi’s mother, played by Olivia Colman. He plays the lead role in Irish comedy television programme Val Falvey, TD on RTÉ One.
O’Hanlon has written a novel, The Talk of the Town, which is published in 1998. The novel is about a teenage boy, Patrick Scully, and his friends.
In February 2015 O’Hanlon officially launches the 2015 Sky Cat Laughs Comedy Festival which takes place in Kilkenny from May 28–June 1. In 2015 he plays the role of Peter the Milkman in the Sky One sitcom After Hours.
On February 2, 2017, it is announced O’Hanlon will play the lead role in the BBC crime drama Death in Paradise taking the role of DI Jack Mooney following Kris Marshall‘s departure the same day.
Eileen Evelyn Greer Garson, motion picture actress best known as Greer Garson, is born on September 29, 1904, in Manor Park, London, England. Her classic beauty and screen persona of elegance, poise, and maternal virtue make her one of the most popular and admired Hollywood stars of the World War II era.
Garson often claims to have been born in County Down, Ireland, where her grandparents lived and which she happily visited as a child, but she is, in fact, born and raised in London. Although she wanted to study acting, she wins a scholarship to the University of London and her practical-minded family encourage her to pursue a teaching career. After graduating with honours, she works briefly for Encyclopædia Britannica and a London advertising firm but continually tries to get her foot into a backstage door.
After suffering through a discouraging first year in Hollywood, Garson returns to England to film the small role of Mrs. Chips in MGM’s Goodbye, Mr. Chips (1939). She receives her first Oscar nomination for the role but loses to Vivien Leigh for Gone with the Wind. Her portrayal of the beloved schoolteacher’s charming wife endears her to the American public and sets her career in motion. It is the first in a series of roles in which she plays women of great loyalty, refinement, and wifely or motherly strength.
Garson’s other significant films of the period include Pride and Prejudice (1940), Blossoms in the Dust (1941), her first appearance with her frequent costar Walter Pidgeon, Random Harvest (1942), and Madame Curie (1943). The film that cements her reputation and image, however, is Mrs. Miniver (1942). Filmed during World War II and tailor-made for the times, Mrs. Miniver extolls the strength and spirit of the British home front and is one of the year’s biggest hits. Her grace-under-pressure portrayal of a courageous wife and mother, the personification of British fortitude, not only wins her an Academy Award but is credited with bolstering American support for the war.
Following the war Garson’s career falters. The public rejects her attempts to reforge her image to that of a more fun-loving, less noble heroine in such films as Adventure (1945) and Julia Misbehaves (1948). During the 1950s she appears in several unexceptional films and television dramas and stars on Broadway in Auntie Mame. Her remarkably convincing portrayal of Eleanor Roosevelt in Sunrise at Campobello (1960) is widely praised and earns her a seventh Oscar nomination, but she performs only occasionally thereafter, devoting most of her time to philanthropic causes, including the endowment of scholarships for theatre students at Southern Methodist University in University Park, Texas and the construction of a campus theatre.
The first episode of Glenroe, a television drama series broadcast on RTÉ One, airs on September 11, 1983. The series runs for eighteen years, ending in May 2001.
A spin-off from Bracken, a short-lived RTÉ drama itself spun off from The Riordans, Glenroe is broadcast, generally from September to May, each Sunday evening at 8:30 PM. It is created, and written for much of its run, by Wesley Burrowes, and later by various other directors and producers including Paul Cusack, Alan Robinson and Tommy McCardle. Glenroe is the first show to be subtitled by RTÉ, with a broadcast in 1991 starting the station’s subtitling policy.
Glenroe centers on the lives of the people living in the fictional rural village of the same name in County Wicklow. The real-life village of Kilcoole is used to film the series. The series is also filmed in studio at RTÉ and in various other locations when directors see fit.
The main protagonists are the Byrne and McDermott/Moran families, related by the marriage of Miley Byrne to Biddy McDermott, colloquially known as Biddy and Miley. Other important characters include Teasy McDaid, the proprietor of the local pub, Tim Devereux, the Roman Catholicpriest, George Black, the Church of IrelandRector of the village, Fidelma Kelly, a cousin of Biddy, Blackie Connors, George Manning and Stephen Brennan.
Glenroe is noted for its original title sequence, which features the words “Gleann Rua” in Gaelic script morphing into “Glenroe” over a series of rural images. The original title sequence is used from the 1983-1984 season to the end of the 1992-1993 season. It is replaced with a more up-to-date title sequence at the start of the 1993-1994 season.
Glenroe‘s original theme tune is a traditional Irish song called “Cuaichín Ghleann Néifinn” and is arranged by Jim Lockhart of the Celtic rock band Horslips. A newly recorded version, arranged by Máire Ní Bhraonáin of the band Clannad, is introduced at the start of the 1993-1994 season.
In 2000 it seems the series is going into inevitable decline. On January 19, 2001, despite claims four years previously that it could run for another ten years, RTÉ announces that Glenroe is to end after eighteen seasons. The final episode of the series is broadcast on May 6, 2001.
McGee’s first stage experience in Ireland is with Anew McMaster’s touring company, performing the works of William Shakespeare. It is here that he first works with Pinter. He is then brought to London by Tyrone Guthrie for a series of Irish plays. He meets Beckett in 1957 and soon records passages from the novel Molloy and the short story From an Abandoned Work for BBC Radio. Impressed by “the cracked quality of Magee’s distinctly Irish voice,” Beckett requests copies of the tapes and writes Krapp’s Last Tape especially for the actor. First produced at the Royal Court Theatre in London on October 28, 1958, the play stars McGee and is directed by Donald McWhinnie. A televised version is later broadcast by BBC Two on November 29, 1972.
In 1964, McGee joins the Royal Shakespeare Company, after Pinter, directing his own play, The Birthday Party, specifically requests him for the role of McCann. In 1965 he appears in Peter Weiss‘s Marat/Sade, and when the play transfers to Broadway he wins a Tony Award. He also appears in the 1966 RSC production of Staircase opposite Paul Scofield.
McGee’s early film roles include Joseph Losey‘s The Criminal (1960) and The Servant (1963), the latter an adaptation scripted by Pinter. He also appears as Surgeon-Major James Henry Reynolds in Zulu (1964), Séance on a Wet Afternoon (1964), Anzio (1968), and in the film versions of Marat/Sade (1967) and The Birthday Party (1968). He is perhaps best known for his role as the victimised writer Frank Alexander, who tortures Alex DeLarge with Ludwig van Beethoven‘s music, in Stanley Kubrick’s film A Clockwork Orange (1971). His other role for Kubrick is as Redmond Barry’s mentor, the Chevalier de Balibari, in Barry Lyndon (1975).
Patrick McGee dies from a heart attack at his flat in Fulham, London on August 14, 1982, at the age of 60, according to obituaries in The Herald and The New York Times. On July 29, 2017, a blue plaque is unveiled in Edward Street, Armagh to mark Patrick McGee’s birthplace.
Gabriel Mary “Gay” Byrne, veteran Irish presenter of radio and television for several decades and affectionately known as Uncle Gay, Gaybo or Uncle Gaybo, is born in Rialto, Dublin on August 5, 1934. His most known role is as the first host of The Late Late Show over a 37-year period spanning 1962 until 1999.
Byrne attends Rialto National School and a number of other schools for short periods. Subsequently, he is educated by the Irish Christian Brothers at Synge Street CBS.
When he is young, Byrne is inspired by the broadcaster Eamonn Andrews, who has a successful career on British television. In 1958 he moves over to broadcasting when he becomes a presenter on Radio Éireann. He also works with Granada Television and the BBC in England. At Granada, Byrne becomes the first person to introduce the Beatles on television when they make their small screen debut on local news programme People and Places. In 1961, Telefís Éireann, later Radio Telefís Éireann and now Raidió Teilifís Éireann, is established. Byrne works exclusively for the new Irish service after 1969. He introduced many popular programmes, with his most popular and successful programme being The Late Late Show.
On July 5, 1962, the first episode of The Late Late Show is aired on Irish television. Originally the show is scheduled as an eight-week summer filler. The programme, which is still broadcast, has become the world’s second longest running chat show. The show has much to do in shaping the new Ireland that emerges from the 1960s. Byrne presents his last edition of The Late Late Show on May 21, 1999, where he is presented with a Harley-Davidson motorcycle by Bono and Larry Mullen, Jr.Pat Kenny succeeds him as presenter in September 1999.
From 1973 until 1998, Byrne also presents The Gay Byrne Hour, later The Gay Byrne Show when it expands to two hours, on RTÉ Radio 1 each weekday morning.
Byrne does not completely retire in 1999 and continues to feature occasionally on radio and television after leaving The Late Late Show and The Gay Byrne Show, presenting several other programmes, including Who Wants to Be a Millionaire?, The Meaning of Life and For One Night Only on RTÉ One and Sunday Serenade/Sunday with Gay Byrne on RTÉ lyric fm. He launches Joe Duffy‘s autobiography Just Joe in Harry’s Bar in October 2011.
In 1988, Byrne is presented an honorary doctorate in literature from Trinity College, Dublin. In 2006 he is elected Chairman of Ireland’s Road Safety Authority, a public body given the task of improving road safety in the Republic of Ireland. Since retiring he has become the “Elder Lemon of Irish broadcasting.”
On a November 21, 2016 live radio broadcast Byrne reveals that he is to begin treatment for prostate cancer and that the cancer may have also spread to his lower back. He tells listeners he will be taking a break of just one week before returning to work, however, he continues to recover from treatment and he has not yet been back on air.
The prolific Irish 
seamus dubhghaill 