seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Category Archives: Film, Radio, & Television


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Death of Actress Maureen O’Hara

maureen-ohara

Maureen O’Hara, Irish actress and singer, dies peacefully in her sleep at her home in Boise, Idaho on October 24, 2015. The famously red-headed O’Hara is known for her beauty and playing fiercely passionate but sensible heroines, often in westerns and adventure films. She works on numerous occasions with director John Ford and longtime friend John Wayne and is one of the last surviving stars from the Golden Age of Hollywood.

O’Hara is born Maureen FitzSimons on August 17, 1920, in Ranelagh, County Dublin and grows up in an “eccentric” devout Catholic family and aspires to become an actress from a very young age. She trains with the Rathmines Theatre Company from the age of 10 and at the Abbey Theatre from the age of 14. She is given a screen test, which is deemed unsatisfactory, but Charles Laughton sees potential and arranges for her to co-star with him in Alfred Hitchcock‘s Jamaica Inn in 1939. She moves to Hollywood the same year to appear with him in the production of The Hunchback of Notre Dame and is given a contract by RKO Pictures. From there, she goes on to enjoy a long and highly successful career, and acquires the nickname “The Queen of Technicolor,” which she detests, believing that people see her only for her beauty rather than talent.

O’Hara gains a reputation in Hollywood for bossiness and prudishness, avoiding the partying lifestyle. She appears in films such as How Green Was My Valley (1941), her first collaboration with John Ford, The Black Swan (1942) with Tyrone Power, The Spanish Main (1945), Sinbad the Sailor (1947), the Christmas classic Miracle on 34th Street (1947) with John Payne and Natalie Wood and Comanche Territory (1950).

O’Hara appears in her first film with John Wayne, the actor with whom she is most closely associated, with Rio Grande (1950). This is followed by The Quiet Man (1952), her best-known film, and The Wings of Eagles (1957), by which time her relationship with Ford has deteriorated. Such is her strong chemistry with Wayne that many assume they are married or in a relationship. In the 1960s O’Hara increasingly turns to more motherly roles as she ages, appearing in films such as The Deadly Companions (1961), The Parent Trap (1961), and The Rare Breed (1966).

O’Hara retires from the industry in 1971 after starring with Wayne one final time in Big Jake but returns 20 years later to appear with John Candy in Only the Lonely (1991). In the late 1970s, O’Hara helps run her third husband’s flying business in St. Croix in the American Virgin Islands, and edits a magazine, but later sells them to spend more time in Glengariff in Ireland. She is married three times and has one daughter, Bronwyn, born in 1944 to her second husband.

Her autobiography, ‘Tis Herself, is published in 2004 and becomes a New York Times Bestseller. In November 2014, she is presented with an Honorary Academy Award with the inscription “To Maureen O’Hara, one of Hollywood’s brightest stars, whose inspiring performances glowed with passion, warmth and strength.”

Maureen O’Hara dies of natural causes in her sleep at the age of 95 on October 24, 2015, at her home in Boise, Idaho. O’Hara is buried at Arlington National Cemetery in Virginia next to her late husband Charles F. Blair, Jr.


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Birth of Peter Boyle, Irish American Actor

peter-boyle

Peter Lawrence Boyle Jr., Irish American character actor and comedian, is born on October 18, 1935, in Norristown, Pennsylvania. He is most noted for his role as Frank Barone on the sitcom Everybody Loves Raymond and the comical monster in Mel Brooks‘s film spoof Young Frankenstein (1974).

Boyle is born to Alice (Lewis) and Francis Xavier Boyle. His paternal grandparents are Irish immigrants, and his mother is of mostly French and British Isles descent. He eventually moves to Philadelphia, where his father is a sought-after local TV personality and children’s show host. Following a solid Catholic upbringing, he is a sensitive youth and joins the Christian Brothers religious order at one point while attending La Salle University in Philadelphia. He leaves the monastery after only a few years when he “lost” his calling.

Bent on an acting career, Boyle initially studies with guru Uta Hagen in New York. The tall, hulking, prematurely bald actor wannabe struggles through a variety of odd jobs as a postal worker, waiter and bouncer while simultaneously building up his credits on stage and waiting for that first big break. Things start progressing for him after appearing in the national company of The Odd Couple in 1965 and landing TV commercials on the sly. In the late 1960s Boyle joins Chicago‘s The Second City improv group and makes his Broadway debut as a replacement for Peter Bonerz in Paul Sills’ Story Theatre (1971).

Boyle gains acclaim for his first starring role, playing the title character, a bigoted New York City factory worker, in the 1970 movie Joe, directed by John G. Avildsen. The film’s release is surrounded by controversy over its violence and language. The role leads to major notoriety, however, and some daunting supporting parts in T.R. Baskin (1971), Slither (1973) and as Robert Redford‘s calculating campaign manager in The Candidate (1972). During this time his political radicalism finds a visible platform after joining Jane Fonda and Donald Sutherland on anti-war crusades, which also includes the anti-establishment picture Steelyard Blues (1973). This period also sees the forging of a strong friendship with former Beatle John Lennon.

Destined to be cast as monstrous undesirables throughout much of his career, Boyle plays a monster of another sort in his early film days, and thus avoids a complete stereotype as a film abhorrent. His hilarious, sexually potent Frankenstein’s Monster in the cult Mel Brooks spoof Young Frankenstein (1974) sees him in a sympathetic and certainly more humorous vein. His creature’s first public viewing, in which Boyle shares an adroit tap-dancing scene with “creator” Gene Wilder in full Fred Astaire regalia, is a show-stopping audience pleaser. Late 1970s filmgoers continue to witness him in seamy, urban settings with brutish roles in Taxi Driver (1976) and Hardcore (1979). At the same time, he addresses several TV mini-movie roles with the same brilliant darkness such as his Senator Joe McCarthy in Tail Gunner Joe (1977), for which he receives an Emmy nomination, and his murderous, knife-wielding Fatso in the miniseries remake of From Here to Eternity (1979).

While the following decade finds Boyle in predominantly less noteworthy filming and a short-lived TV series lead as remote cop Joe Bash (1986), the 1990s bring him Emmy glory for a guest role in an episode of The X-Files (1993). Despite a blood clot-induced stroke in 1990 that impairs his speech for six months, he ventures on and caps his enviable career on TV wielding funny but crass one-liners in the “Archie Bunker” mold on the long-running sitcom Everybody Loves Raymond (1996). A major Emmy blunder has him earning seven nominations for his Frank Barone character without a win, the only prime player on the show unhonored. He survives a heart attack while on the set of Everybody Loves Raymond in 1999 but manages to return full time for the remainder of the series’ run through 2005.

Following a superb turn as Billy Bob Thornton‘s unrepentantly racist father in the sobering Oscar-winner Monster’s Ball (2001), the remainder of Boyle’s films are primarily situated in frivolous comedy fare such as The Adventures of Pluto Nash (2002), The Santa Clause 2 (2002), Scooby-Doo 2: Monsters Unleashed (2004), and The Santa Clause 3: The Escape Clause (2006), typically playing cranky curmudgeons.

Boyle dies of multiple myeloma and heart disease at NewYork-Presbyterian Hospital on December 12, 2006. He is interred at Green River Cemetery in Springs, New York. At the time of his death, he has completed his role in the film All Roads Lead Home and is scheduled to appear in The Golden Boys. The end credits of All Roads Lead Home include a dedication to his memory.


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Birth of Ardal O’Hanlon, Comedian & Actor

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Ardal O’Hanlon, comedian and actor, is born in Carrickmacross, County Monaghan on October 8, 1965. He plays Father Dougal McGuire in Father Ted, George Sunday/Thermoman in My Hero, and DI Jack Mooney in Death in Paradise.

O’Hanlon is the son of politician and doctor Rory O’Hanlon and Teresa Ward. The episode of Who Do You Think You Are? which airs on October 6, 2008, reveals that his paternal grandfather, Michael O’Hanlon, was a medical student at University College Dublin (UCD) who joined the Irish Republican Army (IRA) during the Irish War of Independence and was a member of Michael Collins‘s squad which assassinated British secret service agents on the morning of Bloody Sunday. Details of his grandfather’s activities survive in UCD Archives, as well as Blackrock College. It also transpires that, on his mother’s side, he is a close relative of Peter Fenelon Collier.

O’Hanlon is schooled in Blackrock College in Dublin and graduates in 1987 from the National Institute for Higher Education, Dublin (now Dublin City University) with a degree in Communications Studies.

Together with Kevin Gildea and Barry Murphy, O’Hanlon founds the International Comedy Cellar, upstairs in the International Bar on Dublin’s South Wicklow Street. Dublin has no comedy scene at the time. As a stand up, he wins the Hackney Empire New Act of the Year competition in 1994. For a time, he is the presenter of The Stand Up Show.

O’Hanlon is spotted by Graham Linehan, who casts him as Father Dougal McGuire in Father Ted (1995–98). In 1995 he receives the Top TV Comedy Newcomer at the British Comedy Awards for this role. In 1995, he appears as Father Dougal in a Channel 4 ident and during Comic Relief on BBC One. This is followed by the award-winning short comedy film Flying Saucer Rock ‘n’ Roll.

O’Hanlon moves into straight acting alongside Emma Fielding and Beth Goddard in the ITV comedy-drama Big Bad World, which airs for two series in summer 1999 and winter 2001. He also plays a minor role in The Butcher Boy and appears in an episode of the original Whose Line is it Anyway?.

In 2000, O’Hanlon stars in the comedy series My Hero, in which he plays a very naive superhero from the planet Ultron. His character juggles world-saving heroics with life in suburbia. He stays in the role until the first episode of series 6 in July 2006 where he is replaced by James Dreyfus during the same episode.

O’Hanlon also provides the voice of the lead character in the three Christmas television cartoon specials of Robbie the Reindeer. He appears in the 2005 BBC One sitcom Blessed, written by Ben Elton. Towards the end of 2005, he plays an eccentric Scottish character, Coconut Tam, in the family-based film, The Adventures of Greyfriars Bobby. Although more commonly on television, he also appears on radio. In 2015 he appears as incompetent angel Smallbone in the sitcom The Best Laid Plans, also on BBC Radio 4.

In 2006, O’Hanlon writes and presents an RTÉ television series called Leagues Apart, which sees him investigate the biggest and most passionate football rivalries in a number of European countries. He follows this with another RTÉ show, So You Want To Be Taoiseach? in 2007. It is a political series where he gives tongue-in-cheek advice on how to go about becoming Taoiseach of Ireland.

O’Hanlon appears in the Doctor Who episode “Gridlock“, broadcast on April 14, 2007, in which he plays a cat-like creature named Thomas Kincade Brannigan. He appears in Series 3 of the TV show Skins, playing Naomi Campbell’s Politics teacher named Kieran. He then goes on to form a relationship with Naomi’s mother, played by Olivia Colman. He plays the lead role in Irish comedy television programme Val Falvey, TD on RTÉ One.

In February 2011, O’Hanlon returns to the Gate Theatre, Dublin starring in the Irish premiere of Christopher Hampton‘s translation of Yasmina Reza’s God of Carnage, alongside Maura Tierney. In 2011, he appears in the comedy panel show Argumental.

O’Hanlon has written a novel, The Talk of the Town, which is published in 1998. The novel is about a teenage boy, Patrick Scully, and his friends.

In February 2015 O’Hanlon officially launches the 2015 Sky Cat Laughs Comedy Festival which takes place in Kilkenny from May 28–June 1. In 2015 he plays the role of Peter the Milkman in the Sky One sitcom After Hours.

On February 2, 2017, it is announced O’Hanlon will play the lead role in the BBC crime drama Death in Paradise taking the role of DI Jack Mooney following Kris Marshall‘s departure the same day.


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Birth of Motion Picture Actress Greer Garson

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Eileen Evelyn Greer Garson, motion picture actress best known as Greer Garson, is born on September 29, 1904, in Manor Park, London, England. Her classic beauty and screen persona of elegance, poise, and maternal virtue make her one of the most popular and admired Hollywood stars of the World War II era.

Garson often claims to have been born in County Down, Ireland, where her grandparents lived and which she happily visited as a child, but she is, in fact, born and raised in London. Although she wanted to study acting, she wins a scholarship to the University of London and her practical-minded family encourage her to pursue a teaching career. After graduating with honours, she works briefly for Encyclopædia Britannica and a London advertising firm but continually tries to get her foot into a backstage door.

In 1932 Garson makes her debut with the Birmingham Repertory Theatre, playing a middle-aged schoolteacher in Elmer Rice’s Street Scene. Later that year she tours in George Bernard Shaw’s Too True to Be Good, billing herself as Greer, a maternal family name, for the first time. She soon establishes herself as a popular ingenue and leading lady in London’s West End. In 1938 Louis B. Mayer, head of Metro-Goldwyn-Mayer (MGM), catches her performance in Old Music and signs her to a contract with his studio.

After suffering through a discouraging first year in Hollywood, Garson returns to England to film the small role of Mrs. Chips in MGM’s Goodbye, Mr. Chips (1939). She receives her first Oscar nomination for the role but loses to Vivien Leigh for Gone with the Wind. Her portrayal of the beloved schoolteacher’s charming wife endears her to the American public and sets her career in motion. It is the first in a series of roles in which she plays women of great loyalty, refinement, and wifely or motherly strength.

Garson’s other significant films of the period include Pride and Prejudice (1940), Blossoms in the Dust (1941), her first appearance with her frequent costar Walter Pidgeon, Random Harvest (1942), and Madame Curie (1943). The film that cements her reputation and image, however, is Mrs. Miniver (1942). Filmed during World War II and tailor-made for the times, Mrs. Miniver extolls the strength and spirit of the British home front and is one of the year’s biggest hits. Her grace-under-pressure portrayal of a courageous wife and mother, the personification of British fortitude, not only wins her an Academy Award but is credited with bolstering American support for the war.

Following the war Garson’s career falters. The public rejects her attempts to reforge her image to that of a more fun-loving, less noble heroine in such films as Adventure (1945) and Julia Misbehaves (1948). During the 1950s she appears in several unexceptional films and television dramas and stars on Broadway in Auntie Mame. Her remarkably convincing portrayal of Eleanor Roosevelt in Sunrise at Campobello (1960) is widely praised and earns her a seventh Oscar nomination, but she performs only occasionally thereafter, devoting most of her time to philanthropic causes, including the endowment of scholarships for theatre students at Southern Methodist University in University Park, Texas and the construction of a campus theatre.

Garson spends her final years occupying a penthouse suite at the Presbyterian Hospital of Dallas. She dies there from heart failure on April 6, 1996, at the age of 91. She is interred beside her husband in the Sparkman-Hillcrest Memorial Park Cemetery in Dallas.


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Premier of RTÉ One Drama Series “Glenroe”

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The first episode of Glenroe, a television drama series broadcast on RTÉ One, airs on September 11, 1983. The series runs for eighteen years, ending in May 2001.

A spin-off from Bracken, a short-lived RTÉ drama itself spun off from The Riordans, Glenroe is broadcast, generally from September to May, each Sunday evening at 8:30 PM. It is created, and written for much of its run, by Wesley Burrowes, and later by various other directors and producers including Paul Cusack, Alan Robinson and Tommy McCardle. Glenroe is the first show to be subtitled by RTÉ, with a broadcast in 1991 starting the station’s subtitling policy.

Glenroe centers on the lives of the people living in the fictional rural village of the same name in County Wicklow. The real-life village of Kilcoole is used to film the series. The series is also filmed in studio at RTÉ and in various other locations when directors see fit.

The main protagonists are the Byrne and McDermott/Moran families, related by the marriage of Miley Byrne to Biddy McDermott, colloquially known as Biddy and Miley. Other important characters include Teasy McDaid, the proprietor of the local pub, Tim Devereux, the Roman Catholic priest, George Black, the Church of Ireland Rector of the village, Fidelma Kelly, a cousin of Biddy, Blackie Connors, George Manning and Stephen Brennan.

Glenroe is noted for its original title sequence, which features the words “Gleann Rua” in Gaelic script morphing into “Glenroe” over a series of rural images. The original title sequence is used from the 1983-1984 season to the end of the 1992-1993 season. It is replaced with a more up-to-date title sequence at the start of the 1993-1994 season.

Glenroe‘s original theme tune is a traditional Irish song called “Cuaichín Ghleann Néifinn” and is arranged by Jim Lockhart of the Celtic rock band Horslips. A newly recorded version, arranged by Máire Ní Bhraonáin of the band Clannad, is introduced at the start of the 1993-1994 season.

In 2000 it seems the series is going into inevitable decline. On January 19, 2001, despite claims four years previously that it could run for another ten years, RTÉ announces that Glenroe is to end after eighteen seasons. The final episode of the series is broadcast on May 6, 2001.


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Death of Patrick McGee, Actor & Director

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Patrick George McGee, Northern Irish actor and director of stage and screen known professionally as Patrick Magee, dies from a heart attack at his flat in Fulham, London on August 14, 1982. He is known for his collaborations with Samuel Beckett and Harold Pinter, as well as creating the role of the Marquis de Sade in the original stage and screen productions of Marat/Sade. He also appears in numerous horror films and in two Stanley Kubrick films, A Clockwork Orange and Barry Lyndon.

McGee is born into a middle-class family in Armagh, County Armagh, Northern Ireland on March 31, 1922. He is the first born of five children and is educated at St. Patrick’s Grammar School, Armagh.

McGee’s first stage experience in Ireland is with Anew McMaster’s touring company, performing the works of William Shakespeare. It is here that he first works with Pinter. He is then brought to London by Tyrone Guthrie for a series of Irish plays. He meets Beckett in 1957 and soon records passages from the novel Molloy and the short story From an Abandoned Work for BBC Radio. Impressed by “the cracked quality of Magee’s distinctly Irish voice,” Beckett requests copies of the tapes and writes Krapp’s Last Tape especially for the actor. First produced at the Royal Court Theatre in London on October 28, 1958, the play stars McGee and is directed by Donald McWhinnie. A televised version is later broadcast by BBC Two on November 29, 1972.

In 1964, McGee joins the Royal Shakespeare Company, after Pinter, directing his own play, The Birthday Party, specifically requests him for the role of McCann. In 1965 he appears in Peter Weiss‘s Marat/Sade, and when the play transfers to Broadway he wins a Tony Award. He also appears in the 1966 RSC production of Staircase opposite Paul Scofield.

McGee’s early film roles include Joseph Losey‘s The Criminal (1960) and The Servant (1963), the latter an adaptation scripted by Pinter. He also appears as Surgeon-Major James Henry Reynolds in Zulu (1964), Séance on a Wet Afternoon (1964), Anzio (1968), and in the film versions of Marat/Sade (1967) and The Birthday Party (1968). He is perhaps best known for his role as the victimised writer Frank Alexander, who tortures Alex DeLarge with Ludwig van Beethoven‘s music, in Stanley Kubrick’s film A Clockwork Orange (1971). His other role for Kubrick is as Redmond Barry’s mentor, the Chevalier de Balibari, in Barry Lyndon (1975).

McGee also appears in Young Winston (1972), The Final Programme (1973), Galileo (1975), Sir Henry at Rawlinson End (1980), The Monster Club and Chariots of Fire (1981) but is most often seen in horror films. These include Roger Corman‘s The Masque of Red Death (1964), and the Boris Karloff vehicle Die, Monster, Die! (1965) for AIP; The Skull (1965), Tales from the Crypt (1972), Asylum (1972), and And Now the Screaming Starts! (1973) for Amicus Productions; Demons of the Mind (1972) for Hammer Film Productions; and Walerian Borowczyk‘s Docteur Jekyll et les femmes (1981).

Patrick McGee dies from a heart attack at his flat in Fulham, London on August 14, 1982, at the age of 60, according to obituaries in The Herald and The New York Times. On July 29, 2017, a blue plaque is unveiled in Edward Street, Armagh to mark Patrick McGee’s birthplace.


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Birth of Gay Byrne, Radio & Television Presenter

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Gabriel Mary “Gay” Byrne, veteran Irish presenter of radio and television for several decades and affectionately known as Uncle Gay, Gaybo or Uncle Gaybo, is born in Rialto, Dublin on August 5, 1934. His most known role is as the first host of The Late Late Show over a 37-year period spanning 1962 until 1999.

Byrne attends Rialto National School and a number of other schools for short periods. Subsequently, he is educated by the Irish Christian Brothers at Synge Street CBS.

When he is young, Byrne is inspired by the broadcaster Eamonn Andrews, who has a successful career on British television. In 1958 he moves over to broadcasting when he becomes a presenter on Radio Éireann. He also works with Granada Television and the BBC in England. At Granada, Byrne becomes the first person to introduce the Beatles on television when they make their small screen debut on local news programme People and Places. In 1961, Telefís Éireann, later Radio Telefís Éireann and now Raidió Teilifís Éireann, is established. Byrne works exclusively for the new Irish service after 1969. He introduced many popular programmes, with his most popular and successful programme being The Late Late Show.

On July 5, 1962, the first episode of The Late Late Show is aired on Irish television. Originally the show is scheduled as an eight-week summer filler. The programme, which is still broadcast, has become the world’s second longest running chat show. The show has much to do in shaping the new Ireland that emerges from the 1960s. Byrne presents his last edition of The Late Late Show on May 21, 1999, where he is presented with a Harley-Davidson motorcycle by Bono and Larry Mullen, Jr. Pat Kenny succeeds him as presenter in September 1999.

From 1973 until 1998, Byrne also presents The Gay Byrne Hour, later The Gay Byrne Show when it expands to two hours, on RTÉ Radio 1 each weekday morning.

Byrne does not completely retire in 1999 and continues to feature occasionally on radio and television after leaving The Late Late Show and The Gay Byrne Show, presenting several other programmes, including Who Wants to Be a Millionaire?, The Meaning of Life and For One Night Only on RTÉ One and Sunday Serenade/Sunday with Gay Byrne on RTÉ lyric fm. He launches Joe Duffy‘s autobiography Just Joe in Harry’s Bar in October 2011.

In 1988, Byrne is presented an honorary doctorate in literature from Trinity College, Dublin. In 2006 he is elected Chairman of Ireland’s Road Safety Authority, a public body given the task of improving road safety in the Republic of Ireland. Since retiring he has become the “Elder Lemon of Irish broadcasting.”

On a November 21, 2016 live radio broadcast Byrne reveals that he is to begin treatment for prostate cancer and that the cancer may have also spread to his lower back. He tells listeners he will be taking a break of just one week before returning to work, however, he continues to recover from treatment and he has not yet been back on air.


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Birth of Peter O’Toole, Stage & Film Actor

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Peter Seamus O’Toole, British stage and film actor of Irish descent, is born on August 2, 1932, in Leeds, Yorkshire, England. Some sources give his birthplace as Connemara, County Galway. Records from the General Registry Office in Leeds confirm that O’Toole is born in the north England town in 1932.

O’Toole grows up in Leeds and is educated at the Royal Academy of Dramatic Art in London. He is a reporter for the Yorkshire Evening Post in his teens and makes his amateur stage debut at Leeds Civic Theatre. After serving two years in the Royal Navy, he acts with the Bristol Old Vic Company from 1955 to 1958 and makes his London debut as Peter Shirley in George Bernard Shaw’s Major Barbara (1956). He appears with the Shakespeare Memorial Company at Stratford-upon-Avon, Warwickshire, England, in 1960 in highly praised performances as Shylock in The Merchant of Venice and as Petruchio in The Taming of the Shrew, and he plays the lead in Hamlet for the inaugural production of the Royal National Theatre in London in 1963. A prominent film star by this point in his career, he continues to appear on stages throughout the world to great acclaim. He is named associate director of the Old Vic in 1980.

O’Toole makes his motion picture debut in Kidnapped in 1960 and two years later becomes an international star for his portrayal of T.E. Lawrence in David Lean’s epic Lawrence of Arabia (1962). In 1964 he plays Henry II of England in Becket, and he has the title role in Lord Jim (1965). He appears as Henry II again in The Lion in Winter (1968), a film notable for the witty verbal sparring matches between O’Toole and costar Katharine Hepburn. The Ruling Class (1972), a controversial black comedy that has become a cult classic, casts O’Toole as a schizophrenic English earl with a messiah complex.

Personal problems contribute to a decline in his popularity during the 1970s, but he makes a strong comeback in the early 1980s with three well-received efforts. He portrays a duplicitous and domineering movie director in The Stunt Man (1980), and his performance as the Roman commander Lucius Flavius Silva in the acclaimed television miniseries Masada (1981) is hailed as one of the finest of his career. His most popular vehicle during this period is My Favorite Year (1982), an affectionate satire on the early days of television, in which he plays Alan Swann, a faded Errol Flynn-type swashbuckling screen star with a penchant for tippling and troublemaking.

O’Toole subsequently maintains his status with fine performances in such films as the Oscar-winning The Last Emperor (1987), the cult favourite Wings of Fame (1989), and Fairy Tale: A True Story (1997), in which he portrays Sir Arthur Conan Doyle. Notable screen roles in the 21st century included King Priam in the historical epic Troy (2004), an aging romantic in Venus (2006), the voice of a haughty food critic in the animated Ratatouille (2007), and a priest in the historical drama For Greater Glory (2012). In addition, in 2008 he portrays Pope Paul III in the TV series The Tudors.

In 1992 O’Toole publishes a lively memoir, Loitering with Intent: The Child. A second volume, Loitering with Intent: The Apprentice, appears in 1996. He is nominated for an Academy Award eight times — for Lawrence of Arabia, Becket, The Lion in Winter, Goodbye, Mr. Chips (1969), The Ruling Class, The Stunt Man, My Favorite Year, and Venus — but never wins. In 2003 he is awarded an honorary Oscar. He receives an Emmy Award for his performance as Bishop Pierre Cauchon in the television miniseries Joan of Arc (1999).

O’Toole dies on December 14, 2013, at Wellington Hospital in St. John’s Wood, London, at the age of 81. His funeral is held at Golders Green Crematorium in London on December 21, 2013, where his body is cremated in a wicker coffin. His ashes are planned to be taken to Connemara, Ireland. They are being kept at the residence of the President of Ireland, Áras an Uachtaráin, by President Michael D. Higgins, an old friend of O’Toole. His family has stated their intention to fulfill his wishes and take his ashes to the west of Ireland.


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Birth of Fiona Shaw, Actress & Director

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Fiona Mary Shaw, accomplished classical actress and theatre and opera director, is born in Farranree, County Cork on July 10, 1958. She is best known for her role as Petunia Dursley in the Harry Potter films and her role portraying Marnie Stonebrook in the HBO series True Blood.

Shaw attends secondary school at Scoil Mhuire in Cork. She receives her degree at University College Cork. She trains at the Royal Academy of Dramatic Art (RADA) in London and is part of a ‘new wave’ of actors to emerge from the Academy. She receives much acclaim as Julia in the Royal National Theatre production of Richard Sheridan‘s The Rivals (1983).

Shaw’s theatrical roles include Celia in As You Like It (1984), Madame de Volanges in Les Liaisons Dangereuses (1985), Katherine in The Taming of the Shrew (1987), Lady Franjul in The New Inn (1987), Young Woman in Machinal (1993), for which she wins the Laurence Olivier Award for Best Actress, Winnie in Happy Days (2007), and the title roles in Electra (1988), The Good Person of Sechuan (1989), Hedda Gabler (1991), The Prime of Miss Jean Brodie (1998) and Medea (2000). She performs T. S. Eliot‘s poem The Waste Land as a one-person show at the Liberty Theatre in New York City to great acclaim in 1996, winning the Drama Desk Award for Outstanding One-Person Show for her performance.

Shaw plays Miss Morrison in the 1984 The Adventures of Sherlock Holmes episode “The Adventure of the Crooked Man” and Catherine Greenshaw in Agatha Christie’s Marple episode “Greenshaw’s Folly” in 2013.

Shaw notably plays the male lead in Richard II, directed by Deborah Warner in 1995. She has collaborated with Warner on a number of occasions, on both stage and screen. She has also worked in film and television, including My Left Foot (1989), Mountains of the Moon (1990), Three Men and a Little Lady (1990), Super Mario Bros. (1993), Undercover Blues (1993), Persuasion (1995), Jane Eyre (1996), The Butcher Boy (1997), The Avengers (1998), Gormenghast (2000), and five of the Harry Potter films in which she plays Harry Potter‘s aunt Petunia Dursley. She has a brief but key role in Brian DePalma‘s The Black Dahlia (2006).

In 2009, Shaw collaborates with Deborah Warner again, taking the lead role in Tony Kushner‘s translation of Bertolt Brecht‘s Mother Courage and Her Children. In a 2002 article for The Daily Telegraph, Rupert Christiansen describes their professional relationship as “surely one of the most richly creative partnerships in theatrical history.” Other collaborations between the two women include productions of Brecht’s The Good Woman of Szechuan and Henrik Ibsen‘s Hedda Gabler, the latter adapted for television.

Shaw appears in The Waste Land at Wilton’s Music Hall in January 2010 and in a Royal National Theatre revival of London Assurance in March 2010. In November 2010, she stars in Ibsen’s John Gabriel Borkman at the Abbey Theatre, Dublin alongside Alan Rickman and Lindsay Duncan. The play is also staged in New York’s Brooklyn Academy of Music in 2011.

Shaw appears in season four of American TV show True Blood. Her character, Marnie Stonebrook, has been described as an underachieving palm reader who is spiritually possessed by an actual witch. Her character leads a coven of necromancer witches who threaten the status quo in Bon Temps, erasing most of Eric Northman‘s memories and leaving him almost helpless when he tries to kill her and break up their coven.

In 2012, Shaw appears in the Royal National Theatre revival of Scenes from an Execution by Howard Barker.

The world’s largest solo theatre festival, United Solo Theatre Festival, recognizes her performance in The Testament of Mary on Broadway with the 2013 United Solo Special Award.

In 2018 Shaw begins portraying Carolyn Martens, head of the MI6 Russian Desk, in BBC America‘s Killing Eve, for which she wins the BAFTA Award for Best Actress in a Supporting Role in a Television Series. Later the same year, she plays a senior MI6 officer in Mrs. Wilson.


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The Debut of “The Late Late Show”

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The Late Late Show, the Irish talk show, airs on RTÉ One for the first time on July 6, 1962. It is the world’s second longest-running late-night talk show, following The Tonight Show in the United States. Perceived as the official flagship television programme of Ireland’s public service broadcaster Raidió Teilifís Éireann (RTÉ), it is regarded as an Irish television institution and is broadcast live across two hours plus in front of a studio audience on Friday nights between September and May.

Having maintained the same name and format continuously, The Late Late Show is first broadcast on Friday, July 6, 1962 and in colour from 1976. Originating as temporary summer filler for a niche Saturday night audience, it later moves to its current home on Friday night schedules. The format has remained largely the same throughout — dialogue, sketch comedy, musical performances, discourse on topical issues. It has influenced attitudes of the populace towards approval or disapproval of its chosen topics, directed social change and helped shape Irish societal norms. It averages 650,000 viewers per episode and has consistently achieved RTÉ’s highest ratings.

For much of its early life, RTÉ Television Centre‘s Studio 1 in Donnybrook, Dublin is its home. This original studio accommodates a small audience of about 120. In 1995, The Late Late Show transfers to the more spacious Studio 4, adapted specifically to cater for this and Kenny Live. Three external broadcasts have aired, most recently from the Wexford Opera House on September 5, 2008.

Original host Gay Byrne presents the show until May 21, 1999. Pat Kenny is Byrne’s successor hosting the show for 10 years between 1999 and 2009. Ryan Tubridy is the current presenter, having succeeded Kenny in September 2009. Under Tubridy, first QUINN Group and then Sky Broadband add sponsorship deals. Tubridy’s arrival coincides with a marked increase in audience ratings with some early statistics comparing him to the Byrne era. On February 1, 2013, Pat Kenny returns to host that night’s edition following the death of Tubridy’s father.