O’Neil of the Glen, the first production released by the Film Company of Ireland (FCOI), premieres at Dublin’s Bohemian Picture Theatre on August 7, 1916. The film is adapted by W.J. Lysaght from a book by the acclaimed Irish novelist, Mrs. M. T. Pender. The film is a romantic tale which features two well-known Abbey Theatre members, as well as a host of rising stars.
Formed in March 1916 by James Mark Sullivan and Henry Fitzgibbon, the FCOI becomes the most important indigenous fiction film producer of the 1910s.
On 29 June, FCOI announces a “trial exhibition,” or what would now be called a test screening, of their first completed production, O’Neil of the Glen, at Dublin’s Carlton Cinema. Addressing a lunch for the press at the Gresham Hotel following the screening, Fitzgibbon claims that FCOI “had started an industry which would eventually be a source of great revenue in Ireland.” For his part, Sullivan argues that the film showed that Irish productions – taking advantage of Irish “imagination, ideals, and artistic temperament and beautiful scenery” – could compete with those anywhere.
The Bohemian is one of Dublin’s biggest and most luxurious cinemas, and Frederick A. Sparling’s commitment to a run that is twice the usual three days “speaks well for the film and the undoubted drawing powers such a production will have for Irish audiences.” In the event, Sparling also includes an unplanned Sunday show to take advantage of the phenomenal level of interest.
In the following weeks and months, O’Neil of the Glen is exhibited around the country. Following substantial runs in Dublin and Belfast it is announced for a three-day runs at Galway’s Victoria Cinema Theatre on September 11-13 and Cork’s Coliseum Theatre on September 14-16.
Marie Kean, actress of stage and screen whose career spanned over 40 years, is born in the village of Rush, County Dublin on June 27, 1918. The Stage calls her one of Ireland’s most impressive actresses, and “an artist of considerable emotional depth and theatrical command.”
Kean grows up in Rush and is educated at Loreto College, North Great George’s Street, Dublin. She learns her craft at the Gaiety School of Acting and is part of the Abbey Theatre company until 1961.
Kean’s leading role as the kindly matriarch, Mrs. Kennedy, in the RTÉ Radio serial drama, The Kennedys of Castleross, makes her famous throughout Ireland. She stars in the programme for the duration of its 18-year run.
In 1968, Kean wins a Jacob’s Award for her performance as Winnie in RTÉ television’s production of Samuel Beckett‘s play Happy Days, a role she had previously performed on stage and which she describes later as her favourite part. Among her other television roles is that of Mrs. Conn Brickley, Bridget’s mother, in an episode of The Irish R.M. called “The Boat’s Share.”
Kean’s many stage appearances include performances in the plays of John Millington Synge, Seán O’Casey and Brian Friel. She takes the lead role of Maggie Polpin in the 1969 world première of John B. Keane‘s play Big Maggie at the Cork Opera House. In 1978 she wins the State of New York best actress award for her performance in what has become Keane’s most successful play.
Arguably her most memorable film role is as Barry’s scheming mother in Stanley Kubrick‘s Barry Lyndon. She also plays a bigoted Irish shopkeeper in David Lean‘s Ryan’s Daughter. Her final movie appearance is in John Huston‘s The Dead (1987), in which she plays the part of Mrs. Malins.
Marie Kean dies in Donnybrook, Dublin at the age of 75 on December 30, 1993. Her husband, William Mulvey, predeceases her in 1977.
The railway line between Banteer and Millstreet had been cut in several places so the British Auxiliary forces based at Millstreet have to travel to Banteer by road for their supplies twice a week. As a result, a combined force of 130 Irish Republican Army (IRA) volunteers from the Millstreet, Kanturk, Newmarket, Charleville and Mallow battalion columns are mobilised to attack the Auxiliaries as they return from Banteer. The volunteers are under the command of Paddy O’Brien from Liscarroll.
On the night before the ambush the IRA volunteers sleep at Rathcoole Wood, which overlooks the planned ambush position. Shortly after sunrise the following morning, Captain Dan Vaughan lays six land mines on the untarred road and covers them with dust. After a wait of several hours a convoy of four armour-plated lorries, each mounted with a machine gun and carrying ten men, is observed heading for Banteer.
The volunteers prepare themselves and at 6:20 in the evening, as the lorries pass through the ambush area on their return journey, three of the land mines explode with devastating results. One mine detonates as the last of the four lorries drives over it and another explodes under the leading lorry in the convoy. Both vehicles are out of action with the two other lorries trapped between them. A third mine explodes amid a party of Auxiliaries as they attempted to outflank the position. A bitter firefight develops. Each time Auxiliaries attempt to outflank the IRA they are driven back, suffering losses of more than twenty dead and over a dozen wounded.
When it becomes clear that the IRA cannot achieve a complete victory because of their limited ammunition supply, the order for withdrawal is given and the whole force retires without a single casualty. Although no arms are captured during the action, a reconnaissance party from the column returns the next day to search the ambush position and recovers 1,350 rounds of ammunition which the Auxiliaries had left behind them as they removed their dead and wounded.
The ambush at Rathcoole is one of the Irish Republican Army’s most successful actions during the War of Independence. A week after the ambush, British Forces from Kanturk, Buttevant, Ballyvonaire, Macroom, Ballincollig, Killarney and Tralee carry out a widespread search throughout the Rathcoole area. Michael Dineen, a Volunteer in Kilcorney Company is taken from his brother’s house at Ivale by a party of Auxiliaries and shot dead. On the evening of July 1, the Auxiliaries set fire to and destroy the wood at Rathcoole from where the ambush had been launched. That same day that they shoot and kill a local man, Bernard Moynihan, as he is out cutting hay.
(Pictured: Monument at the site of the Rathcoole Ambush)
When World War I breaks out in 1914 Lea-Wilson joins the British army where he reaches the rank of captain in the 18th Royal Irish Regiment. An injury during the war forces him back to Ireland where he is stationed in Dublin, just in time for the Easter Rising in 1916.
When the weeklong rising ends, the rebels who had fought in the Four Courts and the GPO are marched to the Rotunda Hospital where they are kept overnight under the glare of British troops. Among those detained are leaders of the rebellion such as Sean Mac Diarmada and Tom Clarke. Clarke is singled out and subjected to public humiliation by 28-year-old British army Captain Percival Lea-Wilson.
Lea-Wilson and his soldiers walk among the captured rebels, and he picks the 58-year-old Clarke out of the group. He marches Clarke to the steps of the hospital where he orders soldiers to strip him bare as nurses look on in horror from the windows above. Clarke is beaten and left there overnight in his tattered clothes. One of the prisoners, Michael Collins, who witnesses Clarke’s mistreatment at the hands of the British captain vows vengeance.
In the years following the Easter Rising, Lea-Wilson settles in Wexford where he attains the role of RIC district inspector.
On the morning of June 15, 1920, Lea-Wilson is walking back home after paying a visit to the RIC barracks in Gorey. Dressed in his civilian clothes, he stops at the local railway station where he purchases a newspaper and meets Constable Alexander O’Donnell, who accompanies him on part of his walk home.
O’Donnell and Lea-Wilson part company at the railway bridge on Ballycanew Road while further up that very same stretch of road there is a number of men standing around a parked car with its hood raised. Michael Collins had sent Liam Tobin and Frank Thornton from Dublin to meet with Joe McMahon, Michael McGrath and Michael Sinnott in Enniscorthy. They were then driven by Jack Whelan to Ballycanew Road to carry out the assassination of Lea-Wilson.
Unaware of his assassins lying in wait, Lea-Wilson is reading his paper while strolling along the road. The men by the parked car pull out revolvers when their target comes into range and two bullets strike him down. He manages to quickly get back on his feet and attempts to make an escape, but his six assassins run after him and finally bring him down in a hail of bullets. A coroner’s report later states that Lea-Wilson had been shot seven times.
When the shooting ends, one of Lea-Wilson’s executioners calmly walks up to the body to make sure he is dead. He then picks up the newspaper from the ground and takes it with him. Later that evening Michael Collins is in the Wicklow Hotel in Dublin when word reaches him from Wexford of the shooting death of Lea-Wilson. Collins greets the news with glee and mentions to one of his comrades, “Well we finally got him!”
Percival Lea-Wilson is buried in Putney Vale Cemetery in southwest London. His grave is marked by a plaque which mentions his assassination in Gorey in 1920, a death which has its roots in the Easter Rising four years previously.
In May 1920, East Londondockers refuse to load the SS Jolly George, a ship intended to carry arms to be used against the new Bolshevik state. The Munitions Strike begins in Dublin on May 20, 1920, when dock workers follow suit and refuse to handle war material. They are soon joined by members of the Irish Transport and General Workers Union.
When news of the proposed radical action is brought to trade unionist William O’Brien’s desk on May 19, he informs Thomas Foran, General President of the union. The following day, the men standing around waiting to begin work are told that the work is not to start.
On hearing of the political action at the Dublin docks, a second ship was diverted to Dún Laoghaire. There, the military are on hand to unload its cargo, but when the cargo arrives at Westland Row station, workers there refuse to handle the goods. While the dockworkers are casual workers who can be reallocated elsewhere, the railwaymen are permanent employers and members of the separate National Union of Railwaymen.
In the following days, the action taken in Dublin and Dun Laoghaire is replicated elsewhere. To sections of the conservative press, the behaviour of dockers and railwaymen is scandalous. The ever-reliable Punch illustrated news produces a sketch in a June 1920 edition showing an IRA gunman hiding behind a rural wall, joined by a railway worker, or “the blameless accomplice.”
The brave stand that began on the docks of Dublin spreads nationwide, largely thanks to the militancy of railway workers. From arms in storage, the strike is widened to include the carrying of men holding arms representing Crown Forces.
The munitions strike is an effective tactic, proven by the infuriated responses to it from the upper echelons of the British military and political class. In November, the British Government begins closing rail lines, including the Limerick to Waterford and Limerick to Tralee lines,as well as trains into Galway, which instigate a fear among the public that the Irish railway system could be shut down in its entirety.
In the absence of sympathetic strike action in Britain, and with increasingly vicious physical assaults on railwaymen, the Irish leadership feels increasingly vulnerable in the dispute, which eventually winds down in December.
Peck’s parents divorce when he is five years old. An only child, he is sent to live with his grandmother. He never feels as though he has a stable childhood. His fondest memories are of his grandmother taking him to the movies every week and of his dog, which follows him everywhere.
At the age of ten Peck is sent to a Catholic military school, St. John’s Military Academy in Los Angeles. While he is a student there, his grandmother dies. At 14, he moves back to San Diego to live with his father and attends San Diego High School. After graduating he enrolls for one year at San Diego State Teacher’s College (now known as San Diego State University).
With a string of hits to his credit, Peck makes the decision to only work in films that interest him. He continues to appear as the heroic, larger-than-life figures in such films as Captain Horatio Hornblower R.N. (1951) and Moby Dick (1956). He works with Audrey Hepburn in her debut film, Roman Holiday (1953).
Peck finally wins the Oscar, after four nominations, for his performance as lawyer Atticus Finch in To Kill a Mockingbird (1962). In the early 1960s, he appears in two darker films than he usually makes, Cape Fear (1962) and Captain Newman, M.D. (1963), which deal with the way people live. He also gives a powerful performance as Captain Keith Mallory in The Guns of Navarone (1961), one of the biggest box-office hits of that year.
In the early 1970s, Peck produces two films, The Trial of the Catonsville Nine (1972) and The Dove (1974), when his film career stalled. He makes a comeback playing, somewhat woodenly, Robert Thorn in the horror film The Omen (1976). After that, he returns to the bigger-than-life roles he is best known for, such as MacArthur (1977) and the monstrous Nazi Dr. Josef Mengele in the huge hit The Boys from Brazil (1978). In the 1980s, he moves into television with the miniseriesThe Blue and the Gray (1982) and The Scarlet and the Black (1983). In 1991, he appears in the remake of his 1962 film, playing a different role, in Martin Scorsese‘s Cape Fear (1991). He is also cast as the progressive-thinking owner of a wire and cable business in Other People’s Money (1991).
In 1967, Peck receives the Academy’s Jean Hersholt Humanitarian Award. He has also been awarded the Presidential Medal of Freedom. Always politically progressive, he is active in such causes as anti-war protests, workers’ rights and civil rights. In 2003, Peck’s portrayal of Atticus Finch is named the greatest film hero of the past 100 years by the American Film Institute.
Gregory Peck dies in his sleep at his home in Los Angeles, California from bronchopneumonia at the age of 87 on June 12, 2003. He is entombed in the Cathedral of Our Lady of the Angels mausoleum in Los Angeles. His eulogy is read by Brock Peters, whose character, Tom Robinson, was defended by Peck’s Atticus Finch in To Kill a Mockingbird.
Cumann na mBan is an Irish republican women’s paramilitary organisation formed in Dublin on April 2, 1914, merging with and dissolving Inghinidhe na hÉireann and, in 1916, it becomes an auxiliary of the Irish Volunteers. Although it is otherwise an independent organisation, its executive is subordinate to that of the Volunteers.
On January 7, 1922 the Anglo-Irish Treaty is approved by the Second Dáil by a close vote of 64–57. On February 5 a convention is held to discuss this, and 419 Cumann na mBan members vote against as opposed to 63 in favour. In the ensuing Civil War, its members largely support the anti-Treaty Republican forces. Over 400 of its members are imprisoned by the forces of the Provisional government which becomes in December 1922 the Irish Free State. Some of those who support the Treaty change the name of their branches to Cumann na Saoirse, while others retain their name but give allegiance to the Free State Government.
Cumann na mBan continues to exist after the Treaty, forming (alongside Sinn Féin, the Irish Republican Army, Fianna Éireann and other groups) part of the Irish republican milieu. The government of the Irish Free State bans the organisation in January 1923 and opens up Kilmainham Gaol as a detention prison for suspect women.
Its membership strength is adversely affected by the many splits in Irish republicanism, with sections of the membership resigning to join Fianna Fáil, Clann na Poblachta and other parties. Máire Comerford, a lifelong member from 1914, reflects in later years that it became a “greatly weakened organisation” that “gathered speed downhill” from the founding of Fianna Fáil in 1926.
As dusk falls the ambush takes place on a road at Dus a’ Bharraigh in the townland of Shanacashel, Kilmichael Parish, near Macroom.
Just before the Auxiliaries in two lorries come into view, two armed IRA volunteers, responding late to Barry’s mobilisation order, drive unwittingly into the ambush position in a horse and sidecar, almost shielding the British forces behind them. Barry manages to avert disaster by directing the car up a side road and out of the way. The Auxiliaries’ first lorry is persuaded to slow down by the sight of Barry placing himself on the road in front of a concealed Command Post, wearing an IRA officer’s tunic given to him by Paddy O’Brien. Concealed on the south side of the road are six riflemen, whose instructions are to prevent the enemy taking up positions on that side. Another six riflemen are positioned some way off as an insurance group, should a third Auxiliary lorry appear.
The first lorry, containing nine Auxiliaries, slows almost to a halt close to their intended ambush position, at which point Barry gives the order to fire. He throws a Mills bomb that explodes in the open cab of the first lorry. A savage close-quarter fight ensues. According to Barry’s account, some of the British are killed using rifle butts and bayonets in a brutal and bloody encounter. This part of the engagement is over relatively quickly with all nine Auxiliaries dead or dying.
While this part of the fight is going on, a second lorry also containing nine Auxiliaries has driven into the ambush position. This lorry’s occupants, at a more advantageous position than Auxiliaries in the first lorry because of their distance from the ambushing group, dismount to the road and exchange fire with the IRA, killing Michael McCarthy. Barry then brings the Command Post soldiers who had completed the attack on the first lorry to bear on this group. Barry claimed these Auxiliaries called out a surrender and that some dropped their rifles but opened fire again with revolvers when three IRA men emerged from cover, killing volunteer Jim O’Sullivan instantly and mortally wounding Pat Deasy. Barry then orders his men to open fire and not stop until told to do so. Barry ignores a subsequent attempt by remaining Auxiliaries to surrender and keeps his men firing until he believes all the Auxiliaries are dead.
At the conclusion of the fight, it is observed that two IRA volunteers, Michael McCarthy and Jim O’Sullivan, are dead and that Pat Deasy, brother of Liam Deasy, is mortally wounded. Although the IRA fighters think they had killed all of the Auxiliaries, two actually survive, one very badly injured and another who escapes and is later captured and shot dead. Among the 16 British dead on the road at Kilmichael is Francis Crake, commander of the Auxiliaries in Macroom, probably killed at the start of the action by Barry’s Mills bomb.
Many IRA volunteers are deeply shaken by the severity of the action, referred to by Barry as “the bloodiest in Ireland,” and some are physically sick. Barry attempts to restore discipline by making them form-up and perform drill, before marching away. Barry himself collapses with severe chest pains on December 3 and is secretly hospitalized in Cork. It is possible that the ongoing stress of being on the run and commander of the flying column, along with a poor diet as well as the intense combat at Kilmichael contribute to his illness, diagnosed as heart displacement.
The political fallout from the Kilmichael ambush outweighs its military significance. While the British forces in Ireland can easily absorb 18 casualties, the fact that the IRA had been able to wipe out a whole patrol of elite Auxiliaries is for them deeply shocking. The British forces in the West Cork area take their revenge on the local population by burning several houses, shops and barns in Kilmichael, Johnstown and Inchigeelagh, including all of the houses around the ambush site. On December 3, three IRA volunteers are arrested by the British Essex Regiment in Bandon, beaten and killed, and their bodies dumped on the roadside.
For the British government, the action at Kilmichael is an indication that the violence in Ireland is escalating. Shortly after the ambush, barriers are placed on either end of Downing Street to protect the Prime Minister‘s office from IRA attacks. On December 10, as a result of Kilmichael, martial law is declared for the counties of Cork, Kerry, Limerick and Tipperary.
The British military now has the power to execute anyone found carrying arms and ammunition, to search houses, impose curfews, try suspects in military rather than civilian courts and to intern suspects without trial. On December 11, in reprisal for Kilmichael and other IRA actions, the centre of Cork city is burned by Auxiliaries, British soldiers and Black and Tans, and two IRA men are assassinated in their beds. In separate proclamations shortly afterwards, the authorities sanction “official reprisals” against suspected Sinn Féin sympathisers and the use of hostages in military convoys to deter ambushes.
(Pictured: The Kilmichael Ambush Monument at the ambush site)
In 1920, the family moves from Dromore to Omagh. After living for a short time in Castle Street and Drumragh, the family finally settles in St. Patrick’s Terrace in the Gallows Hill area of Omagh. This area is to be a lasting inspiration for Kiely.
Kiely begins to feel the urge to become a writer during his teenage years. He has a keen interest in the work of George Bernard Shaw, H. G. Wells and Jonathan Swift. In 1936, after completing his education at Mount St. Columba Christian Brothers School in Omagh, he goes to work as a sorting clerk in the Omagh Post Office.
However, Kiely soon realises that the post office will not provide him with the life of the scholar which he so desires. In the spring of 1937, he leaves Omagh and begins a new life in Emo Park, Portarlington, County Laois, where he decides to train as a Jesuit priest. His life as a Jesuit is not meant to be for, exactly a year later, in the spring of 1938, he suffers a serious spinal injury, which results in a lengthy stay in Cappagh National Orthopaedic Hospital in Finglas, Dublin. During his hospitalisation, he is given plenty of time to think about the course his life has already taken, and about a course it might take. He also realises that he lacks a vocation to the priesthood and abandons his training as a Jesuit.
When Kiely gets out of hospital in 1939, he returns to Omagh to recover from his back problem. The following year, he begins working as a part-time journalist in the weekly Catholic Standard newspaper. In 1943, he graduates from National University of Ireland with a B.A. in History and Letters.
In 1945, Kiely begins working for the Irish Independent, where he is employed as a journalist and critic. In 1950, he joins The Irish Press as a literary editor. In 1964, he moves to the United States where, over a period of four years, he is a Writer-in-Residence at Emory University, visiting professor at the University of Oregon, and Writer-in-Residence at Hollins College (Virginia). In 1968, he returns to Ireland. In the spring of 1976, he is Distinguished Visiting Professor at the University of Delaware. He continues to receive acclaim for his writing and journalism, a career which spans over six decades, receiving the Award for Literature from the Irish Academy of Letters. By now, he is one of Ireland’s best-known writers. In 1996, he is named Saoi of Aosdána, the highest honour given by the Arts Council of Ireland.
Kiely visits Omagh in 2001 which is marked by the unveiling of a plaque outside his childhood home on Gallows Hill by Omagh’s Plain Speaking Community Arts group. Every September an event is held in Omagh called The Benedict Kiely Literary Weekend to celebrate his many achievements.
McCaughey is born on July 1, 1835, at Tullynewey, near Ballymena, County Antrim, the son of Francis McCaughey, farmer and merchant, and his wife Eliza, née Wilson.
McCaughey comes to Australia with an uncle, Charles Wilson, a brother of Sir Samuel Wilson, and lands at Melbourne in April 1856. He immediately goes to the country and begins working as a jackaroo. Within three months he is appointed an overseer and two years later becomes manager of Kewell station while his uncle is on a visit to England.
In 1860, after his uncle’s return, McCaughey acquires an interest in Coonong station near Urana with two partners. His brother John who comes out later becomes a partner in other stations.
During the early days of Coonong station McCaughey suffers greatly from drought conditions but overcomes these by sinking wells for artesian water and constructing large tanks, making him a pioneer of water conservation in Australia.
In 1871 McCaughey is away from Australia for two years on holiday, and on his return does much experimenting in sheep farming. At first, he seeks the strains that can produce the best wool in the Riverina district. Afterwards, when the mutton trade develops, he considers the question from that angle.
In 1880 Sir Samuel Wilson goes to England and McCaughey purchases two of his stations, Toorale and Dunlop Stations, during his absence. He then owns about 3,000,000 acres. In 1886 he again visits the old world and imports a considerable number of Vermont sheep from the United States and also introduces fresh strains from Tasmania. He ultimately owns several million sheep, earning the nickname of “The Sheep King.”
In 1900 McCaughey purchases North Yanco and, at great cost, constructs about 200 miles of channels and irrigates 40,000 acres. The success of this scheme is believed to have encouraged the New South Wales government to proceed with the dam at Burrinjuck.
seamus dubhghaill 