Beresford employs Lewis Nockalls Cottingham, one of the most skilled architects at that time, to restore St. Patrick’s Cathedral, Armagh. Cottingham removes the old, stunted spire and shores up the belfry stages while he rebuilds the piers and arches under it. The arcade walls which had fallen away as much as 21 inches from the perpendicular on the south side and 7 inches on the north side, are straightened by means of heated irons, and the clerestory windows which had long been concealed, are opened out and filled with tracery.
Beresford dies on July 18, 1862, at Woburn, Bedfordshire, England, the home of his niece, in the parish of Donaghadee and is buried in the cathedral. There is a memorial to him in the south aisle at St. Patrick’s Cathedral, Armagh.
In 1745 Loftus marries Frances Monroe, daughter of Henry Monroe of Roe’s Hall, County Down. Frances is a leading figure in Dublin society who wields some political influence and is a much stronger character than her rather ineffectual husband, whom she seems to dominate completely. She dies in 1774.
There is a portrait of the couple, with Lady Ely’s nieces, Dorothea (Dolly) and Frances Monroe, the daughters of her brother Henry Monroe of Roe’s Hall, by the celebrated Swiss painter Angelica Kauffman, who visits Ireland in 1771. Dolly Monroe is one of the greatest beauties of the age, whose admirers include Henry Grattan and Oliver Goldsmith. She marries the politician William Richardson and dies without issue in 1793. Her sister Frances marries Henry Read.
Loftus marries secondly Anne Bonfoy, daughter of Captain Henry Bonfoy and Anne Eliot, and sister of Edward Craggs-Eliot, 1st Baron Eliot. He has no issue by either marriage and at his death on May 8, 1783, his estates pass to his nephew Charles Loftus, 1st Marquess of Ely, the son of his sister Elizabeth and Sir John Tottenham, 1st Baronet. His widow dies in 1821, having outlived her mother, who lives to be 97, by only five years.
(Pictured: Henry Loftus (1709-1783), 1st Earl of Ely, and his wife Frances Monroe (d.1821), Countess of Ely, circa 1775, source National Trust, Upton House)
When the Irish Rebellion of 1798 breaks out in Ireland, Wolfe Tone urges the French Directory to send effective assistance to the Irish rebels. All that can be promised is a number of raids to descend simultaneously around the Irish coast. One of these raids under General Jean Joseph Amable Humbert succeeds in landing a force near Killala, County Mayo, and gains some success in Connacht (particularly at Castlebar) before it is subdued by General Gerard Lake and Charles Cornwallis. Wolfe Tone’s brother Matthew is captured, tried by court-martial and hanged. A second raid, accompanied by James Napper Tandy, comes to a disastrous end on the coast of County Donegal.
Wolfe Tone takes part in a third raid, under Admiral Jean-Baptiste-François Bompart, with General Jean Hardy in command of a force of 2,800 men. He certainly knows before departing that the odds against them are incredibly long. Most of the United Irish organization has already spent itself in Wexford, Ulster, and other places. There is one slim reed of hope for success – the news from Hubert, who is sweeping the British before him in Mayo with his 1,000 Frenchmen and Irish rebel allies. Wolfe Tone once said he would accompany any French force to Ireland even if it were only a corporal’s guard, so he sails off with Hardy’s Frenchmen aboard the Hoche.
They are intercepted by a large British fleet at Buncrana on Lough Swilly on October 12, 1798. Escape aboard one of the small, fast ships is Wolfe Tone’s only hope to avoid a hangman’s noose but he refuses to transfer from the large, slow Hoche, which has little choice but certain sinking or capture. He refuses offers by Napoleon Bonaparte and other French officers of escape in a frigate before the Battle of Tory Island. “Shall it be said,” he asks them, “that I fled while the French were fighting the battle of my country?”
The Hoche withstands an attack by five British ships for several hours, with Wolfe Tone commanding one of her batteries. Inevitably the masts and rigging of the Hoche are shot away and she strikes her colors. Wolfe Tone is dressed in a French adjutant general‘s uniform, but there is little chance of him avoiding detection with so many former acquaintances among the British. He is thrown into chains taken prisoner when the Hoche surrenders.
When the prisoners are landed at Letterkenny Port a fortnight later, Sir George Hill recognises Wolfe Tone in the French adjutant general’s uniform in Lord Cavan’s privy-quarters at Letterkenny. At his trial by court-martial in Dublin on November 8, 1798, Wolfe Tone makes a speech avowing his determined hostility to England and his intention “by frank and open war to procure the separation of the countries.” Recognising that the court is certain to convict him, he asks that “the court should adjudge me to die the death of a soldier, and that I may be shot.” His request to be shot is denied.
On November 10, 1798, Wolfe Tone is found guilty and sentenced to be hanged on November 12. Before this sentence is carried out, either he attempts suicide by slitting his throat or British soldiers torture and mortally wound him. Military surgeon Benjamin Lentaigne treats him just hours before he is due to be hanged. The story goes that he is initially saved when the wound is sealed with a bandage, and he is told if he tries to talk the wound will open and he will bleed to death.
A pamphlet published in Latin by Dr. Lentaigne some years after Wolfe Tone’s official “suicide” refers to an unusual neck wound suffered by an unnamed patient which indicates that “a bullet passed through his throat.” This leads to speculation that Wolfe Tone may have been shot.
Theobald Wolfe Tone dies on November 19, 1798, at the age of 35 in Provost’s Prison, Dublin, not far from where he was born. He is buried in Bodenstown Graveyard in County Kildare, near his birthplace at Sallins, and his grave is in the care of the National Graves Association.
(Pictured: “Capture Of Wolfe Tone Date 1798,” a drawing by Mary Evans Picture Library, the UK’s leading source for historical images)
Moore is born in 1701, the second son of Charles Moore, Lord Moore, son of Henry Hamilton-Moore, 3rd Earl of Drogheda, and Jane Loftus, daughter of Lord Loftus. He serves in the Irish House of Commons as the Member of Parliament for Dunleer between 1725 and 1727 when he succeeds to his elder brother’s titles and takes his seat in the Irish House of Lords. In 1748 he is invested as a member of the Privy Council of Ireland and made a Governor of Meath.
Moore marries, firstly, Lady Sarah Ponsonby, daughter of Brabazon Ponsonby, 1st Earl of Bessborough, and Sarah Margetson, in 1727, with whom he has six sons and two daughters. Following her death on January 19, 1736, he married, secondly, Bridget Southwell, daughter of William Southwell and Lucy Bowen, on October 13, 1737.
Moore and his son Edward are lost in a storm at sea while travelling between Holyhead and Dublin on October 28, 1758. He is succeeded by his eldest son, Charles, who is created Marquess of Drogheda in 1791.
(Pictured: Stamp of Edward Moore, 5th Earl of Drogheda)
Malone is born to Edmond Malone Sr. (1704–1774), MP of the Irish House of Commons and judge of the Court of Common Pleas in Ireland, and Catherine Collier, the niece of Robert Knight, 1st Earl of Catherlough. He has two sisters, Henrietta and Catherine, and an older brother, Richard (later Lord Sunderlin). His father is a successful lawyer and politician in England, but his practice fails and he returns to Ireland. Little is known of his childhood and adolescence except that in 1747 he is sent to Dr. Ford’s preparatory school in Molesworth Street, Dublin. The next record of his education is ten years later, in 1757, when he enters Trinity College, Dublin. He receives his BA degree on February 23, 1762.
In the following months Malone sends a steady stream of notes and corrections to George Steevens, who, by then the inheritor, from Samuel Johnson, of the editor’s mantle for the Jacob Tonson edition of Shakespeare’s collected works, is busy preparing a second edition. His main contribution appears in the first volume as “An Attempt to Ascertain the Order in Which the Plays Attributed to Shakspeare Were Written.”
Malone’s three supplemental volumes (1780–1783) to Steevens’ edition of Johnson’s Shakespeare, containing apocryphal plays, textual emendations, and the first critical edition of the sonnets, are landmarks in Shakespearean studies. His “Historical Account of the Rise and Progress of the English Stage, and of the Economy and Usages of the Ancient Theatres in England” (1800) is the first treatise on English drama based on original sources. His own edition of Shakespeare in 11 volumes appears in 1790. A new octavo edition, unfinished at his death, is completed by James Boswell, the son of Samuel Johnson’s biographer, and published in 1821 in 21 volumes. This work, which includes a memoir of Malone, is the standard edition of Shakespeare’s writings for more than a century.
Malone dies at the age of 70 in London on May 25, 1812.
(Pictured: Portrait of Edmond Malone by Joshua Reynolds (1778), National Portrait Gallery)
John Bligh, 3rd Earl of Darnley and former Member of Parliament (MP) for Athboy, who suffers from the delusion that he is a teapot, marries suddenly and unexpectedly on September 11, 1766 at nearly 50 years of age. Suffering from the delusion that he is a teapot, from the date of his marriage until his death in 1781 he fathers at least seven children “in spite of his initial alarm that his spout would come off in the night.”
Bligh is born on October 1, 1719 near Gravesend, Kent, the son of John Bligh, 1st Earl of Darnley and Lady Theodosia Hyde, later Baroness Clifton (in her own right). At the age of eight he is sent to Westminster School. He matriculates at Merton College on May 13, 1735 and is created MA on July 13, 1738.
Outwardly, Bligh appears “solid” and “capable,” a man “terribly conscious of his own dignity.” His eccentricities do not stop him becoming MP for Athboy, which he represents from 1739 until 1748, and for Maidstone, Kent, which he serves from 1741 to 1747.
After failing to be elected MP for Tregony, Cornwall, in 1754, Bligh never stands again for parliament, either in England or Ireland. The seat that he gains in the House of Lords, in 1765, gives him the opportunity to return to Ireland more frequently.
In Dublin, on September 11, 1766, the “ageing nobleman” of almost 48-years-old, suddenly marries eighteen-year-old Mary Stoyte, a wealthy heiress and only child of John Stoyte, a leading barrister from Streete, County Westmeath. The unexpected marriage, between a sworn bachelor and a young woman, shocks Dublin society.
The new Countess of Darnley has to cope with the odd private behaviour of her touchy husband. According to a manuscript in the possession of the Tighe family, on the night of his marriage, Bligh “imagined himself to be a fine China tea pot, and was under great fears, lest the spout should be broken off before morning!”
In spite of his nocturnal fears, the earl manages to father at least seven children: John (1767), Mary (1768), Edward (1769), Theodosia (1771), Sarah (1772), Catherine (1774), and William (1775).
Each summer, Bligh takes his family to Weymouth, where the seawater is believed to strengthen weak constitutions and help brace nerves.
Despite every precaution, in 1781 Bligh catches malaria. Attempts to treat him with quinine and peppermint-water purges fail, and on July 31, 1781, he dies at the age of 61, his spout supposedly still intact. Mary lives on until 1803.
Hone is born in Dublin on April 24, 1718, the son of a Dublin-based Dutch merchant. He moves to England as a young man and, after marrying Molly Earle, daughter of the John Campbell, 4th Duke of Argyll, in 1742, eventually settles in London, by which time he has acquired a reputation as a portrait painter. While his paintings are popular, his reputation is particularly enhanced by his skill at producing miniatures and enamels. He interrupts his time in London by spending two years (1750–52) studying in Italy.
As a portrait painter, several of Hone’s works are now held at the National Portrait Gallery in London. His sitters include magistrate Sir John Fielding and Methodist preacher John Wesley, and General Richard Wilford and Sir Levett Hanson in a double portrait. He often uses his son John Camillus Hone (1745-1836) in some of his works, including his unique portrait of “The Spartan Boy,” painted in 1774.
Hone courts controversy in 1775 when his satirical picture The Conjurer (National Gallery of Ireland, Dublin) is seen to attack the fashion for Italian Renaissance art and to ridicule Sir Joshua Reynolds, leading the Royal Academy to reject the painting. It also originally includes a nude caricature of fellow Academician Angelica Kauffman in the top left corner, which is painted out by Hone after Kauffman complains to the academy. The combination of a little girl and an old man has also been seen as symbolic of Kauffman and Reynolds’s closeness, age difference, and rumoured affair. To show that his reputation is undamaged, Hone organises a one-man retrospective in London, the first such solo exhibition of an artist’s work.
The Hone family is related to the old Dutch landed family the van Vianens, who hold the hereditary title of Vrijheer. His great-grand-nephew shares the same name and is also a notable Irish painter, known as Nathaniel Hone the Younger (1831–1917). He is also a relation to painter Evie Hone.
Nathaniel Hone the Elder dies in London at the age of 66 on August 14, 1784.
(Pictured: Oil on canvas self-portrait by Nathaniel Hone, circa 1760)
Francis Hutcheson, Scotch-Irishphilosopher and major exponent of the theory of the existence of a moral sense through which man can achieve right action, is born on August 8, 1694, in Saintfield, County Down, Ulster. He is remembered for his book A System of Moral Philosophy. He is an important influence on the works of several significant Enlightenment thinkers, including David Hume and Adam Smith.
Hutcheson is licensed as a preacher in 1719 by Irish Presbyterians in Ulster, but in 1738 the Glasgow presbytery challenges his belief that people can have a knowledge of good and evil without, and prior to, a knowledge of God. His standing as a popular preacher is undiminished, however, and the celebrated Scottish philosopher David Hume seeks his opinion of the rough draft of the section “Of Human Morals” in Hume’s A Treatise of Human Nature.
Hutcheson’s ethical theory is propounded in his Inquiry into the Original of Our Ideas of Beauty and Virtue (1725), in Essay on the Nature and Conduct of the Passions and Affections (1728) and Illustrations upon the Moral Sense (1728), and in the posthumous A System of Moral Philosophy (1755). In his view, besides his five external senses, man has a variety of internal senses, including a sense of beauty, of morality, of honour, and of the ridiculous. Of these, Hutcheson considers the moral sense to be the most important. He believes that it is implanted in man and pronounces instinctively and immediately on the character of actions and affections, approving those that are virtuous and disapproving those that are vicious. His moral criterion is whether or not an act tends to promote the general welfare of mankind. He thus anticipates the utilitarianism of the English thinker Jeremy Bentham, even to his use of the phrase “the greatest happiness for the greatest number.” Hutcheson is also influential as a logician and theorist of human knowledge.
Hutcheson spends time in Dublin and dies while on a visit to the city on August 8, 1746, his fifty-second birthday. He is buried in the churchyard of Saint Mary’s, which is also the final resting place of his cousin William Bruce. Today Saint Mary’s is a public park located in what is now Wolfe Tone Street. He lies in what is now an unmarked grave in the Dublin he loved and where his best work was done.
Wesley is the son of Richard Wesley, 1st Baron Mornington, and Elizabeth Sale. He is educated at Trinity College Dublin and is elected its first Professor of Music in 1764. From early childhood he shows extraordinary talent on the violin and soon begins composing his own works. As a composer he is remembered chiefly for glees such as “Here in cool grot” and for a double Anglican chant. His son, Arthur Wellesley, 1st Duke of Wellington, is the only one of his children to inherit something of his musical talent.
Wesley represents Trim in the Irish House of Commons from 1757 until 1758, when he succeeds his father as 2nd Baron Mornington.
Wesley marries Anne Hill-Trevor, eldest daughter of banker Arthur Hill-Trevor, 1st Viscount Dungannon, and his wife Anne Stafford, on February 6, 1759. His godmother, the famous diarist Mary Delany, says the marriage is happy, despite his lack of financial sense and her “want of judgment.” They have nine children, most of whom are historically significant.
In 1759 Wesley is appointed Custos Rotulorum of Meath and in 1760, in recognition of his musical and philanthropic achievements, he is created Viscount Wellesley, of Dangan Castle in the County of Meath, and Earl of Mornington. He is elected Grandmaster of the Grand Lodge of Ireland in 1776, a post he holds until the following year.
Wesley dies at the age of 45 on May 22, 1781. Like his father, he is careless with money, and his early death leaves the family exposed to financial embarrassment, leading ultimately to the decision to sell all their Irish estates.
Four streets in Camden Town, which form part of the estate of Wesley’s son-in-law Henry FitzRoy, are named Mornington Crescent, Place, Street and Terrace after him. Of these, the first has since become famous as the name of a London Underground station.
Despite setbacks elsewhere, at the end of 1744 the French hold the initiative in the Austrian Netherlands, and their leaders consider this theatre offers the best opportunity for a decisive victory. In late April, they besiege Tournai, which controls access to the upper Scheldt basin, which makes it a vital link in the North European trading network and the Allies march to its relief.
Leaving 22,000 men in front of Tournai, Saxe places his main force five miles away in the villages of St. Antoine, Vezin and Fontenoy, along a naturally strong feature which he strengthens with defensive works. After a series of unsuccessful flank assaults, the Allies attack the French centre with a column of 15,000 men.
Colonel Arthur Dillon‘s regiment, which had already been badly shot up earlier in the fight, along with the brigade’s other five, charge the British as they seem on the verge of breaking the French line. Fifty years of Irish frustration and British betrayal now come back to haunt the British. As the men of the Irish Brigade close through a hail of British bullets, their shouts are heard above the din: “Cuimhnígí ar Luimneach agus ar fheall na Sasanach!” (Remember Limerick and the Saxon Faith).
Nothing can withstand the wave of hatred and revenge that breaks on the hapless British line that day. The victory is won but the cost is high. Colonel Dillon is dead, and Lord Clare is wounded twice. The brigade suffers 656 casualties in all, the highest percentage of all the French units.
Although the Allies retreat in good order, Tournai falls shortly afterwards, followed by Ghent, Oudenaarde, Bruges and Dendermonde. The withdrawal of British forces in October to deal with the Jacobite Rising facilitates the capture of Ostend and Nieuwpoort. By the end of 1745, France controls much of the Austrian Netherlands, threatening British links with Europe.
However, by early 1746, France is struggling to finance the war and begins peace talks at the Congress of Breda in May. Despite victories at Rocoux in October 1746 and Lauffeld in July 1747, the war continues until the Treaty of Aix-la-Chapelle in 1748.
seamus dubhghaill 