Lucien Bull, a pioneer in chronophotography, is born in Dublin on January 5, 1876. Chronophotography is defined as “a set of photographs of a moving object, taken for the purpose of recording and exhibiting successive phases of motion.”
Born in Dublin to British father, Cornelius Bull, and French mother, Gabrielle Joune, Bull lives his younger years in Dublin where he attends school and lives at home with his parents. In 1894, Bull moves to France to visit his aunts. After several months, Bull eventually settles in the area and becomes an assistant to Étienne-Jules Marey in 1895. At the time, Marey is working on the cinematographic, which is a camera that is shaped like a rifle and takes pictures of moving objects from a rotating plate. This eventually becomes known as the “gun camera.”
This camera is designed to investigate the study of motion. Basically, the “gun camera” is designed to take an object in motion and snap still shots. By taking these still shots, each movement made by the object is captured and then studied to analyze movement patterns that were unable to be studied before. The first successful film is taken in 1904 when Bull is able to film the flight of a fly at 1,200 frames per second.
As a result of Marey’s death in May 1904, Bull becomes head of the Marey Institute, which forms part of the Collège de France. While remaining with the Marey Institute, Bull is naturalized as a French citizen in 1931. After a few years, Bull eventually introduces a few papers on a wide variety of subjects ranging from spark illuminations, high-speed motion-picture photography, original studies of insect and bird flight, and electrocardiography and muscle and heart functions.
In 1933, Bull is put in charge of research, National Office of Research and Invention in France. In 1948 he becomes President of the Institute of Scientific Cinematography in Paris. His work is eventually listed by Dr. W. Hinsch in Research Film for December 1953.
Born in Ireland around 1721, Hogun migrates to North Carolina, then a British colony, in 1751. Settling in Halifax County, he raises a family and establishes himself as a prominent local figure.
In November 1779, Hogun is sent south in command of the North Carolina Brigade to the aid of General Benjamin Lincoln, who is facing an anticipated British assault at Charleston, South Carolina. The march south, through one of the worst winters ever, is a severe one and Hogun’s numbers are reduced by the time he reached Charleston on March 3, 1780. Before the end of the month, British General Henry Clinton’s men are besieging the city. The Americans, though outnumbered more than two to one, have a few successes but soon they are running low on food and ammunition.
At a council of war May 11, the decision is made to surrender. The surrender the following day is one of the worst American defeats of the war — more than 2,500 men become British prisoners. The British hastily build a prison on Haddrel’s Point, a peninsula in Charleston’s harbor, to hold the prisoners, but the site is incomplete, and conditions are harsh.
Generals McIntosh, Lincoln, and Scott, and other high-ranking officers accept parole from the British and depart. Generals William Moultrie and Hogun refuse, preferring to stay with their men. The British are trying to recruit colonial soldiers to serve them in the West Indies. In spite of his flagging health, Hogun fears some of his men might weaken if he departs.
As winter sets in, Hogun’s condition worsens. On January 4, 1781, he passes away and was buried near the prison. Like so many other Irish-born soldiers before and after him, James Hogun had given his last full measure of devotion to his adopted country.
Fallon’s upbringing and his early impressions of Athenry and the surrounding landscape are intimately described in his poetry. After passing the civil service exams in 1923 he moves to Dublin to work in the Customs House. In Dublin he becomes part of the circle of George William Russell (Æ) who encourages his literary ambitions and arranges for the publication of his early poetry. His early poetry, short stories, and literary criticism are published in The Dublin Magazine and The Bell.
He forms close friendships with Seumas O’Sullivan, editor of The Dublin Magazine, the poets Austin Clarke, Robert Farren, F.R. Higgins, and Patrick McDonagh and later the novelist James Plunkett. In 1939, Fallon leaves Dublin to serve as a Customs official in County Wexford, living in Prospect House, near Wexford Town with his wife, Dorothea (née Maher) and his six sons. During this time, he becomes a close friend of the painter Tony O’Malley.
Fallon is a regular contributor to Radio Éireann in the 1940s and 1950s, serving variously as a journalist, scriptwriter, and literary critic. A number of his short stories and early dramatic pieces are broadcast by the station during the 1940s. The first of Fallon’s verse plays for radio, Diarmuid and Gráinne, is broadcast by Radio Éireann in November 1950. This is followed by The Vision of Mac Conglinne (1953), Two Men with a Face (1953), The Poplar (1953), Steeple Jerkin (1954), A Man in the Window (1955), Outpost (1955), The Wooing of Étain (1955), Deirdre’s King (1956), The Five Stations (1957), The Hags of Clough (1957), The Third Bachelor (1958), At the Bridge Inn (1960), and Lighting up Time (1961).
Three plays adapted from Irish mythology, Diarmuid and Gráinne, The Vision of Mac Conglinne, and Deirdre’s King receive particular contemporary critical acclaim. The landscape, mythology, and history of Ireland, interwoven with classical themes and religious symbolism, are frequent themes in his poetry and dramatic works.
A number of his radio plays are later broadcast on the BBC Third Programme, and, in translation, in Germany, Holland, and Hungary. A stage play, The Seventh Step, is staged at The Globe Theatre in Dublin in 1954. A second stage play, Sweet Love ’till Morn, is staged in the Abbey Theatre in 1971. Fallon also writes dramatic pieces for television such as A Sword of Steel (1966) and The Fenians (1967), the latter produced by James Plunkett.
Fallon retires from the Civil Service in 1963, returning to Dublin before moving to Cornwall in 1967 to live with his son, the sculptor Conor Fallon and his daughter-in-law, the artist Nancy Wynne-Jones. He and his wife return to Ireland in 1971. He spends his last years in Kinsale. He is visiting his son Ivan Fallon in Kent at the time of his death on October 9, 1974.
While his poetry has previously appeared in The Dublin Magazine, The Bell, The Irish Times, and a number of anthologies, his first volume of collected poetry, Poems, incorporating a number of previously unpublished poems, is not produced until 1974, months before his death. Three volumes of his poetry, edited by his son, the journalist and critic Brian Fallon, are published after his death – Poems and Versions (1983), Collected Poems (1990), with an introduction by Seamus Heaney, and A Look in the Mirror and Other Poems (2003), with an introduction by Eavan Boland. In 2005, three of Fallon’s verse plays, The Vision of Mac Conglinne, The Poplar, and The Hags of Clough are published in a single volume. A selection of his prose writings and criticism edited by Brian Fallon, A Poet’s Journal, is published in the same year.
The first edition of the Irish Independent, flagship publication of Independent News & Media (INM) and Ireland’s largest-selling daily newspaper, is printed on January 2, 1905.
The Irish Independent is formed in 1905 as the direct successor to the Daily Irish Independent, an 1890s pro-Parnellite newspaper, and is launched by William Martin Murphy, a controversial Irish nationalist businessman, staunch anti-Parnellite and fellow townsman of Charles Stewart Parnell‘s most venomous opponent, Bantry’s Timothy Michael Healy.
During the Great Dublin Lockout of 1913, in which Murphy is the leading figure among the employers, the Irish Independent vigorously sides with its owner’s interests, publishing news reports and opinion pieces hostile to the strikers, expressing confidence in the unions’ defeat and launching personal attacks on the leader of the strikers, James Larkin. The Irish Independent describes the 1916 Easter Rising as “insane and criminal” and famously calls for the shooting of its leaders. In December 1919, during the Irish War of Independence, a group of twenty Irish Republican Army (IRA) men destroy the printing works of the paper, angered at its criticism of the IRA’s attacks on members of the Dublin Metropolitan Police and British government officials. In 1924, the traditional nationalist newspaper, the Freeman’s Journal, merges with the Irish Independent. Until October 1986 the paper’s masthead over the editorial contains the words “incorporating the Freeman’s Journal.”
For most of its history, the Irish Independent is seen as a nationalist, Catholic, anti-Communist, newspaper which gives its political allegiance to the Pro-Treaty party Cumann na nGaedheal and later its successor party, Fine Gael. During the Spanish Civil War, the Irish Independent‘s coverage is strongly pro-Franco, and the paper criticizes the De Valera government for not intervening on behalf of the Spanish Nationalists.
In the 1970s, the Irish Independent is taken over by former Heinz chairman Tony O’Reilly. Under his leadership, it becomes a more populist, market liberal newspaper — populist on social issues but economically right-wing. By the mid-nineties its allegiance to Fine Gael has ended. In the 1997 general election, it endorses Fianna Fáil under a front-page editorial entitled “It’s Payback Time.” While it suggests its headline refers to the fact that the election offers a chance to “pay back” politicians for their failings, its opponents suggest that the “payback” actually refers to its chance to get revenge for the refusal of the Rainbow Coalition to award the company a mobile phone licence.
In late 2004, Independent Newspapers moves from their traditional home in Middle Abbey Street to a new office, “Independent House” in Talbot Street, with the printing facilities already relocated to the Citywest business park near Tallaght.
On September 27, 2005, a fortnight after the paper publishes its centenary edition, it is announced that editor Vinnie Doyle will step down after 24 years in the position. He is replaced by Gerry O’Regan, who has until then been editor of the Irish Independent‘s sister paper, the Evening Herald. The newspaper’s previous editor Stephen Rae is also formerly editor of the Evening Herald and is appointed editor in September 2012. Fionnan Sheahan is appointed editor in January 2015.
In January 2008, at the same time as completing the purchase of Today FM, Ireland’s last national radio station independent of Denis O’Brien and state broadcaster RTÉ, O’Brien increases his INM shareholding to become the company’s second-largest shareholder behind Tony O’Reilly. In May 2008, O’Brien ousts O’Reilly and acquires a majority shareholding. Traditionally a broadsheet newspaper, it introduces an additional compact size in 2004 and in December 2012, following O’Brien’s takeover, it is announced that the newspaper will become compact only.
(Pictured: the first edition of the Irish Independent)
South is born in 1928 in Limerick where he is educated at Sexton Street Christian Brothers School, later working as a clerk in a local wood-importing company called McMahon’s. South is a member of a number of organisations including the Gaelic League, Legion of Mary, Clann na Poblachta, and Sinn Féin. In Limerick he founds the local branch of Maria Duce, a social Catholic organisation, where he also edits both An Gath and An Giolla. He receives military training as a lieutenant of the Irish army reserve, the LDF which later becomes the FCA (An Fórsa Cosanta Áitiúil or Local Defence Force), before he becomes a volunteer in the Irish Republican Army.
South is a devout Catholic, being a member of An Réalt, the Irish-speaking chapter of the Legion of Mary, and a conservative, even by the standards of the day. He is also a member of the Knights of Columbanus.
On New Year’s Day 1957, fourteen IRA volunteers cross the border into County Fermanagh to launch an attack on a joint RUC/B Specials barracks in Brookeborough. During the attack a number of volunteers are injured, two fatally. South and Fergal O’Hanlon die of their wounds as they are making their escape. They are carried into an old sandstone barn by their comrades which is later demolished by a British army jeep. Stone from the barn is used to build a memorial at the site.
The attack on the barracks inspires two popular rebel songs: “Seán South of Garryowen” and “The Patriot Game.” “Seán South of Garryowen,” is written by Sean Costelloe from County Limerick to the tune of another republican ballad “Roddy McCorley” and is made famous by The Wolfe Tones. The popularity of this song leads to the misconception that South is from Garryowen, a suburb in Limerick city. In fact, South is actually from 47 Henry Street in Limerick.
South is also mentioned in The Rubberbandits song “Up Da Ra”, which pokes fun at the concept of armchair republicanism using the literary device of the unreliable narrator.
There is a plaque dedicated to Seán South outside his birthplace on Henry Street, Limerick.
Before joining the U.S. Navy, Macdonough, for unknown reasons, changes the spelling of his last name from “McDonough” to “Macdonough.” He joins the Navy in 1800 as a midshipman and spends the first years of his naval career fighting pirates, including the famous Barbary pirates operating out of Tripoli. When the War of 1812 breaks out, Macdonough, then a lieutenant, is made the commander of all the Navy’s forces on Lake Champlain, an extremely important post due to the threat of British invasion from Canada. The opposing sides build their fleets on the Lake through most of 1813.
In August of that year, British General Sir George Prévost begins his invasion from Canada. Moving along the western edge of Lake Champlain, he hopes to use the guns of his fleet to help cover his advance. The British army outnumbers the Americans better than two to one, but Prévost needs to use the Lake to supply his army, thus the fleet of Thomas Macdonough becomes a prime target of the British fleet on Lake Champlain.
The two fleets are fairly evenly matched, but the guns of the British ships have an advantage in range. Macdonough comes up with a brilliant plan to negate this advantage. He anchors inside Plattsburgh Bay in such a manner that the British cannot fire at them from long range and have to come around Cumberland Head and approach them head on, presenting their bows to the American guns. From there it becomes a close-range slugging match, more to the liking of the Americans.
On board his flagship, the USS Saratoga, Macdonough fires the first shot, hitting the HMS Confiance, the flagship of Captain George Downie, commander of the British fleet. Macdonough continues to work the gun through the fierce 2 ½-hour battle. Twice his men are sure he has been killed as he is knocked out and lay on the deck. But twice he rises and returns to action. Finally, with Captain Downie dead, and their ships devastated, the largest ships of the British fleet strike their colors, and their gunboats run for home.
On land, General Prévost has engaged the American land forces as the British fleet attacks. When it becomes apparent the American fleet is victorious, Prévost knows that further movement south is futile. He breaks off the attack and retreats toward Canada. Thomas Macdonough’s fleet has ended the British invasion. It is one of the greatest victories in the history of the U.S. Navy.
For his enormous contribution to the momentous victory, the United States Congress has a medal struck in Macdonough’s honor, and New York and Vermont present him with huge tracks of land. He continues his Navy career after the war.
On November 10, 1825, Macdonough dies of consumption aboard ship while commanding the USS Constitution as it is passing Gibraltar. His body is returned to the United States and is buried in Middletown, Connecticut. He is laid to rest alongside his wife Ann Shaler, a lady of a prominent family in Middletown, she having died just a few months earlier.
Sadlier publishes roughly sixty novels and numerous stories in her lifetime. She writes for Irish immigrants in both the United States and Canada, encouraging them to attend mass and retain the Catholic faith. In so doing, Sadlier also addresses the related themes of anti-Catholicism, the Great Famine, emigration, and domestic work. Her writings are often found under the name Mrs. J. Sadlier.
Upon the death of her father, Francis, a merchant, Mary Madden emigrates to Sainte-Marthe, Quebec in 1844, where she marries publisher James Sadlier, also from Ireland, on November 24, 1846. Sadlier publishes much of her work in the family’s Catholic magazine, The Tablet. Sadlier experiences her most productive literary period after her marriage and is most creative after the time all of her children are born. While living in Canada, Sadlier publishes eighteen books — five novels, one collection of short stories, a religious catechism, and nine translations from the French — in addition to assorted magazine articles she contributes to the Pilot and American Celt free of charge. In New Lights (1853), Sadlier deals with the Great Famine for the first time. The book proves one of her most popular, going through at least eight editions in fifty years. In this novel, Sadlier focuses a polemical attack on the Protestant practice of converting Irish peasants by promising them soup but condemns peasant retaliation and violence.
In the early 1860s, the couple moves to New York City. The Sadlier’s New York home becomes the hub of literary activity in the Catholic community, and Sadlier also enjoys the company of the brightest Irish writers in the United States and Canada, including New York Archbishop John Hughes, editor Orestes Brownson, and Thomas D’Arcy McGee. She holds weekly salons in her Manhattan home, as well as her summer home on Far Rockaway on Long Island. Her closest friend is D’Arcy McGee, a poet, Irish nationalist exile and Canadian statesman known as one of the founding “Fathers of Confederation” who helps bring about Canada’s independence. McGee and Sadlier share an interest in a “national poetry” that does not only capture the spirit of a people but inspires them to political and national independence. While McGee, as a man, can take part in political rallies and organize Irish American support for Home Rule, Sadlier, as a woman, directs her support for Irish independence into literature. McGee’s biographer notes that Sadlier’s success inspires him to write emigrant novels and is planning a novel on this subject at the time of his assassination by an Irish American radical in 1868. His death is a crushing blow to Sadlier and her husband. Sadlier edits a collection of McGee’s poetry in 1869 in tribute to his memory.
Sadlier remains in New York for nine years before returning to Canada, where she dies in Montreal on April 5, 1903. In later years she loses the copyright to all her earlier works, many of which remain in print. One of Mary Anne’s daughters, Anna Theresa Sadlier, also becomes a writer.
Bannon is born to James Bannon, a Dublin grain dealer, and Fanny Bannon (née O’Farrell). He goes to the vincentian Castleknock College in Dublin. In 1846 he goes to study for the priesthood at St. Patrick’s Pontifical University, Maynooth, in the minor seminary until 1850 and completing his theology course in 1853. He is ordained on June 16, 1853, by Archbishop Paul Cullen for the Dublin Diocese. He soon applies to move to America.
Shortly after ordination he moves to the Archdiocese of St. Louis, Missouri. He becomes pastor to St. John the Apostle and Evangelist Church which he builds in 1858. He serves in the First Missouri Confederate Brigade, during the American Civil War. He ministers at the battles of Corinth, Fort Gibson, and at Big Black River Bridge, Vicksburg.
He is detained on July 4, 1863, when Vicksburg surrenders. After being released by Union forces, he goes to Richmond, Virginia in August 1863, where Jefferson Davis and Secretary of State Judah Benjamin ask him to go to Ireland to discourage recruitment for the Federal forces and try to get international help for the Confederacy.
In November 1863, Bannon returns to Ireland, writing and pamphleting to discourage people from emigrating and joining the Union side of the civil war. He makes two trips to Rome to try, unsuccessfully, to get the Vatican to side with the Confederacy. Following the American Civil War, he is banned from preaching in St. Louis, and stays in Ireland, becoming a Jesuit in 1865, spending some time in Milltown Park, Tullabeg College, and in Gardiner Street.
Bannon dies on July 14, 1913, in Upper Gardiner Street, and is buried in the Jesuit plot at Glasnevin Cemetery, Dublin.
Burke shows an early interest in drawing, displaying a love for depicting the people and land of Connemara. His career in the arts is initiated at the Royal Academy of Arts in London. He exhibits at the Royal Academy and the Royal Hibernian Academy, where he is also Professor of Painting, from 1863 until his death. From 1870 to 1872 he resides in the Netherlands where he illustrates a handful of Dutch scenes. One of the earliest Irish artists to travel to Brittany, Burke exhibits fifteen Breton scenes at the Royal Hibernian Academy between 1876 and 1878. He paints further in his native Ireland, as well as Scotland and England. The 1880s bring Burke to Walberswick in Suffolk to an artist’s colony created by Philip Wilson Steer. A student of Burke, Walter Osborne, paints with him here.
Burke, overcome with grief by his brother Thomas’ murder during the Phoenix Park Murders in 1882, leaves the Royal Hibernian Academy and his position as Professor of Painting. He moves with the remaining members of his family first to England and then to Italy.
Two of Burke’s most famous paintings, Connemara Girl and A Connemara Landscape, hang at the National Gallery of Ireland. His work is relatively rare, mainly because the contents of his studio are destroyed during the fire that engulfs the Abbey Street buildings of the RHA in 1916. Furthermore, many of the paintings lay hidden in a cellar for over ninety years until their recent discovery.
Breen is born in Grange, Donohill parish, County Tipperary, on August 11, 1894. His father dies when he is six, leaving the family very poor. He is educated locally before becoming a plasterer and later a linesman on the Great Southern Railways.
Breen is sworn into the Irish Republican Brotherhood in 1912 and the Irish Volunteers in 1914. On January 21, 1919, the day the First Dáil meets in Dublin, Breen takes part in the Soloheadbeg Ambush. The ambush party of eight men, led by Seán Treacy, attacks two Royal Irish Constabulary (RIC) men who are escorting explosives to a quarry. The two policemen, James McDonnell and Patrick O’Connell, are fatally shot during the incident. The ambush is considered to be the first incident of the Irish War of Independence.
During the conflict, the British put a £1,000 price on Breen’s head, which is later increased to £10,000. He quickly establishes himself as a leader within the Irish Republican Army (IRA). He is known for his courage. On May 13, 1919 he helps rescue his comrade Seán Hogan at gunpoint from a heavily guarded train at Knocklong station in County Limerick. Breen, who is wounded, remembers how the battalion is “vehemently denounced as a cold-blooded assassins” and roundly condemned by the Catholic Church. After the fight, Treacy, Séamus Robinson, and Breen meet Michael Collins in Dublin, where they are told to make themselves scarce although they do not necessarily agree.
Breen and Sean Treacy shoot their way out through a British military cordon in the northern suburb of Drumcondra (Fernside). They escape, only for Treacy to be killed the next day. Breen is shot at least four times, twice in the lung.
The British reaction is to make Tipperary a “Special Military Area,” with curfews and travel permits. Volunteer GHQ authorises entrerprising attacks on barracks. The British policy forces Breen and Treacy to retreat to Dublin. They join Michael Collins’ Squad of assassins, later known as the Dublin Guard, and Dublin becomes the centre of the war.
Breen is present in December 1919 at the ambush in Ashtown beside Phoenix Park in Dublin where Martin Savage is killed while trying to assassinate the Lord Lieutenant of Ireland, Viscount John French. The IRA hides behind hedges and a dungheap as the convoy of vehicles drives past. They have been instructed to ignore the first car but this contains their target, Lord French. Their roadblock fails as a policeman removes the horse and cart intended to stop the car.
Breen utterly rejects the Anglo-Irish Treaty, which makes him, like many others, angry and embittered. In the June 1922 elections Breen is nominated as a candidate by both the pro- and anti-Treaty sides, but is not elected.
Breen is elected to Dáil Éireann at the 1923 general election as a Republican anti-Treaty Teachta Dála (TD) for the Tipperary constituency. Following the Anglo-Irish Treaty, Breen joins the Anti-Treaty IRA in the civil war, fighting against those of his former comrades in arms who support the Treaty. He is arrested by the National Army of the Irish Free State and interned at Limerick Prison. He spends two months there before going on hunger strike for six days followed by a thirst strike of six days, prompting his release.
Breen writes a best-selling account of his guerrilla days, My Fight for Irish Freedom, in 1924. He represents Tipperary from the Fourth Dáil in 1923 as a Republican with Éamon de Valera and Frank Aiken. He is defeated in the June 1927 general election and travels to the United States where he opens a prohibitionspeakeasy. In 1932 he returns to Ireland and regains his seat as a member of Fianna Fáil in the Dáil at that year’s general election. During World War II he is said to hold largely pro-Axis views. He represents his Tipperary constituency without a break until his retirement at the 1965 election.
Breen dies in Dublin on December 27, 1969 and is buried in Donohill, near his birthplace. His funeral is the largest seen in west Tipperary since that of his close friend and comrade-in-arms Seán Treacy at Kilfeacle in October 1920. An estimated attendance of 10,000 mourners assemble in the tiny hamlet, giving ample testimony to the esteem in which he was held.
Breen is the subject of a 2007 biography Dan Breen and the IRA by Joe Ambrose.
Lucien Bull, a pioneer in chronophotography, is born in Dublin on January 5, 1876. Chronophotography is defined as “a set of photographs of a moving object, taken for the purpose of recording and exhibiting successive phases of motion.”
seamus dubhghaill 