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Birth of Cecil King, Painter & Collector

Cecil King, painter and collector, is born on February 22, 1921, at Rathdrum, County Wicklow.

King is the son of Henry King, businessman, of Rathdrum, and Susan King (née Crowe). He is educated at the Church of Ireland Ranelagh School, Athlone, and at Mountjoy School, Clontarf, Dublin (1936–39). Subsequently he joins the printing firm of W. & S. McGowan in Dundalk, where he goes on to become a director. During the 1940s his interest in amateur drama leads him to take classes at the Gaiety School of Acting in Dublin, where his fellow students include Milo O’Shea and Eamonn Andrews. Around this time, he is also involved in An Óige (the Irish Youth Hostel Association), in which he serves as honorary national secretary and honorary treasurer. This involvement leads him to travel extensively from the late 1940s around Europe, where he visits many major art museums and galleries.

King begins to acquire works of art, by both European and Irish artists, and by the mid-1950s he has amassed one of the most important collections of modern art in Ireland. Around 1954 he himself begins to paint, under the guidance of Barbara Warren and the English artist Neville Johnson. In his early work he focuses on urban scenes, often based on the area of Ringsend, Dublin, where he uses subdued tones to produce poetic images of a sombre mood. Even here his interest in the formal qualities of painting – such as the flatness of the picture surface and the juxtaposition of areas of colour on it, which becomes a defining feature of his art – is evident. In 1964 he leaves his successful business career behind in order to devote himself entirely to art, a bold move considering the limited audience for modern art that exists in Ireland at the time. In his own words he recalls how “Painting was what I wanted to do, I realised I didn’t need a car. I could do without an awful lot of things.” (Sunday Independent, November 7, 1982)

By this time, King is working in a fully abstract style. However, he still draws his inspiration from the external world, particularly the milieu of the circus. A painting such as Trapeze (1976; Allied Irish Bank collection) shows how he responds to acrobatic performance, not in any literal or figurative sense, but to the tensions and balances inherent within it. The overall effect is to convey to the viewer the essence of anticipation of the performance. Indeed, his works can create an almost physical sense of involvement on the part of the viewer. This is especially true of his Berlin Suite, a series of screen-prints produced as a result of a visit to East Berlin and published by Editions Alecto of London (1970). He is also inspired to produce a number of paintings on this theme of the claustrophobia of the divided city. Ultimately, he aspires to create works which, with their economy and restraint, achieve a meticulously balanced harmony. This concern leads him, in such works as the Baggot Street Series, to move away from even the most veiled figurative references, evidence for the fact that he constantly strives to further his artistic explorations.

King often works seven days a week. This quiet determination contributes in no small part to the international standing he soon achieves, as does his prolific record as an exhibitor. Writing a foreword to an exhibition of his work at Kilkenny in 1975, the critic William Packer finds that King’s art “confounds the expectations we might have of Irish art, for it is far from local in ambition, accomplishment, and seriousness.” He mounts over twenty-five one-man exhibitions and contributes to a large number of group shows in Ireland and abroad. A significant proportion of his output is to be found in galleries in Europe and the United States, including the Museum of Modern Art, New York, and the Tate Gallery, London. He is also represented in the major public and corporate collections in Ireland, such as the Irish Museum of Modern Art, Ulster Museum, Trinity College Dublin (TCD), Crawford Municipal Gallery, Dublin City Gallery The Hugh Lane, Arts Council, Aer Lingus, Bank of Ireland, Allied Irish Bank, and ESB. In fact, King, with his hard-edge abstract style, is one of the very few artists working in Ireland at the time whose work is comparable to that of the major (principally American) international exponents of abstraction. The term “hard-edge,” applied to King’s style, may however belie the subtlety he could achieve in terms of his handling of colour and texture. This is particularly true of his works in the media of pastel and tapestry, while his last paintings show a tendency towards more expressive brushwork and a more complex approach to colour.

King enjoys a happy relationship with Oliver Dowling from 1960 to the time of his death, at Dún Laoghaire, County Dublin, on April 7, 1986, having suffered a heart attack just three days before an exhibition of his work is due to open in Dublin at the Oliver Dowling Gallery. His legacy is not alone artistic: he also makes a significant contribution to the promotion of modern art in Ireland in his capacity as a member of the organising committee for the Rosc exhibition since its inception in the 1960s, where his wide knowledge of international art is much respected. A member of Aosdána, he twice serves as commissioner for the Department of Foreign Affairs cultural committee. He is also generous in his encouragement of young artists, whose work he regularly adds to his own collection.

(From: “King, Cecil” by Rebecca Minch, Dictionary of Irish Biography, http://www.dib.ie, May 2012 | Pictured: Abstract, Oil on Canvas by Cecil King)


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Death of Thekla Beere, Irish Civil Servant

Thekla Beere, an Irish civil servant who chairs Ireland’s Commission on the Status of Women in 1970 and is secretary of the Department of Transport and Power, dies on February 19, 1991, in Killiney, County Dublin. She is the first woman to lead a government department in Ireland.

Beere is born on June 20, 1901, in Kilmore, Columbkille, near Granard, County Longford, one of two daughters of the Rev. Francis John Armstrong Beere, Church of Ireland vicar of Streete, County Westmeath, and Lucie Beere (née Potterton). She attends Alexandra College in Milltown, Dublin, and does a moderatorship in Legal and Political Sciences and an LL.B. at Trinity College Dublin.

Beere joins the Civil Service of the Republic of Ireland in 1924 and works initially in the Statistics Branch. In 1925, she wins a Rockefeller Foundation scholarship and travels extensively in the United States before resuming her Civil Service career. From 1939, she works in the Department of Industry and Commerce where during The Emergency, as World War II is known in Ireland, she works in the area of supply with Minister Seán Lemass. She becomes Assistant Secretary of that Department in 1953. She is the first woman to achieve the rank of Department Secretary, the highest-ranking post in a government department, doing so at the Department of Transport and Power in 1959. President Mary McAleese calls her the “ultimate civil servant.”

Trinity College Dublin confers an honorary doctorate of Doctor of Laws upon her in 1960. After her retirement in 1967 she is active in public life, serving as a governor of Alexandra College and as a director of The Irish Times. She is requested by the Government to chair the Commission on the Status of Women in 1970, and the Beere Report is presented to the Minister for Finance in December 1972. The report provides a model for change in equal pay, the Civil Service marriage bar (which requires female civil servants to resign from their position upon marriage) and the widow’s pension. Her name is mentioned as a possible candidate for the Irish presidency in 1976.

Beere has a lifelong interest in the proceedings of the Statistical and Social Inquiry Society of Ireland and serves as its President. She is a Governor of The Irish Times Trust and chairwoman of the International Labour Organization office in Geneva, Switzerland. She is a member of the organising committee, which on May 7, 1931, sets up An Óige (the Irish Youth Hostel Association), of which she is President from 1968 to 1974. She also has an extensive interest in the arts, in particular the paintings of Cecil King.

Beere dies on February 19, 1991, in Killiney, County Dublin. She never marries but has a 40-year companionship with businessman JJ O’Leary.


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Birth of Sir William Basil Goulding, Art Collector, Businessman & Cricketer

Sir William Basil Goulding, Irish cricketer, squash player, art collector and prominent businessman, is born in Dublin on November 4, 1909. He is an important art collector of contemporary art in Ireland and is renowned for his extensive collection which is dispersed posthumously. He is an adept businessman and sits on the boards of many companies.

Goulding is educated at Winchester College and Christ Church, Oxford. He inherits the family business W & HM Goulding Ltd. and succeeds his father as Chairperson in 1935. Goulding Ltd. is a well-established fertiliser manufacturer based in Dublin and Cork. The factory closes and is demolished in the mid-20th century and very little of it remains today. The land is donated to the people of Cork by Goulding in the late 1960s and is subsequently developed as an amenity park.

In 1939 Goulding marries Valerie Hamilton Monckton, daughter of Sir Walter Monckton, a lawyer, the UK Attorney General during the Edward VIII abdication crisis, and later a Member of Parliament (MP) for Bristol West. She is an Irish campaigner for disabled people, founder of the Central Remedial Clinic and senator. Together, they have three sons, Hamilton, Timothy and Lingard. The family lives in Enniskerry, County Wicklow, where he has the significant ‘Goulding Summer House’ built by Scott Tallon Walker architects.

During World War II, Goulding is commissioned as a pilot officer in the Royal Air Force. By the end of 1942 he has reached the rank of wing commander.

The Arts Act of 1951 establishes the Arts Council in response to the Bodkin Report which outlines the sad condition of the arts in Ireland. Goulding is a co-opted member of the Council from its formative years and is instrumental in acting on many of its policies.

Goulding is the founding Chairperson of the Contemporary Irish Art Society in 1962, along with Gordon Lambert, Cecil King, Stanley Mosse, James White and Michael Scott. The enthusiasm and vision of these founding members of the society is the catalyst which leads to the development of many important art collections in Ireland. The purpose of the society is to encourage a greater level of patronage of living Irish artists which, at the time, is extremely low. This is mainly achieved by raising funds to purchase artworks by living artists, which are then donated to public collections. The first purchase in 1962 is an important painting by Patrick Scott, donated to the Municipal Gallery of Modern Art (now the Hugh Lane Gallery). Over the following 12 years the society purchases 37 works for the gallery, until in 1974, Dublin Corporation starts to provide an annual purchasing fund for the gallery.

Following completion of the report ‘Design in Ireland,’ the Kilkenny Design Workshops (KDW) is set up in 1963. It endeavours to nurture native Irish crafts particularly textiles, metalwork, ceramics, glass and furniture to have a modern yet distinctly Irish sensibility. The KDW is the first State sponsored design agency in the world and is held as a model of governmental intervention in design. Goulding sits on the board of the KDW from its origination and occupies the role of Chairperson from 1977 until 1981.

A right-handed batsman and wicket-keeper, Goulding plays twice for the Ireland cricket team against the Marylebone Cricket Club (MCC) in 1934, the year in which his father is president of the Irish Cricket Union. He makes his debut in July in a two-day match, scoring seven runs in the Ireland second innings and taking one catch in the MCC first innings. The following month, he plays his only first-class match, not scoring in either inning. In addition to playing cricket, he also represents Ireland at squash, and captains Oxford University at football.

(Photo: Basil Goulding from Tim Goulding’s website, http://www.timgoulding.com)


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Birth of Poet & Linguist Michael O’Siadhail

michael-o-siadhail

Micheal O’Siadhail, poet and linguist, is born in Dublin on January 12, 1947. Among his awards are The Marten Toonder Prize and The Irish American Culture Institute Prize for Literature.

O’Siadhail is born into a middle-class Dublin family. His father, a chartered accountant, is born in County Monaghan and works most of his life in Dublin, and his mother is a Dubliner with roots in County Tipperary. Both of them are portrayed in his work in several poems such as “Kinsmen” and “Promise”. From the age of twelve, he is educated at the Jesuit boarding school Clongowes Wood College, an experience he is later to describe in a sequence of poems “Departure” (The Chosen Garden).

At Clongowes O’Siadhail is influenced by his English teacher, the writer Tom MacIntyre, who introduces him to contemporary poetry. At thirteen he first visits the Aran Islands. This pre-industrial society with its large-scale emigration has a profound impact on him. His earlier work reflects this tension between his love of his native Dublin and his emotional involvement with those outlying communities and which features in the sequence “Fists of Stone” (The Chosen Garden).

O’Siadhail studies at Trinity College Dublin (1964–68) where his teachers include David H. Greene and Máirtín Ó Cadhain. He is elected a Scholar of the College and takes a First-Class Honours Degree. His circle at Trinity includes David McConnell (later professor of genetics), Mary Robinson and David F. Ford (later Regius Professor of Divinity at the University of Cambridge). He subsequently embarks on a government exchange scholarship studying folklore and the Icelandic language at the University of Oslo. He retains lifelong contacts with Norwegian friends and sees Scandinavian literature as a major influence.

In 1970 O’Siadhail marries Bríd Ní Chearbhaill, who is born in Gweedore, County Donegal. She is for most of her life a teacher and later head mistress in an inner-city Dublin primary school until her retirement in 1995 due to Parkinson’s disease. She is a central figure in his oeuvre celebrated in the sequence “Rerooting” in The Chosen Garden and in Love Life, which is a meditation on their lifelong relationship. One Crimson Thread travels with the progression of her Parkinson’s Disease. She dies on June 17, 2013.

For seventeen years, O’Siadhail earns his living as an academic; firstly, as a lecturer at Trinity College (1969–73) where he is awarded a Master of Letters degree in 1971 and then as a research professor at the Dublin Institute for Advanced Studies. During these years he gives named lectures in Dublin and at Harvard University and Yale University and is a visiting professor at the University of Iceland in 1982. In 1987 he resigns his professorship to devote himself to writing poetry which he describes as “a quantum leap.”

During his years as an academic, O’Siadhail, writing under the Irish spelling of his name, published works on the linguistics of Irish and a textbook for learners of Irish.

O’Siadhail serves as a member of the Arts Council of the Republic of Ireland (1987–93), of the Advisory Committee on Cultural Relations (1989–97) and is editor of Poetry Ireland Review. He is the founding chairman of ILE (Ireland Literature Exchange). As a founder member of Aosdána (Academy of Distinguished Irish Artists) he is part of a circle of artists and works with his friend the composer Seóirse Bodley, the painters Cecil King and Mick O’Dea and in 2008 gives a reading as part of Brian Friel‘s eightieth birthday celebration.

O’Siadhail represents Ireland at the Poetry Society‘s European Poetry Festival in London in 1981 and at the Frankfurt Book Fair in 1997. He is writer-in-residence at the Yeats Summer School in 1991 and writer in residence at the University of British Columbia in 2002.

O’Siadhail is now married to Christina Weltz, who is a native of New York, and Assistant Professor of surgical oncology at Mount Sinai Hospital. They reside in New York.