Browne is an important and outspoken member of the Irish hierarchy. His time as Bishop has been described by the historian James S. Donnelly Jr. as “far-reaching and … controversial,” while the historian of Irish CatholicismJohn Henry Whyte claims that Browne’s “readiness to put forward his views bluntly is welcome at least to the historian.”
On August 6, 1937, at the relatively young age of 41, Browne is appointed Bishop of Galway and Kilmacduagh by Pope Pius XI, receiving his episcopal consecration from Archbishop Thomas Gilmartin on the following August 10. He supports TaoiseachÉamon de Valera‘s defence of arrests and police searches for cached Irish Republican Army (IRA) arms, declaring, “Any Irishman who assists any foreign power to attack the legitimate authority of his own land is guilty of the most terrible crime against God’s law, and there can be no excuse for that crime – not even the pretext of solving partition or of securing unity.”
In 1939, Browne is selected by Éamon de Valera to chair the Commission on Vocational Organisation.
Browne is attentive to the state of public morality in the diocese, and James S. Donnelly Jr. has noted his role in directing episcopal and clerical censorship of newsagents and county librarians. He is also concerned about public intoxication and other misconduct at the Galway Races, controversies over dancing and the commercial dance halls, as well as immodesty in dress and the closely related issue of so-called “mixed bathing” in Galway and Salthill.
In 1957, in response to a growing tension between Catholics and Protestants at Fethard-on-Sea, including the Fethard-on-Sea boycott, Browne says, “non-Catholics do not protest against the crime of conspiring to steal the children of a Catholic father, but they try to make political capital when a Catholic people make a peaceful and moderate protest.”
The most enduring monument or physical legacy of Browne’s time as Bishop is the Cathedral of Our Lady Assumed into Heaven and St Nicholas, commonly known as Galway Cathedral, which is dedicated in 1965 by CardinalRichard James Cushing of Boston, Massachusetts. The site of the old jail had come into the possession of the diocese in 1941 and Browne leads the campaign to construct a new Cathedral. This includes a 1957 audience with Pope Pius XII where the plans are approved.
Browne attends the Second Vatican Council from 1962 to 1965 and retires in 1976. He dies four years later, at the age of 84, on February 24, 1980.
Browne is parodied in Breandán Ó hÉithir`s novel Lig Sinn i gCathu, which fictionalises late 1940s Galway as “Baile an Chaisil” and Browne as “An tEaspag Ó Maoláin.”
The Irish cabinet minister Noël Browne (no known relation) in his 1986 memoir Against the Tide describes the physical attributes of his episcopal namesake:
“The bishop had a round soft baby face with shimmering clear cornflower-blue eyes, but his mouth was small and mean. Around his great neck was an elegant glinting gold episcopal chain with a simple pectoral gold cross. He wore a ruby ring on his plump finger and wore a slightly ridiculous tiny scullcap on his noble head. The well-filled semi-circular scarlet silk cummerbund and sash neatly divided the lordly prince into two.”
Davitt is born in Straide, County Mayo, on March 25, 1846. He is the founder of the Irish National Land League, which organizes resistance to absentee landlordism and seeks to relieve the poverty of the tenant farmers by securing fixity of tenure, fair rent, and free sale of the tenant’s interest.
Davitt is the son of an evicted tenant farmer. After their eviction, the family emigrates to England. In 1856, at the age of 10, he starts work in a cotton mill, where he loses an arm in a machinery accident a year later. In 1865, he joins the revolutionary Fenian Brotherhood, an international secret society that seeks to secure political freedom for Ireland. He becomes secretary of its Irish analogue, the Irish Republican Brotherhood (IRB), in 1868. Arrested in Paddington Station in London for sending firearms to Ireland on May 14, 1870, he is sentenced to 15 years in Dartmoor Prison and there lays plans to link Charles Stewart Parnell’s constitutional reform with Fenian activism to achieve political-agrarian agitation.
Paroled from prison in 1877, Davitt rejoins the IRB and goes to the United States, where the Fenian movement originated. There he is deeply influenced by Henry George’s ideas about the relationship between land monopoly and poverty.
Back in Ireland, using funds raised by John Devoy and Clan na Gael in the United States, Davitt wins Parnell’s cooperation in organizing the Land League in 1879, which leads, however, to his expulsion from the supreme council of the IRB in 1880. He is elected member of Parliament for North Meath in 1882 but is disqualified as he is a convict. He is also imprisoned for seditious speeches in 1881 and 1883.
Because of his public championing of Henry George’s theories of land reform, Parnell repudiates him. Davitt actively defends the Nationalists before the Parnell Commission, which meets between 1887 and 1889. When the Irish party splits in 1890 over Parnell’s involvement in Capt. William Henry O’Shea’s divorce case, Davitt is among the first to oppose Parnell’s continuance as leader.
Davitt is elected to Parliament in 1892 and 1893 but is unseated in both cases. He is elected again, for South Mayo in 1895, but resigns in 1899 in protest against the Second Boer War.
Davitt dies in Elphis Hospital, Dublin on May 30, 1906, at the age of 60, from blood poisoning. The fact that the Lord Lieutenant of Ireland attends his funeral is a public indication of the dramatic political journey this former Fenian prisoner has taken. There is no plan for public funeral, and hence Davitt’s body is brought quietly to the Carmelite Friary, Clarendon Street, Dublin. However, the next day over 20,000 people file past his coffin. His remains are taken by train to Foxford, County Mayo, and buried in the grounds of Straide Abbey at Straide, near his place of birth.
Davitt’s book, The Fall of Feudalism in Ireland (1904), is a valuable record of his time.
Michael “Mick” Lally, Irish stage, film and television actor, is born in the Gaeltacht village of Toormakeady, County Mayo, on November 10, 1945. He departs from a teaching career for acting during the 1970s. Though best known in Ireland for his role as Miley Byrne in the television soap Glenroe, his stage career spans several decades, and he is involved in feature films such as Alexander and the Academy Award-nominated The Secret of Kells. Many reports cite him as one of Ireland’s finest and most recognisable actors.
Lally begins his acting career with Taibhdhearc na Gaillimhe, Ireland’s national Irish language theatre, and is a founding member of the Druid Theatre Company. He receives an Irish Times/ESB Theatre Award Nomination for Best Actor for his role in Druid’s production of The Dead School. He also becomes a member of the Field Day Theatre Company, and stars in the company’s 1980 premiere of Brian Friel‘s play Translations. He first plays at the Abbey Theatre in 1977 in a production of Wild Oats and goes on to perform in many other Abbey productions.
In 1982, Lally stars in the TV series The Ballroom of Romance alongside Brenda Fricker. From 1983 he plays the role of Miley Byrne in the RTÉ soap Glenroe, reprising the character that he played earlier in Bracken in 1978. In 1979, he wins a Jacob’s Award for his performance as Miley in Bracken. He also has some musical success when “The By-road to Glenroe” goes to the top of the Irish charts in 1990. He is also involved in voice-over work, including a noted advertisement for Kilmeaden Cheese during the 1990s. Other TV appearances include roles in Tales of Kinvarna, The Year of the French and Ballykissangel.
In 1994, Lally plays the character Hugh in The Secret of Roan Inish, and in 1995 portrays Dan Hogan in the film adaptation of Maeve Binchy‘s Circle of Friends. Other film roles included Poitín, Our Boys, The Outcasts, A Man of No Importance and others. In later years, he provides the voice of Brother Aidan in the Academy Award-nominated The Secret of Kells, an animated film directed by Tomm Moore.
Lally appears in several TV advertisements encouraging elderly people to “release the equity tied up in their homes” during the Celtic Tiger.
Mick Lally dies in Dublin on the morning of August 31, 2010, after a short stay in the hospital. The cause of death is reported as heart failure, arising from an underlying emphysema condition. His funeral takes place in Dublin on September 2, 2010. The Irish Examiner comments that the “nation has lost one of its favourite uncles.” Personalities from TV, film, theatre and politics attend, while President of IrelandMary McAleese sends a letter and Lally receives a standing ovation at the end.
Among the thousands paying their respects are 4,000 serving and retired gardaí, over 2,000 in uniform. Garda Golden is remembered as a happy man, proud to serve, a role model for the community – and by his brother Patrick as a “big gentle giant.”
In his homily, chief celebrant parish priest Father Pádraig Keenan tells the congregation that the killing of Garda Golden was “cold-blooded murder.” He reminds the mourners that Garda Golden is the 88th garda to die in the line of duty. He says, “It is 88 members too many. He like all the others is mourned by the entire nation.”
“His murder brings to mind once again all the families and communities that have been affected on our island.”
Fr. Keenan says, “Garda Tony’s death once again reflects how north Louth and the Cooley Peninsula have been affected by the tragic history of the Troubles on the island of Ireland, and especially the murder of Detective Garda Adrian Donohoe, three years ago at Lordship Credit Union in Bellurgan.”
He says that too many hearts have been broken, and too many lives shattered. There is no place for violence in our society, violence is wrong, always wrong. He refers to Garda Golden as one of life’s gentlemen.
Fr. Keenan begins the funeral mass by saying that Garda Golden quietly let “his light shine in so many ways through his life in a very humble way. Amidst our sadness may we be thankful for the charisma of his beautiful but too short life.”
The stillness of the water across from the churchyard in Dundalk Bay mirrors the silence and sadness that has unfolded on everyone since the weekend, he tells the congregation.
“Tony was so proud to serve the community of Omeath,” he says. “As one person from Omeath put it to me in recent days, he was ‘our garda’, and to a person amongst his family and colleagues, all are immensely proud of Garda Tony and his selfless nature. Proud of everything he lived for, worked for and stood for. Tony Golden was a much-loved role model in our community.”
Symbols including a family photograph are taken to the altar in memory of Garda Golden. A club jersey and hurley from the Stephenites GAA club in his native Ballina, County Mayo, represent his roots and love of sport. A television remote control, a soft drink, a bar of chocolate and packet of crisps were offered to recall his cherished “time out.”
Garda Golden’s final journey begins at the home in the village of Blackrock he shared with his wife Nicola and their three young children, Lucy, Alex and Andrew. The funeral cortège is led by the Garda Commissioner, while thousands of gardaí escort their colleague into his parish church, St. Oliver Plunkett’s, for the funeral mass at noon.
Fr. Keenan is joined on the altar by the vicar general of the Armagh diocese Dean Colum Curry, who represents the Primate of All Ireland, Bishop Eamon Martin. As well as the chaplains to the Garda and the Defence Forces, Bishop John Fleming and Father Gerard O Hora travel to the funeral from Golden’s home county of Mayo.
Screens are erected in the grounds and the village to relay the service to those outside.
Businesses shut down along the route as a mark of respect during the funeral. Roads around the village are sealed off for several hours. Garda Golden is laid to rest at St. Paul’s Cemetery Heynestown.
Golden is killed as he is bringing Siobhan Phillips to her home to retrieve her personal possessions. Phillips is also shot in the incident and is in a critical condition in hospital with her family at her bedside at the time of Garda Golden’s funeral.
President of the Garda Representative Association, Dermot O’Brien, says members of the gardaí from all corners of Ireland traveled to County Louth to pay their respects to their colleague. He says they are grief-stricken and numb.
O’Brien says everyone will reflect in their own way and that the realisation has struck that Garda Golden was murdered doing “a bread-and-butter type call.”
“They are going to ask themselves, those that attended the same type of call on Sunday that it could have been them. These are very similar calls that a lot of members did on Sunday, and they will sit back and reflect on what happened to Tony as they responded to a similar call.”
O’Brien says he had spoken to Garda Golden’s unit in the days leading to the funeral and, while they are coping, they are not well. “They are angry, grieving and disillusioned because today they have to bury a second friend, a murdered friend, a second murdered colleague.”
Father Michael Cusack also speaks of the pain and anger expressed by members of the garda force he met following Garda Golden’s death. Speaking on RTÉ‘s Today with Sean O’Rourke, Fr. Cusack says it is a very difficult day and week for gardaí. He says a lot of care needs to be offered to the members of the force and that there needs to be appropriate follow-up care given.
(From: “Garda Tony Golden ‘mourned by entire nation’,” RTÉ News, http://www.rte.ie, October 15, 2015)
Britain’s enemies in Continental Europe have long recognised Ireland as a weak point in Britain’s defences. Landing troops there is a popular strategic goal, not only because an invader can expect the support of a large proportion of the native population, but also because at least initially they will face fewer and less reliable troops than elsewhere in the British Isles. Additionally, embroiling the British Army in a protracted Irish campaign will reduce its availability for other theatres of war. Finally, French planners consider that a successful invasion of Ireland might act as the ideal platform for a subsequent invasion of Great Britain.
Unaware of Humbert’s surrender, the French despatch reinforcements under the command of CommodoreJean-Baptiste-François Bompart on September 16. Having missed one invasion force, the Royal Navy is more watchful. Roving frigate patrols cruise off the principal French ports and in the approaches to Ireland, while squadrons of battleships from the Channel Fleet sail nearby, ready to move against any new invasion force. In command of the squadron on the Irish station is Commodore Sir John Borlase Warren, a highly experienced officer (and politician) who has made a name for himself raiding the French coast early in the war.
The squadron carrying the reinforcements is soon spotted after leaving Brest. After a long chase, the French are brought to battle in a bay off the rugged County Donegal coast in the west of Ulster, very close to Tory Island. During the action the outnumbered French attempt to escape, but are run down and defeated piecemeal, with the British capturing four ships and scattering the survivors. Over the next fortnight, British frigate patrols scour the passage back to Brest, capturing three more ships. Of the ten ships in the original French squadron, only two frigates and a schooner reach safety. British losses in the campaign are minimal.
The battle marks the last attempt by the French Navy to launch an invasion of any part of the British Isles. It also ends the last hopes the United Irishmen have of obtaining outside support in their struggle against the British. After the action, Wolfe Tone is recognised aboard the captured French flagship and arrested. He is brought ashore by the British at Buncrana, on the Inishowen peninsula. He is later tried for treason, convicted, and commits suicide while in prison in Dublin, hours before he is to be hanged.
(Pictured: Attack of the French Squadron under Monsr. Bompart Chef d’Escadre, upon the Coast of Ireland, by a Detachment of His Majesty’s Ships under the Command of Sir J. B. Warren, October 12, 1798, by Nicholas Pocock, 1799)
From an early age Ford has an interest in painting and sailing, and in July 1914 moves to California, where his older brother Francis is an actor with a small film company. Adopting the name ‘Jack Ford,’ he learns his trade as a filmmaker and acts in a number of silent films. Reveling in his Irish heritage, he makes his director’s debut with The Tornado (1917) and follows it with more than forty movies over the next six years. On July 3, 1920, he marries Mary McBryde Smith, a former officer in the army medical corps. They meet at a party thrown by the director Rex Ingram and have one son and one daughter.
In 1921 Ford visits Ireland for the first time and later claims to have travelled on the same boat that brought Michael Collins back from the treaty negotiations. He meets his relatives at Spiddal, falls in love with the countryside, and becomes a fervent Irish nationalist. It is later claimed that he brought over funds for his cousin Martin Feeney, a member of an Irish Republican Army (IRA) flying column.
Returning to Hollywood, Ford becomes friends with the retired marshal Wyatt Earp and makes a number of commercially successful films, now as ‘John Ford’. In 1926 he directs The Shamrock Handicap, a horse-racing yarn partly set in Ireland. In 1928 he shoots Mother Machree, a movie about Irish emigration, starring Victor McLaglen, a regular collaborator. McLaglen also stars in Hangman’s House, made the same year, Ford’s first major movie about Ireland.
In 1934 Ford purchases a luxury yacht which he names the Araner after the Aran Islands. He also begins shooting The Informer, a film set in Ireland during the Irish War of Independence and based on a short novel by Liam O’Flaherty. The picture is a major box office success and wins four Academy Awards, including Best Director. O’Flaherty is so impressed with the film that he dedicates his next book, Famine, to Ford.
In 1934 Ford visits Ireland for the second time, and approaches Seán O’Casey about directing a version of The Plough and the Stars. Released in 1936, the film stars Barry Fitzgerald as Fluther, but it is reedited by the studio, much to Ford’s fury, and is a commercial and critical flop.
In 1952 Ford returns to Ireland to film The Quiet Man, starring Wayne, McLaglen, and Maureen O’Hara. Shot at Ashford Castle, County Mayo, the picture becomes one of the most popular Irish films of all time. He is immensely proud of the work and is in tears leaving Ireland. The following year he makes Mogambo, with Clark Gable, Grace Kelly and a young English actor, Donald Sinden, who later recalls that Ford berated him personally for all the problems of Ireland from the time of William of Orange. Ford’s strong sense of Irishness is central to his character and is crucial for any understanding of his work. Back in Ireland in 1956, he shoots The Rising of the Moon, a portmanteau film for which he takes no salary, starring Tyrone Power, Cyril Cusack, and Noel Purcell. A minor film, it makes no impact at the box office.
Two of Ford’s finest movies are made in his later years. The Searchers (1956) is a powerful study of vengeance, while The Man Who Shot Liberty Valance (1962) is an elegiac revisionist western which concludes with the famous line, “When the legend becomes fact, print the legend.”
Struck with cancer in his final years, Ford dies on August 31, 1973 at his home in Palm Desert, California, and is buried at Holy Cross Cemetery, Culver City. His will disinherits his son, Michael Patrick Roper, and leaves everything to his wife, daughter, and grandchildren.
When asked to name the finest American directors, Orson Welles replies simply, “John Ford, John Ford, and John Ford.” An alcoholic, Ford is a difficult and often tyrannical director, but he makes films of extraordinary power and vision. He ranks as one of the greatest filmmakers of the twentieth century. As Frank Capra concludes, “John is half-tyrant, half-revolutionary; half-saint, half-Satan; half-possible, half-impossible; half-genius, half-Irish.”
(From: “Ford, John,” contributed by Patrick M. Geoghegan, Dictionary of Irish Biography, http://www.dib.ie)
Initially after leaving school Laffoy tries primary school teaching at Carysfort College and joins the civil service. She is subsequently educated at University College Dublin (UCD) and King’s Inns. She receives the John Brooks Scholarship at the Inns for achieving the highest marks. She receives a BA from UCD in 1968 and a BCL in 1971.
Laffoy is called to the Bar in 1971 and to the Inner Bar in 1987. She devils for Brian McCracken. She becomes a Senior Counsel on the same day as future Supreme Court colleagues Susan Denham and Liam McKechnie and at the time is only one of four women seniors.
Laffoy’s expertise at the Bar is in property law. She appears in the Cityview Press case which clarifies the law on the nondelegation doctrine in Ireland. In 1983, she is appointed by the Supreme Court to argue against the constitutionality of the Electoral (Amendment) Bill 1983 following a reference made by PresidentPatrick Hillery under Article 26 of the Constitution of Ireland. She appears in another Article 26 reference made by Mary Robinson regarding the Matrimonial Home Bill 1993. For both references, the Supreme Court finds for her side.
Laffoy is appointed as a judge of the High Court in 1995, primarily presiding over cases involving chancery law.
Laffoy presides over the Commission to Inquire into Child Abuse from 1999 to 2003, an inquiry into child abuse. Her decision to resign as chair before the commission completes its report is controversial. In her letter of resignation from the commission of September 2, 2003, she outlines her belief that the actions of the Government and the Department of Education have frustrated her efforts and have slowed the commission’s work. She feels that “the cumulative effect of those factors effectively negated the guarantee of independence conferred on the Commission and militated against it being able to perform its statutory functions.” The commission is chaired from 2003 to 2009 by Judge Sean Ryan.
Laffoy presides over the High Court hearing in A v Governor of Arbour Hill Prison, ordering the release of a prisoner convicted of statutory rape due an earlier finding that the offence he was convicted of was contrary to the Constitution of Ireland. Her decision is overturned on appeal to the Supreme Court. In 2012, she dismisses an action taken by Thomas Pringle regarding the legality of the European Stability Mechanism. The European Court of Justice, after reference from the Supreme Court, also rejects his claim. During her time at the High Court, ten percent of reported judgments are written by her.
Laffoy is appointed to the Supreme Court of Ireland in July 2013. She retires from the Supreme Court on June 16, 2017. A portrait of her is unveiled in the King’s Inns in March 2020.
In July 2016, Laffoy is appointed by TaoiseachEnda Kenny to chair the Citizens’ Assembly, which she chairs until June 2018. She becomes the president of the Law Reform Commission in 2018.
O’Donnell is born on February 22, 1893, in Meenmore, near Dungloe, County Donegal, youngest among six sons and three daughters of Biddy and James O’Donnell. He is greatly influenced by his upbringing in the Rosses, in northwest Donegal, one of the poorest and most remote parts of Ireland. His father, a popular local fiddler, earns a living through his smallholding, seasonal labouring in Scotland, and winter work in a local corn mill. His mother, who comes from a radical labour and nationalist political background, works in a local cooperative store. He attends Rampart national school and Roshine national school, near Burtonport, where he is a monitor for four years. In 1911 he wins a scholarship to attend St. Patrick’s College in Drumcondra, Dublin, and returns in 1913 to the Rosses, where he spends two years teaching on the islands of Inishfree. In 1915 he is appointed head of Derryhenny national school, near Dungloe, and the following year becomes principal of a national school on the island of Arranmore, where he begins to write.
O’Donnell had long been concerned by the poor conditions of the local ‘tatie-hokers’ (potato pickers) who migrate annually to Scotland. In the summer of 1918, he travels there to help organise the Scottish Farm Servants’ Union. While there he is influenced by left-wing radicals such as Willie Gallacher, later a communistMember of Parliament (MP), and Emanuel ‘Manny’ Shinwell, later Baron Shinwell. In September 1918, against a background of rising labour militancy, he leaves teaching to become a full-time organiser for the Irish Transport and General Workers’ Union (ITGWU) in the west Ulster area. The following year he organises one of Ireland’s first “soviets” when the attendants and nurses of the Monaghan District Lunatic Asylum occupy the grounds and appoint O’Donnell as governor until their demands are met.
In early 1919 O’Donnell joins the Irish Republican Army (IRA) in Monaghan, resigning from the ITGWU for full-time IRA service in late 1920. He leads the 2nd Battalion, Donegal IRA, from the summer of 1920. In December 1920 he goes “on the run” and leads a flying column in west Donegal until May 1921, when he is wounded. Regarded as insubordinate and militarily inexperienced, he is unpopular among the other senior officers of the 1st Northern Division. He, in turn, is disappointed by the lack of social radicalism among the nationalist leadership. He opposes the Anglo-Irish Treaty, is placed in command of the minority anti-treaty 1st Northern Division and is a member of the IRA executive that occupies the Four Courts in Dublin in defiance of the provisional government.
Arrested in June 1922, O’Donnell shares a prison cell with Liam Mellows and influences his radical “Notes from Mountjoy,” an important document for subsequent left-wing republicans. He spends the next two years in various prisons and internment camps. His execution is widely expected to follow those of December 8, 1922. In August 1923, he is elected as a Sinn FéinTeachta Dála (TD) for Donegal in the general election called after the end of the Irish Civil War. He goes on hunger strike for forty-one days in late 1923 and succeeds in escaping from the Curragh in March 1924. In June 1924, while on the run, he marries Lile O’Donel, a wealthy Cumann na mBan activist who had smuggled communications for republican prisoners. O’Donel, a radical and member of the Communist Party, is the daughter of Ignatius O’Donel, a prominent landowner from Mayo. They have no children but raise their nephew, Peadar Joe, as their own son after the death in New York of O’Donnell’s brother Joe.
O’Donnell begins writing seriously while in jail and remains a prolific writer, journalist, and editor until the 1960s. His first novel, Storm, set in the Irish War of Independence, is published in 1925. One of his most highly regarded books, Islanders, is published in 1928. Adrigoole, like Islanders a story of poverty and starvation in rural Ireland, is published the following year. The Knife (1930) and On the Edge of the Stream (1934) soon follow. The most significant of his later novels is probably The Big Windows (1954). Foremost among his qualities as a writer is his empathy for the people, life, and landscape of rural Ireland. But his novels have been criticised for their slow pace, excessive detail, and didactic nature. He claims his writing is incidental to his political activism. His trilogy of autobiographical non-fiction, The Gates flew Open (1932), Salud! An Irishman in Spain (1936), and There Will Be Another Day (1963), which respectively concern the Irish Civil War, his activism during the Spanish Civil War, and his role in the land annuities agitation, remain highly regarded. His other important literary achievement is with The Bell, an innovative literary and political magazine which plays a useful dissenting role in an insular and conservative period. He founds The Bell with the writer Seán Ó Faoláin in 1940 and edits it from 1946 until it ceases publication in 1954.
O’Donnell exercises an influential role in the interwar IRA, particularly through his editorship of An Phoblacht (1926–29), which he attempts to divert from militarism to socialist agitation. His ultimate aim is for a thirty-two-county socialist republic. His most successful campaign is organising small farmers against the payment of land annuities to the government in the late 1920s and early 1930s. This campaign is later adopted by Fianna Fáil and contributes to their electoral success in 1932. He is less successful in radicalising the IRA. After the failure of Saor Éire, a left-wing IRA front which provokes clerical and popular hostility against the IRA, increasing tensions between the IRA’s left-wing and the leadership lead O’Donnell, along with Frank Ryan and George Gilmore, to split from the IRA to establish the short-lived Republican Congress in 1934.
Although O’Donnell claims he was never a Communist Party member, he plays a central role in forging links between republicans and the revolutionary left both in Ireland and internationally and invariably supports the communist party line at critical junctures. After the failure of Republican Congress, he takes up the cause of the Spanish republic. His championing of unpopular causes such as communism and Spain entail a good deal of frustration. He is physically attacked at political meetings and in 1932, despite having never visited the Soviet Union, loses a high-profile libel action against the Dominican Irish Rosary, which claim he had studied in Moscow‘s Lenin College. He is banned from entering the United States for several decades, although he maintains: “My relations with all the great powers continue to be friendly.”
O’Donnell continues to support radical campaigns until his death. He is an outspoken advocate of Irish emigrants. He is prominent in the Irish Campaign for Nuclear Disarmament and serves as its president in the early 1960s. He is a leading protester against the Vietnam War and a supporter of African anti-colonial movements such as that against apartheid. In later years he is involved in the “Save the west” campaign, highlighting the problems of the west of Ireland.
After several months of ill-health following a heart attack, O’Donnell dies in Dublin, aged 93, on May 13, 1986. He leaves instructions that there are to be “no priests, no politicians and no pomp” at his funeral, and those wishes are granted. He is cremated in Glasnevin Cemetery and his ashes are buried at his wife’s home in Swinford, County Mayo. Although he once remarked that every cause he fought for was a failure, he is now regarded as one of the most influential socialist republican theorists and an important voice of dissent in twentieth-century Ireland.
(From: “O’Donnell, Peadar” by Fearghal McGarry, Dictionary of Irish Biography, http://www.dib.ie)
A car transporting police officers is leading the two-vehicle convoy. It is shot at as it travels out of the village, causing the Crossley Tender behind to stop close to the local hotel. RIC Constables Christopher O’Regan and William Power, Sergeant John Regan and Black and Tans Constable Hubert Oakes all die in the ambush. British forces are able to take refuge in the hotel, where they call for reinforcements.
Following the ambush, the Flying Column takes to the nearby Partry Mountains and are subsequently engaged by British troops from the Border Regiment. IRA Adjutant (South Mayo Brigade) Michael O’Brien sustains fatal injuries when he is shot while trying to assist the injured Brigade leader, Commandant Maguire. Another IRA Volunteer, Pádraig Feeney, is also killed that afternoon.
On May 3, 1921, in reprisal for the ambush, Crown forces burn several commercial establishments and homes in the area. Extensive searches and reprisals follow in the area over the next week.
Monuments commemorating Michael O’Brien and Pádraig Feeney have since been erected in County Mayo.
(Pictured: The South Mayo Flying Column of the Irish Republican Army, taken at Moore Hall in Muckloon, County Mayo, during the summer of 1921)
Molloy is the fifth in a family of five boys and three girls. Two other children die at birth. He is educated at Milltown national school and St. Jarlath’s College, Tuam, County Galway, from 1927 to 1931. His father dies when he is six years old and his uncle, Sonny Tucker, becomes an important influence, encouraging his life-long habit of extensive reading. In 1931 he goes to St. Columba’s Seminary at Dalgan Park, Shrule, County Mayo, but discontinues his studies for the priesthood when he contracts tuberculosis. He undergoes several operations, has to use crutches for three years, and is left with a permanent limp. While under the care of the sanatorium in Newcastle, County Wicklow, in the late 1930s, he is encouraged by a friend to attend a performance of two plays by George Bernard Shaw, Candida and Village Wooing, at the Abbey Theatre, Dublin. He becomes a regular playgoer and is inspired to begin a career as a dramatist.
Having lived in the family home at Milltown until 1955, he takes up residence at a nearby farmhouse on the marriage of his brother Christy. Despite his handicap, he works the small farm for the rest of his life to supplement the irregular income from his plays. He never marries and is attended by his housekeeper, Agnes Johnston. He is a familiar sight as he travels around his local area on the high bicycle he had fitted with one fixed pedal. The purpose of these journeys is to collect folklore, which provides a rich body of material for his plays and which he gathers into a prose volume, though this remains unpublished and privately held.
Molloy has nine of his thirteen plays produced at the Abbey Theatre, from Old Road in 1943 to Petticoat Loose in 1979. His plays reveal him as a folklorist in the line of John Millington Synge and draw on the same mixture of Christian and pagan beliefs, but with a more sympathetic understanding of his characters’ Catholicism. There is also the same strong vein of grotesque physical humour. His accomplished one-act play The Paddy Pedlar (1953) is based on a folk tale about a man carrying the body of his dead mother around in a sack and takes its bearings from an extraordinary amalgam of beliefs about the afterlife.
Molloy’s history plays re-create a world that shows the oppressions of colonialism on a subject race who respond with a wild anarchy mixed with subdued acceptance. His plays with a contemporary setting most often take emigration as their theme and are prophetic of later work by John B. Keane and Brian Friel. He writes in a heightened folk idiom, which only rarely loses touch with natural speech. Old Road wins an Abbey Prize and is staged in 1943 with Cyril Cusack as the young farm labourer trying to decide whether to emigrate to England or to stay in Ireland. Joseph Holloway gives a touching account of the shy author taking his curtain at this first production, who, though his lips move, is unable to say anything. The Visiting House follows in 1946, and dramatises a night of singing, dancing, and storytelling, peopled by a richly diverse cast of characters.
Molloy’s first masterpiece, The King of Friday’s Men, is launched in 1948. It takes the uncompromising theme of the droit du seigneur exercised by an eighteenth-century Anglo-Irish landlord on the most beautiful young women on his estate. His latest prey seeks to evade her fate by enticing the aged faction fighter, Bartley Dowd, to fight the landlord on her behalf. The play recreates that eighteenth-century world with colour, immediacy, and a strong sense of how the colonial system envelops all of the characters save the marginalised Bartley, who in the first production is played by the actor and author Walter Macken.
Molloy’s even greater The Wood of the Whispering follows in 1953 at the Queen’s Theatre, where the Abbey company is now playing. It is his most probing treatment of the effects of emigration, an issue of which Molloy, living in Galway, is only too aware. It is the most Beckettian of Irish plays, with its old tramp, Sanbatch Daly, and a host of older characters who are not so much eccentric as damaged in some profound way. At the play’s close Sanbatch feigns madness to gain entry to the asylum, though he is not in truth far from genuine madness. The various younger couples agree to stay and marry in Ireland rather than go their separate ways back to England. This idea of cultural renewal also underscores the importance Molloy places on the staging of his plays by amateur drama companies.
From the 1960s onwards Molloy’s plays are less readily accepted by the Abbey Theatre and a Dublin audience, but they still find a ready reception in his native place. In later works, such as Daughter from Over the Water (1963), the older characters retain their exuberance, but the younger ones seem beyond his reach. His last play, The Bachelor’s Daughter, is given its first performance by the Tuam Theatre Guild on March 3, 1985. The revival by Galway’s Druid Theatre of The Wood of the Whispering in 1983, which Molloy lives to see, is a revelation, and a reminder to the wider theatrical and academic world of the continuing importance of this playwright, not just as the ‘missing link’ between Synge and Keane but as an original in his own right.
In later years Molloy is a member of Aosdána. He dies of aortic aneurysms at Galway Hospital on May 27, 1994. He remains a committed Catholic all his life and his tombstone reads: “Woe to those who call evil good and who call good evil” (Isaiah, 5: 20).
(From: “Molloy, Michael Joseph” by Anthony Roche, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
seamus dubhghaill 