Clarke sings in a women’s choir from age 14 and is an outstanding piano pupil at the College of Music (now the DIT Conservatory of Music and Drama), Dublin. She studies music at University College Dublin (UCD), earning a Teacher’s Diploma in 1978 and a BMus in 1980. She teaches at a number of schools in the Dublin area. When she participates in the Ennis Composition Summer School in 1985, she is introduced to the music of continental composers such as Luciano Berio and Witold Lutoslawski, which leaves a lasting impression.
Some of Clarke’s early works receive awards, such as the Six Short Piano Pieces (1982), which wins the composition prize of the Feis Ceoil, and the choral work Suantraí Ghráinne (1983), which wins the Seán Ó Riada Memorial Trophy at the 1984 Cork International Choral Festival. For Sisyphus (1985) for flute, clarinet and string trio she receives the Varming Prize, which is awarded only every four years to an Irish composer under the age of thirty. She completes her first orchestral score in 1991 (A Great Rooted Tree). In 1992, she receives a Ph.D. from Queen’s University Belfast (QUB). She is a lecturer in music at St. Patrick’s College, Dublin City University (DCU).
Clarke receives commissions from RTÉ, the Cork International Choral Festival, Concorde, Music Network and the National Concert Hall, among others. Her work is performed and broadcast throughout Ireland and worldwide. In January 2014, she is the featured composer in the Horizon Series of contemporary music by the Irish national broadcaster RTÉ. For this event, the RTÉ National Symphony Orchestra commissions her orchestral composition SHIFT (2013). Since 2009 she has been collaborating with visual artist Marie Hanlon, including short experimental films with music, live music with visual projections and joint exhibitions, one example being the joint exhibition DIC TAT at the Gallery Draíocht, Blanchardstown, Dublin, July-September 2014.
Clarke is a member of Aosdána, Ireland’s state-sponsored academy of creative artists.
Clarke’s output includes choral, chamber, orchestral and electronic works. Her calm and evocative music in the early Suantraí Ghráinne creates some curiosity at its 1984 performance. Early chamber works such as Sisyphus (1985) and Purple Dust are characterised by wide-spaced harmonic settings of a rather sparse tonal material. Some aleatoric passages alternate with more strictly notated pitches and a rather limited degree of dissonance. In Gloria Deo (1988) for soprano, mixed chorus and orchestra she combines modal influences from Renaissance music with free atonality. Since the early 1990s she has been exploring the possibilities of electroacoustic music, winning an award at the 1992 Dublin Film Festival for her electronic score Whaling Afloat and Ashore. Her recent orchestral score SHIFT reflects her experiences in electroacoustic processes: “Extended techniques, deliberately avoided in previous work, are embraced here using harmonics and noise elements in strings, and bowed, timbral effects on percussion. In a single, fifteen-minute movement, transformations in colour and texture vary from slow and intense in the opening section, to sudden and harsh later in the piece.”
Hammond is the son of Leslie Hammond, a tram driver, and his wife Annie (née Lamont). His parents are not city people; his mother grew up near Ballybogy in the Ballymoney area of County Antrim, and his father, though from a family with roots in south County Londonderry, had lived in Ballymoney as a boy, and had been apprenticed to a blacksmith there. Both have a strong sense of their rural identity and maintain the Ulster Scots dialect of their childhood. They are never quite at home in the Belfast suburb of Cregagh, and in particular do not share the sectarian attitudes that are much more present in 1930s Belfast than they had been in north Antrim, one of the last strongholds of Presbyterian radicalism. Even as a boy, Hammond is interested in the old songs that his mother sang and realises that the traditions in which his parents had been nurtured are disappearing quickly in an increasingly urbanising and modernising world. When he encounters the work of Emyr Estyn Evans in the early 1940s, he is encouraged to document both rural tradition and the street life of the city, and he and a couple of friends, though still just teenagers, ride off on their bicycles to look for folklore in the hinterland of Belfast.
After primary school, Hammond wins a scholarship in 1941 to Methodist College Belfast, where he does well in examinations, and then goes to Stranmillis University College to train as a teacher. In his first job, in Harding Memorial primary school in east Belfast, he proves to be a popular, idealistic teacher, and is remembered by his pupils fifty years later as a fine singer and a teller of ghost stories, who had taken the class on memorable youth-hosteling trips to the Mourne Mountains. Youth hosteling and folklore collecting increases his awareness and understanding of the rich traditions of the whole community in the north of Ireland, and he is never constrained by political or religious barriers. His early career mirrors closely that of James Hawthorne, and their paths are to cross in later life.
Hammond is friendly with many others active in the cultural life of Northern Ireland and makes a name for himself as a song collector and eventually as an expert on all aspects of traditional singing. In 1956, he is awarded a scholarship to travel in the United States to meet the important pioneers of folk-music collecting and performance there. He records his first LP record of Ulster songs, I Am The Wee Falorie Man (1958), in the United States, and becomes friends with Pete Seeger, the Appalachian singer Jean Ritchie, with old blues singers, and notably with Liam Clancy, one of the three Clancy brothers who as a quartet with Tommy Makem are to popularise Irish folk music in the United States and elsewhere.
On returning to Belfast, Hammond takes a job in 1958 in Orangefield secondary school in the east of the city, where the highly regarded headmaster John Malone encourages new approaches to education. Among his pupils at Orangefield is George Ivan “Van” Morrison, who credits him with inspiring his interest in Irish traditional music. Hammond enjoys teaching but is increasingly drawn to folk-song performance and recording. He appears regularly on radio programmes of the BBC and Radio Éireann, and in 1964 joins the school’s department in BBC Northern Ireland. There, with colleagues like Sam Hanna Bell, James Hawthorne and others, he works on programmes such as Today and Yesterday in Northern Ireland, which for the first time introduces pupils (and many adults) to local history and to aspects of tradition. In 1968, with two friends, the poets Seamus Heaney and Michael Longley, he puts on poetry and traditional music events in schools all over the province. The Arts Council funds the Room to Rhyme project, which is immensely influential and inspiring, and is still talked about many years later by those who attended as children.
Hammond is creatively involved with hundreds of hours of broadcasting, in television as well as radio, and eventually for adults as well as children. He writes scripts, produces documentary series such as Ulster in Focusand Explorations, and brings an artistic sensibility to filming, as well as working sympathetically with traditional singers and craftspeople. Dusty Bluebells, a sensitively made film of Belfast children’s street games, wins the prestigious Golden Harp award in 1972. After he leaves the BBC to work as a freelance, and founds Flying Fox Films in 1986, he continues making documentaries on many aspects of Ulster life and heritage. His film called Steel Chest, Nail in the Boot and the Barking Dog (1986), about working in the Belfast shipyards, also wins a Golden Harp award. A companion book of the same name is published. Another book is Belfast, City of Song(1989), with Maurice Leyden. In 1979, he edits a volume of the songs of Thomas Moore. His documentary programmes include films about singers from Boho, County Fermanagh, and about the big houses of the gentry in Ireland. The Magic Fiddle (1991/2) examines the role of the instrument in the folk music of Ireland, Scandinavia, Canada, and the American south, while Another Kind of Freedom (1993) is about the experiences of a former Orangefield pupil, the Beirut hostage Brian Keenan. He also produces and directs the films Something to Write Home About (1998), Where Are You Now? (1999), and Bogland (1999), all of which explore Seamus Heaney’s home region and experiences.
The first poem in Heaney’s collection Wintering Out (1972) is entitled “For David Hammond and Michael Longley.” Their lifelong friendship leads to several other creative collaborations. In particular, after a distressing evening in 1972 when Hammond, affected by the despair and terror unleashed by Irish Republican Army (IRA) bombing of his city, is for once unable to sing, Heaney meditates on the experience in an essay and in an important poem, “The singer’s house” (subsequently included in his 1979 Field Work collection). The poem urges the singer to keep singing, to defend the values of art and friendship in a hostile time. Hammond collaborates with Dónal Lunny and other traditional musicians to bring out an LP also called The Singer’s House(1978), which includes Heaney’s poem on the album sleeve, and features some of the songs that he had made famous, such as “My Aunt Jane” and “Bonny Woodgreen,” from his vast repertoire of songs from Ulster. The album is reissued in 1980.
In 1995, Hammond is one of Heaney’s personal guests at the award of his Nobel prize in Stockholm, characteristically wearing his usual, mustard-yellow, cattle-dealer boots with evening dress. On another formal occasion, when he is awarded an honorary doctorate by Dublin City University in November 2003, he surprises the audience by standing up in his academic robes to sing “My Lagan love,” instead of giving an address. His unique, light mellow voice is an ideal vehicle for the traditional ballads which he knows so well. He records a number of records in the 1960s, including Belfast Street Songs, and publishes the book Songs of Belfast (1978). He also encourages traditional musicians like Arty McGlynn, and collaborates with them on various recording projects. He is well known for live and often impromptu performances at festivals and venues in Ireland and the United States. He also performs at the John F. Kennedy Center for the Performing Arts in Washington, D.C.
Hammond is also a notable collaborator with poets and dramatists, especially in the important Field Day Theatre Company project, of which he is a director, along with Seamus Heaney, Tom Paulin, Seamus Deane, Thomas Kilroy, and the project’s founders, Brian Friel and Stephen Rea. He supports the Field Day search for a “fifth province,” where history and community and culture can intersect, believing that to speak unthinkingly of “two traditions” is to perpetuate superficial political divisions. As he says in an interview in The Irish Times on July 4, 1998, songs can “take you out of yourself” and become bridges to unite people.
Hammond receives many honours. In 1994, he receives the Estyn Evans award for his contribution to mutual understanding, and his work is featured in several major events in his honour: in the University of North Florida (1999), in the Celtic Film Festival in Belfast (2003), and in Belfast’s Linen Hall Library (2005). A Time to Dream, a film about his life and work, is broadcast on BBC Northern Ireland in December 2008.
Hammond dies in hospital in Belfast, after a long illness, on August 25, 2008, survived by his wife Eileen (née Hambleton), whom he marries on July 19, 1954, and by their son and three daughters. His funeral in St. Finnian’s Church is a major cultural event, where friends sing, play and speak in his honour.
In Seamus Heaney’s last collection of poetry, Human Chain (2010), he includes a poignant farewell to Hammond. The poet imagines (or perhaps dreams) of another visit to the singer’s house, but this time “The door was open, and the house was dark.”
(From: “Hammond, David Andrew (‘Davy’)” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, December 2014)
McDonald is born into a middle-class family in south Dublin. Her father Patrick McDonald, a builder and surveyor, and her mother Joan, separate when she is nine years old, and she stays with her mother in Rathgar. She has three siblings, one older and two younger. Her great-uncle, James O’Connor, was a member of the Anti-Treaty IRA and was executed at the Curragh Camp during the Irish Civil War.
She works as a researcher for the Institute of European Affairs, a consultant for the Irish Productivity Centre, a human resources consultancy that is jointly operated by Ibec and Irish Congress of Trade Unions (ICTU), and a trainer in the Partnership Unit of the Educational and Training Services Trust.
McDonald starts her political career by first joining Fianna Fáil in 1998 but leaves the party after a year due to core policy differences, particularly in relation to Northern Ireland and social justice. She quickly realises that Sinn Féin is a more appropriate party for her Republican views after meeting Sinn Féin members through the Irish National Congress.
She first runs for office at the 2002 Irish general election when she unsuccessfully contests the Dublin West constituency for Sinn Féin, polling 8.02% of first preference votes.
In 2004, McDonald becomes Sinn Féin’s first Member of the European Parliament (MEP) in Ireland, when she is elected at the 2004 European Parliament election in Ireland for the Dublin constituency, receiving over 60,000 first preference votes. She serves until 2009 and is a prominent member of the Employment and Social Affairs committee and Civil Liberties committee.
McDonald contests the Dublin Central constituency again at the 2011 Irish general election, this time picking up 13.1% of first preference votes. She is successful in taking the last seat in the constituency. Following the election, she becomes Sinn Féin’s Spokesperson for Public Expenditure and Reform and is a member of the Public Accounts Committee from then until 2017.
After her re-election to the Dáil at the 2016 Irish general election, in which she tops the poll in Dublin Central, she becomes Sinn Féin’s All-Ireland Spokesperson for Mental Health and Suicide Prevention, which she holds until being elected president of Sinn Féin in 2018.
At a Sinn Féin party conference on November 18, 2017, Gerry Adams is re-elected party leader but announces that he will ask party leadership to call for a special Ard Fheis to be held within three months to choose a new president, and that he will not stand for re-election as TD for the Louth constituency in the next election.
At the close of nominations to succeed Adams on January 20, 2018, McDonald is announced as the president-elect of Sinn Féin, as she is the sole nominee to enter the race. She is confirmed as president at a special Ard Fheis on February 10, 2018, in Dublin.
McDonald is nominated as Taoiseach on February 20, 2020, but is defeated 45 to 84. On June 26, 2020, Fianna Fáil, Fine Gael, and the Green Party form a coalition government, leaving Sinn Féin as the largest opposition party, and McDonald as Leader of the Opposition. She dismisses the coalition agreement as a “marriage of convenience,” and accuses Fianna Fáil and Fine Gael of conspiring to exclude Sinn Féin from government.
At the 2024 Irish general election, McDonald is re-elected to the Dáil topping the poll in Dublin Central with Sinn Féin increasing their seat share by two seats, remaining the second largest party by representation in the Dáil and attaining 19% of the first preference votes, a fall of 5.5% from 2020 and fall behind Fianna Fáil by 2.9% and Fine Gael by 1.8%.
McDonald is again nominated as Taoiseach on December 18, 2024, but is defeated 44 to 110.
McDonald’s husband, Martin Lanigan, works as a gas control superintendent for the emergency dispatch division of Gas Networks Ireland, a state infrastructure provider. They have two children and live in Cabra, Dublin.
Gaelic footballerBernard Brogan Jnr is born on April 3, 1984, in Castleknock, Dublin. Born into a famous footballing family, he is the son of former All-Ireland winning and All Star player Bernard Brogan Snr and is the brother of former Dublin players Alan and Paul. His uncle Jim is also a former inter-county footballer for Dublin. Alongside most of his family, he attends St. Declan’s College on Navan Road.
Brogan scores his first point for Dublin against Fermanagh in the 2007 National Football League (NFL). He makes his Championship debut for Dublin as a late sub in Dublin’s quarter-final win over Meath. He makes his first start for Dublin in the semi-final against Offaly but is substituted in the 45th minute. He regains his position for the final against Laois at Croke Park, scoring 1–01 in Dublin’s 3–14 to 1-14 Leinster title winning game. Along with brother Alan, he is nominated for an All Star Award in 2007 as half forward.
In 2008, Brogan wins the Dublin AFL Division 1 title with St. Oliver Plunketts/Eoghan Ruadh, scoring 1–05 in the final at Parnell Park. It is the first league title in the club’s history. With Dublin he wins the 2008 O’Byrne Cup by beating Longford in the final.
In 2009, Brogan wins another Leinster title with Dublin, but his season ends with defeat to Kerry in the All-Ireland quarter-final.
After an exceptional season for Dublin on the full forward line in 2010, Brogan is awarded an All Star and is named as 2010 Vodafone Footballer of the Year.
In 2011, Brogan wins an All-Ireland title with Dublin, the team’s first All-Ireland since 1995. He scores six points in the final against Kerry. He later reveals his celebrations were cut short as he had to do a drug test straight after the game. He passes with flying colours and resumes his celebrations.
In 2012, Brogan wins another Leinster title when Dublin beats Meath in the final. Then he misses an absolute sitter in the All-Ireland semi-final against Mayo. The miss haunts Brogan as Dublin loses the game by a narrow margin.
Brogan wins the 2013 NFL with Dublin against Tyrone at Cork. He scores five frees in the game. He then wins another Leinster title against Meath and is part of the Dublin team that wins the 2013 All-Ireland Senior Football Championship Final, defeating Mayo by 2–12 to 1-14. Brogan scores 2–03 in the match, is All-Ireland final man of the match and The Sunday Game names him their man of the match and includes him on their team of the year. He is then awarded an All Star for his performances in 2013.
Brogan wins the 2014 NFL with Dublin, but his season comes to an abrupt end when Donegal defeats Dublin in that year’s All-Ireland semi-final, a momentous result that sends shockwaves through the sport.
On October 24, 2019, Brogan announces his retirement from inter-county football. In total he plays 116 games for Dublin, league and championship, scoring 36 goals and 344 points (452), making him Dublin’s third top scorer of all time, behind Dean Rock (14-419; 461 in 89 games) and Jimmy Keaveney (30-402; 492 in 104 games).
In 2021, Brogan presents an episode of Shoulders of Giants, commissioned by Irish broadcaster RTÉ. In the programme, he charts the life and times of the former Dublin Gaelic footballer, and later manager, Kevin Heffernan, as well as the legacy he left Dublin football. The programme airs on RTÉ on December 12, 2021.
Hammond is born on December 5, 1928, in Miss Kells’s nursing home on the Castlereagh Road in Belfast, the son of Leslie Hammond, a tram driver, and his wife Annie (née Lamont). His parents are not city people; his mother grew up near Ballybogy in the Ballymoney area of County Antrim, and his father, though from a family with roots in south County Londonderry, had lived in Ballymoney as a boy, and had been apprenticed to a blacksmith there. Both have a strong sense of their rural identity and maintain the Ulster Scots dialect of their childhood. They are never quite at home in the Belfast suburb of Cregagh, and in particular do not share the sectarian attitudes that are much more present in 1930s Belfast than they had been in north Antrim, one of the last strongholds of Presbyterian radicalism. Even as a boy, Hammond is interested in the old songs that his mother sang and realises that the traditions in which his parents had been nurtured are disappearing quickly in an increasingly urbanising and modernising world. When he encounters the work of Emyr Estyn Evans in the early 1940s, he is encouraged to document both rural tradition and the street life of the city, and he and a couple of friends, though still just teenagers, ride off on their bicycles to look for folklore in the hinterland of Belfast.
After primary school, Hammond wins a scholarship in 1941 to Methodist College Belfast, where he does well in examinations, and then goes to Stranmillis University College to train as a teacher. In his first job, in Harding Memorial primary school in east Belfast, he proves to be a popular, idealistic teacher, and is remembered by his pupils fifty years later as a fine singer and a teller of ghost stories, who had taken the class on memorable youth-hosteling trips to the Mourne Mountains. Youth hosteling and folklore collecting increases his awareness and understanding of the rich traditions of the whole community in the north of Ireland, and he is never constrained by political or religious barriers. His early career mirrors closely that of James Hawthorne, and their paths are to cross in later life.
Hammond is friendly with many others active in the cultural life of Northern Ireland and makes a name for himself as a song collector and eventually as an expert on all aspects of traditional singing. In 1956, he is awarded a scholarship to travel in the United States to meet the important pioneers of folk-music collecting and performance there. He records his first LP record of Ulster songs, I Am The Wee Falorie Man (1958), in the United States, and becomes friends with Pete Seeger, the Appalachian singer Jean Ritchie, with old blues singers, and notably with Liam Clancy, one of the three Clancy brothers who as a quartet with Tommy Makem are to popularise Irish folk music in the United States and elsewhere.
On returning to Belfast, Hammond takes a job in 1958 in Orangefield secondary school in the east of the city, where the highly regarded headmaster John Malone encourages new approaches to education. Among his pupils at Orangefield is George Ivan “Van” Morrison, who credits him with inspiring his interest in Irish traditional music. Hammond enjoys teaching but is increasingly drawn to folk-song performance and recording. He appears regularly on radio programmes of the BBC and Radio Éireann, and in 1964 joins the school’s department in BBC Northern Ireland. There, with colleagues like Sam Hanna Bell, James Hawthorne and others, he works on programmes such as Today and Yesterday in Northern Ireland, which for the first time introduces pupils (and many adults) to local history and to aspects of tradition. In 1968, with two friends, the poets Seamus Heaney and Michael Longley, he puts on poetry and traditional music events in schools all over the province. The Arts Council funds the Room to Rhyme project, which is immensely influential and inspiring, and is still talked about many years later by those who attended as children.
Hammond is creatively involved with hundreds of hours of broadcasting, in television as well as radio, and eventually for adults as well as children. He writes scripts, produces documentary series such as Ulster in Focus and Explorations, and brings an artistic sensibility to filming, as well as working sympathetically with traditional singers and craftspeople. Dusty Bluebells, a sensitively made film of Belfast children’s street games, wins the prestigious Golden Harp award in 1972. After he leaves the BBC to work as a freelance, and founds Flying Fox Films in 1986, he continues making documentaries on many aspects of Ulster life and heritage. His film called Steel Chest, Nail in the Boot and the Barking Dog (1986), about working in the Belfast shipyards, also wins a Golden Harp award. A companion book of the same name is published. Another book is Belfast, City of Song (1989), with Maurice Leyden. In 1979, he edits a volume of the songs of Thomas Moore. His documentary programmes include films about singers from Boho, County Fermanagh, and about the big houses of the gentry in Ireland. The Magic Fiddle (1991/2) examines the role of the instrument in the folk music of Ireland, Scandinavia, Canada, and the American south, while Another Kind of Freedom (1993) is about the experiences of a former Orangefield pupil, the Beirut hostage Brian Keenan. He also produces and directs the films Something to Write Home About (1998), Where Are You Now? (1999), and Bogland (1999), all of which explore Seamus Heaney’s home region and experiences.
The first poem in Heaney’s collection Wintering Out (1972) is entitled “For David Hammond and Michael Longley.” Their lifelong friendship leads to several other creative collaborations. In particular, after a distressing evening in 1972 when Hammond, affected by the despair and terror unleashed by Irish Republican Army (IRA) bombing of his city, is for once unable to sing, Heaney meditates on the experience in an essay and in an important poem, “The singer’s house” (subsequently included in his 1979 Field Work collection). The poem urges the singer to keep singing, to defend the values of art and friendship in a hostile time. Hammond collaborates with Dónal Lunny and other traditional musicians to bring out an LP also called The Singer’s House (1978), which includes Heaney’s poem on the album sleeve, and features some of the songs that he had made famous, such as “My Aunt Jane” and “Bonny Woodgreen,” from his vast repertoire of songs from Ulster. The album is reissued in 1980.
In 1995, Hammond is one of Heaney’s personal guests at the award of his Nobel prize in Stockholm, characteristically wearing his usual, mustard-yellow, cattle-dealer boots with evening dress. On another formal occasion, when he is awarded an honorary doctorate by Dublin City University in November 2003, he surprises the audience by standing up in his academic robes to sing “My Lagan love,” instead of giving an address. His unique, light mellow voice is an ideal vehicle for the traditional ballads which he knows so well. He records a number of records in the 1960s, including Belfast Street Songs, and publishes the book Songs of Belfast (1978). He also encourages traditional musicians like Arty McGlynn, and collaborates with them on various recording projects. He is well known for live and often impromptu performances at festivals and venues in Ireland and the United States. He also performs at the John F. Kennedy Center for the Performing Arts in Washington, D.C.
Hammond is also a notable collaborator with poets and dramatists, especially in the important Field Day Theatre Company project, of which he is a director, along with Seamus Heaney, Tom Paulin, Seamus Deane, Thomas Kilroy, and the project’s founders, Brian Friel and Stephen Rea. He supports the Field Day search for a “fifth province,” where history and community and culture can intersect, believing that to speak unthinkingly of “two traditions” is to perpetuate superficial political divisions. As he says in an interview in The Irish Times on July 4, 1998, songs can “take you out of yourself” and become bridges to unite people.
Hammond receives many honours. In 1994, he receives the Estyn Evans award for his contribution to mutual understanding, and his work is featured in several major events in his honour: in the University of North Florida (1999), in the Celtic Film Festival in Belfast (2003), and in Belfast’s Linen Hall Library (2005). A Time to Dream, a film about his life and work, is broadcast on BBC Northern Ireland in December 2008.
Hammond dies in hospital in Belfast, after a long illness, on August 25, 2008, survived by his wife Eileen (née Hambleton), whom he marries on July 19, 1954, and by their son and three daughters. His funeral in St Finnian’s church is a major cultural event, where friends sing, play and speak in his honour.
In Seamus Heaney’s last collection of poetry, Human Chain (2010), he includes a poignant farewell to Hammond. The poet imagines (or perhaps dreams) of another visit to the singer’s house, but this time “The door was open, and the house was dark.”
(From: “Hammond, David Andrew (‘Davy’)” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, December 2014)
Adebari arrives in Dublin with his wife and two children in 2000. After he converts from Islam to Christianity, he flees Nigeria in 2000, and makes a claim for asylum on the grounds of religious persecution. His application is rejected because of a lack of evidence that he had personally suffered persecution. He does however gain automatic residency when his wife gives birth to a son in Ireland shortly after their arrival.
Adebari and his family settle in County Laois. He completes his master’s degree in intercultural studies at Dublin City University (DCU) and sets up a firm called Optimum Point Consultancy.
In 2004, Adebari is elected as a town councilor in local elections. On June 27, 2007, at the age of 43, he is elected mayor of the 9-member Portlaoise Town Council, by a vote of six to three and with support from Fine Gael, Sinn Féin and an Independent councilor. At a meeting attended by officials from the Nigerian, South African, and the United States embassies, the new mayor is quoted as saying his election is proof that “Ireland is not just a country of a thousand welcomes, but it is a country of equal opportunity.” In the 2009 local elections he is re-elected to the town council and also to Laois County Council for the Portlaoise electoral area.
In 2007, Adebari denies claims that he was a train operator in London who worked out of the Queen’s Park station on the Bakerloo line. Multiple London Underground employees, including Paddy Clarke, a retired tube driver from County Louth, state that Adebari worked as a train driver in London during the late 1990s before moving to Ireland. Clarke states, “at the very least fifty drivers and six or more managers will remember him. His photograph and signature are on file with London Underground’s personnel office which were used in the issue of his free travel-pass and identity card.” Adebari asserts he traveled to Ireland directly from Nigeria via Paris, and never worked or lived in London at any time.
Murphy is an active Irish republican paramilitary from his late teens. In March 1972, he is arrested in Dundalk regarding an assault and is sentenced to two years in prison after the Garda Síochána find a loaded revolver in his car. He is imprisoned in the Curragh Camp but escapes in October 1972 and is not recaptured until May 1973. In June 1976, he is imprisoned again, receiving a three-year sentence for firearms offences and a one-year sentence for Provisional Irish Republican Army membership, both sentences to run concurrently. In July 1983, he is arrested in the United States after attempting to buy a consignment of M60 machine guns to be shipped to Ireland for use by the Irish National Liberation Army (INLA). He receives a five-year prison sentence but returns to Ireland in December 1985 after being released early.
In the late 1980s, Murphy begins investing in property and forms a company named Emerald Enterprises in 1990. He purchases the Emerald Bar public house in Dundalk for IR£100,000, and it later becomes a meeting place for dissident republicans. Other investments included 30 acres of land in Drogheda bought for IR£52,000 in 1995, and his company wins contracts for an IR£11 million development at Dublin City University (DCU) and the multi-million-pound International Financial Services Centre in the Dublin Docklands.
Murphy is arrested by the Gardaí on February 21, 1999, for questioning under anti-terrorist legislation. On February 24, he becomes the first person to be charged in connection with the Omagh bombing, when he appears before Dublin‘s Special Criminal Court and is charged with conspiring to cause an explosion under the terms of Ireland’s Offences Against the State Act, between August 13-16, 1998. He is also charged with membership in an illegal organisation, the Real Irish Republican Army (RIRA).
On October 10, 2000, the BBC television show Panorama names Murphy as one of four people connected with the Omagh bombing, along with Seamus Daly and Liam Campbell. In 2001, he undertakes legal action against the BBC and Daily Mail publishers Associated Newspapers for contempt of court. The action against Associated Newspapers is settled on July 31, 2001, and the newspaper releases a statement saying Murphy is entitled to be presumed innocent of the charges against him until proven guilty.
Murphy’s trial begins at Special Criminal Court in Dublin on October 12, 2001. The court hears that Murphy had supplied two mobile phones which were used during the bombing. One witness, Murphy’s second cousin, retracts his evidence and the judge calls the conduct of two detectives outrageous, saying they had persistently lied under cross-examination. Despite this, on January 22, 2002, he is convicted of conspiring to cause the Omagh bombing, and on January 25 is sentenced to 14 years imprisonment with the judge describing him as a long-time republican extremist.
On January 21, 2005, Murphy’s conviction is overturned and a new trial ordered, due to the invasion of Murphy’s presumption of innocence, and alteration of Gardaí interview notes and evidence presented by two officers. A week later, his legal case against the BBC is resolved, with the BBC issuing a statement that Murphy “was fully entitled to maintain his innocence of the charges against him and to test the evidence against him at his trial.”
On October 23, 2006, two Gardaí officers are found not guilty of perjuring themselves during Murphy’s trial. On May 23, 2007, it is announced that Murphy is suffering from short-term memory loss resulting from a car accident in 1988. His lawyers attempt to prevent a retrial taking place, on the grounds that his condition interferes with his right to a fair hearing. The Court of Criminal Appeal is scheduled to hear his case again in October 2008. Following a retrial held in January 2010, he is acquitted on February 24, 2010.
In 2009, Murphy is one of four men found by a civil court to be liable for the Omagh bombing in a case taken by relatives of the victims. On July 7, 2011, in Belfast High Court, Lord Justice Malachy Higgins directs a retrial of the civil claims against Murphy. He questions evidence surrounding emails from U.S. undercover agent David Rupert while overturning the judgment on Murphy. The paucity of the email evidence, the lack of consistency in the emails or at least ambiguity, the possibility of initials referring to someone other than Murphy and the fact that they refer on occasions to double hearsay considerably weaken the emails as evidence, he says. Following a civil retrial on March 20, 2013, Murphy and Seamus Daly are found liable for involvement in the bombing.
(Robert John) Douglas Gageby, one of the pre-eminent Irish newspaper editors of his generation, dies on June 24, 2004, following a lengthy illness. His life is well documented and a book of essays about him, Bright Brilliant Days: Douglas Gageby and the Irish Times, written by many of his colleagues, some of whom had attained fame for their literary achievements, is published in 2006.
Gageby is educated at Belfast Royal Academy and Trinity College Dublin, where he is elected a scholar in Modern Languages (French and German) in 1940. He is also actively involved with the student newspaper, Trinity News. He enlists in the Irish Army as a private soldier at the outbreak of World War II. He is commissioned later, and he serves as an intelligence officer. He reports from post-war Germany for The Irish Press and goes on to work under Conor Cruise O’Brien in the Irish News Agency. In 1954 he is the first editor of the Evening Press. In 1963 he becomes editor of The Irish Times, a post he holds until 1986, having been brought back from a short retirement in 1974. He is credited with moving The Irish Times from a Unionist organ into a successful Irish journal of record.
In 2003 it is revealed that a director, and later Chairman, of The Irish Times, Major Thomas Bleakley McDowell, had referred to Gageby as a “white nigger” for his views and role in the paper during the Northern Ireland civil rights movement‘s campaign in the 1960s. The comment appears in a letter from the British Ambassador to Dublin, Sir Andrew Gilchrist, to Kelvin White, head of the Irish Section of the British Foreign Office and is dated October 2, 1969. Gilchrist is referring to conversations which he had with McDowell where the latter professes himself to be fully behind the British government in the North and hostile to Gageby’s coverage of the civil rights movement. However, historian Mark O’Brien notes, “Despite his contacts with London, McDowell’s actions did not interfere with Gageby’s editorials on Northern Ireland”, due to the fact McDowell believes in editorial independence (even though McDowell strongly disagrees with Gageby’s nationalist views), and because Gageby is making the newspaper commercially successful. Under the 30 year rule, this letter is made available to newspapers on December 22 and 23, 1999, but no newspaper publishes it at that time.
The communiqué is later discovered by the historian Jack Lane and published in the Irish Political Review, a small magazine strongly antagonistic to The Irish Times, in January 2003. He brings it to the attention of The Irish Times editor, Geraldine Kennedy, on January 10, 2003, and she replies on January 15, 2003 saying she is “unable to confirm the veracity of it” and does not publish it. When, on January 26, 2003, the Sunday Independent (Ireland) publishes the story, The Irish Times finally follows the next day, January 27. Nonetheless, on April 24, 2004, Kennedy defends her position by saying, “The contents of the letter in question were published on January 27, 2003, as soon as its existence was drawn to my attention.”
Gageby dies on June 24, 2004, following a two year illness. His private funeral is conducted by Rev. Terence McCaughey, a family friend. The Irish Times endows an annual Douglas Gageby Fellowship for young journalists and a stand of trees is planted in his memory at Moynalty. His papers are presented to Dublin City University (DCU).
Daly’s father, Kevin Daly, was a colonel in the Irish Army, where he was Director of Signals. She is an atheist, while her brother and an uncle are Catholic priests. She studies accountancy at Dublin City University (DCU). She is twice elected president of the DCU Students’ Union and is active in the students’ movement as a campaigner for abortion rights and information. On leaving college she takes a job in the catering section of Aer Lingus on a low wage and becomes SIPTU‘s shop steward at Dublin Airport when the airline is engaged in extensive cost-cutting and outsourcing.
Since 2012, Daly has formed a close political association with Mick Wallace. After Wallace is condemned by left-wing TDs following the revelation his building company had avoided €2.1 million in taxes, she resigns from the Socialist Party in August 2012 in protest and redesignates herself as a United Left Alliance TD, before switching party again in 2015 to her current party, Independents 4 Change.
At the 2019 European Parliament elections, Daly is elected for the Dublin constituency. Since becoming an MEP, she has gained international attention for her foreign policy views, particularly regarding Russia and China, which have been the subject of controversy and criticism.
A report by The Irish Times in April 2022 describes Daly and Wallace’s media profile in China, and discusses how since January 2021, Daly has been featured in more Chinese-language news articles than any other Irish person, while Wallace has the second most Chinese-language news articles. In April 2022, Daly and Wallace initiate defamation proceedings against RTÉ.
Byrne is educated at Newbridge College, County Kildare, University College Dublin (UCD) and King’s Inns, Dublin. He is called to the Bar in 1970 and practises law in the Irish and European Courts. During his student days in Dublin, he founds the Free Legal Advice Centre, a student-run organisation providing legal aid to citizens in association with the legal profession. He campaigns in favour of Irish entry into the European Community (EC) in the 1970s and has been a keen supporter of European integration ever since.
In 1997 Byrne becomes Attorney General of Ireland in the Fianna Fáil-Progressive Democratscoalition government. As one of the negotiators of the Good Friday Agreement in April 1998, he drafts and oversees the major constitutional amendments required by that agreement, which are approved by Referendum in May 1998. He also advises on the constitutional amendments necessary for Ireland’s ratification of the Treaty of Amsterdam. During his tenure, he establishes the first independent Food Safety Agency in Europe responsible to the Minister for Health.
Byrne is nominated to the European Commission by TaoiseachBertie Ahern in September 1999, serving as Ireland’s EU Commissioner and has responsibility for Health & Consumer Protection in the Prodi Commission. He continues in that role until replaced as Ireland’s Commissioner by Charlie McCreevy in 2004.
Byrne is mooted as a potential candidate for the position of Director General of the World Health Organization following the death of the incumbent, Dr Lee Jong-wook in 2006. However, he is eventually not included in the list of thirteen candidates to head the agency.
After leaving the European Commission, Byrne holds a variety of paid and unpaid positions, including Co-Chair of European Alliance for Personalised Medicine, member of the International Advisory Board of FleishmanHillard, Chairman of the Ethics Committee of the International Prevention Research Institute (IPRI), Chairman of the Advisory Committee of the National Treasury Management Agency (NTMA), of counsel of Wilmer Cutler Pickering Hale and Dorr, Honorary Co-Chair of the World Justice Project (WJP) and a member of the World Prevention Alliamce.
seamus dubhghaill 