Lynch is tried, convicted and sentenced to ten years for stealing shotguns, taking part in a punishment shooting and conspiring to take arms from the security forces. He is sent to the Maze Prison in County Down, Northern Ireland in December 1977. He becomes involved with the blanket protest and joins the 1981 hunger strike at the Maze on May 23, 1981. Kevin Lynch dies at Maze Prison 71 days later on August 1, 1981.
John Henry Foley, sculptor often referred to as JH Foley, is born on May 24, 1818, at 6 Montgomery Street, Dublin, in what is then the city’s artists’ quarter. The street has since been renamed Foley Street in his honour. He is best known for his statues of Daniel O’Connell in Dublin and of Prince Albert for the Albert Memorial in London.
Foley’s father is a glassblower and his step-grandfather, Benjamin Schrowder, is a sculptor. At the age of thirteen he begins to study drawing and modelling at the Royal Dublin Society, where he takes several first-class prizes. In 1835 he is admitted as a student in the schools of the Royal Academy of Arts in London. He exhibits there for the first time in 1839 and comes to fame in 1844 with his Youth at a Stream. Thereafter commissions provide a steady career for the rest of his life. In 1849 he is made an associate, and in 1858 a full member of the Royal Academy of Arts.
In 1851, inspired by the recently closed Great Exhibition, the Corporation of London votes a sum of £10,000 to be spent on sculpture to decorate the Egyptian Hall in the Mansion House. Foley is commissioned to make sculptures of Caractacus and Egeria.
In 1864 he is chosen to sculpt one of the four large stone groups, each representing a continent, at the corners of George Gilbert Scott‘s Albert Memorial in Kensington Gardens. His design for Asia is approved in December of that year. In 1868, he is also asked to make the bronze statue of Prince Albert himself, to be placed at the centre of the memorial, following the death of Carlo Marochetti, who had originally received the commission, but had struggled to produce an acceptable version.
Foley exhibits at the Royal Academy of Arts between 1839 and 1861. Further works are shown posthumously in 1875. His address is given in the catalogues as 57 George St., Euston Square, London until 1845, and 19 Osnaburgh Street from 1847.
John Henry Foley dies at Hampstead, north London on August 27, 1874, and is buried in St. Paul’s Cathedral on September 4. He leaves his models to the Royal Dublin Society, where he had his early artistic education, and a large part of his property to the Artists’ Benevolent Fund. He does not see the Albert Memorial completed before his death. A statue of Foley himself, on the front of the Victoria and Albert Museum, depicts him as a rather gaunt figure with a moustache, wearing a floppy cap.
Following the creation of the Irish Free State in 1922, a number of Foley’s works are removed or destroyed without notice, because the persons portrayed are considered hostile to the process of Irish independence. They include those of Lord Carlisle, Lord Dunkellin (in Galway) and Field Marshal Gough in Phoenix Park. The statue of Lord Dunkellin is decapitated and dumped in the river as one of the first acts of the short-lived “Galway Soviet” of 1922.
Augusta is born at Roxborough, County Galway, the youngest daughter of the Anglo-Irish gentry family Persse. She is educated at home, and her future career is strongly influenced by the family nanny, Mary Sheridan, a Catholic and a native Irish speaker, who introduces her to the history and legends of the local area.
Augusta marries Sir William Henry Gregory on March 4, 1880, in St Matthias’ Church, Dublin. He is a well-educated man with many literary and artistic interests, and the house at Coole Park houses a large library and extensive art collection. He also owns a house in London, where the couple spends a considerable amount of time, holding weekly salons frequented by many leading literary and artistic figures of the day, including Robert Browning, Lord Tennyson, John Everett Millais and Henry James.
Augusta’s earliest work to appear under her own name is Arabi and His Household (1882), a pamphlet in support of Ahmed Orabi Pasha, leader of what has come to be known as the Urabi Revolt. In 1893 she publishes A Phantom’s Pilgrimage, or Home Ruin, an anti-Nationalist pamphlet against William Ewart Gladstone‘s proposed second Home Rule Act.
Augusta continues to write prose during the period of her marriage. She also writes a number of short stories in the years 1890 and 1891, although these never appear in print. A number of unpublished poems from this period have also survived. When Sir William Gregory dies in March 1892, Lady Gregory goes into mourning and returns to Coole Park. There she edits her husband’s autobiography, which she publishes in 1894.
A trip to Inisheer in the Aran Islands in 1893 re-awakes for Lady Gregory an interest in the Irish language and in the folklore of the area in which she lives. She organises Irish lessons at the school at Coole and begins collecting tales from the area around her home. This activity leads to the publication of a number of volumes of folk material, including A Book of Saints and Wonders (1906), The Kiltartan History Book (1909) and The Kiltartan Wonder Book (1910).
With William Butler Yeats and Edward Martyn, she co-founds the Irish Literary Theatre and the Abbey Theatre and writes numerous short works for both companies. Lady Gregory produces a number of books of retellings of stories taken from Irish mythology. Born into a class that identifies closely with British rule, she turns against it. Her conversion to cultural nationalism, as evidenced by her writings, is emblematic of many of the political struggles to occur in Ireland during her lifetime.
Lady Gregory, whom George Bernard Shaw once described as “the greatest living Irishwoman” dies at home at the age of 80 from breast cancer on May 22, 1932. She is buried in the New Cemetery in Bohermore, County Galway. The entire contents of Coole Park are auctioned three months after her death, and the house is demolished in 1941.
Lady Gregory is mainly remembered for her work behind the Irish Literary Revival. During her lifetime her home at Coole Park in County Galway serves as an important meeting place for leading Revival figures. Her early work as a member of the board of the Abbey Theatre is at least as important as her creative writings for that theatre’s development. Lady Gregory’s motto is taken from Aristotle: “To think like a wise man, but to express oneself like the common people.”
Just ten years after Guinness is first brewed in St. James Gate, Dublin, the beautiful magic brew is first exported from Ireland on May 19, 1769 as six-and-a-half barrels are shipped to England.
Guinness is an Irish dry stout that originates in the brewery of Arthur Guinness (1725–1803) at St. James’s Gate brewery in the capital city of Dublin. Guinness, produced by the Diageo beverages company, is one of the most successful beer brands worldwide. It is brewed in almost 50 countries and is available in over 120. Annual sales total of Guinness in 2011 was 850 million litres (220,000,000 US gal).
Guinness features a burnt flavour that is derived from malted barley and roasted unmalted barley. The use of roasted barley is a relatively modern development, not becoming part of the grist until the mid-20th century. For many years, a portion of aged brew is blended with freshly brewed beer to give a sharp lactic acid flavour. Although Guinness’s palate still features a characteristic “tang,” the company has refused to confirm whether this type of blending still occurs. The draught beer‘s thick, creamy head comes from mixing the beer with nitrogen and carbon dioxide when poured. It is popular with the Irish, both in Ireland and abroad. In spite of declining consumption since 2001, it is still the best-selling alcoholic drink in Ireland where Guinness & Co. Brewery makes almost €2 billion worth of the beverage annually.
The company is started in 1759 in Dublin, but has to move its headquarters to London at the beginning of the Anglo-Irish Trade War in 1932. In 1997, Guinness plc merges with Grand Metropolitan to form the multinational alcoholic drinks producer Diageo.
Holt is one of six sons of John Holt, a farmer in County Wicklow. He joins the Irish Volunteers in the 1780s and holds a number of minor public offices but becomes involved in law enforcement as a sub-constable, billet master for the militia and a bounty hunter. He is involved in the Battle of Vinegar Hill which is an engagement during the Irish Rebellion of 1798 on June 21, 1798, when over 15,000 British soldiers launch an attack on Vinegar Hill outside Enniscorthy, County Wexford.
Despite Holt’s apparent loyalism, he becomes a member of the Society of United Irishmen in 1797 and gradually begins to attract suspicion until finally in May 1798, his house is burned down by the militia of Fermanagh. He then takes to the Wicklow mountains, gradually assuming a position of prominence with the United Irish rebels. The defeat of the County Wexford rebels at Vinegar Hill on June 21 sees surviving rebel factions heading towards the Wicklow Mountains to link up with Holt’s forces.
Emerging to meet them, Holt is given much of the credit for the planning of the ambush and defeat of a pursuing force of 200 British cavalry in the Battle of Ballyellis on June 30, 1798. However, the subsequent Midlands campaign to revive the rebellion is a disaster, and he is lucky to escape with his life back to the safety of the Wicklow Mountains.
Holt largely holds out in expectation of the arrival of French aid but news of the defeat of the French in the Battle of Ballinamuck together with his ill-health brought about by the hardships of his fugitive life, age and family considerations prompt him to initiate contact with the Dublin Castle authorities with a view to a negotiated surrender. Dublin Castle is eager to end the rebellion in Wicklow and allows him exile after incarceration in the Bermingham Tower without trial in New South Wales.
Holt goes out on the Minerva and meets Captain William Cox who has been appointed paymaster of the New South Wales Corps. The ship arrives at Sydney on January 11, 1800, and shortly afterwards Holt agrees to manage Captain Cox’s farm. He always claims in Australia that he is a political exile and not a convict. In 1804 when the Castle Hill uprising occurs Holt, who is not involved, has been warned that evening that it is about to happen. During the night he sets up a defense of Captain Cox’s house. He is nonetheless afterwards hounded by Governor Philip Gidley King and many false witnesses are brought against him. Although there is no plausible evidence at all against him, he is exiled by King to Norfolk Island in April 1804, and there put to hard labour.
Holt is officially pardoned on January 1, 1811, and in December 1812, with his wife and younger son, takes passage to Europe on the Isabella. The ship is wrecked by a reef, so the passengers and crew are landed at Eagle Island, one of the Falkland Islands. He shows great resolution and ingenuity in making the best of the conditions on the island. He is rescued on April 4, 1813, but does not reach England until February 22, 1814, as he travels via the United States. He retires to Ireland where he lives for the rest of his life but regrets he had left Australia.
Harte’s introduction to Irish traditional singing comes from a chance listening to an itinerant who is selling ballad sheets at a fair in Boyle, County Roscommon. He begins collecting early in life and by the end of his life has assembled a database of over 15,500 recordings.
Harte becomes a great exponent of the Dublin street ballad, which he prefers to sing unaccompanied. He is widely known for his distinctive singing, his Dublin accent having a rich nasal quality complementing his often high register. His voice mellows considerably by the time of his later recordings, allowing for an expressive interpretation of many love songs such as “My Bonny Light Horseman” on the album My Name is Napoleon Bonaparte. This is contrasted sublimely by his cogent interpretation of the popular “Molly Malone.” He also becomes more accustomed to singing with accompaniment which is not strictly part of the Irish singing tradition and does not come naturally to him.
Though Irish Republican in his politics, Harte believes that the Irish song tradition need not be a sectarian or nationalist preserve. He believes that songs are a key to understanding the past often saying, “those in power write the history, while those who suffer write the songs, and, given our history, we have an awful lot of songs.” Though considered a stalwart of traditional Irish singing and well aware of it, he does not consider himself to be a sean-nós singer.
Harte wins the All-Ireland Fleadh Cheoil singing competition on a number of occasions and in 2003 receives the Traditional Singer of the Year award from the Irish-language television channel TG4.
Harte records several albums and makes numerous television and radio appearances, most notably the Singing Voices series he writes and presents for RTÉ Radio, which is produced by Peter Browne in 1987. He is a regular at the Sunday morning sessions at The Brazen Head pub, along with Liam Weldon who runs the session. He is also an enthusiastic supporter of An Góilín Traditional Singer’s Club.
Frank Harte dies of a heart attack, aged 72, on June 27, 2005. His influence is still evident in singers such as Karan Casey and he continues to be remembered fondly in sessions and folk clubs on both sides of the Irish Sea.
The Riordans, a drama about life in a rural Irish village and the most successful serial in the history of Raidió Teilifís Éireann (RTÉ), running from 1965 to 1979, comes to an end on May 11, 1979. It is the second Irish soap opera made by RTÉ (then called Telefís Éireann).
In 1964 the fledgling Telefís Éireann launches Tolka Row, a soap opera set in a working class part of Dublin. Its success is immediate, with its actors becoming household names. One year later, aware that Ireland is still a largely rural country, and of the immense popularity of rural-based radio shows on RTÉ Radio (then called Radio Éireann), Telefís Éireann decides to create a new rural soap opera, set on a family farm. Located in Dunboyne, The Flathouse, owned by the Connolly family, is the setting for this programme.
The show is called The Riordans after the name of the central family, who are two middle-aged parents, Tom Riordan and his wife Mary Riordan, together with their oldest son, Benjy and other siblings, including brother Michael and sister Jude, all of whom except Benjy have left farming for other careers and have more adventurous personal lives.
The Riordans is set in the fictional townland of Leestown in County Kilkenny and proves to be a revolutionary television programme, both in Ireland and internationally. Its most dramatic innovation is in the use of Outside Broadcast Units (OBUs) to film most of each episode on location in the countryside. This is a marked innovation. Previously soap operas had all been studio-based, with even supposed exterior filming all done with studio sets built in sound stages. This breaks the mould of broadcasting in the soap opera genre and inspires the creation of its British equivalent, Emmerdale Farm (now called Emmerdale) by Yorkshire Television in 1972. In 1975 The Riordans begins to be filmed and transmitted in colour, having been available in monochrome only up to then.
The show undergoes a number of changes in the mid-1970s, most notably moving from a half-hour to one-hour format, as well as a change in theme tune. The decision of actor Tom Hickey to leave the series causes some problems. His character, Benjy is not killed off but goes abroad “on the missions.” While the show has declined somewhat from its heyday, it still regularly battles with The Late Late Show to top the TAM ratings. The production team is surprised when one episode, which unusually departs from the 1970s and focuses on Tom Riordan as a young man in the 1930s at a family céilí, is critically acclaimed by the media and many older viewers, who view it as an accurate representation of life on an Irish farm in the 1930s and 1940s.
With its considerable popularity, large cast of respected actors and high production values, and its central location on the schedules of RTÉ 1, few expect the show to be axed, let alone so suddenly. There is considerable surprise, and a lot of criticism, when the new Director of Programming at RTÉ, Muiris Mac Conghail, decides that the show has run its course and so axes it in May 1979. Part of the justification is cost as it is one of RTÉ’s most expensive shows to produce.
Brougham’s father is an amateur painter and dies young. His mother is the daughter of a Huguenot, whom political adversity has forced into exile. He is the eldest of three children. Both of his siblings die in youth, and the father being dead, and the widowed mother left penniless, he is reared in the family and home of an uncle.
Brougham is prepared for college at an academy at Trim, County Meath, twenty miles from Dublin, and subsequently is sent to the University of Dublin. There he acquires classical learning and forms interesting and useful associations and acquaintances. He also becomes interested in private theatricals. He falls in with a crowd that puts on their own shows, cast by drawing parts out of a hat. Though he most always trades off larger roles so he can pay attention to his studies, he takes quite an interest in acting. He is a frequent attendant, moreover, at the Theatre Royal in Hawkins Street.
Brougham is educated with the intention of his becoming a surgeon and walks the Peth Street Hospital for eight months. However, misfortune comes upon his uncle, so he is obliged to provide for himself. Before leaving the university he, by chance, becomes acquainted with the actress Lucia Elizabeth Vestris.
Brougham goes to London in 1830 and, after a brief experience of poverty, suddenly determines to become an actor. He is destitute of everything except fine apparel, and he has actually taken the extreme step of offering himself as a cadet in the service of the East India Company. But, being dissuaded by the enrolling officer, who lends him a guinea and advises him to seek other employment, and happening to meet with a festive acquaintance, he seeks recreation at the Tottenham Theatre where Madame Vestris is acting.
Brougham’s acquaintance with Madame Vestris leads to him being engaged at the theatre, and he thus makes his first appearance on the London stage in July in Tom and Jerry, in which he plays six characters. In 1831 he is a member of Madame Vestris’s company and writes his first play, a burlesque. He remains with Madame Vestris as long as she and Charles Mathews retain Covent Garden Theatre, and he collaborates with Dion Boucicault in writing London Assurance, the role of Dazzle being one of those with which he becomes associated. His success at small or “low” comic roles such as Dazzle earn him the nickname “Little Johnny Brougham,” a moniker which he embraces, and which boosts his popularity with working-class audiences.
In 1840 Brougham manages the Lyceum Theatre, for which he writes several light burlesques, but in 1842 he moves to the United States, where he becomes a member of William Evans Burton‘s company, for which he writes several comedies, including Met-a-mora; or, the Last of the Pollywogs, a parody of John A. Stone and Edwin Forrest’s Metamora; or The Last of the Wamponoags, and Irish Yankee; or, The Birthday of Freedom.
In 1860 Brougham returns to London, where he adapts or writes several plays, including The Duke’s Motto for Charles Fechter. In November 1864 he appears at the Theatre Royal in his native Dublin in the first performance of Dion Boucicault’s Arrah-na-Pogue with Boucicault, Samuel Johnson and Samuel Anderson Emery in the cast.
After the American Civil War Brougham returns to New York City. Brougham’s Theatre is opened in 1869 with his comedies Better Late than Never and Much Ado About a Merchant of Venice, but this managerial experience is also a failure due to disagreements with his business partner, James Fisk. He then takes to playing the stock market. His last appearance onstage is in 1879 as “O’Reilly, the detective” in Boucicault’s Rescued.
At the time of his death Cotter is seen, like his father before him, as the natural leader of the Catholics of Cork. He is also a prominent patron of poetry and other literature in the Irish language. The Irish text Párliament na mBan or ‘The Parliament of Women’ is dedicated by its author, Domhnall Ó Colmáin,’ to a young James Cotter in 1697. As one of the few major landowners of the Catholic faith remaining in Ireland, and as a man of known Jacobite and Tory sympathies he is distrusted by the authorities. He is also held in suspicion by those of his landed neighbours who are part of the Protestant Ascendancy and of Whiggish political views. Amongst his overt political actions, he is believed to play a leading part in the instigation of the election riots of 1713 in Dublin. His trial, ostensibly for rape, is a cause célèbre at the time and widely seen as an example of judicial murder.
Though married, Cotter has a reputation as a ladies’ man. His wealth allows him to flaunt his independence of the Protestant ruling class and anti-Catholic laws of Ireland. These characteristics, allied to his political activities, lead to his downfall. He makes an enemy of a powerful neighbour, Alan Brodrick, 1st Viscount Midleton. Brodrick, it appears, arranges that Cotter be accused of abducting and raping a young Quaker woman named Elizabeth Squibb, reported by some to have been Cotter’s mistress. When news of this trumped-up or exaggerated charge reaches Cork City, the Quakers of the town live in fear of their lives for many weeks. Believing the charge cannot hold up in court, Cotter gives himself up to the Cork sheriff.
The judge presiding on the case is Sir St. John Brodrick who, as a close relative of James Cotter’s accuser, is hardly impartial. The jury has also been packed as all twelve of its members are justices of the peace. The trial takes place in a period of heightened rumour of Jacobite invasion. A large number of arms for cavalry are found in Cork which triggers a scare until it is discovered that they are government owned and intended for a local militia unit. James Cotter is held in jail, though bail has been granted, and is convicted of the crime.
A bizarre element in Cotter’s downfall are the pleas for mercy expressed by both the jury which has convicted him and Elizabeth Squibb, his alleged victim. Attempts to gain a pardon in Dublin are proceeding and a stay of execution is sent, however, the hanging is deliberately brought forward, and the stay does not arrive in time. Cotter has attempted to escape and spends the night before his execution in chains. The gallows erected for the execution are destroyed by some of the citizens of Cork and the hanging is extemporised using a rope attached to a metal staple in a vertical post. James Cotter is hanged in Cork City on May 7, 1720. News of his execution triggers widespread riots on a national scale. He is buried in his family’s vault at Carrigtwohill.
Some have seen the death of James Cotter as the working of a family feud. His father had been intimately involved in the assassination of the regicideJohn Lisle in Switzerland (1664). The wife of the Lord Lieutenant of Ireland at the time of James Cotter’s trial is a granddaughter of John Lisle.
Up to twenty poems in Gaelic survive which reflect the widespread dismay felt at James Cotter’s execution, including ones by Éadbhard de Nógla, son of his close friend, the lawyer Patrick Nagle.
(Pictured: The Cotter Family burial vault in Carrigtwohill)
Burke is the second of three sons of James Hardiman Burke, an officer in the British army 7th Royal Fusiliers, and Anne Louisa Burke (nee O’Hara).
Burke enters the Royal Military Academy, Woolwich in May 1835. In December 1836 he fails his probationary exam and goes to Belgium to further his education. In 1841, he enters the Austrian army and spends most of his time posted to northern Italy. Towards the end of 1847 he suffers health problems and ultimately resigns from the Austrian army in June 1848.
After returning to Ireland in 1848, he joins the Irish Constabulary (later the Royal Irish Constabulary). He does his cadet training at Phoenix Park Depot in Dublin between November 1849 and January 1850. At the end of 1850 he transfers to the Mounted Police in Dublin.
Burke emigrates to Australia, arriving in Hobart, Tasmania on February 12, 1853, and promptly sails for Melbourne. On April 1, 1853, he joins the recently established Victoria Police force.
After the South Australian explorer John McDouall Stuart reaches the centre of Australia, the South Australian parliament offers a reward of £2,000 for the promotion of an expedition to cross the continent from south to north, generally following Stuart’s route. In June 1860, Burke is appointed to lead the Victorian Exploring Expedition with William John Wills, his third-in-command, as surveyor and astronomical observer.
The expedition leaves Melbourne on August 20, 1860, with a total of 19 men, 27 camels and 23 horses. They reach Menindee on September 23, 1860, where several people resign.
Cooper Creek, 400 miles further on, is reached on November 11, 1860, by the advance group, the remainder being intended to catch up. After a break, Burke decides to make a dash to the Gulf of Carpentaria, leaving on December 16, 1860. William Brahe is left in charge of the remaining party. The small team of Burke, William Wills, John King and Charley Gray reach the mangroves on the estuary of the Flinders River, near where the town of Normanton now stands, on February 9, 1861. They never see open ocean due to flooding rains and swamps.
Already weakened by starvation and exposure, progress on the return journey is slow and hampered by the tropical monsoon downpours of the wet season. Gray dies four days before they reach the rendezvous at Cooper Creek. The other three rest for a day when they bury him. They eventually reach the rendezvous point on April 21, 1861, nine hours after the rest of the party had given up waiting and left, leaving a note and some food, as they have not been relieved by the party supposed to be returning from Menindee.
Burke’s party attempts to reach Mount Hopeless, the furthest outpost of pastoral settlement in South Australia, which is closer than Menindee, but fail and return to Cooper Creek. While waiting for rescue Wills dies of exhaustion and starvation. Soon after, Burke also dies, at a place now called Burke’s Waterhole on Cooper Creek in South Australia. The exact date of Burke’s death is uncertain but has generally been accepted to be June 28, 1861.
King survives with the help of Aborigines until he is rescued in September by Alfred William Howitt. Howitt buries Burke and Wills before returning to Melbourne. In 1862 Howitt returns to Cooper Creek and disinters Burke and Wills, taking them first to Adelaide and then by steamer to Melbourne where they are laid in state for two weeks. On January 23, 1863, Burke and Wills receive a State Funeral and are buried in Melbourne General Cemetery. Ironically, on that same day John McDouall Stuart and his companions, having successfully completed the south-north crossing, are received back at a large ceremony in Adelaide.
Just ten years after 
seamus dubhghaill 