seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

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Death of William Sampson, United Irishman, Author & Lawyer

william-sampson

William Sampson, member of the Society of United Irishmen, author and Irish Protestant lawyer known for his defence of religious liberty in Ireland and the United States, dies in New York City on December 28, 1836.

Sampson is born in Derry, County Londonderry, to an affluent Anglican family. He attends Trinity College Dublin and studies law at Lincoln’s Inn in London. In his twenties, he briefly visits an uncle in North Carolina. In 1790 he marries Grace Clark, and they have two sons, William and John, and a daughter, Catherine Anne.

Admitted to the Irish Bar, Sampson becomes Junior Counsel to John Philpot Curran and helps him provide legal defences for many members of the Society of United Irishmen. A member of the Church of Ireland, he is disturbed by anti-Catholic violence and contributes writings to the Society’s newspapers. He is arrested at the time of the Irish Rebellion of 1798, imprisoned, and compelled to leave Ireland for exile in Europe.

Shipwrecked at Pwllheli in Wales, Sampson makes his way to exile in Porto, Portugal, where he is again arrested, imprisoned in Lisbon, and then expelled. After living some years in France, and then Hamburg, he flees to England ahead of the approach of Napoleon‘s armies where he is re-arrested. After unsuccessfully petitioning for a return to Ireland, he arrives in New York City on July 4, 1806.

In the United States, Sampson successfully continues his career in the law, eventually sending for his family. He sets up a business publishing detailed accounts of the court proceedings in cases with popular appeal. In 1809 he reports on the case of a Navy Lieutenant Renshaw prosecuted for dueling. That same year he handles a case against Amos and Demis Broad, accused of brutally beating their slave, Betty, and her 3-year-old daughter where Sampson succeeded in having both slaves manumitted. The authorities in Ireland had disbarred Sampson, which causes him some bitter amusement, as it does not affect his work in the United States.

Sampson’s most important case in the United States is in 1813 and is referred to as “The Catholic Question in America.” Police investigating the misdemeanor of receiving stolen goods question the suspects’ priest, the Reverend Mr. Kohlman. He declines to give any information that he has heard in confession. The priest is called to testify at the trial in the Court of General Sessions in the City of New York. He again declines. The issue whether to compel the testimony is fully briefed and carefully argued on both sides, with a detailed examination of the common law. In the end, the confessional privilege is accepted for the first time in a court of the United States.

William Sampson dies on December 28, 1836, and is buried in the Riker Family graveyard on Long Island in what is now East Elmhurst, Queens, New York. He is later reinterred in Green-Wood Cemetery in Brooklyn, where he is now buried in the same plot as Matilda Witherington Tone and William Theobald Wolfe Tone, the wife and son of the Irish revolutionary Wolfe Tone, and his daughter Catherine, the wife of William Theobald Wolfe Tone.


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Birth of Erskine H. Childers, 4th President of Ireland

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Erskine Hamilton Childers, Irish politician and a member of the Fianna Fáil party who serves as the fourth President of Ireland (1973–74), is born on December 11, 1905, in the Embankment Gardens, Westminster, London, to a Protestant family, originally from Glendalough, County Wicklow.

Childers is educated at Gresham’s School, Holt, and the University of Cambridge, hence his striking British upper-class accent. On November 24, 1922, when he is sixteen, his father, Robert Erskine Childers, is executed by the new Irish Free State on politically inspired charges of gun-possession. The pistol he had been found with had been given to him by Michael Collins. Before his execution, in a spirit of reconciliation, the elder Childers obtains a promise from his son to seek out and shake the hand of every man who had signed his death warrant.

Following his father’s funeral, he returns to Gresham’s, then two years later he goes on to Trinity College, Cambridge. He returns to Ireland in 1932 and becomes advertising manager of The Irish Press, the newly founded newspaper owned by the family of Éamon de Valera.

Childers’s political debut is as a successful Fianna Fáil candidate for a seat in Dáil Éireann, the lower house of the Oireachtas, the Irish parliament, in 1938. He becomes a Parliamentary secretary in 1944 and is later Minister for Posts and Telegraphs (1951–54), Minister for Lands (1957–59), and Minister for Transport and Power (1959–69). He also serves as Tánaiste and Minister for Health (1969–73). He supports Taoiseach Jack Lynch’s condemnation of the violence in Northern Ireland and Lynch’s advocacy of a European role for the Irish republic within the European Economic Community (now European Community, embedded in the European Union).

Childers is nominated as the presidential candidate of Fianna Fáil at the behest of de Valera, who pressures Jack Lynch in the selection of the presidential candidate. He is a controversial nominee, owing not only to his British birth and upbringing but to his Protestantism. However, on the campaign trail his personal popularity proved enormous, and in a political upset at the 1973 Irish presidential election, he is elected the fourth President of Ireland on May 30, 1973, defeating Tom O’Higgins by 635,867 (52%) votes to 578,771 (48%). He becomes the second Protestant to hold the office, the first being Douglas Hyde (1938–1945).

Prevented from transforming the presidency as he desires, Childers instead throws his energy into a busy schedule of official visits and speeches, which is physically taxing.

On November 17, 1974, during a conference to the psychiatrists of the Royal College of Physicians of Ireland in Dublin, Childers suffers a congestional heart failure causing him to lie sideways and turn blue before suddenly collapsing. He is pronounced dead the same day at Mater Misericordiae University Hospital.

Childers’s state funeral in St. Patrick’s Cathedral, Dublin, is attended by his presidential predecessor Éamon de Valera and world leaders including Louis Mountbatten, 1st Earl Mountbatten of Burma (representing Queen Elizabeth II), the British Prime Minister Harold Wilson and British Opposition Leader Edward Heath, and Presidents and crowned heads of state from Europe and beyond. He is buried in the grounds of the Church of Ireland Derralossary Church, in Roundwood, County Wicklow.


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Birth of Damien Rice, Singer & Songwriter

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Damien Rice, Irish singer-songwriter, musician and record producer, is born in Dublin on December 7, 1973. He is raised in Celbridge, County Kildare and plays piano, guitar, percussion, and clarinet.

Rice forms the rock band Juniper along with Paul Noonan, Dominic Philips, David Geraghty and Brian Crosby in 1991. They meet while attending Salesian College Celbridge, a secondary school in Celbridge. After touring throughout Ireland, the band releases their debut EP Manna in 1995. They are signed to a six album deal with Polygram Records in 1997.

The band enjoys moderate success with a couple of single releases, but a projected album flounders because of record company politics. After achieving his musical goals with Juniper, Rice becomes frustrated with the artistic compromises required by the record label and he leaves the band in 1998. The remaining members of Juniper go on to become Bell X1.

After leaving the band Rice works as a farmer in Tuscany and busks throughout Europe before returning to Ireland in 2001 and beginning a solo musical career. He gives a demo recording to his second cousin, music producer David Arnold, who then gives Rice a mobile studio. Over the next year he continues to record his album and then embarks on a tour of Ireland with vocalist Lisa Hannigan, New York drummer Tom Osander, cellist Vyvienne Long, guitarist Mark Kelly and Dublin bassist Shane Fitzsimons.

In 2002 Rice’s debut album, O, reachs No. 8 on the UK Albums Chart and remains on the chart for 97 weeks. It also wins the Shortlist Music Prize and generates three top-30 singles in the UK. He releases his second album, 9, in 2006 and his songs have appeared in numerous films and television episodes. After eight years of various collaborations, he releases his third studio album My Favourite Faded Fantasy on October 31, 2014.

Rice’s personal activities include musical contributions to charitable projects such as the Songs for Tibet: The Art of Peace, the Enough Project and the Burma Campaign UK and the U.S. Campaign for Burma to free Burmese democracy movement leader Aung San Suu Kyi.

Rice lives in Carlisle, England for many years before advancing on with his music career where he moves abroad.


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Birth of Micheál Mac Liammóir, Actor, Writer & Poet

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Micheál Mac Liammóir, British-born Irish actor, playwright, impresario, writer, poet and painter, is born Alfred Willmore on October 25, 1899. He is born to a Protestant family living in the Kensal Green district of London. He co-founds the Gate Theatre with his partner Hilton Edwards and is one of the most recognizable figures in the arts in twentieth-century Ireland.

As Alfred Willmore, he is one of the leading child actors on the English stage, in the company of Noël Coward. He appears for several seasons in Peter Pan. He studies painting at London’s Slade School of Fine Art, continuing to paint throughout his lifetime. In the 1920s he travels all over Europe. He is captivated by Irish culture and learns the Irish language which he speaks and writes fluently. He changes his name to an Irish version, presenting himself in Ireland as a descendant of Irish Catholics from Cork. Later in his life, he writes three autobiographies in Irish and translates them into English.

While acting in Ireland with the touring company of his brother-in-law Anew MacMaster, Mac Liammóir meets the man who becomes his partner and lover, Hilton Edwards. Their first meeting takes place in the Athenaeum, Enniscorthy, County Wexford. Deciding to remain in Dublin, where they live at Harcourt Terrace, the pair assists with the inaugural production of Galway‘s Irish language theatre, An Taibhdhearc. The play is Mac Liammóir’s version of the mythical story Diarmuid agus Gráinne, in which Mac Liammóir plays the lead role as Diarmuid.

Mac Liammóir and Edwards then throw themselves into their own venture, co-founding the Gate Theatre in Dublin in 1928. The Gate becomes a showcase for modern plays and design. Mac Liammóir’s set and costume designs are key elements of the Gate’s success. His many notable acting roles include Robert Emmet/The Speaker in Denis Johnston‘s The Old Lady Says “No!” and the title role in Hamlet.

In 1948, Mac Liammóir appears in the NBC television production of Great Catherine with Gertrude Lawrence. In 1951, during a break in the making of Othello, he produces Orson Welles‘s ghost-story Return to Glennascaul which is directed by Hilton Edwards. He plays Iago in Welles’s film version of Othello (1951). The following year, he goes on to play ‘Poor Tom’ in another Welles project, the TV film of King Lear (1953) for CBS.

Mac Liammóir writes and performs a one-man show, The Importance of Being Oscar, based on the life and work of Oscar Wilde. The Telefís Éireann production wins him a Jacob’s Award in December 1964. It is later filmed by the BBC with Mac Liammóir reprising the role.

Mac Liammóir narrates the 1963 film Tom Jones and is the Irish storyteller in 30 Is a Dangerous Age, Cynthia (1968) which stars Dudley Moore.

In 1969 Mac Liammóir has a supporting role in John Huston‘s The Kremlin Letter. In 1970 he performs the role of narrator on the cult album Peace on Earth by the Northern Irish showband, The Freshmen and in 1971 he plays an elocution teacher in Curtis Harrington‘s What’s the Matter with Helen?.

Mac Liammóir claims when talking to Irish playwright Mary Manning, to have had a homosexual relationship with General Eoin O’Duffy, former Garda Síochána Commissioner and head of the paramilitary Blueshirts in Ireland, during the 1930s. The claim is revealed publicly by RTÉ in a documentary, The Odd Couple, broadcast in 1999. However, Mac Liammóir’s claims have not been substantiated.

Mac Liammóir’s life and artistic development are the subject of a major study by Tom Madden, The Making of an Artist. Edwards and Mac Liammóir are the subject of a biography, titled The Boys by Christopher Fitz-Simon.

Micheál Mac Liammóir dies at the age of 78 on March 6, 1978. Edwards and Mac Liammóir are buried alongside each other at St. Fintan’s Cemetery, Sutton, Dublin.


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First Production by the Gate Theatre Company

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The Gate Theatre Company of Dublin produces its first play, Henrik Ibsen‘s Peer Gynt, in the Peacock Theatre on October 13, 1928.

The Gate Theatre is founded in 1928 by Hilton Edwards and Micheál Mac Liammóir. During their first season, the company presents seven plays, including Eugene O’Neill‘s The Hairy Ape and Oscar Wilde‘s Salome. Their productions are innovative and experimental, and they offer Dublin audiences an introduction to the world of European and American theatre as well as classics from the modern and Irish repertoire. It is at the Gate that Orson Welles, James Mason, Geraldine Fitzgerald and Michael Gambon begin their prodigious acting careers.

The company plays for two seasons at the Peacock Theatre and then on Christmas Eve 1929, in Groome’s Hotel, a lease is signed for the 18th Century Rotunda Annex, the “Upper Concert Hall,” the Gate’s present home, with Johann Wolfgang von Goethe‘s Faust opening on February 17, 1930.

In 1931, the newly established Gate Theatre runs into financial difficulties and Edward Pakenham, 6th Earl of Longford and Christine Longford, Countess of Longford provide financial support. The Longfords work with Edwards and MacLiammóir at the Gate until 1936, then a split develops, and two separate companies are formed and play at the Gate Theatre for six months each. The companies also tour for six months until the death of Lord Longford in 1961.

During this period Edwards and MacLiammóir (Gate Theatre Productions) run shows in Dublin’s Gaiety Theatre and tour productions to Europe, Egypt and North America.

From the 1980s onwards the Gate Theatre, under the directorship of Michael Colgan, cements its international relationship, touring plays around the world for audiences from Beijing to New York. The theatre establishes unique relationships with leading contemporary playwrights including Samuel Beckett, Harold Pinter and Brian Friel. The first ever Beckett Festival is produced, presenting all 19 of the stage plays over a three-week period. The first ever festival of Pinter’s plays follows, along with many premieres and productions of Friel’s work including the acclaimed production of Faith Healer with Ralph Fiennes which wins a Tony Award on Broadway.

With the generous support of funders, the fabric of the building is restored and renovated under the guidance of Ronnie Tallon and Scott, Tallon Walker Architects. This includes the provision of a new wing, which incorporates a studio space, The Gate Studio, for rehearsals and workshops, offering practitioners an opportunity to develop and nurture creativity.

On April 3, 2017, Selina Cartmell becomes Director of the Gate Theatre. As a freelance artist, she has directed a diverse range of work from Greek tragedy and Shakespeare to international work and contemporary Irish drama. In 2004, she establishes Dublin-based Siren Productions, a multi-award-winning company conceived to innovate the classics and create relevant and dynamic new work, integrating theatre, dance, visual arts, architecture, film and music. Her productions have been nominated for thirty-five theatre awards, winning ten, including three for best director.


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Birth of Irish American Painter William Harnett

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William Michael Harnett, Irish American painter known for his trompe-l’œil still lifes of ordinary objects, is born in Clonakilty, County Cork on August 10, 1848, during the time of the Great Famine.

Shortly after his birth Harnett’s family emigrates to the United States, settling in Philadelphia. Becoming a United States citizen in 1868, he makes a living as a young man by engraving designs on table silver, while also taking night classes at the Pennsylvania Academy of the Fine Arts and later, in New York City, at Cooper Union and at the National Academy of Design. His first known oil painting, a still life, dates from 1874.

The style of trompe-l’œil painting that Harnett develops is distinctive and inspired many imitators, but it is not without precedent. A number of Dutch Golden Age painters, Pieter Claesz for instance, had specialized in tabletop still life of astonishing verisimilitude. Raphaelle Peale, working in Philadelphia in the early 19th century, pioneers the form in America. What sets Harnett’s work apart, besides his enormous skill, is his interest in depicting objects not usually made the subject of a painting.

Harnett paints musical instruments, hanging game, and tankards, but also paints the unconventional Golden Horseshoe (1886), a single rusted horseshoe shown nailed to a board. He paints a casual jumble of second-hand books set on top of a crate, Job Lot, Cheap (1878), as well as firearms and even paper currency. His works sell well, but they are more likely to be found hanging in a tavern or a business office than in a museum, as they did not conform to contemporary notions of high art.

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Harnett spent the years 1880–1886 in Europe, staying in Munich from 1881 until early 1885. His best-known paintings, the four versions of After the Hunt, are painted between 1883 and 1885. Each is an imposing composition of hunting equipment and dead game, hanging on a door with ornate hinges at the right and keyhole plate at the left. These paintings, like the horseshoe or currency depictions mentioned earlier, are especially effective as trompe-l’œil because the objects occupy a shallow space, meaning that the illusion is not spoiled by parallax shift if the viewer moves.

Overall, Harnett’s work is most comparable to that of the slightly younger John F. Peto. The two artists know each other, and a comparison can be made between two paintings featuring violins. Harnett’s Music and Good Luck from 1888 shows the violin hanging upright on a door with ornate hinges and with a slightly torn piece of sheet music behind it. The elements are arranged in a stable, deliberate manner. Peto’s 1890 painting shows the violin hanging askew, as well as chipped and worn, with one broken string. The sheet music is dog-eared and torn around the edges and placed haphazardly behind the instrument. The hinges are less ornate, and one is broken. Harnett’s objects show signs of use but are well preserved, while Peto’s more humble objects are nearly used up.

Crippling rheumatism plagues Harnett in his last years, reducing the number but not the quality of his paintings. He dies in New York City on October 29, 1892. Other artists who paint similar compositions in Harnett’s wake include his contemporary John Haberle and successors such as Otis Kaye and Jefferson David Chalfant.

Harnett’s work is in collections in the Albright-Knox Art Gallery (Buffalo, New York), the Amon Carter Museum of American Art (Fort Worth, Texas), the Dallas Museum of Art, the Art Institute of Chicago, the Brooklyn Museum, the Carnegie Museum of Art (Pittsburgh, Pennsylvania), the Cincinnati Art Museum, the Cleveland Museum of Art, the Detroit Institute of Arts, the Fine Arts Museums of San Francisco, Harvard Art Museums, the High Museum of Art (Atlanta, Georgia), the Honolulu Museum of Art, the Joslyn Art Museum (Omaha, Nebraska), the Los Angeles County Museum of Art, the Metropolitan Museum of Art (New York, New York), the National Gallery of Art (Washington D.C.), the National Gallery of Canada (Ottawa, Ontario), the Philadelphia Museum of Art, the San Diego Museum of Art, Thyssen-Bornemisza Museum (Madrid, Spain), the Toledo Museum of Art (Toledo, Ohio), the Wadsworth Atheneum (Hartford, Connecticut), and the Wichita Art Museum (Wichita, Kansas) among others.

(Pictured: Music and Good Luck, oil on canvas by William Michael Harnett, 1888, Metropolitan Museum of Art)


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Passport Requests Increase Following UK Brexit Vote

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According to statistics released by the Department of Foreign Affairs on August 6, 2016, in the first full month since the United Kingdom‘s decision to leave the European Union, applications for Irish passports from people living in Great Britain increase by 73% and by 63% from those in Northern Ireland over the same period the previous year.

In July 2015 there are 4,242 applications submitted by people in Great Britain compared to 7,321 in July 2016. Meanwhile 6,638 passport requests are submitted from Northern Ireland.

Within in a day of the Brexit vote there is a surge in online interest in Irish passports and moving to Ireland. While the UK as a whole vote to leave the EU in the referendum, Northern Ireland votes to remain by a majority of 56 percent to 44 percent. The Department of Foreign Affairs says there is “an increase in queries in respect of entitlements to Irish passports” the very next day. The year-on-year figures for January show a 20 percent increase in applications prior to the vote.

Google Trends says UK searches for “getting an Irish passport” jump more than 100% after the Brexit result comes through. And while the data analysts do not reveal the exact number of searches for information on the Republic of Ireland‘s citizenship rules, they say most interest is shown in Northern Ireland with the normally unionist heartland of Holywood, County Down, taking top spot.

Sinn Féin repeatedly says that Northern Ireland must not be “dragged out of Europe.” Up to this point the British government dismisses calls from its representatives and others for a border poll in Irish unity.


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The Young Ireland Rebellion of 1848

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The Young Ireland Rebellion, a failed Irish nationalist uprising against the British led by the Young Ireland movement, takes place on July 29, 1848, in the village of Ballingarry, County Tipperary. The rebellion is part of the wider Revolutions of 1848 that affect most of Europe. It is sometimes called the Famine Rebellion (since it takes place during the Great Famine) or the Battle of Ballingarry.

In 1846, William Smith O’Brien, alongside John Mitchel, form the Irish Confederation with the Young Ireland movement which is dedicated to direct action against the British. Two short years later they are already calling for open rebellion, despite the fact that Ireland is now in the third year of the devastating famine which is leaving millions of the country’s people in brutal starvation.

Just a year after Black ‘47, the worst year of the Great Famine, the Young Ireland movement is hoping to uprise and overthrow the British but with the starving Irish just struggling to stay alive, dying or emigrating in their thousands, their revolutionary talk does little to act as a call to arms for the average Irish person.

Whereas the mistreatment of the Irish people by the British had rightly led to an increased radicalism in Irish nationalist movement, without the general Irish population able to think of anything other than staying alive, it seems doomed to failure, especially after the arrest of Mitchel before the rebellion is even started. He is convicted of sedition and transported to a penal colony in Australia before the revolt begins, a move that leads to an increased furor to revolt among the leaders that remain.

On July 29, 1848, O’Brien launches his rebellion. After being chased by a force of Young Irelanders and their supporters, a Royal Irish Constabulary unit takes refuge in a house and holds those inside as hostages.

It was evident to the rebels that the position of the police is almost impregnable. When a party of the Cashel police are seen arriving over Boulea Hill, the rebels attempt to stop them even though they are low on ammunition. The police continue to advance, firing up the road. It becomes clear that the police in the house are about to be reinforced and rescued. The rebels then fade away, effectively terminating both the era of Young Ireland and Repeal, but the consequences of their actions follow them for many years. This event is colloquially known as “The Battle of Widow McCormack’s cabbage plot.”

In O’Brien’s subsequent trial, the jury finds him guilty of high treason. He is sentenced to be hanged, drawn, and quartered. Petitions for clemency are signed by 70,000 people in Ireland and 10,000 people in England. On June 5, 1849, the sentences of O’Brien and other members of the Irish Confederation are commuted to transportation for life to Van Diemen’s Land (Tasmania in present-day Australia). In 1854, after five years in Van Diemen’s Land, O’Brien is released on the condition he never return to the United Kingdom. He settled in Brussels.

(Pictured: The attack on the Widow McCormack’s house on Boulagh Common, Ballingarry, County Tipperary)


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“Picture Post” Magazine Banned in Ireland

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Picture Post, a photojournalistic magazine published in the United Kingdom from 1938 to 1957, is banned in Ireland on July 24, 1940, after a campaign by Irish Catholics who object to the “vulgarity and suggestiveness of the illustrations.” The editorial stance of the magazine is liberal, anti-Fascist and populist.

In January 1941 Picture Post publishes their “Plan for Britain.” This includes minimum wages throughout industry, full employment, child allowances, a national health service, the planned use of land and a complete overhaul of education. This document leads to discussions about post-war Britain and is a populist forerunner of William Beveridge‘s November 1942 Social Insurance and Allied Services (known as the Beveridge Report).

Sales of Picture Post increase further during World War II and by December 1943 the magazine is selling 1,950,000 copies a week. By the end of 1949 circulation declines to 1,422,000.

Founding editor Stefan Lorant, who has some Jewish ancestry, had been imprisoned by Adolf Hitler in the early 1930s, and wrote a best-selling book thereafter, I Was Hitler’s Prisoner. By 1940, he fears he will be captured in a Nazi invasion of Britain and flees to Massachusetts in the United States, where he writes important illustrated U.S. histories and biographies. He is succeeded by Sir Tom Hopkinson following his departure in 1940.

During World War II, the art editor of the magazine, Edgar Ainsworth, serves as a war correspondent and accompanies the United States 7th Army on their advance across Europe in 1945. He visits the Bergen-Belsen concentration camp three times after the British army liberates the complex in April 1945. Several of his sketches and drawings from the camp are published in a September 1945 article, Victim and Prisoner. Ainsworth also commissions the artist Mervyn Peake to visit France and Germany at the end of the war, and he too reports from Bergen-Belsen.

On June 17, 1950, Leader Magazine is incorporated in Picture Post. Hopkinson is often in conflict with Sir Edward George Warris Hulton, the owner of Picture Post. Hulton mainly supports the Conservative Party and objects to Hopkinson’s socialist views. This conflict leads to Hopkinson’s dismissal in 1950 following the publication of James Cameron‘s article about South Korea‘s treatment of political prisoners in the Korean War.

By June 1952, circulation has fallen to 935,000. Sales continue to decline in the face of competition from television and a revolving door of new editors. By the time the magazine closes in July 1957, circulation is less than 600,000 copies a week.

Picture Post has been digitised as The Picture Post Historical Archive, 1938-1957 and consists of the complete, fully searchable facsimile archive of Picture Post. It is made available in 2011 to libraries and institutions.

(Pictured: Cover of the Picture Post Vol. 8, No. 12, dated September 21, 1940)


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Birth of Boomtown Rats Guitarist Garry Roberts

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Garrick “Garry” Roberts, founding member and former lead guitarist of The Boomtown Rats, is born in Dublin on June 17, 1950.

Roberts’s father, Rex Roberts, played double bass with a dance band called The Melodists in the 1940s. The headmaster at The High School, Dublin, calls his father in one day to suggest that he consider move his son to a boarding school as he is spending a lot of time in detention.

After being bribed with the promise of a bicycle, Roberts is moved to a Quaker-run boarding school, Newtown School, Waterford. The move proves successful but not for the anticipated reasons. He quickly takes notice of the electric guitars of the school band and realizes that is to be his future.

In 1976, Roberts and Johnnie Fingers (Moylett) decide to put a band together and, between them, they recruit the other four members, Pete Briquette (bass), Gerry Cott (guitar), Simon Crowe (drums) and singer Bob Geldof to form The Boomtown Rats.

Following the breakup of The Boomtown Rats in 1986, Roberts works with Simply Red, Orchestral Manoeuvres in the Dark and Flesh For Lulu in the role of audio engineer on tours in the UK and the United States. He avoids playing the guitar in public for ten years, after which he and Simon Crowe play together for four years in the rhythm and blues four-piece band The Velcro Flies.

After fifteen successful years as an Independent Financial Adviser, Roberts becomes disillusioned with the life insurance industry and becomes a central heating engineer to keep himself occupied between gigs. Roberts and Crowe, with Darren Beale on second lead guitar, and Peter Barton on bass guitar and lead vocals, are now playing together as Boomtown Rats Roberts and Crowe, and are performing material from the Boomtown Rats’ first three albums across Europe and the UK.

Garry Roberts currently lives in Bromyard, Herefordshire, England.