The policy of Irish neutrality during World War II is adopted by the Oireachtas at the instigation of De Valera upon the outbreak of World War II in Europe. It is maintained throughout the conflict, in spite of several Germanairstrikes by aircraft that miss their intended British targets and attacks on Ireland’s shipping fleet by Allies and Axis alike. De Valera refrains from joining either the Allies or Axis powers. While the possibilities of not only a German but also a British invasion are discussed in Dáil Éireann, and either eventuality is prepared for, with the most detailed preparations being done in tandem with the Allies under Plan W, De Valera’s ruling party, Fianna Fáil, supports his neutral policy for the duration of the war.
This period is known in the Republic of Ireland as “The Emergency“, owing to the wording of the constitutional article employed to suspend normal government of the country.
Pursuing a policy of neutrality requires attaining a balance between the strict observance of non-alignment and the taking of practical steps to repel or discourage an invasion from either of the two concerned parties.
Ireland maintains a public stance of neutrality to the end, although this policy leads to a considerable delay in Ireland’s membership of the United Nations (UN). Ireland’s applications for membership are vetoed by the Soviet Union, a permanent member of the United Nations Security Council, from 1946 to December 1955. Seán MacBride considers that the UN boycott of Ireland had been originally agreed upon at the 1945 Yalta Conference by Winston Churchill and Joseph Stalin. Ireland’s acceptance into the UN is finally announced by John A. Costello on December 15, 1955.
Despite the official position of neutrality, there are many unpublicised contraventions of this, such as permitting the use of the Donegal Corridor to Allied military aircraft, and extensive co-operation between Allied and Irish intelligence, including exchanges of information, such as detailed weather reports of the Atlantic Ocean. For example, the decision to go ahead with the Normandy landings is decided by a weather report from Blacksod Bay, County Mayo.
(Pictured: Markings to alert aircraft to neutral Ireland during World War II on Malin Head, County Donegal)
In 1975, with Aer Lingus and the Guinness Peat Group, Ryan founds Guinness Peat Aviation (later GPA Group), an aircraft leasing company, with a $50,000 investment. GPA grows to be the world’s biggest aircraft lessor, worth $4 billion at its peak. However its value dramatically collapses in 1992 after the cancellation of its planned IPO.
Ryan makes €55m from the sale of AerFi, the successor to GPA, in 2000. In 2001, he acquires Castleton Farm near Lexington, Kentucky from the Van Lennep Family Trust. He renames it Castleton Lyons and undertakes renovations to the property while returning to its original roots as a thoroughbred operation. He is a tax exile who lives in Monte Carlo, but also owns a stud farm near his home in Dolla, County Tipperary. He is the 7th wealthiest individual from Ireland in the Sunday Times Rich List 2007 with over €1.5bn(£1bn).
Ryan is best known in the public mind as the founder of the eponymous Ryanair with Christopher Ryan and Liam Lonergan. Ryanair is believed to be the main source of his wealth in later life. Ryanair is now one of the biggest airlines in Europe and is valued at over 15 billion Euros as of December 2019.
Ryan over the years helps nurture two successful business protégés, Denis O’Brien and Michael O’Leary, both of whom become billionaires.
Ryan is an active and innovative funder of university education in Ireland. He donates a marine science institute to NUI Galway in 1993 which is named the Martin Ryan Marine Science Institute in honour of his father. He shows interest in marine science and aquaculture development in the west of Ireland. He also funds The Ryan Academy for Entrepreneurship at the Citywest park, that is run by Dublin City University.
At the time of his death Ryan owns 16% of Tiger Airways, a discount carrier based in Singapore which is founded in December 2003.
Ryan dies on October 3, 2007 at Celbridge, County Kildare following an 18-month battle with pancreatic cancer. His eldest son, Cathal, dies just three months later, aged 48, after being diagnosed with cancer.
Hamilton Rowan is born in the home of his grandfather, William Rowan, in London on May 1, 1751, and lives there with his mother and sister for much of his early life. He is admitted to Queens’ College, Cambridge in 1768, but is expelled from the college and rusticated for an attempt to throw a tutor into the River Cam. He is sent for a period in 1769 to Warrington Academy.
Hamilton Rowan travels throughout the 1770s and 1780s, visiting parts of Europe, the Americas, and North Africa. In 1781 he marries Sarah Dawson in Paris, France. The couple has ten children. He is the godfather of the Irish mathematician William Rowan Hamilton.
Hamilton Rowan returns to Ireland in his thirties, in 1784, to live at Rathcoffey near Clane in County Kildare. He becomes a celebrity and, despite his wealth and privilege, a strong advocate for Irish liberty. That same year he joins the KillyleaghVolunteers, a militia group later associated with radical reform. He first gains public attention by championing the cause of fourteen-year-old Mary Neal in 1788. Neal had been lured into a Dublin brothel and then assaulted by Lord Carhampton. Hamilton Rowan publicly denounces Carhampton and publishes a pamphlet A Brief Investigation of the Sufferings of John, Anne, and Mary Neal in the same year. An imposing figure at more than six feet tall, his notoriety grows when he enters a Dublin dining club threatening several of Mary Neal’s detractors, with his massive Newfoundland at his side and a shillelagh in hand. The incident wins him public applause and celebrity as a champion of the poor.
In 1790 Hamilton Rowan joins the Northern Whig Club, and by October has become a founding member of the Dublin Society of United Irishmen, working alongside famous radicals such as William Drennan and Theobald Wolfe Tone. He is arrested in 1792 for seditious libel when caught handing out “An Address to the Volunteers of Ireland,” a piece of United Irish propaganda. Unknown to him, from 1791 Dublin Castle has a spy in the Dublin Society, Thomas Collins, whose activity is never discovered. From February 1793 Britain and Ireland join the War of the First Coalition against France, and the United Irish movement is outlawed in 1794.
Hamilton Rowan’s reputation for radicalism and bluster grow during this time when he leaves Ireland to confront the Lord Advocate of Scotland about negative comments made in respect to his character and that of members of the Society of United Irishmen. As a prominent member of the Irish gentry, he is an important figure in the United Irishmen and becomes the contact for the Scottish radical societies as a result of his visit. Upon his return to Dublin, he is charged and was found guilty of seditious libel, even though he is excellently defended by the famous John Philpot Curran. He is sentenced to two years imprisonment, receives a fine of £500, and is forced to pay two assurities for good behaviour of £1,000 each. In January 1794 he retires to his apartments in Dublin’s Newgate Prison.
In the years following, Hamilton Rowan spends time in exile in France, the United States and Germany. He is allowed to return to Ireland in 1806. He returns to the ancestral home of Killyleagh Castle, County Down, receiving a hero’s welcome. While he has agreed to be a model citizen under the conditions of his return to Ireland, he remains active in politics and retains his youthful radicalism. Following his last public appearance at a meeting in the Rotunda in Dublin on January 20, 1829, he is lifted up by a mob and paraded through the streets.
Hamilton Rowan dies at the age of 84 in his home on November 1, 1834. He is buried in the vaults of St. Mary’s Church, Dublin.
Desmond is born in Kinsale, County Cork on December 29, 1932. She is educated locally at the Convent of Mercy in Kinsale, where she is one of only two girls in her class to sit the Leaving Certificate examination. Before entering politics, she works as a civil servant with the Department of Posts and Telegraphs. She marries Dan Desmond in 1958.
Desmond is elected to the European Parliament at the 1979 European Parliament election for the Munster constituency. However, her time in Europe is short-lived, as she returns to domestic politics when she is offered a position as Minister and the chance to impact upon national legislation. At the 1981 general election she switches her constituency to Cork South-Central. A Fine Gael–Labour Party coalition comes to power, and she is appointed Minister for Health and Social Welfare.
Desmond’s cabinet appointment is historic, as she is only the second woman to be a member of cabinet since the foundation of the state in 1922, and the first in any Fine Gael or Labour Party cabinet. Countess Markievicz had held the cabinet post of Minister for Labour in the revolutionary First Dáil in 1919, but only one woman had held cabinet office after the foundation of the state, Máire Geoghegan-Quinn of Fianna Fáil who was appointed as Minister for the Gaeltacht in 1979.
Desmond retires from full-time politics at the 1987 general election for health reasons. She dies suddenly in Cork, County Cork on January 6, 2005. Her funeral Mass takes place at Our Lady and St. John’s Church, Carrigaline with burial following in Crosshaven Cemetery.
Admitted to the Irish Bar, Sampson becomes Junior Counsel to John Philpot Curran and helps him provide legal defences for many members of the Society of United Irishmen. A member of the Church of Ireland, he is disturbed by anti-Catholic violence and contributes writings to the Society’s newspapers. He is arrested at the time of the Irish Rebellion of 1798, imprisoned, and compelled to leave Ireland for exile in Europe.
Shipwrecked at Pwllheli in Wales, Sampson makes his way to exile in Porto, Portugal, where he is again arrested, imprisoned in Lisbon, and then expelled. After living some years in France, and then Hamburg, he flees to England ahead of the approach of Napoleon‘s armies where he is re-arrested. After unsuccessfully petitioning for a return to Ireland, he arrives in New York City on July 4, 1806.
In the United States, Sampson successfully continues his career in the law, eventually sending for his family. He sets up a business publishing detailed accounts of the court proceedings in cases with popular appeal. In 1809 he reports on the case of a Navy Lieutenant Renshaw prosecuted for dueling. That same year he handles a case against Amos and Demis Broad, accused of brutally beating their slave, Betty, and her 3-year-old daughter where Sampson succeeded in having both slaves manumitted. The authorities in Ireland had disbarred Sampson, which causes him some bitter amusement, as it does not affect his work in the United States.
Sampson’s most important case in the United States is in 1813 and is referred to as “The Catholic Question in America.” Police investigating the misdemeanor of receiving stolen goods question the suspects’ priest, the Reverend Mr. Kohlman. He declines to give any information that he has heard in confession. The priest is called to testify at the trial in the Court of General Sessions in the City of New York. He again declines. The issue whether to compel the testimony is fully briefed and carefully argued on both sides, with a detailed examination of the common law. In the end, the confessional privilege is accepted for the first time in a court of the United States.
William Sampson dies on December 28, 1836, and is buried in the Riker Family graveyard on Long Island in what is now East Elmhurst, Queens, New York. He is later reinterred in Green-Wood Cemetery in Brooklyn, where he is now buried in the same plot as Matilda Witherington Tone and William Theobald Wolfe Tone, the wife and son of the Irish revolutionary Wolfe Tone, and his daughter Catherine, the wife of William Theobald Wolfe Tone.
Childers is educated at Gresham’s School, Holt, and the University of Cambridge, hence his striking British upper-class accent. On November 24, 1922, when he is sixteen, his father, Robert Erskine Childers, is executed by the new Irish Free State on politically inspired charges of gun-possession. The pistol he had been found with had been given to him by Michael Collins. Before his execution, in a spirit of reconciliation, the elder Childers obtains a promise from his son to seek out and shake the hand of every man who had signed his death warrant.
Following his father’s funeral, he returns to Gresham’s, then two years later he goes on to Trinity College, Cambridge. He returns to Ireland in 1932 and becomes advertising manager of The Irish Press, the newly founded newspaper owned by the family of Éamon de Valera.
Childers is nominated as the presidential candidate of Fianna Fáil at the behest of de Valera, who pressures Jack Lynch in the selection of the presidential candidate. He is a controversial nominee, owing not only to his British birth and upbringing but to his Protestantism. However, on the campaign trail his personal popularity proved enormous, and in a political upset at the 1973 Irish presidential election, he is elected the fourth President of Ireland on May 30, 1973, defeating Tom O’Higgins by 635,867 (52%) votes to 578,771 (48%). He becomes the second Protestant to hold the office, the first being Douglas Hyde (1938–1945).
Prevented from transforming the presidency as he desires, Childers instead throws his energy into a busy schedule of official visits and speeches, which is physically taxing.
The band enjoys moderate success with a couple of single releases, but a projected album flounders because of record company politics. After achieving his musical goals with Juniper, Rice becomes frustrated with the artistic compromises required by the record label and he leaves the band in 1998. The remaining members of Juniper go on to become Bell X1.
After leaving the band Rice works as a farmer in Tuscany and busks throughout Europe before returning to Ireland in 2001 and beginning a solo musical career. He gives a demo recording to his second cousin, music producer David Arnold, who then gives Rice a mobile studio. Over the next year he continues to record his album and then embarks on a tour of Ireland with vocalist Lisa Hannigan, New York drummer Tom Osander, cellist Vyvienne Long, guitarist Mark Kelly and Dublin bassist Shane Fitzsimons.
In 2002 Rice’s debut album, O, reachs No. 8 on the UK Albums Chart and remains on the chart for 97 weeks. It also wins the Shortlist Music Prize and generates three top-30 singles in the UK. He releases his second album, 9, in 2006 and his songs have appeared in numerous films and television episodes. After eight years of various collaborations, he releases his third studio album My Favourite Faded Fantasy on October 31, 2014.
As Alfred Willmore, he is one of the leading child actors on the English stage, in the company of Noël Coward. He appears for several seasons in Peter Pan. He studies painting at London’s Slade School of Fine Art, continuing to paint throughout his lifetime. In the 1920s he travels all over Europe. He is captivated by Irish culture and learns the Irish language which he speaks and writes fluently. He changes his name to an Irish version, presenting himself in Ireland as a descendant of Irish Catholics from Cork. Later in his life, he writes three autobiographies in Irish and translates them into English.
While acting in Ireland with the touring company of his brother-in-law Anew MacMaster, Mac Liammóir meets the man who becomes his partner and lover, Hilton Edwards. Their first meeting takes place in the Athenaeum, Enniscorthy, County Wexford. Deciding to remain in Dublin, where they live at Harcourt Terrace, the pair assists with the inaugural production of Galway‘s Irish language theatre, An Taibhdhearc. The play is Mac Liammóir’s version of the mythical story Diarmuid agus Gráinne, in which Mac Liammóir plays the lead role as Diarmuid.
Mac Liammóir and Edwards then throw themselves into their own venture, co-founding the Gate Theatre in Dublin in 1928. The Gate becomes a showcase for modern plays and design. Mac Liammóir’s set and costume designs are key elements of the Gate’s success. His many notable acting roles include Robert Emmet/The Speaker in Denis Johnston‘s The Old Lady Says “No!” and the title role in Hamlet.
In 1948, Mac Liammóir appears in the NBC television production of Great Catherine with Gertrude Lawrence. In 1951, during a break in the making of Othello, he produces Orson Welles‘s ghost-story Return to Glennascaul which is directed by Hilton Edwards. He plays Iago in Welles’s film version of Othello (1951). The following year, he goes on to play ‘Poor Tom’ in another Welles project, the TV film of King Lear (1953) for CBS.
Mac Liammóir claims when talking to Irish playwright Mary Manning, to have had a homosexual relationship with General Eoin O’Duffy, former Garda Síochána Commissioner and head of the paramilitary Blueshirts in Ireland, during the 1930s. The claim is revealed publicly by RTÉ in a documentary, The Odd Couple, broadcast in 1999. However, Mac Liammóir’s claims have not been substantiated.
Mac Liammóir’s life and artistic development are the subject of a major study by Tom Madden, The Making of an Artist. Edwards and Mac Liammóir are the subject of a biography, titled The Boys by Christopher Fitz-Simon.
Micheál Mac Liammóir dies at the age of 78 on March 6, 1978. Edwards and Mac Liammóir are buried alongside each other at St. Fintan’s Cemetery, Sutton, Dublin.
The company plays for two seasons at the Peacock Theatre and then on Christmas Eve 1929, in Groome’s Hotel, a lease is signed for the 18th Century Rotunda Annex, the “Upper Concert Hall,” the Gate’s present home, with Johann Wolfgang von Goethe‘s Faust opening on February 17, 1930.
In 1931, the newly established Gate Theatre runs into financial difficulties and Edward Pakenham, 6th Earl of Longford and Christine Longford, Countess of Longford provide financial support. The Longfords work with Edwards and MacLiammóir at the Gate until 1936, then a split develops, and two separate companies are formed and play at the Gate Theatre for six months each. The companies also tour for six months until the death of Lord Longford in 1961.
During this period Edwards and MacLiammóir (Gate Theatre Productions) run shows in Dublin’s Gaiety Theatre and tour productions to Europe, Egypt and North America.
From the 1980s onwards the Gate Theatre, under the directorship of Michael Colgan, cements its international relationship, touring plays around the world for audiences from Beijing to New York. The theatre establishes unique relationships with leading contemporary playwrights including Samuel Beckett, Harold Pinter and Brian Friel. The first ever Beckett Festival is produced, presenting all 19 of the stage plays over a three-week period. The first ever festival of Pinter’s plays follows, along with many premieres and productions of Friel’s work including the acclaimed production of Faith Healer with Ralph Fiennes which wins a Tony Award on Broadway.
With the generous support of funders, the fabric of the building is restored and renovated under the guidance of Ronnie Tallon and Scott, Tallon Walker Architects. This includes the provision of a new wing, which incorporates a studio space, The Gate Studio, for rehearsals and workshops, offering practitioners an opportunity to develop and nurture creativity.
On April 3, 2017, Selina Cartmell becomes Director of the Gate Theatre. As a freelance artist, she has directed a diverse range of work from Greek tragedy and Shakespeare to international work and contemporary Irish drama. In 2004, she establishes Dublin-based Siren Productions, a multi-award-winning company conceived to innovate the classics and create relevant and dynamic new work, integrating theatre, dance, visual arts, architecture, film and music. Her productions have been nominated for thirty-five theatre awards, winning ten, including three for best director.
The style of trompe-l’œil painting that Harnett develops is distinctive and inspired many imitators, but it is not without precedent. A number of Dutch Golden Age painters, Pieter Claesz for instance, had specialized in tabletop still life of astonishing verisimilitude. Raphaelle Peale, working in Philadelphia in the early 19th century, pioneers the form in America. What sets Harnett’s work apart, besides his enormous skill, is his interest in depicting objects not usually made the subject of a painting.
Harnett paints musical instruments, hanging game, and tankards, but also paints the unconventional Golden Horseshoe (1886), a single rusted horseshoe shown nailed to a board. He paints a casual jumble of second-hand books set on top of a crate, Job Lot, Cheap (1878), as well as firearms and even paper currency. His works sell well, but they are more likely to be found hanging in a tavern or a business office than in a museum, as they did not conform to contemporary notions of high art.
Harnett spent the years 1880–1886 in Europe, staying in Munich from 1881 until early 1885. His best-known paintings, the four versions of After the Hunt, are painted between 1883 and 1885. Each is an imposing composition of hunting equipment and dead game, hanging on a door with ornate hinges at the right and keyhole plate at the left. These paintings, like the horseshoe or currency depictions mentioned earlier, are especially effective as trompe-l’œil because the objects occupy a shallow space, meaning that the illusion is not spoiled by parallax shift if the viewer moves.
Overall, Harnett’s work is most comparable to that of the slightly younger John F. Peto. The two artists know each other, and a comparison can be made between two paintings featuring violins. Harnett’s Music and Good Luck from 1888 shows the violin hanging upright on a door with ornate hinges and with a slightly torn piece of sheet music behind it. The elements are arranged in a stable, deliberate manner. Peto’s 1890 painting shows the violin hanging askew, as well as chipped and worn, with one broken string. The sheet music is dog-eared and torn around the edges and placed haphazardly behind the instrument. The hinges are less ornate, and one is broken. Harnett’s objects show signs of use but are well preserved, while Peto’s more humble objects are nearly used up.
Crippling rheumatism plagues Harnett in his last years, reducing the number but not the quality of his paintings. He dies in New York City on October 29, 1892. Other artists who paint similar compositions in Harnett’s wake include his contemporary John Haberle and successors such as Otis Kaye and Jefferson David Chalfant.
