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Death of Waddell Cunningham, Belfast Merchant

Waddell Cunningham, merchant and public figure in Georgian-era Belfast, dies at his restored house in Hercules Street (now Royal Avenue) in Belfast on December 15, 1797, seven months before the Irish Rebellion of 1798.

Cunningham is born in 1728 or 1729 at Ballymacilhoyle in the parish of Killead, County Antrim, the youngest son in the large family of John Cunningham and his wife, Jane, daughter of James Waddell of Islandderry, a townland in the parish of Dromore, County Down. The extended families of Cunningham and Waddell have interests in farming, linen, provisioning, and overseas trade. By 1752, no doubt with support from his family, Cunningham is in New York City trading near the meal market. Just as the Seven Years’ War is beginning in May 1757, he becomes the local partner of a Belfast merchant, Thomas Greg. While carrying on a wide range of commercial activities, the firm of Greg & Cunningham specialises in the flaxseed trade with Ireland and becomes “the most successful Irish American transatlantic trading partnership of the colonial period.” He amasses a large fortune from trade, some of it illicit, during the war, and becomes one of the largest shipowners in the American port. This enables the partners to purchase a 150-acre estate, which they rename “Belfast,” on the West Indies island of Dominica, just as it is passing, by the Treaty of Paris (1763), from French to British rule. It is possible that the estate is managed by Greg’s brother, John.

Sometime after suffering imprisonment for assaulting a fellow merchant (July–August 1763), Cunningham returns to Ireland, leaving the firm in the charge of junior partners until its dissolution in 1775. In Belfast he enters into a second partnership with Greg in May 1765 comprising all their business activities other than those in New York. In November 1765, he also marries Greg’s sister-in-law Margaret, second daughter of a Belfast merchant, Samuel Hyde. He lives in a large house in Hercules Street, later renamed Royal Avenue, which serves also as the premises for his many business interests, commercial, financial, industrial, and agricultural. In 1767, he and Greg start the manufacture of vitriol at a factory by the River Lagan at Lisburn, 12 km from Belfast. They open up fisheries in Donegal and Sligo, exporting herring to the West Indies as food for slaves. They also trade Irish horses and mules for West Indian sugar and American tobacco, the sugar being processed by them at the New Sugar House in Waring Street, Belfast. During the American Revolutionary War (1775–83), he illegally ships linen uniforms to the insurgent colonists. He becomes a middleman on the estate of Arthur Chichester, 5th Earl of Donegall, by obtaining leases of land in the Templepatrick district of County Antrim, a venture that involves him in disputes with tenant farmers resulting in an attack by the Hearts of Steel on Belfast and the destruction by fire of his home on December 23, 1771.

Despite this setback, Cunningham becomes the foremost Belfast merchant. As well as those mentioned, he has interests in shipping, brewing, glass manufacture and flour milling. When a chamber of commerce is set up in 1783, he is elected president, a position he holds until 1790. In the 1780s, in partnership with William Brown, John Campbell and Charles Ranken, he opens a bank. Known as Cunningham’s Bank, it closes on December 31, 1793, likely as a result of the recession brought on by the outbreak of war between England and France.

A prominent Volunteer, Cunningham joins the movement as a lieutenant in 1778 and is captain of the 1st Belfast company from 1780 until the dissolution of the Volunteers in 1793. Entering politics, he fails to be nominated as a parliamentary candidate for Belfast by its patron, Lord Donegall, at the general election of 1783, but stands for Carrickfergus at a February 1784 by-election on a platform of parliamentary reform and is returned – a rare distinction for a Presbyterian – by 474 votes to 289. A petition against his return is lodged successfully, but he remains an MP until March 1785, when he is defeated in a new election. It is during this period that he, probably the wealthiest, most enterprising merchant in Belfast and having, as he does, Caribbean interests, proposes in December 1784 fitting out a ship to engage in the Atlantic slave trade. The proposal comes to nothing but is the subject of intense debate in the 1920s between two rival Belfast local historians, Francis Joseph Bigger and Samuel Shannon Millin.

Cunningham plays a prominent role on several Belfast boards – those of White Linen Hall, the harbour, poorhouse, and dispensary. He gives money to the first Catholic chapel, St. Mary’s, opened in the town in 1784, and to the First Belfast Presbyterian congregation, as well as providing a site for a meeting house for his own congregation, Second Belfast, in 1767. Staunch in his advocacy of the reform of parliament, he becomes a member of the Northern Whig Club in 1790. He is cautious, however, about Catholic relief, for he fears its possible consequences. On July 14, 1792, an organiser of a Volunteer display to mark the third anniversary of the fall of the Bastille, he balks even at a very moderately worded resolution in favour of the Catholics. Thereafter he becomes increasingly ill-disposed toward reform and when the Belfast yeoman infantry is formed in 1797, he becomes captain of the 4th company.

Cunningham dies on December 15, 1797, at his restored house in Hercules Street. He and his wife have no children. His property in Ireland (worth £60,000) passes to James Douglas, youngest son of his sister Jane, who had married their first cousin, Cunningham’s personal clerk Robert Douglas. His name had already passed to Thomas Greg’s son, Cunningham Greg, who takes over Greg’s business after his death. Cunningham’s portrait is painted by Robert Home. A mausoleum is built over the Cunningham vault at Knockbreda Church cemetery overlooking Belfast.

(From: “Cunningham, Waddell” by C. J. Woods, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Cathal O’Byrne, Antiquarian, Writer & Entertainer

Cathal O’Byrne, an antiquarian, writer, and entertainer, is born on June 1, 1876, in Kilkeel, County Down.

O’Byrne is the son of James Burns, a farmer, and his wife Isabella (née Arnett). His biographer states that his parents came from County Wicklow, which would imply that their name had been anglicised from the form “O’Byrne,” which their son readopts. He never marries and spends most of his life living with his unmarried sister Teresa. He has other siblings, as he is survived by four nieces and two nephews.

O’Byrne’s childhood is spent in the Balmoral district of south Belfast in a comfortable but slightly precarious middle-class Catholic environment. Although sparse in direct autobiographical references, his writings contain references to excursions around the Malone and Stranmillis areas, with particular reference to the Botanic Gardens. He is educated at St. Malachy’s College. After leaving school, he manages a spirit grocery on the Beersbridge Road in east Belfast and is active in the Sexton Debating Society, named after Thomas Sexton, then home rule MP for Belfast West, and led by Joseph Devlin, who remains a lifelong friend despite their later political differences. He also studiess music with Carl Hardebeck, acquiring an extensive knowledge of Irish folk music and becoming an accomplished singer of Irish tunes in Hardebeck’s arrangements.

O’Byrne subsequently joins the Belfast Gaelic League, becoming a leading member, though he never masters the Irish language. He moves in the literary and antiquarian circles around Francis Joseph Bigger, whose friendship becomes central to his career and self-definition. He is a regular participant in Bigger’s soirées and establishes friendships with many prominent political and cultural figures, among them Roger Casement and Alice Milligan. Although he is usually seen as a specifically northern writer, he draws extensively on a wider Irish tradition of defensively self-glorifying Catholic-nationalist antiquarianism, including the works of W. H. Grattan Flood and Archbishop of Tuam, John Healy, a major source for his later pamphlet on Saint Patrick and for the descriptions of Ulster monasteries in As I Roved Out: A Book of the North (1946).

In 1900, O’Byrne publishes a collection of verses, A Jug of Punch, of which no copies are known to survive, and in 1905 collaborates with Cahir Healy on another collection, The Lane of the Thrushes, which applies Celtic revival imagery to rural Ulster. He publishes another collection, The Grey Feet of the Wind, in 1917. The manuscript of his unpublished Collected Poems (1951) is in the Public Record Office of Northern Ireland.

In 1902, O’Byrne gives up the spirit grocery to work full time as a journalist, singer, and storyteller. He appears at a wide variety of concerts, where he cuts a striking figure in Gaelic dress with saffron kilt. He provides musical interludes at productions by the Ulster Literary Theatre, and his recitation of Eleanor Alexander’s humorous piece on the battle of Scarva inspires Harry Morrow’s celebrated satirical play Thompson in Tir-na-nOg (1912). In 1913, he founds and manages the Celtic Players, a theatre company which stages some plays of his own composition, including The Dream of Bredyeen Dara, possibly a nativity story incorporating Saint Brigid of Kildare.

During World War I O’Byrne achieves immense cross-community success with a weekly dialect column in the Unionist paper Ireland’s Saturday Night, describing the domestic activities of “Mrs. Twigglety” and her working-class friends. At the same time, he has abandoned his earlier support for Devlin’s home rule politics to embrace physical-force republicanism under the influence of Denis McCullough. During Casement’s imprisonment and trial, he carries on an intense correspondence with him, comforting him, urging him to convert to Catholicism, and sending him religious icons. Some commentators have detected homoerotic undertones in their exchanges, though this is a matter of opinion.

After the Easter Rising of 1916, O’Byrne is active in the reconstituted Irish Republican Army (IRA), and in 1919–20 he smuggles arms from Belfast to Dublin. In August 1920, he emigrates to the United States, where he goes on a six-month lecture tour to raise funds for victims of the Belfast pogroms. He allegedly raises $100,000 and funds the construction of Amcomri Street in west Belfast. He spends the next eight years in the United States as a speaker and entertainer, contributing to American Catholic publications. He develops an abiding fondness for Chicago and considers applying for American citizenship. At one point he corresponds with the film star Rudolph Valentino, who admires his verses on Italian themes.

O’Byrne returns to Belfast in September 1928 with the intention of opening a bookshop in Dublin, but this has to be abandoned after the loss of his savings in the Wall Street crash of October 1929. He settles into respectable semi-poverty in Cavendish Street, off the Falls Road, and remains a presence on the fringes of Belfast literary life. In 1930, he founds the Cathal O’Byrne Comedy Company, which performs plays of his own composition, notably the slight comedies The Returned Swank and The Burden, drawing on The Drone, by Samuel Waddell. In 1932, he sings at a concert in the Dublin Mansion House held to mark the Eucharistic Congress. He writes extensively for Catholic publications in Ireland and elsewhere, in particular the Capuchin Annual, Irish Monthly, and Irish Rosary, and publishes several pamphlets with the Catholic Truth Society (CTS). The sensibility displayed in these writings has much in common with that of Brian O’Higgins, Aodh de Blácam, Daniel Corkery and Gearoid Ó Cuinneagáin.

O’Byrne also publishes The Gaelic Source of the Brontë Genius (1932), Pilgrim in Italy (1930), and the story collection From Far Green Hills (1935), which retells gospel episodes in the style of an Irish storyteller with elements of Wildean orientalist exoticism. Pilgrim in Italy is published by the Three Candles Press of Colm Ó Lochlainn, an old friend through the Bigger circle, as is his last story collection, Ashes on the Hearth (1948), a series of slight reveries in which the narrator, wandering the back streets of Dublin, relives such resonant moments as the last days of James Clarence Mangan.

O’Byrne is best remembered, however, for As I Roved Out (1946), a collection of 128 articles on Belfast history originally published from the late 1930s in the Belfast Irish News. It displays considerable knowledge of Belfast history, drawn from lifelong reading and from conversations with Bigger, and can be seen as at once the summation of and a lament for the northern branch of the Irish revival associated with such figures as Bigger and Alice Milligan. The pieces, moving out from central Belfast to surrounding rural districts are held together by the storyteller surveying the landscape. Surveys of Belfast by journalistic flâneurs are not unprecedented, O’Byrne dismisses the mercantile and unionist establishment of Belfast as hopelessly materialistic and oppressive, casting himself and, by implication, his Catholic/nationalist readers as internal exiles forced into the side streets of history, treasuring a martyred religious faith and gazing back wistfully to the bright and fleeting hope represented by the Society of United Irishmen and the cultural revival. The book is punctuated by expressions of anger against the whole heritage of the Ulster plantation. The economic success of the planters is attributed solely to their plunder of the natives. The textile industry is discussed solely in terms of exploitation and starvation wages. Shipbuilding is dismissed with a remark that ships were built in Ulster long before the planters arrived. Finally, the history of Belfast is summed up in the confrontation between the Belfast merchant, ancestor of the unionist “establishment,” and would-be slave-trader Waddell Cunningham and the United Irishman and self-declared “Irish slave” William Putnam McCabe.

There are numerous contemptuous references to the Sabbatarianism and respectable dullness of late Victorian Belfast, contrasted with the lively artistic activities of the volunteer period. The book is reprinted three times in O’Byrne’s lifetime and is seen by nationalists as an underground classic. Its image of Belfast layered with fragmentary and hidden memories has been drawn on by authors as diverse as Ciaran Carson and Gerry Adams, and in the early twenty-first century O’Byrne is commemorated as one of the city’s significant writers. A plaque is placed on his Cavendish Street house in 2004. It is ironic that his reputation should rest on his memorialisation of Belfast, for he denounced it as “interminable miles of mean streets . . . one of the ugliest cities in the world.”

O’Byrne is believed by some, though not all, of his acquaintances to be homosexual. This view is supported by references to the descriptions of male beauty (based on Gaelic saga models) which recur in his writings and by the expressions of longing which permeate his work (which might also reflect a wider sense of loneliness or cultural displacement). His last years, 1954–57, are spent in the Nazareth Nursing Home in Ormeau Road, Belfast, where he dies on August 1, 1957, a month after suffering a stroke. His funeral is crowded, and his gravestone describes him as “singer, poet and writer who brought joy into the lives of others.”

(From: “O’Byrne, Cathal” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Herbert Hughes, Composer, Music Critic, Collector & Arranger

Herbert Hughes, Irish composer, music critic and a collector and arranger of Irish folksongs, is born in Belfast on May 16, 1882. He was the father of Spike Hughes.

Hughes is raised in Belfast but completes his formal music education at the Royal College of Music, London, where he studies with Charles Villiers Stanford and Charles Wood, graduating in 1901. Subsequently, he works as a music critic, notably for The Daily Telegraph from 1911 to 1932.

Described as having an “ardent and self-confident manner,” Hughes is first heard of in an Irish musical capacity (beyond being honorary organist at St. Peter’s Church on Antrim Road at the age of fourteen) collecting traditional airs and transcribing folksongs in North Donegal in August 1903 with his brother Fred, Francis Joseph Bigger, and John Patrick Campbell. Dedicated to seeking out and recording such ancient melodies as are yet to be found in the more remote glens and valleys of Ulster, he produces Songs of Uladh (1904) with Joseph Campbell, illustrated by his brother John and paid for by Bigger. Throughout his career, he collects and arranges hundreds of traditional melodies and publishes many of them in his own unique arrangements. Three of his best-known works are the celebrated songs, My Lagan Love, She Moved Through the Fair, and Down by the Salley Gardens, which are published as part of his four collections of Irish Country Songs, his key achievement. These are written in collaborations with the poets Joseph Campbell and Padraic Colum, and W. B. Yeats himself. A dispute with Hamilton Harty over copyright on My Lagan Love is pursued on Bigger’s advice, but fails.

Hughes has a unique approach to arranging Irish traditional music. He calls upon the influence of the French impressionist Claude Debussy in his approach to harmony: “Musical art is gradually releasing itself from the tyranny of the tempered scale. […] and if we examine the work of the modern French school, notably that of M. Claude Debussy, it will be seen that the tendency is to break the bonds of this old slave-driver and return to the freedom of primitive scales.” He regards arrangements as an independent art form on an equal level with original composition: “[…] under his [i.e. the arranger’s] hands it is definitively transmuted into an art-song, an art-song of its own generation.” His folksong arrangements have been sung all across the English-speaking world. John McCormack and Kathleen Ferrier are the first to record them on gramophone records.

An admirer of James Joyce‘s poetry, Hughes in 1933 edits The Joyce-Book, a volume of settings of Joyce’s poetry, with 13 pieces by 13 composers including, besides Hughes himself, Arnold Bax, Arthur Bliss, Herbert Howells, John Ireland, and non-British composers such as George Antheil, Edgardo Carducci-Agustini, and Albert Roussel. The large-format, blue-cloth covered volume has since become a collector’s item.

Hughes also composes a limited amount of original chamber music (a violin sonata is mentioned in a letter to Hughes from Bernard van Dieren dated April 4, 1932), and some scores for the stage (like And So to Bed by James Bernard Fagan) and film. Hughes and John Robert Monsell also create songs for a musical version of Richard Brinsley Sheridan‘s The Rivals called Rivals!, which is staged at the Kingsway Theatre in London in October 1935 by Vladimir Rosing and runs for 86 performances.

Married to Lillian Florence (known as Meena) Meacham and Suzanne McKernan, Hughes has three children: Patrick, known professionally as Spike Hughes, Angela and Helena. He dies in Brighton, England, at the relatively early age of fifty-four on May 1, 1937.


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The Execution of Roddy McCorley, Irish Nationalist

Roddy McCorley, Irish nationalist, is executed on February 28, 1800. He is alleged to be a member of the United Irishmen and claimed as a participant in their rebellion of 1798.

McCorley, the son of a miller, and is born near Toome in the civil parish of Duneane, County Antrim, in what is now Northern Ireland. A few years before the Irish Rebellion of 1798, his father is believed to have been executed for stealing sheep. These charges appear to be politically motivated in an attempt to remove a troublesome agitator at a time of great social unrest. Following his father’s execution, his family is evicted from their home.

There is uncertainty as to whether McCorley is actually actively involved with the predominantly Presbyterian United Irishmen or the predominantly Catholic Defenders. His role in the 1798 rebellion itself is unrecorded. In a ballad called “Roddy McCorley” written in the 1890s by Ethna Carbery, he is claimed to have been one of the leaders of the United Irishmen at the Battle of Antrim, however there is no contemporary documentary evidence to support this claim or prove that he was even active in the rebellion.

After the rebellion, McCorley joins a notorious outlaw gang known as Archer’s Gang, made up of former rebels and led by Thomas Archer. Some of these men had been British soldiers who changed sides in the conflict, and as such are guilty of treason and thus exempt from the terms of amnesty offered to the rank and file of the United Irishmen. This means that they are always on the run in an attempt to evade capture. This “quasi-rebel” group are claimed to have attacked loyalists and participated in common crime. It is believed that McCorley is caught while in hiding, having been betrayed by an informer.

After McCorley is arrested he is tried by court martial in Ballymena on February 20, 1800, and sentenced to be hanged “near the Bridge of Toome,” in the parish of Duneane. His execution occurs on February 28, 1800. The bridge had been partially destroyed by rebels in 1798 to prevent the arrival of loyalist reinforcements from west of the River Bann.

McCorley’s body is then dismembered and buried under the gallows, on the main Antrim to Derry road. A letter published in the Belfast News Letter a few days after his execution gives an account of the execution and how he was viewed by some. In it he is called Roger McCorley, which may be his proper Christian name.

His great-grandson, Roger McCorley, is an officer in the Irish Republican Army in the Irish War of Independence (1919–1921).

In addition to Ethna Carbery’s ballad, historian Guy Beiner uncovers earlier references to McCorley in Presbyterian folklore, which he shows to have been repeatedly forgotten and obscured on the background of mainstream Presbyterian identification with Unionism.

Carbery’s ballad is re-popularised by The Clancy Brothers and Tommy Makem, The Dubliners, The Kingston Trio, and others during the folk music revival of the 1960s. It is recorded in 1995 by Shane MacGowan and The Popes for their album The Snake and has also been recorded by other contemporary artists, such as Heather Dale on her 2006 album The Hidden Path. The melody for “Roddy McCorley” is reused in 1957 for “Sean South,” about a failed operation that year during the IRA’s border campaign.

An account of McCorley’s career compiled in the early twentieth century from local traditions and correspondence with his descendants, Who Fears to Speak of ’98?, is written by the Belfast antiquary and nationalist Francis Joseph Bigger. It contains an edited version of an early 19th-century ballad about Roddy McCorley’s fate.


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Death of Henry Joy McCracken, Founding Member of the United Irishmen

Henry Joy McCracken, Irish Republican, industrialist and a founding member of the Society of United Irishmen, is hanged from gallows erected in front of the Market House on Belfast‘s High Street on July 17, 1798, on land his grandfather had donated to the city.

McCracken is born in Belfast on August 31, 1767, into two of the city’s most prominent Presbyterian industrial families. He is the son of a shipowner, Captain John McCracken and Ann Joy, daughter of Francis Joy, of French Huguenot descent. The Joy family makes their money in linen manufacture and founds the News Letter. He is the older brother of political activist and social reformer Mary Ann McCracken, with whom he shares an interest in Irish traditional culture.

In 1792, McCracken helps organise the Belfast Harp Festival which gathers aged harpists from around Ireland and helps preserve the Irish airs by having them transcribed by Edward Bunting. Bunting, who lodges in the McCracken’s Rosemary Lane home, is a classically trained musician.

McCracken becomes interested in republican politics from an early age and along with other Protestants forms the Society of United Irishmen in 1795 which quickly makes him a target of the authorities. He regularly travels throughout the country using his business as a cover for organising other United Irish societies but is arrested in October 1796 and imprisoned in Kilmainham Gaol in Dublin. While imprisoned with other leaders of the United Irishmen, he falls seriously ill and is released on bail in December 1797.

Following the outbreak of the Irish Rebellion of 1798 in Leinster in May 1798, the County Antrim organisation meets on June 3 to decide on their response. The meeting ends inconclusively with a vote to wait for French aid being passed by a narrow margin. A new meeting of delegates is held in Templepatrick on June 5 where McCracken is elected general for Antrim, and he quickly begins planning military operations.

McCracken formulates a plan for all small towns in Antrim to be seized after which rebels will converge upon Antrim town on June 7 where the county’s magistrates are to hold a crisis meeting. Although the plan meets initial success and McCracken leads the rebels in the attack on Antrim, the Catholic Defenders group whom he expects assistance from are conspicuous by their absence. The mainly Ulster Scots rebels led by McCracken are defeated by the English forces and his army melts away.

Although McCracken initially escapes with James Hope, James Orr, and James Dickey and is supported in his month-long period of hiding by his sister Mary Ann, a chance encounter with men who recognize him from his cotton business leads to his arrest. He is offered clemency if he testifies against other United Irishmen leaders, but he refuses to turn on his compatriots.

McCracken is court martialed and hanged at Corn Market, Belfast, on land his grandfather had donated to the city, on July 17, 1798. According to historian Guy Beiner, his corpse is spared the indignity of decapitation in order not to provoke renewed agitation. He is buried in the Parish Church of St. George in Belfast, but a few years later the grave is demolished.

McCracken’s remains are believed to have been re-interred by Francis Joseph Bigger in 1909 at Clifton Street Cemetery, Belfast, alongside his sister Mary Ann. His illegitimate daughter Maria, whose mother is speculated to have been Mary Bodell, is raised by her aunt Mary Ann McCracken.


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Birth of Henry Joy McCracken, Irish Republican

henry-joy-mccracken

Henry Joy McCracken, Irish Republican and industrialist, is born in Belfast on August 31, 1767. He is a founding member of the Society of the United Irishmen.

McCracken is born into two of the city’s most prominent Presbyterian industrial families. He was the son of a shipowner, Captain John McCracken and Ann Joy, daughter of Francis Joy, of French Huguenot descent. The Joy family made their money in linen manufacture and founded the Belfast News Letter. He is the older brother of political activist and social reformer Mary Ann McCracken, with whom he shares an interest in Irish traditional culture.

In 1792, McCracken helps organise the Belfast Harp Festival which gathers aged harpists from around Ireland and helps preserve the Irish airs by having them transcribed by Edward Bunting. Bunting, who lodges in the McCracken’s Rosemary Lane home, is a classically trained musician.

McCracken becomes interested in republican politics from an early age and along with other Protestants forms the Society of the United Irishmen in 1795 which quickly makes him a target of the authorities. He regularly travels throughout the country using his business as a cover for organising other United Irish societies but is arrested in October 1796 and imprisoned in Kilmainham Gaol in Dublin. While imprisoned with other leaders of the United Irishmen, he falls seriously ill and is released on bail in December 1797.

Following the outbreak of the Irish Rebellion of 1798 in Leinster in May 1798, the County Antrim organisation meets on 3 June to decide on their response. The meeting ends inconclusively with a vote to wait for French aid being passed by a narrow margin. A new meeting of delegates is held in Templepatrick on June 5 where McCracken is elected general for Antrim, and he quickly begins planning military operations.

McCracken formulates a plan for all small towns in Antrim to be seized after which rebels will converge upon Antrim town on June 7 where the county’s magistrates are to hold a crisis meeting. Although the plan meets initial success and McCracken leads the rebels in the attack on Antrim, the Catholic Defenders group whom he expects assistance from are conspicuous by their absence. The mainly Ulster Scots rebels led by McCracken are defeated by the English forces and his army melts away.

Although McCracken initially escapes with James Hope, James Orr, and James Dickey and is supported in his month-long period of hiding by his sister Mary Ann, a chance encounter with men who recognize him from his cotton business leads to his arrest. He is offered clemency if he testifies against other United Irishmen leaders, but he refuses to turn on his compatriots.

McCracken is court martialed and hanged at Corn Market, Belfast, on land his grandfather had donated to the city, on July 17, 1798. According to historian Guy Beiner, his corpse is spared the indignity of decapitation in order not to provoke renewed agitation. He is buried in the Parish Church of St. George in Belfast, but a few years later the grave is demolished.

McCracken’s remains are believed to have been re-interred by Francis Joseph Bigger in 1909 at Clifton Street Cemetery, Belfast, alongside his sister Mary Ann. His illegitimate daughter Maria, whose mother is speculated to have been Mary Bodell, is raised by her aunt Mary Ann McCracken.