seamus dubhghaill

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Tag Archives: Jacob’s


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Birth of Kathleen Behan, Irish Republican & Folk Singer

Kathleen Behan (née Kearney), Irish republican and folk singer, and mother of Irish authors Brendan, Brian and Dominic, is born on September 18, 1889, at 49 Capel Street, Dublin.

She is the fifth child and youngest daughter of pork butcher and grocer, John Kearney (1854–97), and his wife Kathleen Kearney (née McGuinness) (1860–1907). She has four brothers and two sisters. Her father is from Rosybrook, County Louth and her mother is from Rathmaiden, Slane, County Meath, both coming from prosperous farming families. Her father has a business on Lower Dorset Street, with a grocery, pub and a row of houses. Owing to his own poor management, by the time she is born he has a smaller business on Dolphin’s Barn Lane. Following his death in 1897, she and her sisters are placed in the Goldenbridge orphanage at Inchicore by their mother. She is there from 1898 to 1904 where she becomes an avid reader. When she leaves, she rejoins her family in a one-room tenement flat on Gloucester Street.

Her oldest sibling, Peadar Kearney, is an ardent republican who writes the lyrics to the song that becomes the Irish national anthem, ”Amhrán na bhFiann”(English: “The Soldier’s Song”). It is through him that she meets a printer’s compositor and member of the Irish Volunteers, Jack Furlong. They marry in 1916. She is an active member of Cumann na mBan, and serves as a courier to the General Post Office, Dublin and other outposts during the 1916 Easter Rising. At the same time, Furlong fights in the Jacob’s factory garrison. The couple has two sons: Roger Casement (Rory) Furlong (1917–87) and Sean Furlong (born March 1919). Sean is born six month’s after she is widowed when Furlong dies in the Spanish flu epidemic of 1918. She lives with her mother-in-law, who is also a republican and seamstress who makes Irish Volunteer uniforms. She is arrested for running an Irish Republican Army (IRA) safe house. She works for a short time for Maud Gonne as a housekeeper, where she meets W. B. Yeats and Sarah Purser. A study painted of her by Purser (above) is now in the National Gallery of Ireland entitled The Sad Girl. From 1918 to 1922 she works as a clerk in the Dublin Corporation, while also a caretaker in the Harcourt Street branch of the Irish White Cross republican aid association.

In 1922 she marries Stephen Behan, house painter, trade unionist and fellow republican. The couple has four sons and one daughter: Brendan (b. 1923), Seamus (b. 1925), Brian (b. 1926), Dominic (b. 1928), and Carmel (b. 1932). Brendan is born while his father is imprisoned during the Irish Civil War, and Behan claims that Michael Collins gives her money while she is pregnant. Stephen’s mother owns three slum tenements, so the Behans live rent-free in a one-room basement flat at 14 Russell Street. Owing to her disdain at gossiping on the house steps, she is nicknamed “Lady Behan” by her neighbours. When Stephen’s mother dies in 1936, the Behans moved to a newly built council house in Crumlin, living at 70 Kildare Road. The family finds the new house far from work and school, and the local area devoid of community.

The family experiences extreme poverty frequently, owing to Stephen’s unemployment and during the nine month long building strike of 1936. Behan attempts to claim a pension as her first husband had served in 1916, but her application is rejected. She had said the exposure to flour had effected Furlong’s lungs negatively. It is declined as she had remarried before the enactment of the Army Pensions Act 1923. Despite their circumstances, the house attracts conversation, music, books and politics. The Behan’s republican, socialist, labour activist and anti-clericalism have a strong effect on their sons, particularly Brendan and Dominic. Such is the volume of radical meetings that take place at the Behan home, it is dubbed “the Kremlin” by their neighbours, and a “madhouse” by Stephen. During The Emergency of 1939 to 1945 she fights against local shopkeepers who ignore price controls, and is labelled as “red” for her anti-Franco and pro-Stalin sympathies. Her reply to the branding of her as such is “I’m not red, I’m scarlet.”

From the 1950s onwards, Behan shares international fame with her sons Dominic and Brendan. She often travels to London to see their plays, eventually appearing on British and Irish television and cultivating her own following. She is badly injured when she is struck by a motorcycle, a day before Stephen’s death in 1967. Owing to the effect of these injuries, she moves in 1970 to the Sacred Heart Residence of the Little Sisters of the Poor, Sybil Hill, Raheny.

In 1981, she records an album When All the World Was Young. Taped conversations of her reminiscences are made into an autobiographic book, Mother of all the Behans, by her son Brian in 1984. A one-woman stage adaptation of the book by Peter Sheridan and starring Rosaleen Linehan is acclaimed in Ireland, Britain and North America.

Behan dies in the nursing home in Raheny on April 26, 1984, and is buried in Dean’s Grange Cemetery.

(Pictured: Portrait of Kathleen Behan by Sarah Purser, National Gallery of Ireland)


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Thomas MacDonagh’s Letter to Family at End of Easter Week 1916

In a letter to his family written on April 30, 1916, Thomas MacDonagh recalls “I was astonished to receive by a messenger from P.H. Pearse, Commandant General of the Army of the Irish Republic, an order to surrender unconditionality to the British General. I did not obey the order as it came from a prisoner. I as then in supreme command of the Irish Army, consulted with my second in command and decided to confirm the order. I knew that it would involve my death and the deaths of other leaders. I hoped that it would save many true men among our followers, good lives for Ireland. God grant it has done so and God approve our deed. For my self I have no regret. The one bitterness that death has for me is the separation it brings from my beloved wife Muriel, and my beloved children, Donagh and Barbara. My country will then treat them as wards, I hope. I have devoted myself too much to National work and too little to the making of money to leave them a competence. God help them and support them, and give them a happy and prosperous life. Never was there a better, truer, purer woman than my wife Muriel, or more adorable children than Don and Barbara. It breaks my heart that I shall never see my children again, but I have not wept or murmured. I counted the cost of this and am ready to pay it. Muriel has been sent for here. I do not know if she can come. She may have no one to take the children while she is coming. If she does.”

MacDonagh and Pearse are contemporaries of one another: poets, progressive educators, Gaelic revivalists. They are men who gird for battle “with a revolver in one hand and a copy of Sophocles in the other.” Each man commands a unit of Irish Volunteers during the Easter Rising, which takes place the week of April 24-30,1916. MacDonagh occupies Jacob’s biscuit factory and Pearse the General Post Office (GPO), from which he issues the surrender at the end of the week.

McDonagh and Pearse are signatories of the Proclamation of the Irish Republic, a document issued by the Irish Volunteers and the Irish Citizen Army at the beginning of the Easter Rising, proclaiming Ireland’s independence from the United Kingdom. The reading of the proclamation by Pearse outside the General Post Office (GPO) on Sackville Street (now O’Connell Street), Dublin‘s main thoroughfare, marks the beginning of the Rising.

Pearse’s and MacDonagh’s signatures on the Proclamation are a fatal endorsement for them and for each of the other five men to lend it their signatures. After being court-martialed, both Pearse and MacDonagh, along with Thomas Clarke, are executed by firing squad at Kilmainham Gaol in Dublin on May 3, 1916, the first of the rebels to be executed.

(Pictured: Thomas McDonagh (left) and Patrick Pearse)


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Death of Leslie Mary de Barra, Irish Nationalist & Republican

Leslie Mary de Barra (née Price), Irish nationalist and republican active during the Easter Rising of 1916, the Irish War of Independence and the Irish Civil War, dies in Cork, County Cork, on April 9, 1984. She becomes Director of Cumann na mBan and goes on to be chairman and President of the Irish Red Cross.

She is born Leslie Mary Price in Dublin on January 9, 1893, to Michael and Mary Price. Her father is a blacksmith, and she is one of six children. She wants to be a teacher and by 1911 has become a Monitress, a common way for girls to get into the teaching profession. Two of her brothers are involved in the Irish Volunteers and she is a member of Cumann na mBan. In advance of the Easter Rising, with the confusion over orders and lack of information, she states that she “did not question anything” as, with all that was happening, there are often odd events in her house. But they all wait for the mobilisation orders for the Rising.

De Barra’s role during the republican rebellion in Ireland, Easter 1916, is to act as a courier carrying messages and ammunition between the main headquarters in the General Post Office (GPO) and other posts. She does her role well during the Rising and gains the respect of many Irish Republicans. On the orders of Seán Mac Diarmada, one of the principal leaders of the rising, she and fellow Cumann na mBan member Bríd Dixon are promoted in the field and treated as officers. She later admits that the job was stressful. She is stationed both in the GPO and in the Hibernian Bank. It is while she is in the bank that she comes closest to death, standing beside Captain Thomas Weafer while he is shot. Another soldier who goes to his aid is also shot. She barely has time to grab Captain Weafer before he dies. She is the person sent to fetch a priest for the dying and wounded soldiers on the Thursday. By Friday evening, she is in the GPO and is with the group evacuated with Louise Gavan Duffy. Once they reach the hospital on Jervis Street, she parts company from Duffy and heads to Jacob’s factory to see how the rebels are getting on there. She is also arrested and held in Broadstone Station but quickly released.

By 1918, de Barra represents West Cork in the Cumann na mBan convention and becomes a member of the executive committee. She leaves her teaching career to focus fully on the organisation required by the republican movement in 1918. She travels the country by train and by bicycle to get women to join the local branches of the Cumann and take part in the activities needed by the movement. She is tasked by the Irish Republican Army’s (IRA) General Headquarters to set up specific lines of communication between Dublin and the Provincial commands. Within the year the organisation has grown from 17 to over 600 branches. She is Director of the organisation during the period up to the end of the war.

De Barra marries Tom Barry on August 22, 1921, in Cork during the Truce period in the lead up to the Anglo-Irish Treaty. At the wedding are men who later end up on opposite sides. Both Éamon de Valera and Michael Collins are guests. Her husband is staunchly Anti-Treaty even though he has been friends with Collins. Although her husband is a staunch republican and a major figure in the Irish War of Independence and the Irish Civil War, while she is serving in the GPO in Dublin during the rising, he is in Mesopotamia serving in the British Army in World War I.

In later years de Barra is central to the Irish Red Cross. Initially she gets involved by organising the care of children orphaned by World War II. She represents the Irish Red Cross at conferences in Toronto, Oslo, Monaco, New Delhi, Geneva, Vienna, The Hague, Athens, Istanbul and Prague. She and her husband handle refugees from Czechoslovakia and Poland. Through the Red Cross she is able to ascertain the status of Irish held by the Spanish during the Spanish Civil War, as officially Ireland remains neutral and cannot get involved. She is Chairman of the Irish Red Cross from 1950 to 1973.

De Barra is instrumental in the setting up of the Voluntary Health Insurance organisation in the late 1950s. In 1962, with the Red Cross she launches the “Freedom from hunger” campaign in Ireland which later becomes the organisation Gorta. She serves as chairman of Gorta also.

In 1956, a memorial to 1916 is unveiled in Limerick. It is designed by Albert Power and the commemoration of the Rising is held in May 1956 and the monument is unveiled by de Barra. In 1963 she is awarded an honorary degree from University College Dublin (UCD) along with Éamon de Valera and others.

In 1971, de Barra is part of a series to look back on the events leading to Irish Independence and her story is broadcast by Raidió Teilifís Eireann. In 1979 she wins the Henry Dunant Medal which is the highest award of the Red Cross Movement.

De Barra and her husband live on St. Patrick’s Street in Cork from the 1940s until his death in 1980. She dies in Cork on April 9, 1984, and is buried with her husband in St. Finbarr’s Cemetery. She is remembered today in the Leslie Bean de Barra Trophy awarded for the Cork Area Carer of the Year.


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Death of Gordon Lambert, Businessman, Senator & Art Collector

Charles Gordon Lambert, Irish businessman, senator and art collector, dies in a Dublin hospital on January 27, 2005.

Lambert is born on April 9, 1919, in the family home at Highfield Road, Rathmines, Dublin, the youngest of four sons of Robert James Hamilton Lambert, a veterinarian and renowned cricketer, and his wife Nora (née Mitchell). His eldest brother, Noel Hamilton “Ham” Lambert, is a versatile sportsman and noted veterinary practitioner.

Lambert is educated at Sandford Park School, Dublin, and at Rossall School, Lancashire. He is steered by his mother toward a career in accountancy for which he prepares by studying commerce at Trinity College Dublin (TCD). Graduating in 1940, he joins the accounting firm Stokes Brothers and Pim, qualifying Associate Chartered Accountant in 1943. In 1944, after auditing biscuit manufacturers W. & R. Jacob and Co. Ltd, one of Ireland’s largest and most prestigious industrial companies, he is offered and accepts a £300 a year job at Jacob’s as assistant accountant.

In 1953, Lambert becomes Jacob’s chief accountant as the management grooms him for an executive career. During 1948–56, Jacob’s suffers from profit and price controls, lack of capital investment and complacency brought about by the absence of competition. The entry of Boland’s Bakery into the Irish biscuit market in 1957 is exploited by Lambert who urges the alarmed board, which has long regarded advertising as vulgar, to market its products more vigorously. This assertiveness yields his advancement to the position of commercial manager in 1958. A year later he becomes the first non-member of the Bewley and Jacob families to be appointed to the board.

Between 1959 and 1970, biscuit consumption in Ireland doubles for which Lambert can claim much credit. Recognising that the advent of self-service stores means that manufacturers can no longer rely on retailers to sell their products, he pioneers advanced promotional techniques in Ireland, particularly the use of marketing surveys and of mass advertising in newspapers, on radio and on the emerging medium of television. To further accord with retailers’ preferences, Jacob’s drives the widespread packaging of biscuits in airtight packets rather than tins and also introduces a striking red flash logo for its packets. His interest in contemporary art enables him to contribute directly to Jacob’s packaging designs.

Lambert is appointed to the board of the Electricity Supply Board (ESB) in 1964, a position he holds until 1977, and serves as president of the National Agricultural and Industrial Development Association (NAIDA) in 1964–65, spearheading a “Buy Irish” campaign. His involvement with NAIDA dates to the mid-1950s and leads to his friendship with Jack Lynch, Minister for Industry and Commerce. This relationship and his admiration for Seán Lemass incline him toward Fianna Fáil. He also believes the party is the one most likely to deliver economic growth.

In 1977, Lambert is appointed to Seanad Éireann by Taoiseach Jack Lynch. He sits as an independent but assures Lynch he will broadly support the government. Dismayed by Ireland’s economic uncompetitiveness, he uses this platform to bemoan the state’s financial profligacy and failure to control inflation, and the indifference of Irish politicians towards the business community, contending that Irish industrialists suffer and need to learn from the expert lobbying of the indigenous agricultural sector and of large multi-national companies based in Ireland. He also articulates his social liberalism, desire for peaceful reconciliation in Northern Ireland and support for cultural and environmental causes. But his commitment to the Seanad wanes as he grasps its irrelevance. When Lynch resigns in December 1979, Lambert joins the Fianna Fáil party in a futile bid to preserve his political influence.

Following Jacob’s takeover of Boland’s Bakery in 1966, Lambert becomes joint managing director of a new entity, Irish Biscuits Ltd, the manufacturing and trading company for the Boland’s and Jacob’s biscuits operations. W. & R. Jacob and Co. Ltd becomes a holding company. In 1968, he becomes the sole managing director. From 1977 he begins withdrawing from the active administration of the company, relinquishing his managing directorship in 1979 to become chairman.

Initially, Lambert views art as a hobby but he comes to see it as a calling, drawing inspiration from Sir William Basil Goulding, his predecessor as Ireland’s leading collector and advocate of modern art. From the late 1970s he serves as head of the Contemporary Irish Art Society (CIAS) and on the Arts Council of Northern Ireland, the advisory committee of the Dublin Municipal Gallery, the board of the National Gallery of Ireland, the editorial board of the Irish Arts Review and the international council of the Museum of Modern Art (MoMA) in New York City.

The Irish Museum of Modern Art (IMMA) opens in 1991 and receives through the medium of the Gordon Lambert Trust some 212 works, which form the centerpiece of its collection. Thereafter Lambert gifts another 100 works to IMMA. He sits on IMMA’s board from 1991, and the west wing of the museum is named after him in 1999.

Despite being diagnosed with Parkinson’s disease in 1988, Lambert remains relatively active and plays golf into his 80s. In 1999 he receives an honorary LLD from TCD. From 1997, he relies increasingly on Anthony Lyons, an acquaintance of longstanding, to care for him. His last years are overshadowed by the collapse in autumn 2002 of his close but complex relationship with his family. Thereafter he shuns his relations and changes his will, granting Lyons a substantial portion of his estate while curtailing the amount to be received by his family. He dies in a Dublin hospital on January 27, 2005. Relatives challenge his final will in the High Court in 2009, but it is upheld.

(Pictured: Photograph of director of Jacob’s Biscuits, Gordon Lambert, speaking from a podium at the first Jacob’s Television Awards. The Lord Mayor of Dublin, James O’Keefe, is sitting behind Lambert. The awards ceremony takes place at the Bishop Street factory, Dublin.)


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Death of Louise Gavan Duffy, Educator & Irish Language Enthusiast

Louise Gavan Duffy, educator, Irish language enthusiast and a Gaelic revivalist, dies in Dublin on October 12, 1969. She sets up the first Gaelscoil in Ireland. She is also a suffragist and Irish nationalist who is present in the General Post Office, the main headquarters during the 1916 Easter Rising.

Duffy is born in Nice, France, on July 17, 1884, the daughter of the Irish nationalist Sir Charles Gavan Duffy, one of the founders of The Nation and his third wife, Louise (née Hall) from Cheshire, England. Her mother dies when she is four. She is then raised in Nice by her Australian half-sisters from her father’s second marriage. It is a well-to-do and culturally vibrant home where she is exposed to political figures and ideas.

Duffy’s brother George Gavan Duffy, one of the signatories to the Anglo-Irish Treaty in 1921, is an Irish politician, barrister and judge. Her half-brother Sir Frank Gavan Duffy is the fourth Chief Justice of the High Court of Australia, sitting on the bench from 1913 to 1935. Another brother works most of his life as a missionary in the French colony of Pondicherry.

Duffy’s first visit to Ireland is in 1903, at the age of 18, when her father dies and is buried in Glasnevin Cemetery. This is when she first hears Irish spoken. She finds a grammar book in a bookshop and becomes curious. Her father was not an Irish speaker, though her grandmother in the early 1800s was likely fluent.

Duffy spends the years between 1903 and 1907 between France and England. She takes courses through Cusack’s College in London so that she can matriculate.

Duffy decides to continue her studies in Dublin but cannot afford to move until she receives a small inheritance from her grandmother on the Hall side of the family. Once in Ireland in 1907, at the age of 23, she begins her university studies, taking arts. She lives in the Women’s College, Dominican Convent, as women are not allowed to attend lectures in the Royal University of Ireland. She goes occasionally to the Gaeltacht to learn Irish. Graduating in 1911 with a Bachelor of Arts from University College Dublin (UCD), she is one of the first women to do so.

Given the lack of teachers, even without a full qualification, Duffy then teaches in Patrick Pearse‘s St. Ita’s school for girls in Ranelagh. She studies with the Dominicans again in Eccles Street, gaining a Teaching Diploma from Cambridge University.

A supporter of women’s suffrage, Duffy speaks at a mass meeting in Dublin in 1912 in favour of having the Home Rule bill include a section to grant women the vote. She also joins the Irish republican women’s paramilitary organisation Cumann na mBan, as a founding member in April 1914, serving on the provisional committee with Mary Colum, as a co-secretary.

Duffy is aware that being a suffragist and a nationalist are not necessarily the same thing, realising her involvement in Cumann na mBan is in support of nationalism. When St. Ita’s closes due to funding problems in 1912, she takes the opportunity to complete her qualifications. After receiving her Cambridge teacher’s diploma in 1913, she returns to UCD to study for a Master of Arts degree.

Duffy is in fact working on her master’s thesis during the Easter break in 1916 when the rumour comes to her that the Rising has begun in Dublin city centre. She walks to the Rebel headquarters in the GPO where she tells Pearse, one of the leaders, that she does not agree with the violent uprising.

Duffy spends all of Easter week working in the GPO kitchens with other volunteers like Desmond FitzGerald and a couple of captured British soldiers, ensuring the volunteers are cared for. The women in the GPO are given the opportunity to leave under the protection of the Red Cross on the Thursday as the shelling of the building has caused fires, but almost all of them refuse. In the end, she is among the second group of the people to leave the GPO on the Friday, tunnelling through the walls of the buildings to avoid coming under fire.

Duffy’s group makes it to Jervis Street Hospital where they spend the night. The next day, Saturday, Pearse formally surrenders. She heads for Jacob’s Biscuit Factory, another volunteer position, on the morning after the surrender, to see what is happening. There she finds a holdout of volunteers who are unaware of the surrender or that the fighting is over.

After 1916 Duffy is elected to the Cumann na mBan’s executive and in 1918 is one of the signatories to a petition for self-determination for Ireland which is presented to President Woodrow Wilson by Hanna Sheehy-Skeffington. During her time in the GPO, she had collected names of the volunteers and promised to take messages to their families. This possibly influences her in being involved in the National Aid Association and Volunteers Dependants Fund. In the aftermath of the rebellion there are 64 known dead among the volunteers, while 3,430 men and 79 women are arrested. Families need support. These organisations are able to arrange funding from the United States.

In 1917, Duffy co-founds and runs Scoil Bhríde, as a secondary school for girls in Dublin through the medium of Gaelic. It is still in operation as a primary school. Her co-founder is Annie McHugh, who later marries Ernest Blythe. The end of the Rising leads to the Irish War of Independence (1919-21). During this time, she is mostly focused on the school. However, it is raided by the military and Duffy later admits it is in fact used for rebel meetings and to safeguard documents. In October 1920, the Irish leader Michael Collins meets Archbishop Patrick Clune there in secret. In an effort to support the nationwide boycott of the police, the Royal Irish Constabulary (RIC), in 1920, she has a leaflet sent to all branches of Cumann na mBan which states in part that the RIC are the “eyes and ears of the enemy. Let those eyes and ears know no friendship.”

The war ends with the Anglo-Irish Treaty in 1921. The result is the Irish Civil War which lasts until 1923. Duffy is a supporter of the Treaty, which her brother had signed, and as such she leaves Cumann na mBan and joins Cumann na Saoirse, in which she is instrumental in founding as an Irish republican women’s organisation which supports the Pro-Treaty side.

Once the civil war is over, Duffy leaves the political arena and returns to education. She especially needs to focus on funding in the early years of the school. She works with UCD’s Department of Education from 1926, once Scoil Bhríde is recognised as a teacher training school. She publishes educational documents like School Studies in The Appreciation of Art with Elizabeth Aughney and published by UCD in 1932.

Until her retirement, Duffy also lectures on the teaching of French. She retires as principal in 1944.

Once retired, Duffy gives much of her time to the Legion of Mary and to an association which works with French au pairs in Dublin. In 1948 she is awarded an honorary Doctor of Laws by the National University of Ireland.

Recognising the importance of her first-hand experience and with a good political understanding, Duffy records her memories of the events in which she has taken part. In 1949, she gives an account of her life in relation to nationalist activities to the Bureau of Military History. She is involved in a Radio Éireann broadcast in 1956 about the women in the Rising. In 1962, she takes part in the RTÉ TV program Self Portrait broadcast on March 20, 1962. In March 1966 she gives a lecture in UCD to mark the 50th anniversary of the Rising which is published in The Easter rising, 1916, and University College Dublin (1966).

Duffy dies, unmarried, on October 12, 1969, aged 85, and is interred in the family plot in Glasnevin Cemetery.

In 2014, An Post issues a stamp to commemorate the centenary of the founding of Cumann na mBan. In 2016, for the centenary, a documentary is produced, discussing seven of the women, including Duffy, who were involved in the Easter Rising.


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Death of Rosie Hackett, Trade Union Leader & Insurgent

Rosanna “Rosie” Hackett, Irish insurgent and trade union leader, dies on May 4, 1976, at St. Vincent’s Hospital, Fairview, Dublin. She is a founder-member of the Irish Women Workers’ Union (IWWU) and supports strikers during the 1913 Dublin lock-out. She later becomes a member of the Irish Citizen Army and is involved in the 1916 Easter Rising. In the 1970s, the labour movement awards her a gold medal for decades of service, and in 2014 a Dublin city bridge is named in her memory.

Hackett is born into a working-class family in Dublin on July 25, 1893, the daughter of John Hackett, a hairdresser, and Roseanna Dunne. According to the 1901 census, she is living with her widowed mother and five other family members in a tenement building on Bolton Street in Dublin. The available documents suggest that her father dies when she is still very young. She joins the Irish Transport and General Workers’ Union (ITGWU) when it is established in 1909 by James Larkin, which marks the beginning of her lifelong activity in trade unionism. By 1911 she is living with her family in a cottage on Old Abbey Street, and her mother has remarried to Patrick Gray.

Hackett fights for many decades for the rights of workers. Through her affiliation and work with the ITGWU, the IWWU and the Irish Citizen Army, she helps carve out and secure modern-day working conditions. Her career begins as a packer in a paper store, then becoming a messenger for Jacob’s biscuits. At that time the working conditions in the factory are poor.

On August 22, 1911, Hackett helps organise the withdrawal of women’s labour in Jacob’s factory to support their male colleagues who are already on strike. With the women’s help, the men secure better working conditions and a pay rise. Two weeks later, at the age of eighteen, she co-founds the IWWU with Delia Larkin. During the 1913 lock-out she helps mobilise the Jacob’s workers to come out in solidarity with other workers. They, in turn, are locked out by their own employers. This does not stop her work to help others, and she, along with several of her IWWU colleagues, set up soup kitchens in Liberty Hall to help feed the strikers. However, in 1914 her Jacob’s employers sack her over her role in the lock-out.

Hackett begins work as a clerk in the printshop in Liberty Hall, and it is here she becomes involved with the Irish Citizen Army. She is involved in preparations for the 1916 Rising, working in a union shop, helping with printers, and making first-aid kits and knap-sacks.

If other members of the ITGWU were looking for James Connolly, Hackett aids in bringing them to him. She “worked as canvasser and traveler and was called on to carry out many confidential jobs.”

Hackett takes up first aid training provided by Dr. Kathleen Lynn for six months before the Rising and attends night marches organised by the Irish Citizen Army. According to her own account, she says, “A week before Easter, I took part in the ceremony of hoisting the challenge flag over Hall.” Like other girls and women who are involved in the Rising, she carries messages and guns and prepares uniforms and food for Irish Republican Army (IRA) members “and sometimes risky work.”

Three weeks before the Easter Rising, the Royal Irish Constabulary (RIC) raid a shop where Hackett is working. She is alone when they come, and they are looking for a copy of “Gael.” She says to them, “wait until I get the head” and she calls for Connolly. The police are stopped by Connolly and Helena Molony who are armed, and Hackett immediately hides everything, so that when the police come back, they cannot get anything.

Through her experience of working in the printshop, Hackett helps to print the Proclamation of the Irish Republic. She is in the printing room in Liberty Hall as a trusted messenger in 1916 when the Proclamation is printed, and it is the first time she is allowed in. Three men are there when she enters the room and one comes over to her, shakes her hand and congratulates her. It makes her very proud, especially since no one else is allowed to get in. She subsequently tells family members of handing it still wet to James Connolly before it is read by Patrick Pearse outside the entrance to the General Post Office (GPO).

Hackett is an active member of the Irish Citizen Army. On Easter Tuesday, under the command of Constance Markievicz, she takes part in the 1916 Rising and is located in the area of St. Stephen’s Green and the Royal College of Surgeons in Ireland. This position is heavily attacked with guns, short of first aid and “looked like a death trap.” However, after moving from an initially overlooked position in St. Stephen’s Green, it is one of the last positions to surrender. In the Royal College, as a first-aid practitioner, she is allowed entry to the lecture room sanctioned to the Red Cross only. Another first-aider, Aider Nora O’Daily, later reports that during those days, “I have a very kind remembrance of Little Rosie Hackett of the Citizen Army, always cheerful and always willing; to see her face about the place was a tonic itself.”

After surrendering, the rebels are taken to Dublin Castle. Hackett is imprisoned in Kilmainham Gaol for ten days.

In 1917, on the anniversary of Connolly’s death, Hackett, together with Helena Molony, Jennie Shanahan and Brigid Davis, print and hang a poster detailing the anniversary. After the first poster displayed by the ITGWU members is taken down by the police, they work to ensure that their poster will stay on Liberty Hall much longer by staying on top of the roof to defend it. They barricade the door using a ton of coal and nails on the windows. The poster is hanging there until 6:00 p.m. and thousands of people can see it.

After the Rising, Hackett returns to the IWWU which, at its strongest, organises over 70,000 women. After the 1945 laundry strike, they win an extra week of paid holidays for the workers. She attends many important labour union events such as the opening of the new Liberty Hall on May 2, 1965, and Arbour Hill memorial services. Until her retirement, she runs the trade union shops resulting in over five decades of active participation in the Irish trades union movement work to improve conditions for Irish workers. In 1970 she is awarded a gold medal for fifty years of ITGWU membership.

In the 1970s, Walter McFarlane, then branch secretary of the ITGWU, awards an honorary badge for Hackett’s fifty years contribution to the union.

Hackett never marries and lives in Fairview, Dublin, with her brother Tommy until her death on May 4, 1976. She is buried at St. Paul’s plot in Glasnevin Cemetery next to her mother and stepfather. At her burial, she is honoured with a military salute and her coffin is covered with the Irish flag. After her passing, her legacy is remembered in the union’s newspaper, a tale of the strife of Hackett together with the rest of Dublin’s working class, for which she fought to change.

In May 2014, the Rosie Hackett Bridge is officially opened by the Lord Mayor of Dublin. The Hackett Bridge Campaign began in October 2012, led by three women Angelina Cox, an active member of Labour Youth, Jeni Gartland and Lisa Connell. The final shortlist of contending names for the new bridge were Rosie Hackett, Kathleen Mills, Willie Bermingham, Bram Stoker and Frank Duff.

In April 2015, a plaque is unveiled on Foley Street by the North Inner City Folklore Project to commemorate the women of the Irish Citizen Army. The plaque lists Hackett as a member of the St. Stephen’s Green/College of Surgeons garrison during the 1916 Easter Rising.


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Birth of Philip Shanahan, Sinn Féin Politician

Philip Shanahan, Irish Sinn Féin politician, is born in Hollyford, County Tipperary, on October 27, 1874. He is elected to the House of Commons of the United Kingdom in 1918 and serves as a Teachta Dála (TD) in Dáil Éireann from 1919 to 1922.

At some point Shanahan moves to Dublin, where he is a licensed vintner, maintaining an Irish pub in the notorious Monto red-light district.

Shanahan is involved in the Easter Rising in Dublin in April 1916. This leads to him having legal difficulties over the licence of his public house. He consults the lawyer and politician Tim Healy who comments:

“I had with me today a solicitor with his client, a Dublin publican named Phil Shanahan, whose licence is being opposed, and whose house was closed by the military because he was in Jacob’s during Easter week. I was astonished at the type of man – about 40 years of age, jolly and respectable. He said he ‘rose out’ to have a ‘crack at the English’ and seemed not at all concerned at the question of success or failure. He was a Tipperary hurler in the old days. For such a man to join the Rebellion and sacrifice the splendid trade he enjoyed makes one think there are disinterested Nationalists to be found. I thought a publican was the last man in the world to join a rising! Alfred Byrne, MP, was with him, and is bitter against the Party. I think I can save Shanahan’s property.”

Shanahan is elected for Dublin Harbour at the 1918 Irish general election, defeating Alfred Byrne. Like other Sinn Féin MPs, he does not take his seat at Westminster, but becomes a member of the revolutionary Dáil. He represents Dublin Harbour in the First Dáil from 1919 to 1921. He is arrested and detained in custody by the British government in April 1920 but is released in time to attend the next meeting of the Dáil on June 29, 1920.

During the Irish War of Independence, Billy Dunleavy recalls, “The IRA were the best men we ever had at that time. The Tans used to go around in the tenders with a wire over the top and if it was going by up there in Talbot Street they’d (IRA) say, ‘Get out of the way, quick!’ and they’d throw a hand grenade into the car. Now Phil Shanahan, he owned a pub over there on the corner, he was a great man and he used to hide them after they’d been out on a job. He had cellars and all the IRA men used to go there and hide their stuff.”

In 1921 a general election is held for the House of Commons of Southern Ireland. Republicans use this as an election for the Second Dáil. Shanahan is elected unopposed for the four member Dublin Mid constituency. He is defeated at the 1922 Irish general election to the Third Dáil, as a member of the Anti-Treaty faction of Sinn Féin, which opposes the creation of the Irish Free State in the place of the Republic declared in 1919.

Shanahan leaves Dublin in 1928 and returns to his home village of Hollyford, County Tipperary. He dies there on November 21, 1931, at the age of 57.


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Birth of Rosie Hackett, Trade Union Leader & Insurgent

Rosanna “Rosie” Hackett, Irish insurgent and trade union leader, is born into a working-class family in Dublin on July 25, 1893. She is a founder-member of the Irish Women Workers’ Union (IWWU) and supports strikers during the 1913 Dublin lock-out. She later becomes a member of the Irish Citizen Army and is involved in the 1916 Easter Rising. In the 1970s, the labour movement awards her a gold medal for decades of service, and in 2014 a Dublin city bridge is named in her memory.

Hackett is the daughter of John Hackett, a hairdresser, and Roseanna Dunne. According to the 1901 census, she is living with her widowed mother and five other family members in a tenement building on Bolton Street in Dublin. The available documents suggest that her father dies when she is still very young. She joins the Irish Transport and General Workers’ Union (ITGWU) when it is established in 1909 by James Larkin, which marks the beginning of her lifelong activity in trade unionism. By 1911 she is living with her family in a cottage on Old Abbey Street, and her mother has remarried to Patrick Gray.

Hackett fights for many decades for the rights of workers. Through her affiliation and work with the ITGWU, the IWWU and the Irish Citizen Army, she helps carve out and secure modern-day working conditions. Her career begins as a packer in a paper store, then becoming a messenger for Jacob’s biscuits. At that time the working conditions in the factory are poor.

On August 22, 1911, Hackett helps organise the withdrawal of women’s labour in Jacob’s factory to support their male colleagues who are already on strike. With the women’s help, the men secure better working conditions and a pay rise. Two weeks later, at the age of eighteen, she co-founds the IWWU with Delia Larkin. During the 1913 lock-out she helps mobilise the Jacob’s workers to come out in solidarity with other workers. They, in turn, are locked out by their own employers. This does not stop her work to help others, and she, along with several of her IWWU colleagues, set up soup kitchens in Liberty Hall to help feed the strikers. However, in 1914 her Jacob’s employers sack her over her role in the lock-out.

Hackett begins work as a clerk in the printshop in Liberty Hall, and it is here she becomes involved with the Irish Citizen Army. She is involved in preparations for the 1916 Rising, working in a union shop, helping with printers, and making first-aid kits and knap-sacks.

If other members of the ITGWU were looking for James Connolly, Hackett aids in bringing them to him. She “worked as canvasser and traveller and was called on to carry out many confidential jobs.”

Hackett takes up first aid training provided by Dr. Kathleen Lynn for six months before the Rising and attends night marches organised by the Irish Citizen Army. According to her own account, she says, “A week before Easter, I took part in the ceremony of hoisting the challenge flag over Hall.” Like other girls and women who are involved in the Rising, she carries messages and guns and prepares uniforms and food for Irish Republican Army (IRA) members “and sometimes risky work.”

Three weeks before the Easter Rising, the Royal Irish Constabulary (RIC) raid a shop where Hackett is working. She is alone when they come, and they are looking for a copy of “Gael.” She says to them, “wait until I get the head” and she calls for Connolly. The police are stopped by Connolly and Helena Molony who are armed, and Hackett immediately hides everything, so that when the police come back, they cannot get anything.

Through her experience of working in the printshop, Hackett helps to print the Proclamation of the Irish Republic. She is in the printing room in Liberty Hall as a trusted messenger in 1916 when the Proclamation is printed, and it is the first time she is allowed in. Three men are there when she enters the room and one comes over to her, shakes her hand and congratulates her. It makes her very proud, especially since no one else is allowed to get in. She subsequently tells family members of handing it still wet to James Connolly before it is read by Patrick Pearse outside the entrance to the General Post Office (GPO).

Hackett is an active member of the Irish Citizen Army. On Easter Tuesday, under the command of Constance Markievicz, she takes part in the 1916 Rising and is located in the area of St. Stephen’s Green and the Royal College of Surgeons in Ireland. This position is heavily attacked with guns, short of first aid and “looked like a death trap.” However, after moving from an initially overlooked position in St. Stephen’s Green, it is one of the last positions to surrender. In the Royal College, as a first-aid practitioner, she is allowed entry to the lecture room sanctioned to the Red Cross only. Another first-aider, Aider Nora O’Daily, later reports that during those days, “I have a very kind remembrance of Little Rosie Hackett of the Citizen Army, always cheerful and always willing; to see her face about the place was a tonic itself.”

After surrendering, the rebels are taken to Dublin Castle. Hackett is imprisoned in Kilmainham Gaol for ten days.

In 1917, on the anniversary of Connolly’s death, Hackett, together with Helena Molony, Jennie Shanahan and Brigid Davis, print and hang a poster detailing the anniversary. After the first poster displayed by the ITGWU members is taken down by the police, they work to ensure that their poster will stay on Liberty Hall much longer by staying on top of the roof to defend it. They barricade the door using a ton of coal and nails on the windows. The poster is hanging there until 6:00 p.m. and thousands of people can see it.

After the Rising, Hackett returns to the IWWU which, at its strongest, organises over 70,000 women. After the 1945 laundry strike, they win an extra week of paid holidays for the workers. She attends many important labour union events such as the opening of the new Liberty Hall on May 2, 1965, and Arbour Hill memorial services. Until her retirement, she runs the trade union shops resulting in over five decades of active participation in the Irish trades union movement work to improve conditions for Irish workers. In 1970 she is awarded a gold medal for fifty years of ITGWU membership.

In the 1970s, Walter McFarlane, then branch secretary of the ITGWU, awards an honorary badge for Hackett’s fifty years contribution to the union.

Hackett never marries and lives in Fairview, Dublin, with her brother Tommy until her death on July 4, 1976. She is buried at St. Paul’s plot in Glasnevin Cemetery next to her mother and stepfather. At her burial, she is honoured with a military salute and her coffin is covered with the Irish flag. After her passing, her legacy is remembered in the union’s newspaper, a tale of the strife of Hackett together with the rest of Dublin’s working class, for which she fought to change.

In May 2014, the Rosie Hackett Bridge is officially opened by the Lord Mayor of Dublin. The Hackett Bridge Campaign began in October 2012, led by three women Angelina Cox, an active member of Labour Youth, Jeni Gartland and Lisa Connell. The final shortlist of contending names for the new bridge were Rosie Hackett, Kathleen Mills, Willie Bermingham, Bram Stoker and Frank Duff.

In April 2015, a plaque is unveiled on Foley Street by the North Inner City Folklore Project to commemorate the women of the Irish Citizen Army. The plaque lists Hackett as a member of the St. Stephens Green/College of Surgeons garrison during the 1916 Easter Rising.


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Birth of Máire Nic Shiubhlaigh, Actress & Republican Activist

Máire Nic Shiubhlaigh, Irish actress and republican activist, is born Mary Elizabeth Walker in Charlemont Street, Dublin, on May 8, 1883. She starts acting in her teens and appears in the first Irish language play performed in Ireland. She is a founder-member of the Abbey Theatre and is leading lady on its opening night in 1904, when she plays the title role in W. B. Yeats‘s Cathleen ni Houlihan. She later joins the Theatre of Ireland, which she helps to found.

Nic Shiubhlaigh is born into a nationalist and Irish-speaking family. Her father, Matthew, comes from County Carlow and is a printer and publisher who becomes proprietor of the Gaelic Press. Her mother, Mary, is a dressmaker from Dublin. She grows up in 56 High Street in the Dublin Liberties.

Nic Shiubhlaigh joins the Gaelic League about 1898 and comes into contact with Arthur Griffith and William Rooney. She joins the cultural and revolutionary women’s group Inghinidhe na hÉireann in 1900. With the help of drama enthusiasts William and Frank Fay, she starts acting with the drama group of Inghinidhe na hÉireann. In 1901, the drama group takes part in a feis with two plays, Tobar Draoidheachta by Patrick S. Dinneen and Red Hugh by Alice Milligan. George Russell and W.B. Yeats, who are in attendance at the performance, are moved by the dedication of the amateur players. Russell, who had already offered the Fays his mythic play Deirdre, persuades Yeats to offer them his patriotic play, Cathleen ni Houlihan.

In 1902, Nic Shiubhlaigh joins W. G. Fay’s Irish National Dramatic Company, along with others such as Maire Quinn, Brian Callender, Charles Caulfield, James H. Cousins, P. J. Kelly, Dudley Digges and Frederick Ryan. Their first production of the two one-act plays, Cathleen ni Houlihan, with Maud Gonne in the lead role, and Deirdre, is on April 2, 1902. The company, which has no funds to speak of, acquires a couple of bare rooms at 34 Lower Camden Street, which with the help of friends from Irish-revival societies, they turn into a tiny theatre. They rehearse at the Coffee Palace and also use the Molesworth Hall for productions. In March 1903, with other members of her family, she appears in the first production of Yeats’ morality play, The Hour-Glass, in which she plays the part of the Angel.

In 1903, the playwrights and most of the actors and staff from these productions go on to form the Irish National Theatre Society, which has its registered offices in the Camden Street theatre. Nic Shiubhlaigh is a founder member and on the management committee of the society. Yeats is president, while Russell, Maud Gonne and Douglas Hyde are vice-presidents. William Fay is stage manager. The society founds the Abbey Theatre.

Nic Shiubhlaigh acts in the Abbey Theatre from the time of its founding. On its opening night on December 27, 1904, she plays the name part in Cathleen ni Houlihan. Her portrait is painted by John Butler Yeats for the occasion and hangs in the vestibule. She is the principal actress of the company after Máire Quinn’s departure to the United States, and when she leaves, the burden of the chief women’s rôles falls upon Sara Allgood.

In September 1905, the Abbey administrator and financial backer, an English theatre impresario called Annie Horniman, in hopes of improving the artistic quality of the productions at the Abbey, offers to guarantee salaries (a sum of £500 per year) for the actors and for Willie Fay as producer. To her mind, this will allow the actors and Fay to dispense with their day jobs and concentrate wholly upon their acting. The more nationally-minded members of the staff disagree. Nic Shiubhlaigh writes, “It was pointed out that the old Irish National Theatre Society had been founded in 1902 on the understanding that its independence as a national movement was to be secured only through the efforts of its members. It would be contrary to these ideals to accept a subsidy from an independent source.” For them it would mean a choice between a national theatre and an artistic theatre. At a meeting of the society, supported by Yeats, Gregory and Synge, the motion to accept Miss Horniman’s proposition is passed by a majority of shareholdings rather than a majority of votes. Nic Shiubhlaigh along with others resign, but they agree to remain until the end of the year, as part of an upcoming tour of England.

Nic Shiubhlaigh remains with the Abbey until December 1905, when along with Honor Lavelle (also known as Helen Laird), Emma Vernon, Máire Garvey, Frank Walker, Seumas O’Sullivan, Padraic Colum and George Roberts, she leaves. She joins the Theatre of Ireland, which she helps to found. This is formed in June 1906 with aims similar to the Irish National Theatre Society. She returns to the Abbey in 1910.

At the time of the 1916 Easter Rising, Nic Shiubhlaigh is living in Glasthule, a suburb of Dublin. She cycles into the city and, along with other members of Cumann na mBan, makes her way to Jacob’s Biscuit Factory, whose garrison under the command of Thomas MacDonagh guards the city against the troops of Portobello Barracks, and acts as an information and supplies hub for other garrisons around the city. She commands the women of the garrison. They remain there until the surrender, cooking and rendering first aid to the garrison, and bringing despatches through the city.

Nic Shiubhlaigh had retired from professional acting in 1912, and seldom works in professional theatre again. In 1929, she marries former IRA Director of Organisation, Major General Eamon “Bob” Price, and they move to Laytown, County Meath.

Nic Shiubhlaigh’s last stage appearance, alongside her sister Gypsy, is in a production of Gaol Gate at the Olympia Theatre, Dublin, on November 21, 1948, staged to mark the 150th anniversary of the death of Theobald Wolfe Tone.

Nic Shiubhlaigh dies on September 9, 1958, in the Drogheda cottage hospital.

Her book, The Splendid Years, written with the help of her nephew Edward Kenny, recalls the years of the national revival and the Easter Rising.

On July 23, 1966, a plaque bearing Nic Shiubhlaigh’s name is unveiled at the Abbey Theatre by the Taoiseach, Seán Lemass. The others named on the plaque are Ellen Bushell, Sean Connolly, Helena Molony, Arthur Shields, Peadar Kearney and Barney Murphy.

(Pictured: 1904 portrait of Máire Nic Shiubhlaigh, as painted by John Butler Yeats)


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Birth of Gordon Lambert, Businessman, Senator & Art Collector

Charles Gordon Lambert, Irish businessman, senator and art collector, is born on April 9, 1919, in the family home at Highfield Road, Rathmines, Dublin, the youngest of four sons of Robert James Hamilton Lambert, a veterinarian and renowned cricketer, and his wife Nora (née Mitchell). His eldest brother, Noel Hamilton “Ham” Lambert, is a versatile sportsman and noted veterinary practitioner.

Lambert is educated at Sandford Park School, Dublin, and at Rossall School, Lancashire. He is steered by his mother toward a career in accountancy for which he prepares by studying commerce at Trinity College Dublin (TCD). Graduating in 1940, he joins the accounting firm Stokes Brothers and Pim, qualifying Associate Chartered Accountant in 1943. In 1944, after auditing biscuit manufacturers W. & R. Jacob and Co. Ltd, one of Ireland’s largest and most prestigious industrial companies, he is offered and accepts a £300 a year job at Jacob’s as assistant accountant.

In 1953, Lambert becomes Jacob’s chief accountant as the management grooms him for an executive career. During 1948–56, Jacob’s suffers from profit and price controls, lack of capital investment and complacency brought about by the absence of competition. The entry of Boland’s Bakery into the Irish biscuit market in 1957 is exploited by Lambert who urges the alarmed board, which has long regarded advertising as vulgar, to market its products more vigorously. This assertiveness yields his advancement to the position of commercial manager in 1958. A year later he becomes the first non-member of the Bewley and Jacob families to be appointed to the board.

Between 1959 and 1970, biscuit consumption in Ireland doubles for which Lambert can claim much credit. Recognising that the advent of self-service stores means that manufacturers can no longer rely on retailers to sell their products, he pioneers advanced promotional techniques in Ireland, particularly the use of marketing surveys and of mass advertising in newspapers, on radio and on the emerging medium of television. To further accord with retailers’ preferences, Jacob’s drives the widespread packaging of biscuits in airtight packets rather than tins, and also introduces a striking red flash logo for its packets. His interest in contemporary art enables him to contribute directly to Jacob’s packaging designs.

Lambert is appointed to the board of the Electricity Supply Board (ESB) in 1964, a position he holds until 1977, and serves as president of the National Agricultural and Industrial Development Association (NAIDA) in 1964–65, spearheading a “Buy Irish” campaign. His involvement with NAIDA dates to the mid-1950s and leads to his friendship with Jack Lynch, Minister for Industry and Commerce. This relationship and his admiration for Seán Lemass incline him toward Fianna Fáil. He also believes the party is the one most likely to deliver economic growth.

In 1977, Lambert is appointed to Seanad Éireann by Taoiseach Jack Lynch. He sits as an independent but assures Lynch he will broadly support the government. Dismayed by Ireland’s economic uncompetitiveness, he uses this platform to bemoan the state’s financial profligacy and failure to control inflation, and the indifference of Irish politicians towards the business community, contending that Irish industrialists suffer and need to learn from the expert lobbying of the indigenous agricultural sector and of large multi-national companies based in Ireland. He also articulates his social liberalism, desire for peaceful reconciliation in Northern Ireland and support for cultural and environmental causes. But his commitment to the Seanad wanes as he grasps its irrelevance. When Lynch resigns in December 1979, Lambert joins the Fianna Fáil party in a futile bid to preserve his political influence.

Following Jacob’s takeover of Boland’s Bakery in 1966, Lambert becomes joint managing director of a new entity, Irish Biscuits Ltd, the manufacturing and trading company for the Boland’s and Jacob’s biscuits operations. W. & R. Jacob and Co. Ltd becomes a holding company. In 1968, he becomes the sole managing director. From 1977 he begins withdrawing from the active administration of the company, relinquishing his managing directorship in 1979 to become chairman.

Initially, Lambert views art as a hobby but he comes to see it as a calling, drawing inspiration from Sir William Basil Goulding, his predecessor as Ireland’s leading collector and advocate of modern art. From the late 1970s he serves as head of the Contemporary Irish Art Society (CIAS) and on the Arts Council of Northern Ireland, the advisory committee of the Dublin Municipal Gallery, the board of the National Gallery of Ireland, the editorial board of the Irish Arts Review and the international council of the Museum of Modern Art (MoMA) in New York City.

The Irish Museum of Modern Art (IMMA) opens in 1991 and receives through the medium of the Gordon Lambert Trust some 212 works, which form the centerpiece of its collection. Thereafter Lambert gifts another 100 works to IMMA. He sits on IMMA’s board from 1991, and the west wing of the museum is named after him in 1999.

Despite being diagnosed with Parkinson’s disease in 1988, Lambert remains relatively active and plays golf into his 80s. In 1999 he receives an honorary LLD from TCD. From 1997, he relies increasingly on Anthony Lyons, an acquaintance of longstanding, to care for him. His last years are overshadowed by the collapse in autumn 2002 of his close but complex relationship with his family. Thereafter he shuns his relations and changes his will, granting Lyons a substantial portion of his estate while curtailing the amount to be received by his family. He dies in a Dublin hospital on January 27, 2005. Relatives challenge his final will in the High Court in 2009 but it is upheld.

(Pictured: Photograph of director of Jacob’s Biscuits, Gordon Lambert, speaking from a podium at the first Jacob’s Television Awards. The Lord Mayor of Dublin, James O’Keefe, is sitting behind Lambert. The awards ceremony takes place at the Bishop Street factory, Dublin.)