To make up for a deficiency in their living Hannay writes a short story and sends it to a London publisher. It is accepted for publication, and he receives a check of ￡10. On his wife’s advice, he gives up writing fiction and commits himself to the study of Christian theology with her. This bears fruit with the publications of The Spirit and Origin of Christian Monasticism (1903) and The Wisdom of the Desert (1904).
Hannay then serves as rector of Holy Trinity Church in Westport, County Mayo. It is here that he makes his debut as a novelist. His early writings raise the ire of nationalist Catholics, and he withdraws from the Gaelic League in the wake of ongoing protests about the tour of his successful play General John Regan.
Hannay becomes rector of Kildare parish from 1918 to 1920, and after serving as chaplain to the Lord Lieutenant of Ireland, he joins the British ambassadorial team in Budapest in 1922. He returns to officiate at Mells, Somerset from 1924 to 1934, after which he is appointed vicar of Holy Trinity Church in the London suburb of Kensington where he serves from 1934 until his death in London on February 2, 1950.
Hannay enjoys sailing and is taught the rudiments by his father and grandfather in Belfast. When he is based in Westport, the financial success of his writing enables him to purchase a boat, a Dublin Bay Water Wag. In recognition of Hannay, the Water Wag Club of Dun Laoghaire returns to Westport and Clew Bay in 2016. In the frontispiece of his book The Inviolable Sanctuary Hannay includes a picture of the Water Wag.
Alfred Charles William Harmsworth, Viscount Northcliffe, one of the most successful newspaper publishers in the history of the British press and a founder of popular modern journalism, is born on July 15, 1865 in Chapelizod, near Dublin.
After an impoverished childhood and a few attempts at making a quick fortune, young Harmsworth embarks on freelance journalism as a contributor to popular papers, rises to editorial positions, and starts a paper called Answers to Correspondents. After some difficulty in securing financial backing, he begins publication, soon shortening the name to Answers. As the paper gains public favour, he is joined by his brother Harold, whose financial ability and capacity for attracting advertising, combined with Alfred’s genius for sensing the public taste, make it a success. Answers is followed by many other inexpensive popular periodicals, chief among them Comic Cuts and Forget-Me-Not, for the new reading public of women. These form the basis for what becomes Amalgamated Press, the largest periodical-publishing empire in the world.
In 1894 Harmsworth enters the newspaper field, purchasing the nearly bankrupt London Evening News and transforming it into a popular newspaper with brief news reports, a daily story, and a column for women. Within a year circulation grows to 160,000 copies, and profits are substantial. Conceiving the idea of a chain of halfpenny morning papers in the provinces, he purchases two papers in Glasgow, Scotland, and merges them into the Glasgow Daily Record. He then decides to experiment with a popular national daily in London. The Daily Mail, first published on May 4, 1896, is a sensational success. Announced as “the penny newspaper for one halfpenny” and “the busy man’s daily journal,” it is exactly suited to the new reading public. All news stories and feature articles are kept short, and articles of interest to women, political and social gossip, and a serial story are made regular features. With its first issue, the Daily Mail establishes a world record in daily newspaper circulation, a lead it never loses during Harmsworth’s lifetime.
Next Harmsworth purchases the Weekly Dispatch when it is nearly bankrupt and transforms it into the Sunday Dispatch, the biggest-selling Sunday newspaper in the country. In 1903 he founds the Daily Mirror, which successfully exploits a new market as a picture paper, with a circulation rivaling that of the Daily Mail. He saves The Observer from extinction in 1905, the year in which he is made Baron Northcliffe. In 1908 he reaches the pinnacle of his career by securing control of The Times, which he transforms from a 19th-century relic into a modern newspaper.
Northcliffe’s contributions to the British effort in World War I begin with his early exposure in the Daily Mail of the British army’s shell shortage. His criticisms of Lord Kitchener arouse intense resentment in some quarters, but he also presses for the creation of a separate Ministry of Munitions and for the formation in 1915 of a wartime coalition government. For his service as head of the British war mission in the United States in 1917, he is created a viscount. He acts as the British government’s director of propaganda aimed at Germany and other enemy countries in 1918. By this time Northcliffe’s press empire appears to hold such power over public opinion that he tries unsuccessfully to influence the composition of Prime MinisterDavid Lloyd George’s cabinet. Always unpredictable, he becomes the victim of a megalomania that damages his judgment and leads to the breakdown that precedes his death.
Harmsworth’s health declines during 1921 due mainly to a streptococcal infection. He goes on a world tour to revive himself, but it fails to do so. He dies of endocarditis in a hut on the roof of his London house on August 14, 1922, leaving three months’ pay to each of his six thousand employees. The viscountcy, barony, and baronetcy of Northcliffe become extinct upon his death. His body is buried at East Finchley Cemetery in North London.
Northcliffe’s success as a publisher rests on his instinctive understanding of the new reading public that had been created by compulsory education. Though he wants political power, the effect of his newspapers upon public affairs is generally considered to have been smaller than he believed. His influence lay rather in changing the direction of much of the press away from its traditional informative and interpretative role to that of the commercial exploiter and entertainer of mass publics.
In 2009, Shaw collaborates with Deborah Warner again, taking the lead role in Tony Kushner‘s translation of Bertolt Brecht‘s Mother Courage and Her Children. In a 2002 article for The Daily Telegraph, Rupert Christiansen describes their professional relationship as “surely one of the most richly creative partnerships in theatrical history.” Other collaborations between the two women include productions of Brecht’s The Good Woman of Szechuan and Henrik Ibsen‘s Hedda Gabler, the latter adapted for television.
Shaw appears in season four of American TV show True Blood. Her character, Marnie Stonebrook, has been described as an underachieving palm reader who is spiritually possessed by an actual witch. Her character leads a coven of necromancer witches who threaten the status quo in Bon Temps, erasing most of Eric Northman‘s memories and leaving him almost helpless when he tries to kill her and break up their coven.
Local laws have to be adjusted, ergo the ‘Light Locomotives (Ireland) Bill’ is passed on March 27, 1903. Kildare and other local councils draw attention to their areas, while Queen’s County (now County Laois) declares that every facility will be given and the roads placed at the disposal of motorists during the proposed race. Eventually Kildare is chosen, partly on the grounds that the straightness of the roads will be a safety benefit. As a compliment to Ireland the British team chooses to race in Shamrock green which thus becomes known as British racing green, although the winning Napier of 1902 had been painted Olive green.
There is considerable public concern about safety after the 1901 Paris-Bordeaux Rally, in which at least eight people had been killed, and severe crashes during the May 24, 1903 Paris-Madrid race where more than 200 cars competed over a distance of 800 miles but which had to be halted at Bordeaux because there had been so many fatalities. To allay these fears, the 1903 race is held over a closed course which is carefully prepared for the event, and is marshaled by 7,000 police officers assisted by troops and club stewards, with strict instructions to keep spectators off the roads and away from corners. The route consists of two loops that comprise a figure of eight, the first being a 52-mile loop that includes Kilcullen, the Curragh, Kildare, Monasterevin, Ballydavis (Port Laoise), Stradbally and Athy, followed by a 40-mile loop through Castledermot, Carlow, and Athy again. The race starts at the Ballyshannon cross-roads near Calverstown.
The official timekeeper of the race is T. H. Woolen of the Automobile Club of Great Britain and Ireland. Ninety one chronographs for timing the race are supplied by the Anglo-Swiss firm Stauffer Son & Co. of La Chaux-de-Fonds and London. Competitors are started at seven-minute intervals and have to follow bicycles through the “control zones” in each town. The 328-mile race is won by the famous Belgian Camille Jenatzy, driving a Mercedes in German colours.
Ní Scolaí is born in May 24, 1909 in Dublin. She is the daughter of Michael Scully, a commercial traveler and Mary Scully (née Kavanagh). She attends the Central Model Schools, were she learns Irish through the pilot Irish language courses. She studies Irish further at Ring College, County Waterford. She moves to Galway with her sister Mona as a young adult, and begins teaching Irish singing and dancing. With the Irish language theatre, An Taibhdhearc, she plays a number of leading roles. In Micheál Mac Liammóir‘s 1928 production of Diarmaid agus Gráinne, she plays Gráinne.
Ní Scolaí’s interpretation of traditional Irish songs gains her fame, and she sings many times on 2RN as well as radio in France, Italy, the United States and the United Kingdom. She trains as a mezzo-soprano and licentiate of the Trinity College of Music, London, and is noted as one of the few people who combines classical music with sean-nós singing successfully. She wins awards at feiseanna such as Feis Chonnacht and Feis Shligigh, later becoming a judge. She is also an award winner at Aonach Tailteann, as well at the Welsh Eisteddfod, the Scottish mòd, the Manx Tynwald, and the Breton Bretagne celebrations. She performs at London’s Covent Garden and Queen’s Hall. She travels around Gaeltacht areas in Ireland to collect and save songs that might have otherwise been lost. The traditional singers she collects from included Cáit Uí Chonláin in Spiddal and Labhras “Binn” Ó Cadhla. HMV records and releases her performances of Seacht ndolas na Maighduine Mhuire, Caoineadh na dtrí Muire, and Eibhlín a Rún.
On September 9, 1931 she marries Liam Ó Buachalla at University Church, St. Stephen’s Green, Dublin. She dies on June 29, 1985, and is buried in Galway.
(Pictured: Ciarán Mac Mathúna and Máire Ní Scolaí (1976))
A pair of paintings valued at more than £3,000,000 are stolen by an armed gang from Russborough House in County Wicklow on June 26, 2001. The stolen paintings are Thomas Gainsborough‘s Madame Baccelli, the more valuable of the pair, and Bernardo Belotto‘s Scene of Florence.
Three masked men burst their way into the house after ramming the front door with a Mitsubishi at midday. After grabbing the paintings the men set fire to their getaway vehicle and attempt to hijack a car at gunpoint but its driver refuses to give it up. They are last seen running from the scene.
Chief Superintendent Sean Feely says that there were people in the house at the time of the robbery but no one was hurt. He adds that, because they are so well known, the paintings will be near impossible to sell. Raymond Keaveney, the Director of the National Gallery of Ireland, describes the theft as “an outrage.”
The robbery is a case of history repeating itself for Russborough House, twenty miles from Dublin, which has been the scene of two previous major art thefts.
In 1974, an Irish Republican Army (IRA) gang which includes Dr. Rose Dugdale, the British heiress, steal 19 paintings, valued at IR£8 million, from Russborough House which, at the time, is the home of the late Sir Alfred Beit, a member of the De Beers diamond family, and his wife. The couple are bound and gagged during the raid. The paintings are later found in County Cork. Dugdale and the others involved are ultimately jailed.
In 1986, a 13-strong gang headed by Martin Cahill, the Dublin crime chief who is later shot dead by the IRA, steals 18 works including some of those taken and recovered in the earlier raid. The paintings taken on this occasion include those by Johannes Vermeer, Gabriël Metsu, Francisco Goya, Thomas Gainsborough and Peter Paul Rubens. All but three of the paintings are recovered over a period of years at a number of locations, including London, Belgium, Holland and Turkey, after apparent unsuccessful attempts to sell them. The Gainsborough painting stolen on June 26 was also taken in the 1986 raid.
The Beit collection is made over to the Irish nation and many of the works are still on display at Russborough House.
(Pictured: The Mitsubishi used to ram the entrance of Russborough House sits near the front steps. The thieves torch this car before fleeing in another car. Note the gas can to the right of the car.)
In 1885, Gildea founds the Soldiers and Sailors Families Association, which becomes the Soldiers, Sailors, Airmen and Families Association in 1919. He serves as its chairman and treasurer until his death.
Gildea is appointed Companion of the Order of the Bath (CB) in the 1898 New Year Honours and Commander of the Royal Victorian Order (CVO) in 1901. Knighted in 1902, he is later appointed Knight Commander of the Royal Victorian Order (KCVO), and in the 1920 civilian war honours is appointed Knight Grand Cross of the Order of the British Empire (GBE).
James Gildea dies on November 6, 1920, at Earl’s Court, London.
Annesley attends the Royal College of Defence Studies in 1980 and the following year returns to the Metropolitan Police as Deputy Assistant Commissioner (Central & North West London). In 1983 he becomes Deputy Assistant Commissioner (Personnel) and in 1984 is director of the Force Re-organisation Team.
In April 1985, under the new organisational structure, Annesley is appointed Assistant Commissioner Personnel and Training (ACPT) and in 1987 becomes Assistant Commissioner Specialist Operations (ACSO). In 1986 he graduates from the FBI National Executive Institute in the United States. In 1989 he takes up command of the RUC, despite the post being widely expected to go to Geoffrey Dear. He holds the post until his retirement in 1996.
Annesley is awarded the Queen’s Police Medal (QPM) in the 1986 New Year Honours and is knighted in the 1992 New Year Honours.
When World War I breaks out in 1914 Lea-Wilson joins the British army where he reaches the rank of captain in the 18th Royal Irish Regiment. An injury during the war forces him back to Ireland where he is stationed in Dublin, just in time for the Easter Rising in 1916.
When the weeklong rising ends, the rebels who had fought in the Four Courts and the GPO are marched to the Rotunda Hospital where they are kept overnight under the glare of British troops. Among those detained are leaders of the rebellion such as Sean Mac Diarmada and Tom Clarke. Clarke is singled out and subjected to public humiliation by 28-year-old British army Captain Percival Lea-Wilson.
Lea-Wilson and his soldiers walk among the captured rebels, and he picks the 58-year-old Clarke out of the group. He marches Clarke to the steps of the hospital where he orders soldiers to strip him bare as nurses look on in horror from the windows above. Clarke is beaten and left there overnight in his tattered clothes. One of the prisoners, Michael Collins, who witnesses Clarke’s mistreatment at the hands of the British captain vows vengeance.
In the years following the Easter Rising, Lea-Wilson settles in Wexford where he attains the role of RIC district inspector.
On the morning of June 15, 1920, Lea-Wilson is walking back home after paying a visit to the RIC barracks in Gorey. Dressed in his civilian clothes, he stops at the local railway station where he purchases a newspaper and meets Constable Alexander O’Donnell, who accompanies him on part of his walk home.
O’Donnell and Lea-Wilson part company at the railway bridge on Ballycanew Road while further up that very same stretch of road there is a number of men standing around a parked car with its hood raised. Michael Collins had sent Liam Tobin and Frank Thornton from Dublin to meet with Joe McMahon, Michael McGrath and Michael Sinnott in Enniscorthy. They were then driven by Jack Whelan to Ballycanew Road to carry out the assassination of Lea-Wilson.
Unaware of his assassins lying in wait, Lea-Wilson is reading his paper while strolling along the road. The men by the parked car pull out revolvers when their target comes into range and two bullets strike him down. He manages to quickly get back on his feet and attempts to make an escape, but his six assassins run after him and finally bring him down in a hail of bullets. A coroner’s report later states that Lea-Wilson had been shot seven times.
When the shooting ends, one of Lea-Wilson’s executioners calmly walks up to the body to make sure he is dead. He then picks up the newspaper from the ground and takes it with him. Later that evening Michael Collins is in the Wicklow Hotel in Dublin when word reaches him from Wexford of the shooting death of Lea-Wilson. Collins greets the news with glee and mentions to one of his comrades, “Well we finally got him!”
Percival Lea-Wilson is buried in Putney Vale Cemetery in southwest London. His grave is marked by a plaque which mentions his assassination in Gorey in 1920, a death which has its roots in the Easter Rising four years previously.
Gallagher is born in Ballyshannon, County Donegal, on March 2, 1948. Both he and his brother Dónal are musically inclined and encouraged by their parents. At age nine, Gallagher receives his first guitar from them. After winning a talent contest when he is twelve, he begins performing with both his acoustic guitar and an electric guitar that he purchases with his prize money. It is, however, his purchase three years later of a 1961 Fender Stratocaster for £100 that becomes his primary instrument and most associated with him for the span of his lifetime.
Gallagher is initially attracted to skiffle after hearing Lonnie Donegan on the radio. While still in school, playing songs by Buddy Holly and Eddie Cochran, he discovers his greatest influence in Muddy Waters. He begins experimenting with folk, blues, and rock music.
While still a young teenager, Gallagher begins playing after school with Irish showbands. In 1963, he joins one named Fontana, a sextet playing the popular hit songs of the day. The band tours Ireland and the United Kingdom, earning enough money for Gallagher to make the payments on his Stratocaster guitar. Gallagher begins to influence the band’s repertoire and successfully moulds Fontana into The Impact, changing the line-up into a rhythm and blues group. The band plays gigs in Ireland and Spain until it disbands in London, with Gallagher and the bassist and drummer continuing to perform as a trio in Hamburg, Germany.
In 1966, Gallagher returns to Ireland and forms Taste, a blues rock and R&B power trio. Initially, the band is composed of Gallagher and Cork musicians Norman Damery and Eric Kitteringham. However, by 1968, Damery and Kitteringham are replaced by Belfast musicians John Wilson on drums and Richard McCracken on bass. Performing extensively in the UK, the group supports both Cream at their Royal Albert Hall farewell concert and the blues supergroup Blind Faith on a tour of North America.
After the break-up of Taste in 1970, Gallagher tours under his own name. He hires former Deep Joy bass player Gerry McAvoy to play on his self-titled debut album, Rory Gallagher. This is the beginning of a twenty-year musical relationship between Gallagher and McAvoy. The 1970s are Gallagher’s most prolific period, producing ten albums in the decade. In 1971 he is voted Melody Maker‘s International Top Guitarist of the Year, ahead of Eric Clapton. However, despite a number of his albums reaching the UK Albums Chart, Gallagher does not attain major star status. Though he sells over thirty million albums worldwide, it is his marathon live performances that win him the greatest acclaim.
In the 1980s Gallagher continues recording and embarks on a tour of the United States. In addition, he plays with Box of Frogs, a band formed in 1983 by former members of The Yardbirds.
In the later years of his life, Gallagher develops a phobia of flying. To overcome this he receives a prescription for a powerful sedative. This medication, combined with his alcohol use, results in severe liver damage. Despite his condition he continues touring. By his final performance on January 10, 1995 in the Netherlands, he is visibly ill and the remainder of the tour is cancelled. He is admitted to King’s College Hospital in London in March 1995. His liver is failing and the doctors determine that a liver transplant is the only possible course of action. After 13 weeks in intensive care, his health suddenly worsens when he contracts a Staphylococcal infection. Gallagher dies on June 14, 1995, and is buried in St. Oliver’s Cemetery just outside Ballincollig near Cork.
A pair of paintings valued at more than £3,000,000 are stolen by an armed gang from 
seamus dubhghaill 