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Birth of Patrick Henry Pearse

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Patrick Henry Pearse, teacher, barrister, poet, writer, nationalist, and political activist who is one of the leaders of the 1916 Easter Rising, is born in Dublin on November 10, 1879. Pearse’s father, James, is a stone worker who works on church buildings in Dublin and his mother, Margaret, comes from a family that has endured the Great Famine in 1846 and has left County Meath for Dublin. Here she brings up four children, Patrick being the second. Pearse has a comfortable childhood as his father is in constant work.

It is at school that Pearse first develops a love of Irish history. He is also taught the Irish language for the first time and while still a teenager, Patrick joins the Gaelic League, an organisation that wants to promote the Irish language and Irish literature. Pearse graduates with a law degree from the King’s Inns and, in 1901, he starts a BA course in modern languages but is called to the Bar in Dublin.

Regardless of his law training, Pearse is more interested in what he is learning about Ireland as a nation. All his knowledge about law has been based around the English language and he wants to know more about what he considers to be the rightful language of Ireland. This is not the Gaelic used in Dublin. Pearse has convinced himself that the real Irish language is based in Connaught, and he teaches himself the dialect of the area. Connaught is also a region that has been severely affected by the Great Famine. Therefore, the number of people who speak what Pearse considers to be proper Gaelic have been greatly reduced. From 1903 to 1909, Pearse develops his involvement in the Gaelic League’s An Claidheamh Soluis (The Sword of Light) which seeks to expand the use of Gaelic in Irish life, and, in particular, literature.

By 1909, Pearse has developed some political leanings. He cannot accept the impact England, and all things English have on Ireland and the Irish people, but his concern is more for Irish culture rather than Irish politics. Pearse wants Irish history and culture taught as compulsory subjects in both Irish schools and colleges. He breaks with the Roman Catholic Church when its national college, St. Patrick’s College, Maynooth, demotes courses in Irish history/culture to topics for trainee priests. He is keen for Maynooth to have compulsory Irish courses simply because priests then have a major influence in the areas where they work. However, all of Pearse’s protests fall on deaf ears. As a result, he founds his own school in Dublin, an “Irish-Ireland” school called St. Enda’s School.

Between 1909 and 1912, Pearse becomes more interested and involved in politics. Despite a limited income and the problems of keeping St. Edna’s on an even financial keel, Pearse launches his own newspaper called An Barr Buadh (The Trumpet of Victory). At this time the Home Rule issue has reared its head again. Sinn Féin and other republican movements have far more impact than Pearse, who seems to many to be no more than a political maverick. Many feel that Pearse is out of his depths in politics and that his input into Irish politics is no more than romanticism with an Irish slant.

By 1913, Pearse has become more depressed about the way Ireland is going under the rule of London. Those who know him, describe him as becoming more and more melancholy as the year progresses. Others believe that he is becoming more fanatical. He helps to organise the Irish Volunteers, the public face of the outlawed Irish Republican Brotherhood, before the outbreak of World War I. In 1914, he is sent on a fund-raising tour of America by Clan na Gael, an organisation that aids the Irish Republican Brotherhood. While the tour is a reasonable success financially, not many Americans are swayed by Pearse’s speeches.

By the time World War I starts, Pearse has taken an extreme political stance. He wants full Irish independence – not what the suspended Home Rule Bill of 1912 offers. He does not support the part Ireland plays in the war effort. He also splits the Irish Volunteers. He takes a small number of these men with him when John Redmond gives his agreement to suspend the Home Rule Bill until the war is over. By now, Pearse has become extreme. He publishes a pamphlet called The Murder Machine which is a severe condemnation of the Irish educational system. He also realises that with London totally focused on the war in Europe, the time is ripe to overthrow British rule in Ireland.

However, in this respect, Pearse is totally wrong. The young men who have volunteered to fight in the war have done so because they want to. Pearse has no mass support in Ireland whereas John Redmond has far more public support in the south. He also assumes incorrectly that all those in southern Ireland are completely against British rule. What Pearse fails to recognise, is that many people in Dublin itself rely on the British for work. They may not like this, but work brings in money regardless of where or who it comes from.

Those who participate in the Easter Uprising of 1916 are in the minority. Pearse decides to take command of the rebellion, and he reads aloud the declaration of independence at the General Post Office. Pearse also is one of the signatories of “Poblacht na hÉireann” (To the People of Ireland).

If Pearse expects the actions of the rebels in Dublin to spark off other uprisings in other Irish cities and towns, he is mistaken. In Dublin, the people of the city fail to offer the rebels any support. In fact, some Dubliners take the opportunity of the rebellion to loot the shops in Sackville Street. The Uprising is doomed from the start.

During the rebellion, Pearse says, “When we are all wiped out, people will blame us for everything, condemn us…. (but) in a few years they will see the meaning of what we tried to do.” Ironically, he is correct in this assessment.

On Friday, April 28, 1916, Pearse surrenders to the British army. By the following day all the rebels have surrendered. As they are paraded through the streets of Dublin before going to Kilmainham Gaol, they are jeered and verbally abused by Dubliners who have seen parts of their city destroyed. They blame Pearse and his followers rather than the British.

At Kilmainham Gaol, Pearse is charged with treason by a military court and sentenced to death. On May 16, Pearse is shot by firing squad. Eventually fourteen other rebel leaders are also executed by firing squad. Pearse’s body, and those of the other leaders, are thrown into a pit without a coffin or a burial service. Ironically, it is in death that Pearse finds real fame.

No one knows the fate of the rebel leaders until after the executions. Many in Ireland are horrified at the way they have been treated. If Pearse had not received national support during his life, his movement certainly received it after his death. Pearse had written that he wanted his fame and deeds to “live after me.” In death, Patrick Pearse is known as the “First President of Ireland” and Irish history and culture become part of the educational system after 1922.


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Birth of Sir Hugh Percy Lane, Gallery Director & Collector

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Sir Hugh Percy Lane, art dealer, collector, and gallery director, is born in County Cork on November 9, 1875. He is best known for establishing Dublin‘s Municipal Gallery of Modern Art, the first known public gallery of modern art in the world, and for his contribution to the visual arts in Ireland, including the Lane Bequest.

Lane is brought up in Cornwall, England, and begins his career as an apprentice painting restorer and later becomes a successful art dealer in London.

Through regular visits to the home of his aunt, Lady Gregory, in Coole Park, near Gort in County Galway, Lane remains in contact with Ireland. He soon counts among his family, friends, and social circle those who collectively form the core of the Irish cultural renaissance in the early decades of the 20th century.

Extolling the cause of Irish art abroad, Lane also becomes one of the foremost collectors and dealers of Impressionist paintings in Europe, and amongst those works purchased by him for the new gallery are La Musique aux Tuileries by Édouard Manet, Sur la Plage by Edgar Degas, Les Parapluies by Pierre-Auguste Renoir, and La Cheminée by Jean-Édouard Vuillard.

The Municipal Gallery of Modern Art opens in January 1908 in temporary premises in Harcourt Street, Dublin. Lane hopes that Dublin Corporation will run it, but the corporation is unsure if it will be financially viable. Lane does not live to see his gallery permanently located as he dies on May 7, 1915, during the sinking of the RMS Lusitania off the west coast of Cork. The gallery, extended in 2005, is now in Parnell Square in central Dublin.

For his “services to art” in Ireland, Lane is knighted in June 1909 at the comparatively young age of 33.

Following his death, Lane’s will bequeaths his collection to London, but an unwitnessed later codicil bequeaths it to Dublin. Having possession, London’s National Gallery does not recognise the codicil. At the request of Lane’s aunt, Lady Gregory, W.T. Cosgrave, leader of the Irish Government unsuccessfully approaches Ramsay MacDonald on the matter in 1929. When John A. Costello becomes Taoiseach in 1948, he initiates further negotiations with the government of the United Kingdom, eventually leading to a compromise in 1959, under Taoiseach Seán Lemass, whereby half of the Lane Bequest will be loaned and shown in Dublin every five years. In 1993 the agreement is varied so that 31 of the 39 paintings would stay in Ireland. The remaining 8 are divided into two groups, so that four would be loaned for six years at a time to Dublin. In 2008, The National Gallery in London arranges for the entire collection to be on display in Dublin together for the first time.


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Death of Robert Mallet, the Father of Seismology

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Robert Mallet, geophysicist, civil engineer, and inventor who distinguishes himself in research on earthquakes and is sometimes called the Father of Seismology, dies on November 5, 1881.

Mallet is born in Dublin on June 3, 1810, the son of factory owner John Mallet. He is educated at Trinity College, Dublin, entering it at the age of 16 and graduating in science and mathematics in 1830 at the age of 20.

Following his graduation, he joins his father’s iron foundry business and helps build the firm into one of the most important engineering works in Ireland, supplying ironwork for railway companies, the Fastnet Rock lighthouse, and a swing bridge over the River Shannon at Athlone. He also helps manufacture the characteristic iron railings that surround Trinity College, and which bear his family name at the base.

Mallet is elected to the Royal Irish Academy in 1832 at the early age of 22. He also enrolls in the British Association for the Advancement of Science in 1835 which helps finance much of his research in seismology.

In 1838 he becomes a life member of the Royal Geological Society of Ireland and serves as its President from 1846–1848. From 1848–1849 he constructs the Fastnet Rock lighthouse, southwest of Cape Clear.

On February 9, 1846, he presents to the Royal Irish Academy his paper On the Dynamics of Earthquakes, which is considered to be one of the foundations of modern seismology. He is also credited with coining the word “seismology” and other related words which he uses in his research. He also coins the term epicentre.

From 1852 to 1858, he is engaged in the preparation of his work, The Earthquake Catalogue of the British Association (1858) and carries out blasting experiments to determine the speed of seismic propagation in sand and solid rock.

On December 16, 1857, the area around Padula, Italy is devastated by the Great Neapolitan earthquake which causes 11,000 deaths. At the time it is the third largest known earthquake in the world and has been estimated to have been of magnitude 6.9 on the Richter Scale. Mallet, with letters of support from Charles Lyell and Charles Darwin, petitions the Royal Society of London and receives a grant of £150 to go to Padula and record at first hand the devastation. The resulting report is presented to the Royal Society as the Report on the Great Neapolitan Earthquake of 1857. It is a major scientific work and makes great use of the then new research tool of photography to record the devastation caused by the earthquake. In 1862, he publishes the Great Neapolitan Earthquake of 1857: The First Principles of Observational Seismology in two volumes. He brings forward evidence to show that the depth below the Earth’s surface, from where the impulse of the Neapolitan earthquake originated, is about 8–9 geographical miles.

One of Mallet’s papers is Volcanic Energy: An Attempt to develop its True Origin and Cosmical Relations, in which he seeks to show that volcanic heat may be attributed to the effects of crushing, contortion, and other disturbances in the crust of the earth. The disturbances leading to the formation of lines of fracture, more or less vertical, down which water would find its way, and if the temperature generated be sufficient volcanic eruptions of steam or lava would follow.

Mallet is elected Fellow of the Royal Society in 1854, and in 1861 moves to London, where he becomes a consulting engineer and edits The Practical Mechanic’s Journal. He is awarded the Telford Medal by the Institution of Civil Engineers in 1859, followed by the Cunningham Medal of the Royal Irish Academy for his research into the theory of earthquakes in 1862, and the Wollaston Medal of the Geological Society of London in 1877, the Geological Society’s highest award.

Blind for the last seven years of his life, Robert Mallet dies at Stockwell, London, on November 5, 1881, and is buried at West Norwood Cemetery.


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Birth of Pianist Charles Lynch

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Charles Edgeworth Cagney Lynch, Irish pianist who premiers works by several important 20th-century composers, is born in Parkgariff, County Cork, on October 22, 1906.

Lynch’s father is a British army colonel and his mother comes from a well-known Cork business dynasty, the Suttons. While still a young boy, the family moves to Greenock in western Scotland and it is there, at the Tontine Hotel, that the young pianist gives his first public recital at the age of nine. When he is fifteen, he wins a scholarship to the Royal Academy of Music in London, where he studies under York Bowen and, later, Egon Petri.

Lynch becomes a popular recitalist in London during the 1920s and 1930s. He gives the first performance in England of Sergei Rachmaninoff‘s Piano Sonata No. 2 in B flat minor, having been coached beforehand by the composer. Sir Arnold Bax‘s Fourth Piano Sonata (1932) is dedicated to the 26-year-old Lynch, whom Bax later describes as “Ireland’s most imaginative pianist.” In addition to concert recitals he broadcasts regularly with the BBC and, in 1937, acts as assistant to Sir Thomas Beecham at Covent Garden. Lynch is the Ballet Rambert‘s pianist for many years, having helped Marie Rambert form the company.

A pacifist, Lynch returns to Ireland following the outbreak of World War II, where he becomes the country’s premier concert pianist. During this phase of his career he premiers a number of works by leading Irish composers, including Brian Boydell‘s Sonata for Cello and Piano (1945) and Sean Ó Riada‘s Nomos No. 4 (1959). Lynch also performs in the world première of English composer Ernest John Moeran‘s Cello Sonata in A minor, given in Dublin in May 1947. He is joined by the composer’s wife, cellist Peers Coetmore.

In February 1971 at Trinity College, Dublin, he plays the entire set of Franz Liszt‘s transcriptions of Beethoven’s symphonies over four successive Saturday evenings.

Lynch continues to give public recitals throughout Ireland until shortly before his death at the age of 77. He also lectures in music at University College Cork and gives masterclasses at the Cork School of Music. In 1982, Lynch receives a doctorate in music from the National University of Ireland.

Lynch’s technique is remarkable for the stillness with which he sits, making the most difficult of music seem almost technically unremarkable. His recorded legacy is small, but includes music by Samuel Barber, Ernest John Moeran‘s Violin Sonata (with Geraldine O’Grady, violin) as well as music by Irish composers such as Aloys Fleischmann.

Toward the end of his life he lives in very reduced circumstances. He dies in Cork on September 15, 1984 at St. Finbarr’s Hospital and is buried near Sir Arnold Bax in St. Finbarrs Cemetery, Glasheen Road, Cork.


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Birth of Oscar Wilde

oscar-wilde

Oscar Fingal O’Flahertie Wills Wilde, playwright, novelist, essayist, and poet, is born on October 16, 1854, at 21 Westland Row, Dublin, now home of the Oscar Wilde Centre, Trinity College. After writing in different forms throughout the 1880s, he becomes one of London‘s most popular playwrights in the early 1890s. He is remembered for his epigrams, his novel The Picture of Dorian Gray, his plays, as well as the circumstances of his imprisonment and early death.

Wilde’s parents are successful Anglo-Irish Dublin intellectuals. Their son becomes fluent in French and German early in life. At university, Wilde read Greats and proves himself to be an outstanding classicist, first at Dublin, then at Magdalen College, Oxford. He becomes known for his involvement in the rising philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde moves to London into fashionable cultural and social circles.

As a spokesman for aestheticism, Wilde tries his hand at various literary activities. He publishes a book of poems, lectures in the United States and Canada on the new “English Renaissance in Art,” and then returns to London where he works prolifically as a journalist. Known for his biting wit, flamboyant dress and glittering conversation, Wilde becomes one of the best-known personalities of his day.

At the turn of the 1890s, he refines his ideas about the supremacy of art in a series of dialogues and essays, and incorporates themes of decadence, duplicity, and beauty into his only novel, The Picture of Dorian Gray (1890). The opportunity to construct aesthetic details precisely, and combine them with larger social themes, draws Wilde to write drama. He writes Salome (1891) in French in Paris, but it is refused a licence for England due to the absolute prohibition of Biblical subjects on the English stage. Unperturbed, Wilde produces four society comedies in the early 1890s, which make him one of the most successful playwrights of late Victorian London.

At the height of his fame and success, while his masterpiece, The Importance of Being Earnest (1895), is still on stage in London, Wilde has the John Douglas, 9th Marquess of Queensberry prosecuted for libel. The Marquess is the father of Wilde’s lover, Lord Alfred Douglas. The charge carries a penalty of up to two years in prison. The trial unearths evidence that causes Wilde to drop his charges and leads to his own arrest and trial for gross indecency with men. After two more trials he is convicted and imprisoned for two years’ penal labour.

In 1897, in prison, he writes De Profundis, which is published in 1905, a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure. Upon his release he leaves immediately for France, never to return to Ireland or Britain. There he writes his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life.

Wilde dies destitute of cerebral meningitis in Paris on November 30, 1900. at the age of 46. He is initially buried in the Cimetière parisien de Bagneux outside Paris. In 1909 his remains are disinterred and transferred to Père Lachaise Cemetery, inside the city.


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Canonisation of Sir Oliver Plunkett

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Sir Oliver Plunkett is canonised in Rome by Pope Paul VI on October 12, 1975, the first new Irish saint in almost seven hundred years, and the first of the Irish martyrs to be beatified. For the canonisation, the customary second miracle is waived.

Plunkett is born on November 1, 1625, in Loughcrew, County Meath, to parents with Hiberno-Norman ancestors. Until his sixteenth year, his education is entrusted to his cousin Patrick Plunkett, Abbot of St. Mary’s, Dublin, and brother of Luke Plunkett, the first Earl of Fingall, who later becomes successively Bishop of Ardagh and of Meath. As an aspirant to the priesthood, Plunkett sets out for Rome in 1647.

Plunkett is admitted to the Pontifical Irish College in Rome and proves to be an able pupil. He is ordained a priest in 1654 and deputed by the Irish bishops to act as their representative in Rome. Meanwhile, the Cromwellian conquest of Ireland (1649–1653) has defeated the Roman Catholic cause in Ireland. As a result, it is impossible for Plunkett to return to Ireland for many years, so he petitions to remain in Rome. At the Congregation of Propaganda Fide on July 9, 1669, he is appointed Archbishop of Armagh and is consecrated on November 30 at Ghent. He returns to Ireland on March 7, 1670, as the English Restoration of 1660 has begun on a basis of toleration.

Plunkett sets about reorganising the ravaged Roman Church and builds schools both for the young and for clergy. The Penal Laws have been relaxed in line with the Declaration of Breda in 1660 and he is able to establish a Jesuit College in Drogheda in 1670, which becomes the first Catholic-Protestant integrated school in Ireland.

On the enactment of the Test Act in 1673, to which Plunkett does not agree for doctrinal reasons, the college is closed and demolished. Plunkett goes into hiding, travelling only in disguise, and refuses a government edict to register at a seaport to await passage into exile.

In 1678 the so-called Popish Plot, concocted in England by clergyman Titus Oates, leads to further anti-Roman Catholic action. Archbishop Peter Talbot of Dublin is arrested, and Plunkett again goes into hiding. Despite being on the run and with a price on his head, Plunkett refuses to leave his flock.

Plunkett is arrested in Dublin in December 1679 and imprisoned in Dublin Castle. He is tried at Dundalk for conspiring against the state by allegedly plotting to bring 20,000 French soldiers into the country, and for levying a tax on his clergy to support 70,000 men for rebellion. The trial soon collapses as the prosecution witnesses are themselves wanted men and afraid to appear in court. Plunkett is moved to Newgate Prison in London in order to face trial at Westminster Hall. The first grand jury finds no true bill, but he is not released. The second trial is generally regarded as a serious miscarriage of justice as Plunkett is denied defending counsel.

Archbishop Plunkett is found guilty of high treason in June 1681 “for promoting the Roman faith,” and is condemned to death. Plunkett is hanged, drawn, and quartered at Tyburn on July 1, 1681, the last Roman Catholic martyr to die in England. His body is initially buried in two tin boxes in the courtyard of St. Giles in the Fields church. The remains are exhumed in 1683 and moved to the Benedictine monastery at Lamspringe, near Hildesheim in Germany. His head is brought to Rome, and from there to Armagh, and eventually to Drogheda where it has rested in St. Peter’s Church since June 29, 1921. Most of the body is brought to Downside Abbey, England, where the major part is located today, with some parts remaining at Lamspringe.


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Birth of Catholic Teetotalist Reformer Theobald Mathew

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Theobald Mathew, Irish Catholic teetotalist reformer popularly known as Father Mathew and “The Apostle of Temperance,” is born at Thomastown, near Golden, County Tipperary, on October 10, 1790.

Mathew receives his schooling in Kilkenny, then moves for a short time to Maynooth. From 1808 to 1814 he studies in Dublin, where in the latter year he is ordained to the priesthood. Having entered the Capuchin order, after a brief period of service at Kilkenny, he joins the mission in Cork.

The movement with which his name is associated begins on April 10, 1838, with the establishment of the Cork Total Abstinence Society, which in less than nine months enrolls no fewer than 150,000 names. It rapidly spreads to Limerick and elsewhere, and some idea of its popularity may be formed from the fact that at Nenagh 20,000 persons are said to take the pledge in one day, 100,000 at Galway in two days, and 70,000 in Dublin in five days. At its height, just before the Great Famine, his movement enrolls some 3 million people, or more than half of the adult population of Ireland. In 1844 he visits Liverpool, Manchester, and London with almost equal success.

His work has a remarkable impact on the condition of the people in Ireland. The number committed to jail falls from 12,049 in 1839 to 9,875 by 1845. Sentences of death fall from 66 in 1839 to 14 in 1846, and transportations fall from 916 to 504 over the same period.

Mathew visits the United States in 1849, returning in 1851. While there, he finds himself at the center of the Abolitionist debate. Many of his hosts are pro-slavery and want assurances that their influential guest will not stray outside his remit of battling alcohol consumption. But Mathew has signed a petition encouraging the Irish in the U.S. to not partake in slavery in 1841 during Charles Lenox Remond‘s tour of Ireland. Now however, in order to avoid upsetting his slave-owning friends in the U.S., he snubs an invitation to publicly condemn chattel slavery, sacrificing his friendship with that movement. He defends his position by pointing out that there is nothing in the scripture that prohibits slavery. He is condemned by many on the abolitionist side, including the former slave and abolitionist Frederick Douglass who had received the pledge from Mathew in Cork in 1845.

Mathew dies on December 8, 1856, in Queenstown, County Cork, after suffering a stroke. He is buried at St. Joseph’s Cemetery, Cork City, which he had established himself.

Statues of Mathew stand on St. Patrick’s Street, Cork by John Henry Foley (1864), and on O’Connell Street, Dublin by Mary Redmond (1893). There is also a Fr. Mathew Bridge in Limerick, County Limerick, which is named after the temperance reformer when it is rebuilt in 1844-1846.


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Death of Novelist Edith Anna Œnone Somerville

edith-somerville

Edith Anna Œnone Somerville, Irish novelist who habitually signs herself as “E. Œ. Somerville,” dies at Castletownshend, County Cork, at the age of 91 on October 8, 1949. She writes in collaboration with her second cousin, Violet Florence Martin, who writes under the pseudonym Martin Ross. Together they publish a series of fourteen stories and novels under the pseudonym Somerville and Ross, the most popular of which are The Real Charlotte and Some Experiences of an Irish R. M., published in 1899.

The eldest of eight children, Somerville is born on the island of Corfu, then part of the United States of the Ionian Islands, a British protectorate where her father is stationed. A year later, her father retires to Drishane, Castletownshend, County Cork, where Somerville grows up. She receives her primary education at home, and then attends Alexandra College in Dublin. In 1884 she studies art in Paris, and then spends a term at the Westminster School of Art in Dean’s Yard, Westminster. At home, riding and painting are her absorbing interests.

In January 1886, she meets her second cousin, Violet Martin, and their literary partnership begins the following year. Their first book, An Irish Cousin, appears in 1889, under the names Geilles Herring (from the maiden name of her ancestor, the wife of Sir Walter de Somerville of Linton and Carnwath) and Martin Ross, though the pen names are dropped after the first edition. In 1898, Edith Somerville goes to paint at the Etaples art colony, accompanied by Violet. There they profit from their stay by conceiving together the stories later gathered in Some Experiences of an Irish R. M., completed the following year. By the time Violet dies in 1915, they have published fourteen books together. Her cousin’s death stuns Edith, who continues to write as “Somerville and Ross,” claiming that they keep in contact through spiritualist séances.

Somerville is a devoted sportswoman who in 1903 has become master of the Carbery West Foxhounds. She is also active in the suffragist movement, corresponding with Dame Ethel Smyth. She is in London still recovering from the shock of Violet’s death when the 1916 Easter Rising breaks out. On May 9 she writes a letter to The Times, blaming the British government for the state of affairs in Ireland. After that she tends towards Nationalism and, as an adept musician at parties, she specializes in Irish tunes and Nationalist songs.

She has exhibitions of her pictures in Dublin and in London between 1920 and 1938 and is active as an illustrator of children’s picture books and sporting picture books.

In 1936, her brother Henry Boyle Townsend Somerville, a retired Vice-Admiral in the Royal Navy, is killed by the Irish Republican Army (IRA) at the family home of Castletownshend. She finishes his book Will Mariner after his death.


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Birth of Actor Richard Harris

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Richard St. John Harris, actor, singer, songwriter, producer, director, and writer, is born in Limerick, County Limerick, on October 1, 1930. He is brought up in a middle class and staunchly Roman Catholic family.

Harris is schooled by the Jesuits at Crescent College. He is a talented rugby player; however, his athletic career is cut short when he comes down with tuberculosis in his teens. After recovering from tuberculosis, Harris moves to Britain, wanting to become a director. Unable to find any suitable training courses, he enrolls in the London Academy of Music and Dramatic Art (LAMDA) to learn acting.

Harris makes his film debut in 1958 in the film Alive and Kicking and plays the lead role in The Ginger Man in the West End in 1959. Harris’ first starring role is in the film This Sporting Life (1963), as a bitter young coal miner, Frank Machin, who becomes an acclaimed rugby league football player. For his role, Harris wins Best Actor in 1963 at the Cannes Film Festival and an Academy Award nomination. He also wins notice for his role in Sam Peckinpah‘s Major Dundee (1965), as an Irish immigrant who becomes a Confederate cavalryman during the American Civil War.

Harris performs the role of King Arthur in the film adaptation of the musical play Camelot (1967). He continues to appear on stage in this role for many years, including a successful Broadway run in 1981–1982. In 1970 British exhibitors vote him the 9th most popular star at the UK box office.

Other film performances follow, among them a role as a reluctant police informant in the coal-mining tale The Molly Maguires (1970), also starring Sean Connery. Harris stars in Cromwell (1970), a film based on the life of Oliver Cromwell who leads the Parliamentary forces during the English Civil War and, as Lord Protector, ruled Great Britain and Ireland in the 1650s.

Harris’ film career collapses after the late 1970s and in the next decade he is rarely seen on screen, although he continues to act on stage. During his career Harris appears in two films which win the Academy Award for Best Picture. First, as the gunfighter “English Bob” in the Western Unforgiven (1992); second, as the Roman Emperor Marcus Aurelius in Ridley Scott‘s Gladiator (2000).

Harris is diagnosed with Hodgkin’s disease in August 2002, reportedly after being hospitalised with pneumonia. He dies at University College Hospital in Fitzrovia, London on October 25, 2002, at the age of 72. He was in a coma in his final three days. Harris’ body is cremated, and his ashes are scattered in the Bahamas, where he had owned a home.


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Anne Letitia Dickson Elected UPNI Leader

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Anne Letitia Dickson is elected leader of the Unionist Party of Northern Ireland (UPNI) on September 15, 1976, becoming the first woman to lead a political party in Ireland.

Born in London on April 18, 1928, Dickson moves with her family to Northern Ireland at an early age and is educated at Holywood and Richmond Lodge School. After service as the Chair of the Northern Ireland Advisory Board of the Salvation Army she becomes actively involved in politics for the Ulster Unionist Party (UUP). Elected as chair of the Carrick Division Unionist Association she later becomes a member of the Newtownabbey Urban District Council, serving as Vice-Chair from 1967 to 1969.

Dickson is then elected as an Ulster Unionist politician for the Carrick constituency in the Parliament of Northern Ireland at Stormont as a supporter of Prime Minister Terence O’Neill. After the dissolution of the Stormont Parliament, she is elected in the 1973 Assembly election for South Antrim as an Independent Unionist candidate having resigned from the Ulster Unionist Party in 1972.

After the Ulster Unionist party split in 1974 over the Sunningdale Agreement, Dickson joins the newly formed Unionist Party of Northern Ireland along with other supporters of former Northern Ireland prime minister Brian Faulkner. She retains her seat in South Antrim in the 1975 constitutional convention election. After the retirement of Brian Faulkner in 1976 she becomes leader of the Unionist Party of Northern Ireland, becoming the first woman to lead a major political party in Northern Ireland.

In 1979 Dickson contests the Belfast North constituency in the Westminster election, polling 10% of the vote, the best performance by a UPNI candidate in Northern Ireland, however her intervention is sufficient to split the moderate Unionist vote resulting in the seat being gained by the Democratic Unionist Party (DUP).

The Unionist Party of Northern Ireland disbands in 1981 after poor results in the local government elections and Dickson retires from active politics. Subsequently she is chair of the Northern Ireland Consumer Council from 1985 to 1990.