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Birth of Geraldine Cummins, Spiritualist Medium, Novelist & Playwright

Geraldine Dorothy Cummins, spiritualist medium, novelist and playwright, is born in Cork, County Cork, on January 24, 1890. She began her career as a creative writer, but increasingly concentrates on mediumship and “channelled” writings, mostly about the lives of Jesus and Saint Paul, though she also publishes on a range of other topics. Her novels and plays typically document Irish life in a naturalist manner, often exploring the pathos of everyday life.

Cummins is the daughter of the physician Ashley Cummins, professor of medicine at the National University of Ireland and sister to Mary Hearn and Iris Cummins. In her youth she is an athlete, becoming a member of the Irish Women’s International Hockey Team. She is also active as a suffragette. Her desire to follow her father in a medical career is vetoed by her mother, so she begins a literary career as a journalist and creative writer. From 1913 to 1917 she writes three plays for the Abbey Theatre in collaboration with Suzanne R. Day, the most successful of which is the comedy Fox and Geese (1917). She publishes the novel The Land they Loved in 1919, a naturalistic study of working class Irish life.

As she concentrates on mediumship, Cummins’s literary work tails off. However, she continues to publish creative literature in her later years. Her solo-written play, Till Yesterday Comes Again, is produced by the Chanticleer Theatre, London, in 1938. She also publishes another novel, Fires of Beltane (1936) and a short-story collection Variety Show (1959).

Literary critic Alexander G. Gonzalez says that Cummins work tries to encompass the full range of Irish social life, from the aristocracy to the lower classes. In this respect she is influenced by Somerville and Ross. Gonzalez considers her short story The Tragedy of Eight Pence to be the “finest” of her writings, the tale of a “happily married woman trying to shield her ill husband from the knowledge that his death will leave her penniless.”

Cummins begins to work as a medium following prompting from Hester Dowden and E. B. Gibbes. She receives alleged messages from her spirit-guide “Astor” and is an exponent of automatic writing. Her books are based on these communications. In 1928 she publishes The Scripts of Cleophas, which provides channelled material on early Christian history complementing Acts of the Apostles and St. Paul’s writings, supposed to have been communicated by the spirit of Cleophas, one of Paul’s followers. This is later supplemented by Paul in Athens (1930) and The Great Days of Ephesus (1933).

Cummins’s next work describes human progress through spiritual enlightenment. The Road to Immortality (1932) provides a glowing vision of the afterlife. Its contents are purportedly communicated from the “other side” by the psychologist and psychic researcher Frederic W. H. Myers. Unseen Adventures (1951) is a spiritual autobiography. She also publishes several books of spiritually-derived knowledge about details of the life of Jesus.

During World War II Cummins allegedly works as a British agent, using her personal contacts to identify pro-Nazi factions within the Irish Republican movement. She also employs her psychic activities to support the Allied cause, sending channelled messages from sympathetic spirits to Allied leaders to support the war effort. This includes information from Theodore Roosevelt, Arthur Balfour and Sara Roosevelt, Franklin D. Roosevelt‘s mother.

In the 1940s and 50s Cummins works with psychiatrists to develop a model for using spiritualism to treat mental illness, ideas she explores in Perceptive Healing (1945) and Healing the Mind (1957). She collaborates with a psychiatrist who uses the pseudonym R. Connell on both books. Their method is for her to “read” an object associated with the patient and thus identify either childhood traumas or experiences of ancestors which have created the problem. This includes treating a patient who is concerned about his homosexual desires by discovering that this derives from the fact that his Huguenot ancestors were humiliated by Catholics in the 18th century.

Cummins’s biography of writer and spiritualist Edith Somerville is published in 1952. She also writes The Fate of Colonel Fawcett (1955) which offers her psychic insights into the disappearance of the explorer Percy Fawcett in Brazil in 1925. She claims she had received psychic messages from Fawcett in 1936. He was still alive at that time, informing her that he had found relics of Atlantis in the jungle, but was ill. In 1948 she has a message from Fawcett’s spirit reporting his death. Her last book is an account of her conversations with the spirit of Winifred Coombe Tennant, Swan on a Black Sea; a Study in Automatic Writing; the Cummins-Willett Scripts (1965).

The automatic writing and alleged channeled material from Cummins have been examined and have been described by some psychical researchers to be the product of her own subconscious. For example, Harry Price, who studies various mental mediums including Cummins, writes that “there is no question that most of the automatic writing which has been published is the product of the subconscious.” Paranormal researcher Hilary Evans notes that unlike most spiritualists, Cummins does not accept the phenomena at face value and questions the source of the material.

According to the psychical researcher Eric Dingwall information published in Cummins’ scripts allegedly from Winifred Coombe Tennant are discovered to be erroneous. Biographer Rodger Anderson writes that although spiritualists consider Cummins completely honest “some suspected that she occasionally augmented her store of knowledge about deceased persons by normal means if by doing so she could bring comfort to the bereaved.”

Cummins’ book The Fate of Colonel Fawcett (1955), contains her automatist scripts allegedly from the spirit of Colonel Fawcett. Spiritualists claim the scripts are evidence for survival. However, the psychical researcher Simeon Edmunds notes that before his disappearance Fawcett had written articles for The Occult Review. Cummins also contributes articles to the same review and Edmunds suggests it is likely she had read the work of Fawcett. Edmunds concludes the scripts are a case of subliminal memory and unconscious dramatization.

Other researchers such as Mary Rose Barrington have suspected fraud as Cummins had long standing connections with friends and families of the deceased that she claimed to have contacted and could have easily obtained information by natural means. The classical scholar E. R. Dodds writes that Cummins worked as a cataloguer at the National Library of Ireland and could have taken information from various books that would appear in her automatic writings about ancient history. Her writings were heavily influenced by literature and religious texts. Dodds also studies her book Swan on a Black Sea which was supposed to be an account of spirit conversation but writes there is evidence suggestive of fraud as Cummins had received some of the information by natural means.

Cummins dies in Cork on August 25, 1969, and is buried in St. Lappan’s churchyard, Little Island.


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Dom Columba Marmion Beatified by Pope John Paul II

Dom Columba Marmion, a Dublin priest who is credited with curing an American woman of cancer, is beatified by Pope John Paul II on September 3, 2000.

Marmion is born April 1, 1858, in Dublin, the seventh of nine children of William Marmion and Herminie Marmion (née Cordier). He attends St. Laurence O’Toole’s, a primary school run by the Augustinian Fathers of John’s Lane. On January 11, 1869, he transfers to Belvedere College, where he receives an excellent grounding in Greek and Latin from the Jesuit Fathers. From there, he proceeded in January 1874 to Clonliffe College, where he remains until December 1879, when the new Archbishop of Dublin, Dr. Edward MacCabe, selects him for further theological studies in Rome.

Marmion is in Rome at the Pontifical Irish College, studying theology at the Propaganda College, for eighteen months (December 1879 – July 1881). Although invited by the authorities at Propaganda to present himself for the doctorate degree, he turns down the offer for health reasons, on account of the necessary extra year in Rome which this would entail. On returning to Dublin he spends the first year as curate in Dundrum parish. This is followed by four years (1882–86) as professor of philosophy at Clonliffe. On October 25, 1886, he receives from the newly appointed Archbishop of Dublin, Dr. William Walsh, his dimissorial letters, granting him permission to join the Benedictine order. On November 21, 1886, he enters the newly founded Belgian Maredsous Abbey, with which, by virtue of the Benedictine vow of stability, he is to be associated for the rest of his life.

The first thirteen years of his monastic life (1886–99) are spent at Maredsous Abbey itself. After an unsuccessful start in the abbey school as a kind of housemaster to the junior boys, he finds his feet within the community through congenial work, notably the teaching of Thomistic philosophy to the junior monks. He also gradually builds up a reputation as a spiritual guide through the exercise of ministry on a small scale in the surrounding area. The next decade (1899–1909) finds him in Louvain as prior and professor of dogmatic theology at Mont César Abbey, which is founded and staffed by Maredsous. This decade provides a wide outlet for his matured spiritual doctrine through his lectures on dogmatic theology in Mont César, his retreats to priests and religious, and his private correspondence. The third and final phase of his monastic life begins when the chapter of Maredsous elects him as its third abbot in 1909.

An invitation is received from the Belgian government from December 1909 to April 1910 to undertake a Benedictine foundation in Katanga, part of the Belgian Congo. In spite of pressure from government quarters the chapter of Maredsous refuses the offer, and Marmion accepts this negative decision. In 1913 the entire community of Anglican Benedictines of Caldey Island, Wales, transfer their allegiance from Canterbury to Rome. Marmion becomes deeply involved in the spiritual and canonical process of the reception of the community into the Catholic church.

The outbreak of World War I ushers in four years of grave anxiety for Marmion. Belgium is not completely occupied, but retains sovereignty over an area extending inland about twenty miles to the Ypres Salient. This enables the young monks of Maredsous, for whom Marmion had found a temporary home in Edermine, County Wexford, to travel to and from the Western Front, where they are being called up to serve as stretcher bearers in the Belgian army. He does his utmost to maintain the unity of his community between those who had remained in Maredsous and the Edermine group.

The first of Marmion’s great spiritual books, Christ, the Life of the Soul, appears in 1916, and its phenomenal success has been described as a silent plebiscite. This is followed by Christ in His Mysteries (1919), Christ the Ideal of the Monk (1922), and Sponsa Verbi (1923). The books are able to appear in rapid succession since they are compiled from his existing conference notes.

One final piece of important monastic and ecclesiastical and even political business absorbs much of Marmion’s energies, although strictly speaking it is not of his remit. His strenuous efforts to install Belgian monks in the Abbey of the Dormition on Mount Zion in Jerusalem following the internment (November 1918) of the original German Benedictine community by the victorious British forces are of no avail, the question being finally settled by the reinstallation of the German (Beuronese) monks in 1921.

Marmion dies at Maredsous on January 30, 1923, following a brief illness which originates in a chill and is aggravated by influenza.

Marmion is beatified by Pope John Paul II on September 3, 2000. This is the outcome of a popular reputation for holiness which had increased steadily since his death and the procedures for beatification prompted in 1954 by Mgr. Montini, the future Pope Paul VI. The canonical steps are: diocesan process at Namur (1957–61); examination at Rome of Marmion’s writings (1960–73); a critical biography (1987–94), written by Mark Tierney, OSB, for the Roman process on the ‘heroicity’ of Marmion’s virtues which concluded in June 1999; and finally an inexplicable cure of cancer through Marmion’s intercession, judged as miraculous by Rome on January 25, 2000.

The originality of Marmion’s spiritual doctrine lay in his truly central emphasis on the doctrine of our adoption as the children of God in baptism. Many of his predecessors had also emphasised this doctrine, but few had made it the focus from which everything radiated and to which everything returned. The second characteristic of Marmion’s teaching, a much more personal trait, is the conviction of authenticity communicated by his writings, of the greatness of our sharing in the sonship of the Word. This makes a deep and lasting impression on the reader, and gives an infinitely sacred meaning to the title ‘children of God’ and thereby to the whole of life. The third characteristic of Marmion’s teaching is the simplicity with which the deepest theological truths are presented – truths which preachers often feel their people cannot ‘take,’ and hence are left unsaid. Marmion presents these truths directly from St. John and St. Paul, and not merely in familiar extracts but in the whole sweep of their texts.

(From: “Marmion, Dom Columba” by Placid Murray, Dictionary of Irish Biography, http://www.dib.ie)


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Birth of Composer Gerald Barry

Gerald Barry, Irish composer, is born in Clarehill, Clarecastle, County Clare, on April 28, 1952.

Growing up in rural County Clare, Barry has little exposure to music except through the radio: “The thing that was the lightning flash for me, in terms of Saint Paul on the road to Damascus, would have been an aria from a Handel opera, from Xerxes maybe, that I heard on the radio. I heard this woman singing this, and bang – my head went. And that was how I discovered music.” He is educated at St. Flannan’s College, Ennis, County Clare. He goes on to study music at University College Dublin, in Amsterdam with Peter Schat, in Cologne with Karlheinz Stockhausen and Mauricio Kagel, and in Vienna with Friedrich Cerha. He teaches at University College Cork from 1982 to 1986.

“Barry’s is a world of sharp edges, of precisely defined yet utterly unpredictable musical objects. His music sounds like no one else’s in its diamond-like hardness, its humour, and sometimes, its violence.” He often conceives of material independently of its instrumental medium, recycling ideas from piece to piece, as in the reworking of Triorchic Blues from a violin to a piano piece to an aria for countertenor in his television opera The Triumph of Beauty and Deceit:

“It seemed to me unprecedented: the combination of the ferociously objective treatment of the material and the intense passion of the working-out, and both at an extreme of brilliance. And the harmony – that there was harmony at all, and that it was so beautiful and lapidary. It functions, again, irrationally, but powerfully, to build tension and to create structure. It wasn’t just repetitive. It builds. And the virtuosity, the display of it, that combination of things seemed, to me, to be new, and a major way forward.”

Barry’s most recent opera, The Importance of Being Earnest, has become a huge success after its world premiere at Los Angeles and European premiere at the Barbican, London. A critic comments:

“He writes ‘what he likes’ in the way Strindberg does, not trying to characterise his characters, but letting them perform his own specialties, a kind of platform for his own musical specialties. As in Strindberg where you feel every sentence stands for itself and the characters are sort of borrowed for the use of saying them (borrowed to flesh out the text, rather than the other way round), that they’ve been out for the day. In Gerald’s opera the whole apparatus – for that’s what it is – takes on a kind of surrealistic shape, like one person’s torso on someone else’s legs being forced to walk, half the characters in the opera and half the composer.”

It is written in The Irish Times that “no other Irish composer springs to mind who carries the same aura of excitement and originality or whose music means so much to such a wide range of listeners. Certainly, there has been no Irish premiere that has made the impression of The Conquest of Ireland since Barry’s opera The Intelligence Park was seen at the Gate Theatre in 1990.”

In a 2013 guide to Barry’s musical output, Tom Service of The Guardian praises Chevaux-de-frise (1988), The Bitter Tears of Petra von Kant (2005), Lisbon (2006), Beethoven (2008), and The Importance of Being Earnest (2012).