Pigott is born in Ratoath, County Meath, in 1835, the son of George Pigott of Ratoath, and his wife, a woman from Roscommon. As a young man he supports Irish nationalism and works on the publications The Nation and The Tablet before acting as manager of The Irishman, a newspaper founded by Denis Holland. James O’Connor later claims Pigott embezzled funds from The Irishman and covered his tracks by not keeping written records. He also works for the Irish National Land League, departing in 1883 after accusing its treasurer, Mr. Fagan, of being unable to account for £100,000 (equivalent to £10,700,000 in 2021) of its funds and for keeping inadequate records. Nothing is done about his accusation, and he turns against the League, which is allied to the Irish Parliamentary Party (IPP) led by the League’s president, Charles Stewart Parnell.
In 1879 Pigott is proprietor of three newspapers, which he soon sells to the League. Hitherto a zealous nationalist, from 1884 onwards he vilifies his former associates and sells information to their political opponents. In an effort to destroy Parnell’s career, he forges several letters which purport that Parnell had supported the perpetrators of the Phoenix Park murders of 1882.
The Times purchases Pigott’s forgeries for £1,780 (equivalent to £211,000 in 2021) and publishes the most damning letter on April 18, 1887. Parnell immediately denounces it as “a villainous and barefaced forgery.” In February 1889, the Parnell Commission vindicates him by proving that the letters are fake. They included misspellings (specifically ‘hesitency [sic]’) which Pigott had written elsewhere. A libel action instituted by Parnell also vindicates him, and his parliamentary career survives the Pigott accusations.
The Commission eventually produces thirty-seven volumes of evidence, covering not just the forgeries but also the surrounding violence that follows from the Plan of Campaign.
After admitting his forgeries to Henry Labouchère, Pigott flees to Spain and apparently shoots himself on March 1, 1889, in a hotel room in Madrid, a city in which O’Shea has a network of connections, and Pigott himself apparently has none. Parnell then sues The Times for libel, and the newspaper pays him £5,000 (equivalent to £588,000 in 2021) in an out-of-court settlement, as well as considerably more in legal fees. When Parnell next enters the House of Commons, he receives a hero’s reception from his fellow Members of Parliament.
(Pictured: Pigott as caricatured by Spy (Leslie Ward) in Vanity Fair, March 1889)
O’Kelly is born James Kelly in Mobhill, Loughrea, County Galway, youngest of seven (or possibly eight) children of Michael Kelly, corn merchant, and his wife, Catherine Fitzgerald. His date of birth is uncertain. Some commentators believe he is the James Kelly whose birth was registered on November 16, 1875, but relatives claim this was a sibling and namesake who died prematurely. His death certificate implies he was born in 1878, and family members maintained he was born in 1880.
Loughrea is at the centre of the bitterly-fought plan of campaign agitation on the Clanricarde estate from the late 1880s. Many tenants in the town and surrounding rural districts are evicted for non-payment of rent, and Lord Clanricarde resists reinstatement until the estate is purchased by special legislation shortly before World War I. According to one source, the O’Kellys are themselves evicted during the Plan of Campaign, though they seem to retain a degree of financial stability. A widespread perception that nationalist politicians had exploited the evicted tenants contributes to the relative strength of Parnellism in the area, and the early appearance of Sinn Féin. This background inspires such works as O’Kelly’s 1917 play, The Parnellite.
While growing up in Loughrea, O’Kelly is profoundly influenced by contact with older relatives and country folk from whom he learns some Irish and the folklore/storytelling tradition that shapes many of his stories. The example of his mother and friendship with the local Carmelite fathers, whom he serves as an altar boy, gives him a strong commitment to Catholicism. This coexists in his work with an Ibsenite-Parnellite insistence on individual defiance of conformity, and a gentle exaltation of the sensitive dreamer isolated from the life around him. The mixture is sometimes uneasy. His observations on domestic violence, the sexual exploitation of servant girls by hypocritically pious employers, and prejudice against children born outside marriage or raised in the workhouse are unobtrusive but biting. His play, The Bribe (1913), gives a devastating depiction of the social and economic pressures which induce a small-town shopkeeper and poor law guardian to accept a bribe to appoint an underqualified dispensary doctor, with disastrous results. The corrupt and snobbish doctor is called Power O’Connor, an unsubtle hit at the nationalist MP, T. P. O’Connor. This element of social observation distinguishes him from the more symbolist city-born Daniel Corkery, to whom he is often compared. Much of his writing is recognisably set in Loughrea.
O’Kelly begins working as a journalist on local papers, including the Midland Tribune, the Tuam News, and the Connacht Leader. He becomes editor of The Southern Star, based in Skibbereen, County Cork, in 1903, and is said to be the youngest newspaper editor in Ireland at the time. He moves to Naas, County Kildare, in 1906, as editor of the Leinster Leader. Here he lives in a house by the canal, which provides the inspiration for his linked series of short stories, The Golden Barque, along with his father, a nephew, and his brother Michael. Already a contributor to The United Irishman published by Arthur Griffith, and later its successor, Sinn Féin, he is active in the Naas Sinn Féin club and makes regular weekend visits to Dublin, where Griffith introduces him to Dublin literary circles. Here his closest friends are James Stephens, whose influence is visible in the more whimsical and fantastic elements of O’Kelly’s work, and Seumas O’Sullivan, who recalls O’Kelly as a man of remarkable gentleness and integrity.
O’Kelly’s journalistic career is accompanied by his development as a writer, publishing stories in a variety of outlets, including the Irish Rosary and the Irish Packet. From 1908 he has several plays produced by the Theatre of Ireland, a nationalist-oriented rival to the Abbey Theatre. Lustre (1913), written jointly with Casimir Markievicz, later becomes the basis for a Soviet film.
Around 1911, O’Kelly suffers a severe attack of rheumatic fever, which leaves him with a chronic heart condition and a strong sense of mortality. He continues to write extensively and with increasing skill. He becomes editor of Dublin’s The Saturday Evening Post in 1912 and moves to Dublin, where he lives in Drumcondra. At this time he is an occasional contributor to The Manchester Guardian, turning down a permanent job on that paper. He leaves the Post in 1915 because of continuing ill-health and is offered the editorship of The Sunday Freeman but has to retire after two weeks. He then returns to Naas. At this time his play Driftwood, commissioned by Annie Horniman, is produced in Manchester and London.
When O’Kelly’s brother is interned after the Easter Rising, he resumes the editorship of the Leinster Leader until his brother’s release at Christmas 1916. He also contributes topical articles to the Sunday Independent. His literary reputation continues to increase with a short story collection, Waysiders (1917), and his best-regarded full-length novel, The Lady of Deerpark (1917), a melancholy story about the last heiress of a declining Catholic gentry family. Another novel, Wet Clay (1922), is published posthumously and is the story of the tense relationship between a “returned Yank” and his small-farmer cousins, which shows deeply unresolved ambivalence about the nature and prospects of Irish rural society after the Land War.
When Griffith and many other Sinn Féin activists are arrested and imprisoned in May 1918, O’Kelly returns to Dublin to edit the Sinn Féin paper Nationality. During the days after the Armistice of November 11, 1918, a crowd of soldiers and women whose husbands are serving in the British Army attack the paper’s premises, which are also the headquarters of Sinn Féin. As a result of these attacks O’Kelly suffers a cerebral haemorrhage which leads to his death on November 14, 1918.
O’Kelly’s funeral turns into a major political demonstration and his status as a nationalist martyr leads to the posthumous publication of many of his works. These include the novella, The Weaver’s Grave (1920), generally regarded as his masterpiece. It has been reprinted regularly and translated into several languages. A 1961 Radio Éireann adaptation by Micheal Ó hAodha wins the Prix Italia. The twenty-fifth and fiftieth anniversaries of his death see various commemorations in his honour and a short-lived Seumas O’Kelly Society is founded in 1968. O’Kelly never marries but is said to have cherished a hopeless passion for the actress and nationalist activist, Máire Níc Shiubhlaigh, for whom he writes the play The Shuiler’s Child (1909).
(From: “O’Kelly, Seumas” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Dillon is the eldest of five children of Sir James Charles Mathew and Elizabeth Blackmore Mathew. Her family is related to the Butler family, but she does not visit Ireland until 1886. Living in Queen’s Gate Gardens, Kensington, London, she is educated at home. From a young age she attends the ladies’ gallery of the House of Commons, while mixing a busy social life with charitable works.
Dillon begins keeping a diary in 1879, which she continues to write until her death. Her ancestor, Mary Mathew, is also a diarist and keeps the diary for the discipline of the daily activity. She soon begins to write for the love of it, and some have surmised she wrote with the intention her diaries would be read by others. She attends lectures in Old English and literature at King’s College, London from late 1882 to 1884, and begins to learn Irish in 1893.
Dillon’s father supports land reform in Ireland, chairs the evicted tenants commission in 1892, and is a huge influence on her politics. She makes her first political reference on February 25, 1883 when she notes the arrest of the Invincibles, and she then regularly comments on land reform. She travels to Ireland for the first time in August 1886, staying in Killiney, County Dublin. In October 1886, she meets John Dillon, and begins to follow the Plan of Campaign so that she can discuss it with him during his visits to the Mathew house in London.
During this time, John Dillon is deeply immersed in politics, and is imprisoned on a number of occasions. Being a careful follower of Irish politics, she becomes an anti-Parnellite. She confronts John Dillon in autumn 1895 about their relationship, saying that they can no longer meet as they had become the subject of gossip. He proposes within two weeks, and they are married on November 21, 1895 in Brompton Oratory. They are busy and often apart, with Dillon spending time in a warm climate due to his ill health. She tries to accompany him when she can, but the couple’s large family makes that difficult. They have one daughter and five sons, John Dillon (1896-1970), Anne Elizabeth Dillon (born October 29, 1897), Theobald Wolfe Tone (1898-1946), Myles, James, and Brian.
Finances are strained until John’s uncle Charles bequeaths him his house, 2 North Great George’s Street, Dublin in 1898, and a business in Ballaghaderreen, County Mayo is bequeathed him by a cousin, Anne Deane, in 1905. Dillon runs the business successfully, while also carrying out duties as a politician’s wife such as opening the Belfast ladies’ branch of the United Irish League in June 1905. Her busy life results in her neglecting her diary.
Dillon dies on May 14, 1907 in Dublin, having given birth to a stillborn daughter that morning. Pneumonia is given as the cause of death, but it could have been medical incompetence. She is buried in the family vault in Glasnevin Cemetery. Her husband writes of her death in June 1907, A short narrative of the illness and death of my dearest love. Trinity College Dublin holds her diary and correspondence. Her diaries, edited by Brendan Ó Cathaoir, are published in 2019.
O’Brien, who is for several years second only to Charles Stewart Parnell among Irish Nationalist leaders, is born on October 2, 1852 in Mallow, County Cork. He is perhaps most important for his Plan of Campaign (1886), by which Irish tenant farmers withhold all rent payments from landlords who refuse to lower their rents and instead pay the money into a mutual defense fund on which evicted tenants can draw.
O’Brien shares his primary education with a townsman with whom he is later to have a close political connection, CanonPatrick Augustine Sheehan of Doneraile. He enjoys his secondary education at the Cloyne diocesan college, which results in his being brought up in an environment noted for its religious tolerance. He greatly values having had this experience from an early age, which strongly influences his later views for the need of such tolerance in Irish national life.
A journalist from 1869, O’Brien is appointed editor of the Irish Land League’s weekly United Ireland by Parnell in 1881. In October of that year the British authorities suppress the paper and put O’Brien in Kilmainham Gaol in Dublin, along with Parnell and others. There he draws up a No Rent Manifesto, which, when read at a Land League meeting, results in the outlawing of the League. Released from prison in 1882, he resumes the editorship of United Ireland, and in 1883 he is elected to the British House of Commons, remaining there until 1895. His “plan of campaign” is disavowed by Parnell but nonetheless stirs up fierce agitation. To suppress the movement, the British government passes the Criminal Law and Procedure (Ireland) Act 1887, under which O’Brien is jailed again.
For some time following the Katherine O’Shea divorce case (1889–90), in which Parnell is correspondent, O’Brien attempts to mediate between the Parnellites and their opponents, although he sides with the majority in rejecting Parnell’s continued leadership of the Irish Home Rule struggle. In 1902 he supports the Land Conference, which secures agreement between landlords and tenants’ representatives and results in George Wyndham‘s Land Purchase Act (1903), which is designed to turn Irish tenant farmers into occupying owners.
Retiring from political life, O’Brien contents himself with writing and declines Éamon de Valera‘s offer to stand for Fianna Fáil in the 1927 general election. He dies suddenly at the age of 75 on February 25, 1928 while on a visit to London with his wife. His remains rest in Mallow, and one of the principal streets in the town bears his name to this day. His head-bust overlooks the town Council’s Chamber Room and one of his finest portraits hangs in University College Cork.
O’Brien shares his primary education with a townsman with whom he is later to have a close political connection, CanonPatrick Augustine Sheehan of Doneraile. He enjoys his secondary education at the Cloyne diocesan college, which results in his being brought up in an environment noted for its religious tolerance. He greatly values having had this experience from an early age, which strongly influences his later views for the need of such tolerance in Irish national life.
A journalist from 1869, O’Brien is appointed editor of the Irish Land League’s weekly United Ireland by Parnell in 1881. In October of that year the British authorities suppress the paper and put O’Brien in Kilmainham Gaol in Dublin, along with Parnell and others. There he draws up a No Rent Manifesto, which, when read at a Land League meeting, results in the outlawing of the League. Released from prison in 1882, he resumes the editorship of United Ireland, and in 1883 he is elected to the British House of Commons, remaining there until 1895. His “plan of campaign” is disavowed by Parnell but nonetheless stirs up fierce agitation. To suppress the movement, the British government passes the Criminal Law and Procedure (Ireland) Act 1887, under which O’Brien is jailed again.
For some time following the O’Shea divorce case (1889–90), in which Parnell is corespondent, O’Brien attempts to mediate between the Parnellites and their opponents, although he sides with the majority in rejecting Parnell’s continued leadership of the Irish Home Rule struggle. In 1902 he supports the Land Conference, which secures agreement between landlords and tenants’ representatives and results in George Wyndham‘s Land Purchase Act (1903), which is designed to turn Irish tenant farmers into occupying owners.
Retiring from political life, O’Brien contents himself with writing and declines Éamon de Valera‘s offer to stand for Fianna Fáil in the 1927 general election. He dies suddenly at the age of 75 on February 25, 1928 while on a visit to London with his wife. His remains rest in Mallow, and one of the principal streets in the town bears his name to this day. His head-bust overlooks the town Council’s Chamber Room and one of his finest portraits hangs in University College Cork.
The League is the main base of support for the Irish Parliamentary Party (IPP), and under Parnell’s leadership, it grows quickly to over 1,000 branches throughout the island. In 1884, the League secures the support of the Roman Catholic Church in Ireland. Its secretary is Timothy Harrington who organises the Plan of Campaign in 1886. The Irish League is effectively controlled by the Parliamentary Party, which in turn is controlled by Parnell, who chairs a small group of MPs who vet and impose candidates on constituencies.
In December 1890 both the INL and the IPP split on the issues of Parnell’s long standing family relationship with Katharine O’Shea, the earlier separated wife of a fellow MP, Captain William O’Shea, and their subsequent divorce proceedings. The majority of the League, which opposes Parnell, breaks away to form the “Anti-Parnellite” Irish National Federation (INF) under John Dillon. John Redmond assumes the leadership of the minority Pro-Parnellite (INL) group who remains faithful to Parnell. Despite the split, in the 1892 general election the combined factions still retain the Irish nationalist pro-Home Rule vote and their 81 seats.
Early in 1900 the Irish National League (INL) finally merges with the United Irish League and the Irish National Federation (INF) to form a reunited Irish Parliamentary Party under Redmond’s leadership returning 77 seats in the September 1900 general election, together with 5 Independent Nationalists, or Healyites, in all 82 pro-Home Rule seats.
(Pictured: A hostile Punch cartoon, from 1885, depicting the Irish National League as the “Irish Vampire”, with Parnell’s head)
Pigott is born in 1835 in Ratoath, County Meath. As a young man he supports Irish nationalism and works for The Nation and The Tablet before acting as manager of The Irishman, a newspaper founded by Denis Holland. James O’Connor later claims Pigott embezzled funds from the paper and covered his tracks by not keeping written records. Pigott also works for the Irish National Land League, departing in 1883 after accusing its treasurer, Mr. Fagan, of being unable to account for £100,000 of its funds, and for keeping inadequate records. Nothing is done about his accusation, which is publicised in the newspapers, and he turns against the League, which is allied to several Irish nationalist groups including the Irish Parliamentary Party led by Charles Stewart Parnell.
In 1879 Pigott is proprietor of three newspapers, which he soon sells to the Irish Land League, of which Charles Stewart Parnell is president. Hitherto a violent Nationalist, from 1884 Pigott begins to vilify his former associates and to sell information to their political opponents. In an effort to destroy Parnell’s career, Pigott produces fake letters, which purports that Parnell had supported one of the Phoenix Park murders.
The Times purchases Pigott’s forgeries for £1,780 and publishes the most damning letter on April 18, 1887. Parnell immediately denounces it as “a villainous and barefaced forgery.” In February 1889, the Parnell Commission vindicates him by proving that the letters are forgeries. They include misspellings which Pigott has written elsewhere. A libel action instituted by Parnell also vindicates him and his parliamentary career survives the Pigott accusations.
The Commission eventually produces 37 volumes in evidence, covering not just the forgeries but also the surrounding violence that follows from the Plan of Campaign.
After admitting his forgeries to Henry Labouchère, Pigott flees to Spain, and shoots himself in a Madrid hotel room. Parnell then sues The Times for libel, and the newspaper pays him £5,000 in an out-of-court settlement, as well as considerably more in legal fees. When Parnell next enters the House of Commons, he receives a hero’s reception from his fellow Members of Parliament.
(Pictured: Pigott as caricatured by Spy (Leslie Ward) in Vanity Fair, March 1889)
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