seamus dubhghaill

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Birth of David Hammond, Singer & Folklorist

David Andrew (Davy) Hammond, singer, folklorist, television producer and documentary maker, is born on December 5, 1928, in Miss Kell’s nursing home on the Castlereagh Road in Belfast, Northern Ireland.

Hammond is the son of Leslie Hammond, a tram driver, and his wife Annie (née Lamont). His parents are not city people; his mother grew up near Ballybogy in the Ballymoney area of County Antrim, and his father, though from a family with roots in south County Londonderry, had lived in Ballymoney as a boy, and had been apprenticed to a blacksmith there. Both have a strong sense of their rural identity and maintain the Ulster Scots dialect of their childhood. They are never quite at home in the Belfast suburb of Cregagh, and in particular do not share the sectarian attitudes that are much more present in 1930s Belfast than they had been in north Antrim, one of the last strongholds of Presbyterian radicalism. Even as a boy, Hammond is interested in the old songs that his mother sang and realises that the traditions in which his parents had been nurtured are disappearing quickly in an increasingly urbanising and modernising world. When he encounters the work of Emyr Estyn Evans in the early 1940s, he is encouraged to document both rural tradition and the street life of the city, and he and a couple of friends, though still just teenagers, ride off on their bicycles to look for folklore in the hinterland of Belfast.

After primary school, Hammond wins a scholarship in 1941 to Methodist College Belfast, where he does well in examinations, and then goes to Stranmillis University College to train as a teacher. In his first job, in Harding Memorial primary school in east Belfast, he proves to be a popular, idealistic teacher, and is remembered by his pupils fifty years later as a fine singer and a teller of ghost stories, who had taken the class on memorable youth-hosteling trips to the Mourne Mountains. Youth hosteling and folklore collecting increases his awareness and understanding of the rich traditions of the whole community in the north of Ireland, and he is never constrained by political or religious barriers. His early career mirrors closely that of James Hawthorne, and their paths are to cross in later life.

Hammond is friendly with many others active in the cultural life of Northern Ireland and makes a name for himself as a song collector and eventually as an expert on all aspects of traditional singing. In 1956, he is awarded a scholarship to travel in the United States to meet the important pioneers of folk-music collecting and performance there. He records his first LP record of Ulster songs, I Am The Wee Falorie Man (1958), in the United States, and becomes friends with Pete Seeger, the Appalachian singer Jean Ritchie, with old blues singers, and notably with Liam Clancy, one of the three Clancy brothers who as a quartet with Tommy Makem are to popularise Irish folk music in the United States and elsewhere.

On returning to Belfast, Hammond takes a job in 1958 in Orangefield secondary school in the east of the city, where the highly regarded headmaster John Malone encourages new approaches to education. Among his pupils at Orangefield is George Ivan “Van” Morrison, who credits him with inspiring his interest in Irish traditional music. Hammond enjoys teaching but is increasingly drawn to folk-song performance and recording. He appears regularly on radio programmes of the BBC and Radio Éireann, and in 1964 joins the school’s department in BBC Northern Ireland. There, with colleagues like Sam Hanna Bell, James Hawthorne and others, he works on programmes such as Today and Yesterday in Northern Ireland, which for the first time introduces pupils (and many adults) to local history and to aspects of tradition. In 1968, with two friends, the poets Seamus Heaney and Michael Longley, he puts on poetry and traditional music events in schools all over the province. The Arts Council funds the Room to Rhyme project, which is immensely influential and inspiring, and is still talked about many years later by those who attended as children.

Hammond is creatively involved with hundreds of hours of broadcasting, in television as well as radio, and eventually for adults as well as children. He writes scripts, produces documentary series such as Ulster in Focusand Explorations, and brings an artistic sensibility to filming, as well as working sympathetically with traditional singers and craftspeople. Dusty Bluebells, a sensitively made film of Belfast children’s street games, wins the prestigious Golden Harp award in 1972. After he leaves the BBC to work as a freelance, and founds Flying Fox Films in 1986, he continues making documentaries on many aspects of Ulster life and heritage. His film called Steel Chest, Nail in the Boot and the Barking Dog (1986), about working in the Belfast shipyards, also wins a Golden Harp award. A companion book of the same name is published. Another book is Belfast, City of Song(1989), with Maurice Leyden. In 1979, he edits a volume of the songs of Thomas Moore. His documentary programmes include films about singers from Boho, County Fermanagh, and about the big houses of the gentry in Ireland. The Magic Fiddle (1991/2) examines the role of the instrument in the folk music of Ireland, Scandinavia, Canada, and the American south, while Another Kind of Freedom (1993) is about the experiences of a former Orangefield pupil, the Beirut hostage Brian Keenan. He also produces and directs the films Something to Write Home About (1998), Where Are You Now? (1999), and Bogland (1999), all of which explore Seamus Heaney’s home region and experiences.

The first poem in Heaney’s collection Wintering Out (1972) is entitled “For David Hammond and Michael Longley.” Their lifelong friendship leads to several other creative collaborations. In particular, after a distressing evening in 1972 when Hammond, affected by the despair and terror unleashed by Irish Republican Army (IRA) bombing of his city, is for once unable to sing, Heaney meditates on the experience in an essay and in an important poem, “The singer’s house” (subsequently included in his 1979 Field Work collection). The poem urges the singer to keep singing, to defend the values of art and friendship in a hostile time. Hammond collaborates with Dónal Lunny and other traditional musicians to bring out an LP also called The Singer’s House(1978), which includes Heaney’s poem on the album sleeve, and features some of the songs that he had made famous, such as “My Aunt Jane” and “Bonny Woodgreen,” from his vast repertoire of songs from Ulster. The album is reissued in 1980.

In 1995, Hammond is one of Heaney’s personal guests at the award of his Nobel prize in Stockholm, characteristically wearing his usual, mustard-yellow, cattle-dealer boots with evening dress. On another formal occasion, when he is awarded an honorary doctorate by Dublin City University in November 2003, he surprises the audience by standing up in his academic robes to sing “My Lagan love,” instead of giving an address. His unique, light mellow voice is an ideal vehicle for the traditional ballads which he knows so well. He records a number of records in the 1960s, including Belfast Street Songs, and publishes the book Songs of Belfast (1978). He also encourages traditional musicians like Arty McGlynn, and collaborates with them on various recording projects. He is well known for live and often impromptu performances at festivals and venues in Ireland and the United States. He also performs at the John F. Kennedy Center for the Performing Arts in Washington, D.C.

Hammond is also a notable collaborator with poets and dramatists, especially in the important Field Day Theatre Company project, of which he is a director, along with Seamus Heaney, Tom Paulin, Seamus Deane, Thomas Kilroy, and the project’s founders, Brian Friel and Stephen Rea. He supports the Field Day search for a “fifth province,” where history and community and culture can intersect, believing that to speak unthinkingly of “two traditions” is to perpetuate superficial political divisions. As he says in an interview in The Irish Times on July 4, 1998, songs can “take you out of yourself” and become bridges to unite people.

Hammond receives many honours. In 1994, he receives the Estyn Evans award for his contribution to mutual understanding, and his work is featured in several major events in his honour: in the University of North Florida (1999), in the Celtic Film Festival in Belfast (2003), and in Belfast’s Linen Hall Library (2005). A Time to Dream, a film about his life and work, is broadcast on BBC Northern Ireland in December 2008.

Hammond dies in hospital in Belfast, after a long illness, on August 25, 2008, survived by his wife Eileen (née Hambleton), whom he marries on July 19, 1954, and by their son and three daughters. His funeral in St. Finnian’s Church is a major cultural event, where friends sing, play and speak in his honour.

In Seamus Heaney’s last collection of poetry, Human Chain (2010), he includes a poignant farewell to Hammond. The poet imagines (or perhaps dreams) of another visit to the singer’s house, but this time “The door was open, and the house was dark.”

(From: “Hammond, David Andrew (‘Davy’)” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, December 2014)


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John Mitchel Escapes from Van Diemen’s Land

John Mitchel, Irish nationalist writer and political journalist, escapes from Van Diemen’s Land (modern-day Tasmania, Australia) on June 8, 1853, with the assistance of Patrick James (“Nicaragua”) Smyth, an agent of the New York Irish Directory.

Mitchel is born in Camnish, near Dungiven, County Derry on November 3, 1815, the son of a Presbyterian minister. At the age of four, he is sent to a classical school, run by an old minister named Moor, nicknamed “Gospel Moor” by the students. He reads books from a very early age. When a little over five years old, he is introduced to Latin grammar by his teacher and makes quick progress. In 1830, not yet 15 years old, he enters Trinity College, Dublin (TCD) and obtains a law degree in 1834.

In the spring of 1836, Mitchel meets Jane Verner, the only daughter of Captain James Verner. Though both families are opposed to the relationship, they become engaged in the autumn and are married on February 3, 1837, by the Rev. David Babington in Drumcree Church, the parish church of Drumcree.

Mitchel works in a law office in Banbridge, County Down, where he eventually comes into conflict with the local Orange Order. He meets Thomas Davis and Charles Gavan Duffy during visits to Dublin. He joins the Young Ireland movement and begins to write for The Nation. Deeply affected by the misery and death caused by the Great Famine, he becomes convinced that nothing will ever come of the constitutional efforts to gain Irish freedom. He then forms his own paper, United Irishman, to advocate passive resistance by Ireland’s starving masses.

In May 1848, the British tire of Mitchel’s open defiance. Ever the legal innovators in Ireland, they invent a crime especially for the Young Irelanders – felony-treason. They arrest him for violating this new law and close down his paper. A rigged jury convicts him, and he is deported first to Bermuda and then to Australia. However, on June 8, 1853, he escapes to the United States.

Mitchel works as a journalist in New York City and then moves to the South. When the American Civil War erupts, he is a strong supporter of the Southern cause, seeing parallels with the position of the Irish. His family fully backs his commitment to the Southern cause. He loses two sons in the war, one at the Battle of Gettysburg in 1863 and another at the Battle of Fort Sumter in 1864, and another son loses an arm. His outspoken support of the Confederacy causes him to be jailed for a time at Fort Monroe, where one of his fellow prisoners is Confederate President Jefferson Davis.

In 1874, the British allow Mitchel to return to Ireland and in 1875 he is elected in a by-election to be a member of the Parliament of the United Kingdom representing the Tipperary constituency. However, his election is invalidated on the grounds that he is a convicted felon. He contests the seat again in the resulting by-election and is again elected, this time with an increased vote.

Unfortunately, Mitchel, one of the staunchest enemies to English rule of Ireland in history, dies in Newry on March 20, 1875, and is buried there. Thirty-eight years later, his grandson, John Purroy Mitchel, is elected Mayor of New York City.


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Death of David Hammond, Singer, Folklorist & Television Producer

David Andrew (Davy) Hammond, singer, folklorist, television producer and documentary maker, dies in Belfast, Northern Ireland, following a long illness, on August 25, 2008.

Hammond is born on December 5, 1928, in Miss Kells’s nursing home on the Castlereagh Road in Belfast, the son of Leslie Hammond, a tram driver, and his wife Annie (née Lamont). His parents are not city people; his mother grew up near Ballybogy in the Ballymoney area of County Antrim, and his father, though from a family with roots in south County Londonderry, had lived in Ballymoney as a boy, and had been apprenticed to a blacksmith there. Both have a strong sense of their rural identity and maintain the Ulster Scots dialect of their childhood. They are never quite at home in the Belfast suburb of Cregagh, and in particular do not share the sectarian attitudes that are much more present in 1930s Belfast than they had been in north Antrim, one of the last strongholds of Presbyterian radicalism. Even as a boy, Hammond is interested in the old songs that his mother sang and realises that the traditions in which his parents had been nurtured are disappearing quickly in an increasingly urbanising and modernising world. When he encounters the work of Emyr Estyn Evans in the early 1940s, he is encouraged to document both rural tradition and the street life of the city, and he and a couple of friends, though still just teenagers, ride off on their bicycles to look for folklore in the hinterland of Belfast.

After primary school, Hammond wins a scholarship in 1941 to Methodist College Belfast, where he does well in examinations, and then goes to Stranmillis University College to train as a teacher. In his first job, in Harding Memorial primary school in east Belfast, he proves to be a popular, idealistic teacher, and is remembered by his pupils fifty years later as a fine singer and a teller of ghost stories, who had taken the class on memorable youth-hosteling trips to the Mourne Mountains. Youth hosteling and folklore collecting increases his awareness and understanding of the rich traditions of the whole community in the north of Ireland, and he is never constrained by political or religious barriers. His early career mirrors closely that of James Hawthorne, and their paths are to cross in later life.

Hammond is friendly with many others active in the cultural life of Northern Ireland and makes a name for himself as a song collector and eventually as an expert on all aspects of traditional singing. In 1956, he is awarded a scholarship to travel in the United States to meet the important pioneers of folk-music collecting and performance there. He records his first LP record of Ulster songs, I Am The Wee Falorie Man (1958), in the United States, and becomes friends with Pete Seeger, the Appalachian singer Jean Ritchie, with old blues singers, and notably with Liam Clancy, one of the three Clancy brothers who as a quartet with Tommy Makem are to popularise Irish folk music in the United States and elsewhere.

On returning to Belfast, Hammond takes a job in 1958 in Orangefield secondary school in the east of the city, where the highly regarded headmaster John Malone encourages new approaches to education. Among his pupils at Orangefield is George Ivan “Van” Morrison, who credits him with inspiring his interest in Irish traditional music. Hammond enjoys teaching but is increasingly drawn to folk-song performance and recording. He appears regularly on radio programmes of the BBC and Radio Éireann, and in 1964 joins the school’s department in BBC Northern Ireland. There, with colleagues like Sam Hanna Bell, James Hawthorne and others, he works on programmes such as Today and Yesterday in Northern Ireland, which for the first time introduces pupils (and many adults) to local history and to aspects of tradition. In 1968, with two friends, the poets Seamus Heaney and Michael Longley, he puts on poetry and traditional music events in schools all over the province. The Arts Council funds the Room to Rhyme project, which is immensely influential and inspiring, and is still talked about many years later by those who attended as children.

Hammond is creatively involved with hundreds of hours of broadcasting, in television as well as radio, and eventually for adults as well as children. He writes scripts, produces documentary series such as Ulster in Focus and Explorations, and brings an artistic sensibility to filming, as well as working sympathetically with traditional singers and craftspeople. Dusty Bluebells, a sensitively made film of Belfast children’s street games, wins the prestigious Golden Harp award in 1972. After he leaves the BBC to work as a freelance, and founds Flying Fox Films in 1986, he continues making documentaries on many aspects of Ulster life and heritage. His film called Steel Chest, Nail in the Boot and the Barking Dog (1986), about working in the Belfast shipyards, also wins a Golden Harp award. A companion book of the same name is published. Another book is Belfast, City of Song (1989), with Maurice Leyden. In 1979, he edits a volume of the songs of Thomas Moore. His documentary programmes include films about singers from Boho, County Fermanagh, and about the big houses of the gentry in Ireland. The Magic Fiddle (1991/2) examines the role of the instrument in the folk music of Ireland, Scandinavia, Canada, and the American south, while Another Kind of Freedom (1993) is about the experiences of a former Orangefield pupil, the Beirut hostage Brian Keenan. He also produces and directs the films Something to Write Home About (1998), Where Are You Now? (1999), and Bogland (1999), all of which explore Seamus Heaney’s home region and experiences.

The first poem in Heaney’s collection Wintering Out (1972) is entitled “For David Hammond and Michael Longley.” Their lifelong friendship leads to several other creative collaborations. In particular, after a distressing evening in 1972 when Hammond, affected by the despair and terror unleashed by Irish Republican Army (IRA) bombing of his city, is for once unable to sing, Heaney meditates on the experience in an essay and in an important poem, “The singer’s house” (subsequently included in his 1979 Field Work collection). The poem urges the singer to keep singing, to defend the values of art and friendship in a hostile time. Hammond collaborates with Dónal Lunny and other traditional musicians to bring out an LP also called The Singer’s House (1978), which includes Heaney’s poem on the album sleeve, and features some of the songs that he had made famous, such as “My Aunt Jane” and “Bonny Woodgreen,” from his vast repertoire of songs from Ulster. The album is reissued in 1980.

In 1995, Hammond is one of Heaney’s personal guests at the award of his Nobel prize in Stockholm, characteristically wearing his usual, mustard-yellow, cattle-dealer boots with evening dress. On another formal occasion, when he is awarded an honorary doctorate by Dublin City University in November 2003, he surprises the audience by standing up in his academic robes to sing “My Lagan love,” instead of giving an address. His unique, light mellow voice is an ideal vehicle for the traditional ballads which he knows so well. He records a number of records in the 1960s, including Belfast Street Songs, and publishes the book Songs of Belfast (1978). He also encourages traditional musicians like Arty McGlynn, and collaborates with them on various recording projects. He is well known for live and often impromptu performances at festivals and venues in Ireland and the United States. He also performs at the John F. Kennedy Center for the Performing Arts in Washington, D.C.

Hammond is also a notable collaborator with poets and dramatists, especially in the important Field Day Theatre Company project, of which he is a director, along with Seamus Heaney, Tom Paulin, Seamus Deane, Thomas Kilroy, and the project’s founders, Brian Friel and Stephen Rea. He supports the Field Day search for a “fifth province,” where history and community and culture can intersect, believing that to speak unthinkingly of “two traditions” is to perpetuate superficial political divisions. As he says in an interview in The Irish Times on July 4, 1998, songs can “take you out of yourself” and become bridges to unite people.

Hammond receives many honours. In 1994, he receives the Estyn Evans award for his contribution to mutual understanding, and his work is featured in several major events in his honour: in the University of North Florida (1999), in the Celtic Film Festival in Belfast (2003), and in Belfast’s Linen Hall Library (2005). A Time to Dream, a film about his life and work, is broadcast on BBC Northern Ireland in December 2008.

Hammond dies in hospital in Belfast, after a long illness, on August 25, 2008, survived by his wife Eileen (née Hambleton), whom he marries on July 19, 1954, and by their son and three daughters. His funeral in St Finnian’s church is a major cultural event, where friends sing, play and speak in his honour.

In Seamus Heaney’s last collection of poetry, Human Chain (2010), he includes a poignant farewell to Hammond. The poet imagines (or perhaps dreams) of another visit to the singer’s house, but this time “The door was open, and the house was dark.”

(From: “Hammond, David Andrew (‘Davy’)” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, December 2014)


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John Mitchel Re-elected to Parliament; Dies Eight Days Later

After being barred as an undischarged felon from taking his seat as elected Member of Parliament (MP) for Tipperary, John Mitchel, Irish nationalist activist, author, and political journalist, is re-elected on March 12, 1875. He dies eight days later.

Mitchel is born in Camnish, near Dungiven, County Derry on November 3, 1815, the son of a Presbyterian minister. At the age of four, he is sent to a classical school, run by an old minister named Moor, nicknamed “Gospel Moor” by the students. He reads books from a very early age. When a little over five years old, he is introduced to Latin grammar by his teacher and makes quick progress. In 1830, not yet 15 years old, he enters Trinity College, Dublin and obtains a law degree in 1834. In the spring of 1836 he meets Jane Verner, the only daughter of Captain James Verner. Though both families are opposed to the relationship, they become engaged in the autumn and are married on February 3, 1837, by the Rev. David Babington in Drumcree Church, the parish church of Drumcree.

Mitchel works in a law office in Banbridge, County Down, where he eventually comes into conflict with the local Orange Order. He meets Thomas Davis and Charles Gavan Duffy during visits to Dublin. He joins the Young Ireland movement and begins to write for The Nation. Deeply affected by the misery and death caused by the Great Famine, he becomes convinced that nothing will ever come of the constitutional efforts to gain Irish freedom. He then forms his own paper, United Irishmen, to advocate passive resistance by Ireland’s starving masses.

In May 1848, the British tire of Mitchel’s open defiance. Ever the legal innovators in Ireland, they invent a crime especially for the Young Irelanders – felony-treason. They arrest him for violating this new law and close down his paper. A rigged jury convicts him, and he is deported first to Bermuda and then to Australia. However, in June 1853, he escapes to the United States.

Mitchel works as a journalist in New York City and then moves to the South. When the American Civil War erupts, he is a strong supporter of the Southern cause, seeing parallels with the position of the Irish. His family fully backs his commitment to the Southern cause. He loses two sons in the war, one at the Battle of Gettysburg in 1863 and another at the Battle of Fort Sumter in 1864, and another son loses an arm. His outspoken support of the Confederacy causes him to be jailed for a time at Fort Monroe, where one of his fellow prisoners is Confederate President Jefferson Davis.

In 1874, the British allow Mitchel to return to Ireland and in 1875 he is elected in a by-election to be a member of the Parliament of the United Kingdom representing the Tipperary constituency. However, his election is invalidated on the grounds that he is a convicted felon. He contests the seat again in the resulting by-election and is again elected, this time with an increased vote.

Unfortunately, Mitchel, one of the staunchest enemies to English rule of Ireland in history, dies eight days later in Newry on March 20, 1875, and is buried there. Thirty-eight years later, his grandson, John Purroy Mitchel, is elected Mayor of New York City.


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The Provisional Congress of the Confederate States Convenes

The Provisional Congress of the Confederate States, also known as the Provisional Congress of the Confederate States of America, convenes in Montgomery, Alabama on February 4, 1861. As many as 30,000 Irish-born fight on the Confederate side during the American Civil War including Chaplain John B. Bannon. A number of Irish rise to senior leadership in the Confederate army including Patrick Cleburne and Henry Strong. Strong is killed at the Battle of Antietam while on the opposite Union side on that awful day, 540 members of the Irish Brigade are killed.

The Provisional Congress of the Confederate States is a congress of deputies and delegates called together from the Southern States which become the governing body of the Provisional Government of the Confederate States from February 4, 1861, to February 17, 1862. It sits in Montgomery until May 21, 1861, when it adjourns to meet in Richmond, Virginia, on July 20, 1861. It adds new members as other states secede from the Union and directs the election on November 6, 1861, at which a permanent government is elected.

The First Session of the Provisional Congress is held at Montgomery from February 4, 1861, to March 16, 1861. On February 8, the Convention adopts the Provisional Constitution of the Confederate States and so becomes the first session of the Provisional Confederate Congress. Members are present from Alabama, Florida, Georgia, Louisiana, Mississippi, South Carolina, and Texas. It drafts the provisional constitution and sets up a government. For president and vice president, it selects Jefferson Davis of Mississippi and Alexander H. Stephens of Georgia.

The Second Session of the Provisional Congress is held at Montgomery from April 29, 1861, to May 21, 1861. It includes the members of the First Session with the additions of Virginia and Arkansas. John Tyler, the tenth president of the United States (1841–1845), serves as a delegate from Virginia in the Provisional Confederate States Congress until his death in 1862.

North Carolina and Tennessee join the Third Session of the Provisional Congress, which is held at Richmond from July 20, 1861, to August 31, 1861. Membership remains unchanged for the Fourth Session on September 3, 1861.

The Fifth Session of the Provisional Congress is held at Richmond from November 18, 1861, to February 17, 1862. All previous members are present with the additions of Missouri and Kentucky. One non-voting member is present from the Arizona Territory.


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Thin Lizzy Reaches No. 1 with “Whiskey In The Jar”

Irish rock band Thin Lizzy reaches No. 1 on the Irish Singles Chart with its rendition of “Whiskey In The Jar” on December 19, 1972.

“Whiskey in the Jar” is the tale of a highwayman or footpad who, after robbing a military or government official, is betrayed by a woman; whether she is his wife or sweetheart is not made clear. Various versions of the song take place in County Kerry, Kilmoganny, Cork, Sligo and other locales throughout Ireland. It is also sometimes placed in the American South, in various places among the Ozarks or Appalachians, possibly due to Irish settlement in these places. Names in the song change, and the official can be a Captain or a Colonel, called Farrell or Pepper among other names. The protagonist’s wife or lover is sometimes called Molly, Jenny, Emzy, or Ginny among various other names. The details of the betrayal are also different, being either betraying him to the person he robbed and replacing his ammunition with sand or water, or not, resulting in his killing the person.

The song first gains wide exposure when Irish folk band The Dubliners perform it internationally as a signature song, and record it on three albums in the 1960s. In the United States, the song is popularized by The Highwaymen, who record it on their 1962 album Encore. The song has also been recorded by singers and folk groups such as Roger Whittaker, The Irish Rovers, Seven Nations, Off Kilter, King Creosote, Brobdingnagian Bards, Charlie Zahm, and Christy Moore.

Thin Lizzy’s 1972 single (bonus track on Vagabonds of the Western World [1991 edition]) stays at the top of the Irish charts for 17 weeks, and the British release stays in the top 30 for 12 weeks, peaking at No. 6, in 1973. This version has since been covered by U2, Pulp (first released on a 1996 various artist compilation album Childline and later on deluxe edition of Different Class in 2006), Smokie, Metallica (Garage Inc. in 1998, which wins a Grammy Award), Belle and Sebastian (The Blues Are Still Blue EP in 2006), Gary Moore (2006), Nicky Moore (Top Musicians Play Thin Lizzy in 2008), Simple Minds (Searching for the Lost Boys in 2009), Blaggards (Live in Texas in 2010) and Israeli musician Izhar Ashdot. The song is also on the Grateful Dead live compilation So Many Roads (1965-1995) disc five.


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Birth of John Mitchel, Nationalist Activist & Journalist

John Mitchel, Irish nationalist activist, author, and political journalist, is born in Camnish, near Dungiven, County Derry on November 3, 1815.

Mitchel is the son of a Presbyterian minister. At the age of four, he is sent to a classical school, run by an old minister named Moor, nicknamed “Gospel Moor” by the students. He reads books from a very early age. When a little over five years old, he is introduced to Latin grammar by his teacher and makes quick progress. In 1830, not yet 15 years old, he enters Trinity College, Dublin and obtains a law degree in 1834.

In the spring of 1836 Mitchel meets Jane Verner, the only daughter of Captain James Verner. Though both families are opposed to the relationship, they become engaged in the autumn and are married on February 3, 1837, by the Rev. David Babington in Drumcree Church, the parish church of Drumcree.

Mitchel works in a law office in Banbridge, County Down, where he eventually comes into conflict with the local Orange Order. He meets Thomas Davis and Charles Gavan Duffy during visits to Dublin. He joins the Young Ireland movement and begins to write for The Nation. Deeply affected by the misery and death caused by the Great Famine, he becomes convinced that nothing will ever come of the constitutional efforts to gain Irish freedom. He then forms his own paper, United Irishmen, to advocate passive resistance by Ireland’s starving masses.

In May 1848, the British tire of Mitchel’s open defiance. Ever the legal innovators in Ireland, they invent a crime especially for the Young Irelanders – felony-treason. They arrest him for violating this new law and close down his paper. A rigged jury convicts him, and he is deported first to Bermuda and then to Australia. However, in June 1853, he escapes to the United States.

Mitchel works as a journalist in New York City and then moves to the South. When the American Civil War erupts, he is a strong supporter of the Southern cause, seeing parallels with the position of the Irish. His family fully backs his commitment to the Southern cause. He loses two sons in the war, one at the Battle of Gettysburg in 1863 and another at the Battle of Fort Sumter in 1864, and another son loses an arm. His outspoken support of the Confederacy causes him to be jailed for a time at Fort Monroe, where one of his fellow prisoners is Confederate President Jefferson Davis.

In 1874, the British allow Mitchel to return to Ireland and in 1875 he is elected in a by-election to be a member of the Parliament of the United Kingdom representing the Tipperary constituency. However, his election is invalidated on the grounds that he is a convicted felon. He contests the seat again in the resulting by-election and is again elected, this time with an increased vote.

Unfortunately, Mitchel, one of the staunchest enemies to English rule of Ireland in history, dies in Newry on March 20, 1875, and is buried there. Thirty-eight years later, his grandson, John Purroy Mitchel, is elected Mayor of New York City.