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Death of Leslie Daiken, Copywriter, Editor & Writer

Leslie Herbert Daiken, an Irish advertising copywriter, editor, and writer on children’s toys and games, dies in London on August 15, 1964.

Born Leslie Yodaiken into a Russian–Jewish family in Portobello, Dublin, Daiken is the son of Samuel and Rosa Yodaiken. His father is a dealer in rubber and scrap metal, with premises in Dublin and Glasgow, and he is educated at two independent fee-paying schools, St. Andrew’s College and Wesley College, and then in 1930 he enters Trinity College Dublin. In his first year, one of his lecturers in French literature was Samuel Beckett. He is an active member of the Dublin University Socialist Society and a founding member of the college’s Gaelic Society.

In 1932, and again in 1933, as Yodaiken he wins the Vice-Chancellor’s Prize for English Prose, and while at Trinity, he publishes short stories and verse in Choice, The Dublin Magazine, and The New English Weekly.

In 1933, Daiken is present at the house of Charlotte Despard in Eccles Street, Dublin, also used as a Workers’ College, when it is attacked by a mob of Blueshirts. He leads the immediate defence of the building, which is saved on that occasion by the intervention of Irish Republican Army (IRA) men posing as the police.

In 1934, as Yodaiken, he graduates with a BA from Trinity in English and French Literature, with a Second Class degree. After graduating, Daiken works briefly as a schoolteacher in Dublin. In April 1935, his short story “Angela” is published in The New English Weekly under the pen name of Ned Kiernan. That year, he migrates to London.

Soon after his arrival in London, Daiken is one of the three founders of a duplicated publication called Irish Front, together with two other poets, Charles Donnelly and Ewart Milne.

In England, Daiken starts to shorten his surname from Yodaiken to Daiken, for his publications, but he does not make this change formally until doing so by deed poll in 1943.

In December 1935, The Irish Times reviews a production in Camden Town of Ireland Unfree, a stage version by Daiken of Patrick Pearse’s poem “The Rebel.” It states that “Mr. Daiken carries Pearse’s theme beyond his idealistic conclusion to the revolutionary viewpoint of the Irish workers.”

Daiken keeps up his links with leftist Irish writers and dissidents and edits the collection of working-class political verse Goodbye Twilight: songs of the struggle in Ireland (1936), illustrated by Harry Kernoff. The Irish Press describes this as “forty young poets with blazing eyes and clenched fists.” In another review, Louis MacNeice calls the book a “collection of proletarian poems – some communist, some Irish republican, and all written in a defiant spirit of opposition … a violent reaction against Yeats and all that he stood for.”

Daiken does not go to fight in the Spanish Civil War, although his Irish Front colleague Charles Donnelly does, and is killed; but he is active in fundraising for the Connolly Column, the Irish section of the International Brigades. He is also a contributor to the branch of Republican Congress in London, an Irish republican and Marxist-Leninist pressure group which aims to engage Irish emigrants working in the city on socialist issues.

In 1939, Mairin Mitchell is highly critical of the Irish leftists, and in particular Daiken, for their views on the Molotov–Ribbentrop Pact, and writes to Desmond Ryan in September, “Brian O’Neill, Bloomsbury, and Daiken will sing Russia right or wrong.”

In October 1939, at the time of the wartime National Registration Act, Daiken is living in a studio at Old Castle Wharf, Twickenham, and describes himself as “Script-writer and advertising copywriter.”

During World War II, Daiken enlists in the Corps of Signals of the Irish Army, a neutral force, and also works for Reuters as a correspondent on education. In 1944, he edits They Go, the Irish, a collection of essays, including one from Seán O’Casey. In 1945, a collection of his verse is published under the title Signatures of All Things. In the summer of that year, Samuel Beckett gives Daiken his unpublished novel Watt, in the hope that he can find a publisher for it, but he fails to do so. They continue to write to each other and meet in London and Paris in the 1950s. He also keeps up with another friend from Trinity, Con Leventhal.

After he becomes a father in 1945, Daiken’s main interest moves on from political activism to children’s games and toys, and by 1951 the basement of his London home has become a toy museum. He writes on the subject and makes television and radio programmes for the BBC about it. His film One potato, two potato, a compilation of children’s street rhymes, wins the Festival Mondial du Film prize in 1958. His radio play The Circular Road is about a Jewish-Irish child.

In the 1950s Daiken founds the National Toy Museum and Institute of Play, today part of the Toy Collection at Hove Museum of Creativity.

Daiken returns to Ireland many times as a visitor. In the early 1960s he completes a radio play about the Jewish community of Dublin in the 1920s, which is broadcast on RTÉ.

In October 1963, Conor Cruise O’Brien, Vice Chancellor of the University of Ghana, recruits Daiken as a lecturer in education, and not long before his death he makes a film called The Piano about teaching white and black children in a school in Africa. He dies on August 15, 1964, while spending the summer vacation at home in London, leaving an estate valued at £3,865. He is cremated. His widow survives him until 1981.

In a tribute to Daiken, his 1930s communist associate Brian O’Neill writes, “He was always busy, always with a half dozen irons in the fire, always trying to give a hand to some Irish writer who needed it.”

In the early 1990s, Katrina Goldstone interviews Daiken’s brother, Aubrey Yodaiken, and later reports: “I was left with a faint sense of melancholy, as my interviewee had become distressed speaking about his brother, Leslie Daiken, and recalling his irrepressible and exasperating personality, his many projects, half-started novels…”

Aubrey Yodaiken is distressed by the lack of appreciation of his brother’s many cultural efforts and by the fact that his “scattershot literary endeavours” seem to have come to naught.

The National Library of Ireland holds a collection of Daiken’s papers, in particular his publications and correspondence, presented to it in 1995 by his elder daughter, by then Melanie Cuming, and his younger brother, Aubrey Yodaiken. The papers are mostly in English, French, German, Dutch, Italian, Hebrew, and Irish.


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Death of John Havelock Nelson, Composer & Conductor

John Havelock Nelson, composer and conductor, dies in Belfast, Northern Ireland, on August 5, 1996. He makes an immense contribution to the development of the cultural life of the province – and beyond – over the second half of the 20th century.

Nelson is born of middle-class parents in Cork, County Cork, on May 25, 1917, his distinctive forename being taken from a cousin of his mother who lost his life in World War I. Despite his birthplace, both his parents’ ancestral roots lie firmly in Northern Ireland.

Nelson’s father Robert comes from Larne, County Antrim, where he was raised. However, the early years of his mother Grace are quite eventful. She is born in the Belgian Congo on account of her father’s placement there as a missionary in the latter years of the 19th century (his family hail from Tobermore, County Londonderry). She is eventually sent home at an early age, due to the threat of malaria, and is raised in Belfast by an aunt and uncle who have no family of their own. It appears that Nelson inherits his musical genes from both parents. Although his father is trained as a chartered accountant, he is a capable baritone singer who studies in the early 1900s with C. J. Brennan, later to become the organist and choirmaster at St. Anne’s Cathedral, Belfast). Meanwhile, his mother shows talent as a pianist during her upbringing in her adopted city and by her early 20s is offering her services as an accompanist.

By chance, this is how his parents meet. They marry in 1916, shortly before their arrival in Cork where Robert takes up his first accountancy job. Within a month of Nelson’s birth, the family moves to Dublin where his father has secured a better post, eventually settling near Dún Laoghaire, just south of the capital city. From the age of five, now the eldest of four brothers born a year apart, he starts piano lessons and makes such rapid progress that, by the age of ten, he is able to play in a piano trio and to accompany his father in informal concerts. By the age of twelve, he wins a scholarship to the Royal Irish Academy of Music, Dublin, giving him the opportunity to study piano and theory and helping him to establish his core musical skills. Soon he adds conducting and organ lessons to his study programme.

As far as Nelson’s general education is concerned, this is completed at St. Andrew’s College, Dublin, where he excels in English, history and the sciences. By his late teens, he is determined to pursue a professional career as a musician. His father, however, exercises caution in this regard, advising him to take a science degree in the first instance. Consequently, he gains entry to Trinity College Dublin (TCD) in 1935 to read Natural Science, then makes a decision the following year to change to Medical Science. By 1939, he completes his primary degree in Medical Science, leading to doctoral research in bacteriology. At the same time, he begins a 4-year music degree at TCD while remaining musically active outside the university in relation to his piano studies, and also co-founds and conducts the Dublin Orchestral Players, a body that continues to provide an invaluable platform for amateur performers. He completes his university studies in 1943, graduating with a PhD in Medical Science and a primary Music degree. Seven years later he also completes a doctorate in Music from the same university.

His university career now behind him, like many fellow Irishmen, Nelson feels a desire to contribute to the World War II effort and applies for a commission in the medical branch of the Royal Air Force (RAF) in 1944. Eventually, he is called up and located at RAF Halton, Buckinghamshire, where he remains until after the end of the War, only returning to Dublin for his marriage in 1945. By nature, an outgoing, sociable person, he wastes no time in immersing himself in music-making activities when off duty, both inside and outside his RAF base. It is during this immediate post-war period that he becomes convinced that he wants to pursue a career in music. By chance, his attention is drawn to a BBC advertisement regarding a number of regional posts for staff accompanists, including Northern Ireland. His application is successful, and he reports for duty at BBC Northern Ireland in March 1947, where he remains for the next 30 years. In his new post, his main role is to play and accompany on the piano. To this end, he becomes involved in a number of new radio programmes, notably Children’s Hour. Elsewhere, he composes and arranges music for adult dramas and serials, the best known being The McCooeys. Another responsibility is to assist in auditioning local musicians for broadcasting opportunities, a process that uncovers much local talent, including a young James Galway. While his activities revolve around radio work in the 1950s, the next 20 years embrace opportunities arising from the new medium of television, including the popular Songs of Praise which involve him as conductor.

Nelson’s decision to retire from the BBC in 1977 enables him to focus fully on his free-lance career which had been running parallel, up until then, with his broadcasting work. In this capacity he is able to give full rein to his diverse range of musical skills as choral and orchestral conductor, chamber musician, music-festival adjudicator, composer and arranger. One should not overlook his role as animateur in founding the Studio Symphony Orchestra (1947) and the Studio Opera Group (1950). Both became integral parts of the local cultural scene during Nelson’s lifetime. His contribution as a festival adjudicator is an important activity, notably when undertaking tours abroad, including to Canada and the Caribbean. His visits to the latter area lead him to form the Trinidad and Tobago Opera Company shortly after his BBC retirement. In his busy lifestyle, he makes time to satisfy his creative energy as a composer and arranger. In total he publishes over 100 pieces, many inspired by his love of Irish traditional song and are of short duration and scored for a variety of vocal combinations. His enjoyment of his reputation as a piano accompanist of international standing is confirmed by his association with some of the leading Irish and British professional singers of the period, including Bernadette Greevy (soprano), Margaret Marshall (soprano), Peter Pears (tenor) and Ian Wallace (bass-baritone).

During his lifetime, Nelson’s outstanding services to music, both inside and outside the province, are recognised by a number of awards. The first of these is an OBE in 1966, followed in the latter part of his life by four honorary doctorates, three from local universities. A gifted and versatile musician, his personality is described by one colleague as “magnetic”- he has the unique ability to reach out to everybody irrespective of their age, status and position in life in whatever role he performs. In his best-known role as a conductor, a critic says of him that, “Dr. Nelson has a remarkable touch in getting people to do what he wants in the pleasantest way possible.” His vision and determination help to establish a vibrant music culture throughout Northern Ireland, an achievement that will remain his lasting legacy.

Nelson is survived by his three children and eight grandchildren; his wife Hazel having predeceased him in 1983.

(From: “John Havelock Nelson (1917-1996),” Dictionary of Ulster Biography, http://www.newulsterbiography.co.uk)


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Death of Irish Writer Denis Johnston

Irish writer (William) Denis Johnston dies on August 8, 1984, at Ballybrack, County Dublin. He writes mostly plays, but also works of literary criticism, a book-length biographical essay of Jonathan Swift, a memoir and an eccentric work on cosmology and philosophy. He also works as a war correspondent and as both a radio and television producer for the BBC.

Johnston is born in Dublin on June 18, 1901, the only child of William John Johnston from Magherafelt, a barrister and later an Irish Supreme Court judge, and his wife Kathleen (née King), a teacher and singer from Belfast. They are Presbyterians and liberal home rulers. He sees the family home in Dublin occupied by rebels during the 1916 Easter Rising.

Johnston is educated at St. Andrew’s College, Dublin (1908–15, 1917–19), and Merchiston Castle School, Edinburgh (1915–16). In 1918, he attempts to join Sinn Féin, offering to supply the party with weapons taken from his Officers’ Training Corps. In 1922, while reading history and law at Christ’s College, Cambridge (1919–23) he tries to enlist in the civil war Free State army. He goes on to study at the Harvard Law School (1923–24) and enters King’s Inns in Dublin and the Inner Temple in London.

In London, developing his interest in the theatre, Johnston abandons plans for a legal and political career.

Johnston is a protégé of W. B. Yeats and George Bernard Shaw, and has a stormy friendship with Seán O’Casey. He is a pioneer of television and war reporting. He works as a lawyer in the 1920s and 1930s before joining the BBC as a writer and producer, first in radio and then in the fledgling television service. His broadcast dramatic work includes both original plays and adaptation of the work of many different writers.

Johnston’s first play, The Old Lady Says “No!”, helps establish the worldwide reputation of Dublin’s Gate Theatre. His second play, The Moon in the Yellow River, has been performed around the globe in numerous productions featuring such storied names as James Mason, Jack Hawkins, Claude Rains, Barry Fitzgerald, James Coco and Errol Flynn. Later plays deal with the life of Jonathan Swift, the 1916 Rebellion, the pursuit of justice, and the fear of death. He writes two opera libretti and a pageant.

“Passionate in his radical skepticism and loathing of what he saw as the pernicious influence of the Roman Catholic Church,” at the end of 1933, Johnston joins the trade unionist John Swift, the Dublin novelist Mary Manning, and fellow northerner, the libertarian socialist Jack White, in forming The Secular Society of Ireland. “Convinced that clerical domination in the community is harmful to advance,” the society seeks “to establish in this country complete freedom of thought, speech and publication, liberty for mind, in the widest toleration compatible with orderly progress and rational conduct.” Among other things it aims to terminate the clerically-dictated ban on divorce, the Censorship of Publications Act and the system of clerical management, and consequent sectarian teaching, in schools.

This is at a time of heightened clerical militancy and as soon the meeting place of the Society (from which it distributed the British journal The Freethinker) is exposed, it has to shift to private houses outside of Dublin. In 1936, Johnston and the other members disband the society and donate the proceeds to the government of the beleaguered Spanish Republic. He has become a recognised man of the left. In 1930 he joins the Irish Friends of Soviet Russia, and though never a party member, until as late as the 1950s he professes faith in a communist future.

During World War II he serves as a BBC war correspondent, reporting from El Alamein, through the Italian campaign, to Buchenwald and Adolf Hitler‘s Berghof. For this he is awarded an OBE, a mention in dispatches, and the Yugoslav Partisans Medal. He then becomes Director of Programmes for the television service.

Johnston later moves to the United States and teaches at Mount Holyoke College, Smith College and other universities. He keeps extensive diaries throughout his life, now deposited in the Library of Trinity College, Dublin, and these together with his many articles and essays give a distinctive picture of his times and the people he knew. Another archive of his work is held at the library of Ulster University at Coleraine. He receives honorary degrees from Ulster University and Mount Holyoke College and is a member of Aosdána.

Johnston and actress Shelah Richards are the parents of Jennifer Johnston, a respected novelist and playwright, and a son, Micheal. His second wife is the actress Betty Chancellor, with whom he has two sons, Jeremy and Rory.

Johnston dies on August 8, 1984, at Ballybrack, County Dublin, and is buried in St. Patrick’s Cathedral close. His epitaph is a quotation from The Old Lady Says “No!” – Emmet’s lines praising Dublin “the strumpet city.”

Johnston’s war memoir, Nine Rivers from Jordan, reaches The New York Times‘ Best Seller list and is cited in the World Book Encyclopedia‘s 1950s article on World War II under “Books to Read,” along with Winston Churchill, Dwight D. Eisenhower, et al. Joseph Ronsley cites an unnamed former CBS Vietnam War correspondent who called the book the “Bible,” carrying it with him constantly, “reading it over and over in the field during his tour of duty.” In a profile in The New Yorker in 1938, Clifford Odets is quoted as saying that the only playwrights he admires are John Howard Lawson, Sean O’Casey, and Denis Johnston.

The Denis Johnston Playwriting Prize is awarded annually by Smith College Department of Theatre for the best play, screenplay or musical written by an undergraduate at Smith College, Mount Holyoke College, Amherst College, Hampshire College and the University of Massachusetts Amherst. The prize is endowed by his former student at Smith, Carol Sobieski.


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Birth of E. R. Dodds, Irish Classical Scholar

Eric Robertson Dodds, Irish classical scholar, is born in Banbridge, County Down, on July 26, 1893. He is Regius Professor of Greek at the University of Oxford from 1936 to 1960.

Dodds is the son of schoolteachers. His father Robert is from a Presbyterian family and dies of alcoholism when Dodds is seven years old. His mother Anne is of Anglo-Irish ancestry. When he is ten, he moves with his mother to Dublin, and he is educated at St. Andrew’s College, where his mother teaches, and at Campbell College in Belfast. He is expelled from the latter for “gross, studied, and sustained insolence.”

In 1912, Dodds wins a scholarship at University College, Oxford, to read classics, or Literae Humaniores, a two-part, four-year degree program consisting of five terms of study of Latin and Greek texts followed by seven terms of study of ancient history and ancient philosophy. His friends at Oxford include Aldous Huxley and T. S. Eliot. In 1916, he is asked to leave Oxford due to his support for the Easter Rising, but he returns the following year to take his final examinations in Literae Humaniores, and is awarded a first-class degree to match the first-class awarded him in 1914 in Honour Moderations, the preliminary stage of his degree. His first tutor at Oxford is Arthur Blackburne Poynton.

After graduation, Dodds returns to Dublin and meets W. B. Yeats and George William Russell. He teaches briefly at Kilkenny College and in 1919 is appointed as a lecturer in classics at the University of Reading, where in 1923 he marries a lecturer in English, Annie Edwards Powell. They have no children.

In 1924, Dodds is appointed Professor of Greek at the University of Birmingham, and comes to know W. H. Auden, whose father George, Professor of Public Medicine and an amateur classicist, is a colleague. He is also responsible for Louis MacNeice‘s appointment as a lecturer at Birmingham in 1930. He assists MacNeice with his translation of Aeschylus, Agamemnon (1936), and later becomes the poet’s literary executor. He publishes one volume of his own poems, Thirty-Two Poems, with a Note on Unprofessional Poetry (1929).

In 1936, Dodds becomes Regius Professor of Greek at the University of Oxford, succeeding Gilbert Murray. Murray decisively recommends him to British Prime Minister Stanley Baldwin and it is not a popular appointment. He is chosen over two prominent Oxford dons, Maurice Bowra of Wadham College and John Dewar Denniston of Hertford College. His lack of service in World War I and his support for Irish republicanism and socialism in addition to his scholarship on the non-standard field of Neoplatonism, also does not make him initially popular with colleagues. He is treated particularly harshly by Denys Page at whose college, Christ Church, the Regius Chair of Greek is based.

Dodds has a lifelong interest in mysticism and psychic research, being a member of the council of the Society for Psychical Research from 1927 and its president from 1961 to 1963.

On his retirement in 1960, Dodds is made an Honorary Fellow of University College, Oxford, until his death on April 8, 1979. He dies in the village of Old Marston, northeast of Oxford.

Among Dodds’s works are The Greeks and the Irrational (1951), which charts the influence of irrational forces in Greek culture up to the time of Plato, and Pagan and Christian in an Age of Anxiety, a study of religious life in the period between Marcus Aurelius and Constantine I. He is also editor of three major classical texts for the Clarendon Press, Proclus: Elements of Theology, Euripides‘ The Bacchae and Plato’s Gorgias, all published with extensive commentaries, and a translation in the case of the first. His autobiography, Missing Persons, is published in 1977. He edits Louis MacNeice’s unfinished autobiography The Strings are False (1965) and MacNeice’s Collected Poems (1966).


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Birth of Bethel Solomons, Medical Doctor & Rugby Player

Bethel Albert Herbert Solomons, gynaecologist and international rugby player for the Ireland national rugby union team, is born into a prominent Jewish family, one of the oldest continuous Jewish families in Ireland, at 32 Waterloo Road, Dublin, on February 27, 1885. He is also a supporter of the 1916 Easter Rising.

The Solomons come to Ireland from England in 1824. Solomons is the son of Maurice Solomons (1832–1922), an optician whose practice is mentioned in James Joyce‘s Ulysses. His grandmother, Rosa Jacobs Solomons (1833–1926), is born in Hull in England. His elder brother Edwin (1879–1964) is a stockbroker and prominent member of the Dublin Jewish community. His sister Estella Solomons (1882–1968) is a leading artist, and a member of Cumann na mBan during the 1916 Easter Rising. She marries poet and publisher Seumas O’Sullivan. His younger sister Sophie is a trained opera singer.

Solomons attends St. Andrew’s College, Dublin, where he is very interested in rugby. He earns ten international rugby caps for Ireland between 1908 and 1910. He studies medicine at Trinity College, Dublin, becomes a medical doctor, and is Master of the Rotunda Hospital in Dublin from 1926 to 1933, surprising those who felt that a Jew would never hold the post. When his term ends in 1933, his name is intimately linked with that of the hospital when James Joyce writes in Finnegans Wake, “in my bethel of Solyman’s I accouched my rotundaties.” He serves as president of the Royal College of Physicians of Ireland (RCPI) in the late 1940s and practices from No. 30 Lower Baggot Street.

In a biography of Solomons he is described as “World famous obstetrician & gynaecologist, Rugby international, horseman, leader of Liberal Jewry & of Irish literary & artistic renaissance.”

Following a brief courtship, Solomons marries Gertrude Levy, who had studied with his sister Sophie at the Royal Academy of Music, London, in the liberal synagogue in London in 1916. His second son, Dr. Michael Solomons (1919–2007), is a distinguished gynaecologist, a pioneer of family planning in Ireland, and a veteran of the bitter and divisive 1983 constitutional amendment campaign.

Solomons is a friend of the founder of Sinn Féin and TD, Arthur Griffith. He contributes to the purchase of a house for Griffith. He is a founding member and the first president of the Liberal Synagogue in Dublin. He establishes a dispensary for Jewish women with Ada Shillman. In retirement he is inspector of qualifying examinations and visitor of medical schools in midwifery for the general medical council. A volume of memoirs is published in 1956. He is an art collector, including the works of Jean Cooke.

Solomons dies on September 11, 1965, at his home, Laughton Beg, Rochestown Avenue, Dún Laoghaire. The Bethel Solomons medal is awarded annually to an outstanding student in midwifery at the hospital.


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Birth of Tony Ward, Former Rugby Union & Association Football Player

Anthony Joseph Patrick Ward, Irish former rugby union and association football player during the 1970s and 1980s commonly referred to as Tony Ward, is born in Dublin on October 8, 1954. He plays rugby as a fly-half for, among others, Munster, Leinster, Ireland, the British & Irish Lions and the Barbarians. He is selected 1979 European rugby player of the year.

Ward wins 19 caps for Ireland between 1978 and 1987. He makes his international debut against Scotland at Lansdowne Road on January 21, 1978 at the age of 23. He helps Ireland win 12–9 and during the 1978 Five Nations Championship he scores 38 points, a record for a debutant. He makes one major tour with Ireland, to Australia in 1979. During his career as an Ireland international he scores 113 points, including 29 penalties, 7 conversions and 4 drop goals. He plays his last game for Ireland on June 3, 1987 in a 32–9 win over Tonga during the 1987 Rugby World Cup.

Leinsterman Ward also inspires Munster to a legendary win over New Zealand, scoring two drop goals and a conversion in a 12–0 victory at Thomond Park on October 31, 1978. To date Munster are the only Irish provincial men’s team ever to beat the All-Blacks, although having played them far more frequently than any other province and joining dozens of smaller Welsh clubs and English regions who defeated mid-week All Black teams over the same period.

Ward also plays one Test game for the British & Irish Lions during the 1980 South Africa tour. He sets a Lions Test record by scoring 18 points, including 5 penalties and a drop goal. It is also a record for any player against South Africa.

Ward is the first ever recipient of a European Rugby Player of the Year award for his performances in the 1979 Five Nations Championship.

Ward also plays association football for both Shamrock Rovers and Limerick United. In his last season with Rovers, 1974–75, he scores 6 league goals. He plays for Limerick United in the 1981–82 UEFA Cup and in 1982 he helps them win the FAI Cup.

While playing rugby Ward is a geography and PE teacher at St. Andrews School in Booterstown, Dún Laoghaire–Rathdown. During the 1990s, he is a highly valued and well respected coach for St. Andrews.

Since retiring as a sportsman, Ward has worked as a sports journalist, most notably with the Irish Independent, and as a rugby commentator for Raidió Teilifís Éireann (RTÉ). He starts as a co-commentator for the 1988 Five Nations Championship, and remains in that role for many years.

Ward is currently involved in St. Gerard’s School in Bray, County Wicklow, where he is coaching the Senior Rugby team and has been doing so for a number of years. He constantly downplays his fame and success and does not even want to be in the room if another coach plays video footage of his legendary tries.


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Death of Risteárd Ó Glaisne, Irish Language Writer & Teacher

Risteárd Ó Glaisne, teacher and writer with a lifelong commitment to the Irish language, dies in Dublin on November 6, 2003. He is the author of biographies of two former Presidents, Douglas Hyde (pictured) and Cearbhall Ó Dálaigh.

Risteárd Earnán Ó Glaisne is born on September 2, 1927, near Bandon, County Cork, the third of four children of George William Giles and his wife, Sara Jane (née Vickery). Educated at Bandon Grammar School and Trinity College Dublin, he graduates with a BA in 1949 and obtains a master’s degree in 1959. At TCD he is greatly influenced by Daithí Ó hUaithne.

Ó Glaisne first becomes interested in the Irish language at school in Bandon. His headmaster gives him a copy of Liam Ó Rinn‘s Peann agus Pár, along with a book of poems by Ivan Turgenev translated into Irish by Ó Rinn. “I suddenly found myself breaking into a world vastly larger than my own world in Irish,” he recalls. “The quality of mind I encountered made me realise I could never again connect Irish only with poteen and potatoes.”

Ó Glaisne further explores the language by making contact with the few native Irish speakers left in the Bandon area. He gradually comes to the conclusion that he is a member of a nation that has an extremely old and in many ways distinguished culture, of which Irish has been historically an integral part. Deciding that Irish best reflects the society in which he grew up and reflects him as an individual, he adopts it as his first language.

On graduating from TCD Ó Glaisne teaches Irish at Avoca School, Blackrock. He later teaches in St. Andrew’s College, Dublin, and at St. Patrick’s Cathedral Grammar School, where he ends his teaching career in 1989. He took a career break in the mid-1960s to study the French educational system and to travel on the Continent.

To perfect his Irish Ó Glaisne holidays on the Great Blasket Island, where he immerses himself in the rich oral culture. He makes many friends among the islanders, and the friendships continue after they are resettled on the mainland in Dún Chaoin. He regularly visits Corca Dhuibhne to meet friends like Muiris Mhaidhc Léan Ó Guithín, one of the last surviving islanders, and to enjoy the annual Ceiliúradh an Bhlascaoid.

Ó Glaisne holds that Protestants have enjoyed a long association with Irish, pointing to 18th-century followers of John Wesley such as Charles Graham, Gideon Ousley and Tomás Breathnach, who evangelised in Irish. He firmly believes that Protestants can be “every whit as Irish” as Roman Catholics. He urges his co-religionists to identify fully with Ireland.

Ó Glaisne is the founder and editor of Focus (1958-66), a monthly magazine that aims to help Protestants “come to an understanding of their cultural heritage.” He is a regular contributor to programmes on RTÉ and RTÉ Raidió na Gaeltachta, and writes for Comhar, Inniú, An tUltach and The Irish Times.

Ó Glaisne is the author of over 20 books and pamphlets in Irish. These include biographies of Conor Cruise O’Brien, Ian Paisley, Tomás Ó Fiaich and Dúbhglas de hÍde. Other works include a history of Methodism in Ireland, a book of essays on early revivalist writers and a manual for beginners in journalism. He also writes Saoirse na mBan (1973), Gaeilge i gColáiste na Trionóide 1592-1992 (1992) and Coláiste Moibhí (2002), a history of the preparatory college for Protestant teachers.

Generous with his time and knowledge, Ó Glaisne makes a point of encouraging young writers.

(From: “Worked to make Protestants aware of Irish culture heritage,” The Irish Times, Saturday, November 15, 2003)