Gallagher is commissioned to write essays for The Irish Times, the Irish Medical Times and various journals. She takes up writing screenplays and stage plays. The result is a prolific list of productions which have been staged around the world as well as broadcast by RTÉ and the BBC.
Gallagher varies work from plays to speech therapy, as well as working with prisoners, and this leads her to be a visiting lecturer at universities across the globe. She is deeply involved in the organisations of her craft, leading her to being a member of Irish PEN, both on its committee and as vice president, on the Irish Writers’ Union committee as well as a council member of the Society of Irish Playwrights. Over the years she wins a number of awards including the Arts Council and European Script Fund Awards, the MHA TV Script Award, and the EU Theatre Award.
Gallagher’s husband is Gerhardt Gallagher. They live in Dublin and have three children, Mia, Donnacha, and Etain. In 2012 she is diagnosed with cancer and kidney disease. She dies on January 15, 2018.
Deane is the fourth child of Frank Deane and Winifred (Doherty) and is brought up as part of a Catholicnationalist family. He attends St. Columb’s College in his hometown, where he befriends fellow student Seamus Heaney. He then attends Queen’s University Belfast (BA and MA) and Pembroke College, Cambridge (PhD). Although he too becomes noted for his poetry, he chooses to go into academia instead. He workws as a teacher in Derry, with Martin McGuinness being one of his students. McGuinness later recalls how Deane was “gentle, kind and never raised his voice at all, an ideal teacher who was very highly thought of.”
Deane is the co-editor of Field Day Review, an annual journal of Irish studies. He also serves as general editor of the Penguin Classic James Joyce series and of Critical Conditions, a series in Irish Studies which is jointly published by the University of Notre Dame Press and Cork University Press. He co-founds the book series Field Day Files, which contains key works by David Lloyd, Joe Cleary, Marjorie Howes, and Kerby A. Miller.
The first collection of Deane’s poetry, Gradual Wars, is published in 1972 and receives the AE Memorial Award for Literature. His first novel, Reading in the Dark, is published in 1996 and is partly autobiographical. It wins the 1996 Guardian Fiction Prize and the 1996 South Bank Show Award for Literature, is a New York Times Notable Book, wins The Irish Times International Fiction Prize and the Irish Literature Prize in 1997, besides being shortlisted for the Booker Prize in 1996. The novel is translated into more than twenty languages. He is also the general editor of the monumental Field Day Anthology of Irish Writing, which is 4,000 pages long and whose first volumes are released in 1990. It is later criticised for excluding the voices and experiences of Irish women. He responds to this by stating, “To my astonishment and dismay, I have found that I myself have been subject to the same kind of critique to which I have subjected colonialism … I find that I exemplify some of the faults and erasures which I analyse and characterize in the earlier period.”
Deane’s first marriage is to Marion Treacy. Together, they have four children. He is in a civil partnership with Emer Nolan until his death. They have one child together.
Following a short illness, Deane dies at the age of 81 on May 12, 2021 at Beaumont Hospital in Dublin.
Boyd Barrett is adopted as a baby and is raised as a Roman Catholic in Glenageary, County Dublin, by his parents, David Boyd Barrett, an accountant, and his wife, Valerie. He attends St. Michael’s College in Dublin. He holds a master’s degree in English literature from University College Dublin (UCD). His birth mother is Sinéad Cusack, with whom he is later reunited in public. Since their reunion, he has had a good relationship with Cusack, her husband Jeremy Irons, and his half-brothers, Sam and Max. In May 2013, he reveals that theatre director Vincent Dowling is his biological father.
Boyd Barrett again contests the Dún Laoghaire constituency at the 2011 Irish general election as part of the United Left Alliance. On the ballot paper, he is named a member of People Before Profit, because the United Left Alliance had not yet been registered as a political party. Following a “nail-biting two days” of counting and recounting votes, he is elected on the 10th count without reaching the quota.
As a TD, Boyd Barrett, supports protests against cuts to Dublin Bus services. In Dáil Éireann, he condemns the 2011 murder of PSNI officer Ronan Kerr as “an utterly brutal action, which leads back down a road which has failed.” Marie O’Halloran in The Irish Times describes his “consistently passionate outrage and opposition to the Government’s handling of the financial and banking crisis.”
Boyd Barrett speaks at the Dublin location of the October 15, 2011 global protests, inspired by the Spanish “Indignants” and the Occupy Wall Street movements. The same month he says Enda Kenny‘s government is engaging in “spin and disingenuity” to cover up its austerity policies, decrying the closure of hospital emergency departments around the country for “health and safety” reasons.
On November 2, 2011, Boyd Barrett leads the United Left Alliance TDs out of the Dáil, in protest against the government’s decision not to hold a debate on the payment of more than €700 million to Anglo Irish Bank bondholders. On December 15, 2011, he helps launch a nationwide campaign against a proposed household charge being brought in as part of the 2012 Irish budget. He is part of an Oireachtas delegation that meets the Bundestag‘s Budgetary and European Affairs committees in Berlin in late January 2012.
Gregory becomes involved in republican politics, joining Sinn Féin and the Irish Republican Army (IRA) in 1964. In UCD he helps found the UCD Republican Club, despite pressure from college authorities, and becomes involved with the Dublin Housing Action Committee. Within the party he is a supporter of Wicklow Republican Seamus Costello. Costello, who is a member of Wicklow County Council, emphasises involvement in local politics and is an opponent of abstentionism. Gregory sides with the Officials in the 1970 split within Sinn Féin. Despite having a promising future within the party, he resigns in 1972 citing frustration with ideological infighting in the party. Later, Costello, who had been expelled by Official Sinn Féin, approaches him and asks him to join his new party, the Irish Republican Socialist Party. He leaves the party after Costello’s assassination in 1977. He is briefly associated with the Socialist Labour Party.
Gregory contests the 1979 local elections for Dublin City Council as a “Dublin Community Independent” candidate. At the February 1982 general election, he is elected to Dáil Éireann as an Independent TD. On his election he immediately achieves national prominence through the famous “Gregory Deal,” which he negotiates with Fianna Fáil leader Charles Haughey. In return for supporting Haughey as Taoiseach, he is guaranteed a massive cash injection for his inner-city Dublin constituency, an area beset by poverty and neglect.
Although Gregory is reviled in certain quarters for effectively holding a government to ransom, his uncompromising commitment to the poor is widely admired. Fianna Fáil loses power at the November 1982 general election, and many of the promises made in the Gregory Deal are not implemented by the incoming Fine Gael–Labour Party coalition.
Gregory is involved in the 1980s in tackling Dublin’s growing drug problem. Heroin had largely been introduced to Dublin by the Dunne criminal group, based in Crumlin, in the late 1970s. In 1982 a report reveals that 10% of 15- to 24-year-olds have used heroin at least once in the north inner city. The spread of heroin use also leads to a sharp increase in petty crime. He confronts the government’s handling of the problem as well as senior Gardaí, for what he sees as their inadequate response to the problem. He co-ordinates with the Concerned Parents Against Drugs group in 1986, who protest and highlight the activities of local drug dealers and defend the group against accusations by government Ministers Michael Noonan and Barry Desmond that it is a front for the Provisional IRA. He believes that the solution to the problem is multi-faceted and works on a number of policy level efforts across policing, service co-ordination and rehabilitation of addicts. In 1995 in an article in The Irish Times, he proposes what would later become the Criminal Assets Bureau, which is set up in 1996, catalysed by the death of journalistVeronica Guerin. His role in its development is later acknowledged by then Minister for JusticeNora Owen.
Gregory also advocates for Dublin’s street traders. After attending a sit-down protest with Sinn Féin Councillor Christy Burke, and future Labour Party TD Joe Costello on Dublin’s O’Connell Street in defence of a street trader, he, Burke and four others are arrested and charged with obstruction and threatening behaviour. He spends two weeks in Mountjoy Prison after refusing to sign a bond to keep the peace.
Gregory remains a TD from 1982 and, although he never holds a government position, remains one of the country’s most recognised Dáil deputies. He always refuses to wear a tie in the Dáil chamber stating that many of his constituents could not afford them.
Gregory dies on January 2, 2009, following a long battle with cancer. Following his death, tributes pour in from politicians from every party, recognising his contribution to Dublin’s north inner city. During his funeral, politicians from the Labour Party, Fianna Fáil and Fine Gael are told that although they speak highly of Gregory following his death, during his time in the Dáil he had been excluded by many of them and that they were not to use his funeral as a “photo opportunity.” He is buried on January 7, with the Socialist Party‘s Joe Higgins delivering the graveside oration.
McFadden is born to Roland Victor MCFadden and his wife Maud Steele. A short time after his birth the family relocates to Belfast. He is educated at Knock Grammar School, Regent House School in Newtownards, and later graduates in Law from Queen’s University Belfast in 1944. He becomes a prominent lawyer and an influential figure in the Belfast literary scene.
McFadden’s first poem is published before he is thirteen. His earliest influences are from magazines and journals that his father brings home, and by Francis Turner Palgrave‘s Golden Treasury. He first comes to prominence as a promoter of Ulster literature in the 1940s when he edits two anthologies of poetry, Ulster Voices and Irish Voices in 1943. In 1948, he co-founds with Barbara Edwards (née Hunter) the Northern Irish poetry magazine Rann and then, co-edits it with her during its whole run, until 1953. Like its predecessor Lagan, it is unapologetically regionalist.
McFadden is the author of nine volumes of poetry, from Swords and Ploughshares (1943) to the posthumously published Last Poems (2002). Among his poems are “Saint Francis and the Birds” and “Independence”. His book, The Garryowen, is published by Chatto & Windus in the Phoenix Living Poets series. Most recently, his poem “Post-War” has been anthologised in Armistice: A Laureate’s Choice of Poems of War and Peace (Faber Poetry) (2018). There is a long gap between 1947 and 1971 when he publishes no collections of his work, however he continues to write and publishes in periodicals and newspapers such as The Irish Times where in that time he has sixty poems printed. His voice is well known on local BBC Radio through the Poetry Notebooks series, and he also has several verse-plays broadcast.
In 1952 McFadden marries Margaret Ferguson. Together they produce three sons and two daughters. He lives for a number of years in Lisburn, County Antrim. Inspired by Herbert Read and Alex Comfort, he describes himself as a pacifist and an anarchist in 1999. McFadden dies at his Belfast home on September 15, 1999.
The Roy McFadden Papers, comprising the poet’s personal manuscripts and papers, are lodged at Queen’s University Belfast. The Roy McFadden Library at Trinity College Dublin comprises books and journals on Irish and world literature from his collection. A comprehensive collection of his published work is held at the National Poetry Library, Southbank Centre, London.
Thomas Joseph Clancy, a member of the Irish folk group the Clancy Brothers, dies in Cork, County Cork, on November 7, 1990. He has the most powerful voice of the brothers and has previously been an actor in numerous stage productions, appearing with Orson Welles in King Lear. He also performs often on television and occasionally in the movies.
Discharged from the RAF at the end of the war, Clancy tours with a British repertory company. In 1947 he and his brother Paddy emigrate to Canada. They then move to New York where he meets his first wife and his oldest daughter is born in 1950. They then soon move to Cleveland, Ohio, to live with relatives. He works for a while as a repertory actor at the Cleveland Play House, before returning temporarily to Ireland. While in Ireland, Clancy works for the Shakespeareana Internationale company run by English actor and manager Geoffrey Kendal. After Paddy sends him extra money, he returns to the United States. The brothers plan to move to California, but their car breaks down. They decide to try New York City instead and find work as actors, both on and off Broadway.
In 1956 their brother Liam Clancy joins them, accompanied by his friend Tommy Makem. Liam and Tommy begin singing together, and in 1959 are joined by the older Clancy brothers as The Clancy Brothers and Tommy Makem. The group performs together until Liam leaves in 1976. Makem had left in 1969 to be replaced for a brief time by Bobby Clancy and later Louis Killen.
Clancy continues singing with The Clancy Brothers until 1976, when the group is disbanded. The group reforms in 1977 with a new line-up. Clancy performs with his brothers Paddy and Bobby and their nephew Robbie O’Connell until his death. He also performs with Paddy, Liam, and Tommy Makem during their reunion tour from 1984 to 1985.
After an absence of fifteen years, Clancy returns to Broadway in May 1974 in Eugene O’Neill‘s A Moon for the Misbegotten. The Irish Times reviews his performance of Phil Hogan: “In ‘Moon’ he deftly measures up to the formidable company in which he finds himself – a wily, sly rogue with a whimsical humour and a genuine concern for his daughter.” The play is a hit and wins three Tony Awards.
Clancy dies from stomach cancer at the age of 66 on November 7, 1990 at Mercy University Hospital in Cork, County Cork. He is survived by his wife Joan and their three daughters, Rayleen, Blawneen and Rosie. Prior to his marriage to Joan, he has children, Eileen and Thomas, with Yvonne Marcus, in Cleveland, Ohio. He also has a daughter, Cait, with his second wife Laine, in the mid-1950s.
Clancy’s last recording is made in 1988 with Robbie O’Connell, Bobby Clancy, and Paddy Clancy at Saint Anselm College in Goffstown, New Hampshire. Unfortunately, the recording is marred by unevenly mixed instruments and voices. After his death, Liam returns to the Clancy Brothers to fill in his place.
Beirne is the writer in residence for the 2008-2009 academical year at the University of New Brunswick, where he previously worked in the English Department. He is a Fiction Editor of The Fiddlehead, Canada’s longest surviving literary magazine. He also curates the on-line magazines The Irish Literary Times and The New Brunswick Literary Times.
Beirne’s collection of poetry, Digging My Own Grave, published by Dedalus Press, is runner-up for the Patrick Kavanagh Poetry Award. His story, “Sightings of Bono”, is adapted for Irish film and features Bono of the Irish rock band U2. His most recent collection of poems, Games of Chance – A Gambler’s Manual, is published by Oberon Press, Fall 2011.
Beirne’s CD of spoken word poetry, If it’s words you’re after, is released in 2006. He is a past winner of two Sunday Tribune/Hennessey Literary Awards including as New Irish Writer of the Year 1996. His collaboration with classical composer Siobhán Cleary, Hum!, is called “a theatrical tour de force” by The Irish Times.
In 2009, Oberon Press published Beirne’s second novel, Turtle.
Beirne’s first short story collection, In a Time of Drought and Hunger, is published in 2015 and is a shortlisted nominee for the 2016 Danuta Gleed Literary Award.
Nicholas Christopher Michael Ring, better known as Christy Ring, an Irish hurler whose league and championship career with the Cork GAA senior team spans twenty-four years from 1939 to 1963, is born in Kilboy, Cloyne, County Cork, on October 12, 1920. His 24-year career record earns him a reputation as the greatest hurler of all time.
Ring establishes many championship records, including career appearances (65), scoring tally (33-208), and number of All-Ireland medals won (8), however, these records are subsequently bested by Brendan Cummins, Eddie Keher, and Henry Shefflin respectively. Ring is widely regarded as one of the greatest hurlers in the history of the game, with many former players, commentators, and fans rating him as the number one player of all time.
Ring first excels at hurling following encouragement from his local national school teachers Michael O’Brien and Jerry Moynihan. He first appears on the Cloyne GAA minor team at the age of twelve before later winning a county minor championship medal with the nearby St. Enda’s team. A Cork Junior Hurling Championship medal with Cloyne follows, however, a dispute with club officials sees Ring join Glen Rovers GAA in Blackpool in 1941. Over the next twenty-six years with the club, Ring wins one Munster Senior Club Hurling Championship medal and fourteen county senior championship medals. As a Gaelic footballer with the Glen’s sister club, St. Nicholas’ GAA, he also wins a county senior championship medal. He retires from club hurling at the age of forty-six following a victory over University College Cork GAA in the 1967 championship quarter-final. Over the course of his senior championship career Ring estimates that he played in 1,200 games.
Ring makes his debut on the inter-county scene at the age of sixteen when he is picked on the Cork minor panel for the All-Ireland final. In spite of victory, he is denied an All-Ireland Minor Hurling Championship medal as he is Cork’s last non-playing substitute. Still eligible for the grade in 1938, Ring collects a set of All-Ireland and Munster Minor Hurling Championship medals as a member of the starting fifteen. An unsuccessful year with the Cork junior hurlers follows before he makes his senior debut during the 1939-40 league. Over the course of the next quarter century, Ring wins eight All-Ireland medals, including a record four consecutive championships from 1941 to 1944, a lone triumph in 1946 and three additional consecutive championships from 1952 to 1954. The only player to lift the Liam MacCarthy Cup three times as captain, he is denied a record-breaking ninth All-Ireland medal in 1956 in what is his last All-Ireland final appearance. Ring also wins nine Munster medals, four National Hurling League medals, and is named Hurler of the Year at the age of thirty-eight. He plays his last game for Cork in June 1963. After indicating his willingness to line out for the team once again in 1964, Ring fails to be selected for the Cork team, a move which effectively brings his inter-county career to an end.
After being chosen as a substitute on the Munster GAA inter-provincial team in 1941, Ring is an automatic choice on the starting fifteen for the following twenty-two years. He scores 42-105 as he wins a record eighteen Railway Cup medals during that period, in an era when his skill and prowess draw crowds of up to 50,000 to Croke Park for the annual final on Saint Patrick’s Day. Ring’s retirement from the game is often cited as a contributory factor in the decline of the once prestigious championship.
In retirement from playing Ring becomes involved in team management and coaching. As a mentor to the St. Finbarr’s College senior team, he guides them to their first two All-Ireland and Harty Cup triumphs in 1963 and 1969. At club level Ring is instrumental as a selector with Glen Rovers when they claim their inaugural All-Ireland title in 1973, having earlier annexed the Munster and county senior championship titles. It is with the Cork senior team that he enjoys his greatest successes as a selector. After an unsuccessful campaign in his first season on the selection panel in 1973, Ring is dropped the following year before being reinstated in 1975. Over the next three years Cork claims three successive All-Ireland titles.
Ring is most famous for his scoring prowess, physical strength, and career longevity. He remains the only player to have competed at inter-county level in four different decades. Often the target of public attention for his hurling exploits, in private Ring is a shy and reserved individual. A teetotaller and non-smoker throughout his life, he is also a devout Roman Catholic.
On Friday, March 2, 1979, Ring has a scheduled appointment with his doctor and former teammate Dr. Jim Young in Cork city centre. As he is walking past the Cork College of Commerce on Morrisson’s Island at 3:30 PM he suffers a massive heart attack and collapses. He is taken by ambulance to the South Infirmary Hospital but is pronounced dead on arrival.
Cyril James Cusack, Irish actor who appears in numerous films and television productions in a career lasting more than 70 years, dies in Chiswick, London, England on October 7, 1993. In 2020, he is listed at number 14 on The Irish Times‘s list of Ireland’s greatest film actors.
Cusack is born in Durban, Natal, South Africa, on November 26, 1910. His mother, Alice Violet (née Cole), is an English Cockney actress and chorus girl, and his father, James Walter Cusack, is an Irish mounted policeman in the Colony of Natal, South Africa. His parents separate when he is young and his mother takes him to England, and then to Ireland. His mother and her partner, Brefni O’Rorke, join the O’Brien and Ireland Players.
Cusack makes his first stage performance at the age of seven. He is educated at Newbridge College in Newbridge, County Kildare, then reads law at University College Dublin. He leaves without a degree and joins the Abbey Theatre in 1932. Between then and 1945, he performs in over 60 productions, particularly excelling in the plays of Seán O’Casey. He also performs Irish playwright Teresa Deevy‘s plays Katie Roche and The King of Spain’s Daughter. In 1932 he also joins the Gate Theatre company, appearing with them in many notable productions over the years. In 1947, he forms his own company and stages productions in Dublin, Paris and New York.
In 1963, Cusack joins the Royal Shakespeare Company in London and appears there for several seasons. By this stage he has established a successful career in films, which had started at the age of eight. Also in 1963, he wins a Jacob’s Award for his performance in the Telefís Éireann production of Triptych. He receives honorary degrees in 1977 and 1980 from the National University of Ireland (NUI) and the University of Dublin respectively.
Cusack, who is bilingual in English and Irish, has a leading role in the controversial Irish language film Poitín (1977). He is also offered the role of the First Doctor in Doctor Who.
Cusack’s last stage performance is in Anton Chekhov‘s Three Sisters (1990), in which three of his daughters play the sisters.
Cusack is twice married, firstly to Mary Margaret “Maureen” Kiely (1920–1977), on April 5, 1945. Together they have five children: Paul (1946), Sinéad (1948), Sorcha (1949), Niamh (1959), and Pádraig (1962). He and his second wife, Mary Rose Cunningham (1979–1993), have one daughter, Catherine (1968).
In later life, Cusack becomes a campaigner for conservative causes in Ireland, notably in his opposition to abortion, where he becomes a frequent letter-writer to the main liberal Irish newspaper, The Irish Times. Regarding his Catholic faith, he comments “Religion promotes the divine discontent within oneself, so that one tries to make oneself a better person and draw oneself closer to God.” His religious credentials come under scrutiny following his death and the revelation that he had been unfaithful in his first marriage, with a long-term mistress, Mary Rose Cunningham. He marries Cunningham following his first wife’s death.
On October 7, 1993, Cusack dies at the age of 82 at home in Chiswick, Greater London, from amyotrophic lateral sclerosis (ALS). His acting career had lasted 75 years.
Potter is born to a Presbyterian family who, oddly, lives on the Falls Road, a republican (Catholic) stronghold. His father is a church organist and piano tuner who has been blind since childhood. His mother is, in Potter’s own words, “a raging alcoholic.” He escapes a rather grim childhood when he goes to live with an aunt in Kent, England.
Potter had already started composing chamber and vocal music before the war. Now, established in Dublin, he chooses the orchestra as his principal means of expression. His early pieces, such as Rhapsody under a High Sky and Overture to a Kitchen Comedy, show that he has absorbed Vaughan Williams’ pastoral style and his love of folk music. In 1952, both pieces are awarded Radio Éireann‘s “Carolan Prize” for orchestral composition by the adjudicatorArnold Bax. A year later Potter repeats this success when his Concerto da Chiesa, a concerto for piano and orchestra, also wins the Carolan Prize.
In 1955 Potter is appointed Professor of Composition at the Royal Irish Academy of Music, where he becomes an effective administrator and inspiring teacher.
In the 1960s, Potter turns to ballet, writing four orchestral scores for the Cork Ballet company. The first of these, Careless Love, becomes the composer’s own favourite of all his compositions. Several years later, following a successful battle with alcoholism, he writes what some regard as his magnum opus, Sinfonia “de Profundis” (1969). The première is given at the Gaiety Theatre, Dublin on March 23, 1969 in a performance by the RTÉ Symphony Orchestra under the baton of Albert Rosen. The Irish Times refers to the concert as a “major national event.” In December 1969, he receives a Jacob’s Award for the composition.
Potter’s last substantial work, an opera entitled The Wedding, receives its first public performance in Dublin in 1981, almost a year after his death.
Potter dies suddenly at his home in Greystones, County Wicklow on July 5, 1980, at the age of 61. He is buried in the nearby Redford cemetery.
seamus dubhghaill 