Mary MacSwiney, Irish politician and educationalist, is born in London on March 27, 1872, to an Irish father and English mother. In 1927, she becomes leader of Sinn Féin when Éamon de Valera resigns from the presidency of the party.
MacSwiney returns to Ireland with her family at the age of six and is educated at St. Angela’s School in Cork. At the age of twenty, she obtains a teaching post at a private school in England and studies for a Teaching Diploma at the University of Cambridge, which is normally reserved for men.
Influenced by her younger brother Terence MacSwiney‘s staunch Irish republicanism, MacSwiney joins the Gaelic League and Inghinidhe na hÉireann. She is a founder member of Cumann na mBan when it is formed in 1914 in Cork and becomes a National Vice-President of the organisation. She leads the denunciation of British rule at the Convention of November 1914. In 1916, she is arrested and imprisoned following the Easter Rising and is also dismissed from her teaching position due to her republican activities. Several months later, upon her release from prison, she and her sister Annie re-found Scoil Íte, a sister school to Patrick Pearse‘s St. Enda’s School, and she remains involved with the school for the rest of her life.
MacSwiney supports the Irish War of Independence in 1919–21. After the death of her brother Terence in October 1920 on hunger strike during the height of the war, she is elected for Sinn Féin to the Cork Borough constituency in 1921. She gives evidence in Washington, D.C., before the American Commission on Conditions in Ireland. For nine months she and Terence’s widow, Muriel, tour the United States lecturing and giving interviews.
MacSwiney is active in her friendship with Harry Boland and de Valera, whom she cultivates assiduously. In October 1921, a second delegation is to be sent to London which for the first time includes Michael Collins. MacSwiney, who remains implacably opposed, pleads with de Valera to be allowed to go. She is refused as de Valera thinks her to be “too extreme.” She strongly opposes the Anglo-Irish Treaty, debating during December 1921 to January 1922 to resume the war. On December 21 she speaks for three hours, criticising the agreement from all angles.
MacSwiney is arrested at Nell Ryan’s home, a safe house, at 40 Herbert Park, Ballsbridge, on November 4, 1922, when it is raided by Free State soldiers. She is interned at Mountjoy Gaol and immediately goes on hunger strike. Cumann na mBan organizes vigils outside the prison in protest of Mary’s and the others internment. The Women’s Prisoner’s Defence League is formed in August 1922 to protect their rights. During the hunger strike she refuses doctor’s visits and is resigned to her death. Her condition is critical, and she is given the Last Rites by a Catholic priest. The Government is not prepared to allow strikers die, so she is released.
En route to Liam Lynch‘s funeral, MacSwiney is again arrested when the car in which she is riding is stopped and she is recognised. She is taken with Kate O’Callaghan to Kilmainham Gaol. Fearless of death, she begins another protest. They continued to be interned without charge, but it is explained she is distributing anti-government propaganda. After nineteen days of hunger strike, she is due to be released on April 30, 1923. The Governor allows O’Callaghan to go but stays a decision on MacSwiney. Most of the women on hunger strike are sent to the North Dublin Union.
In March 1926 the party holds its Ardfheis. MacSwiney and Father Michael O’Flanagan lead the section from which Éamon de Valera and Fianna Fáil break away. De Valera has come to believe that abstentionism is not a workable tactic and now sees the need to become the elected government of the Dáil. The conference instructs a joint committee of representatives from the two sections to arrange a basis for co-operation. That day, it issues a statement declaring “the division within our ranks is a division of Republicans.” The next day, de Valera’s motion to accept the Free State Constitution, contingent upon the abolition of the Oath of Allegiance, narrowly fails by a vote of 223 to 218. However, de Valera takes the great majority of Sinn Féin support with him when he founds Fianna Fáil.
MacSwiney continues to maintain a republican position until her death. By then she is vice-president of Sinn Féin and Cumann na mBan but loses her seat at the June 1927 Irish general election. When lack of funds prevents Sinn Féin contesting the second election called that year, MacSwiney declares “no true Irish citizen can vote for any of the other parties.”
Mary MacSwiney dies at her home in Cork on March 8, 1942. Her stance, both before and after the Treaty, may be summed up by her statement, “A rebel is one who opposes lawfully constituted authority and that I have never done.”
Browne’s family emigrates to the United States in October 1851. His father dies not long after they arrive in New Orleans. In 1852, his mother relocates with her five children to Houston, Texas, to be closer to the family of her mother. Browne spends much of the 1850s on Spann Plantation in Washington County, Texas, at the behest of Father Gunnard, where he also receives an education. At age fourteen in 1859, he leaves the plantation and finds work hauling bricks in Madison County, Texas. He returns to Houston to first work as a baggage hauler, then performs messenger duties for Commercial and Southwestern Express Company before settling in at the Houston and Texas Central Railroad.
Browne joins the Confederacy, officially serving in Company A, 36 Texas Cavalry. He serves in Houston, detached from his unit, maintaining employment with the Houston and Texas Central Railroad, but in a new capacity as a fireman. He is briefly dispatched to the defense of Galveston, Texas. He is officially released from military duty in Houston on June 27, 1865.
Browne returns to messenger service in Houston after the Civil War. He works for Adams Express Company, then for Southern Express Company. He transitions into the grocery business first as a bookkeeper and clerk for H.P. Levy. Browne marries Mary Jane “Mollie” Bergin on September 13, 1871. They are the first marriage to be recorded at Annunciation Catholic Church. In 1872, Browne and Charles Bollfrass start a business as wholesale and retail grocers with $500 in capital. By the early 1890s, this grocery is amassing about $340,000 in annual sales. He is also a member of the Ancient Order of Hibernians and the Knights of Columbus.
Browne is elected to the Houston City Council, representing the Fifth Ward while chairing the Finance Committee in 1887. He runs for Mayor of Houston in 1892 and wins in a landslide. Browne’s first term as Mayor of Houston begins the same year as the Panic of 1893. He has campaigned on a platform of balancing the budget. The City of Houston runs budget deficits during Browne’s first term, but these deficits are proportionately lower than those in previous years. Browne had been an advocate for lowering municipal utility bills through municipal ownership of the utilities, however estimates for the City of Houston to build its own waterworks and electrical power plant go up to a range $500,000 to $900,000. Browne abandons this option while favoring a policy of dedicating all capital spending on street paving and sewerage. The Browne administration also hires a city planning expert to study demands based hypothetically on a population of 75,000.
Mayor Browne proposes converting the Houston Volunteer Firefighters to a professional department under municipal management. The City of Houston would have to buy existing equipment and horses from the volunteer department, but could lease firehouses and not be required to buy them. Houston City Council drafts an ordinance and passes it.
In April 1895, the Texas Supreme Court ruling in Higgins v. Bordages, “held that special assessment tax liens were unenforceable against urban homesteads.” The City of Houston imposes special tax levies for road and sewerage projects on owners of property abutting the sections of street being improved. The ruling effectively removes the only tool the city has for enforcing payment of the special assessments by homeowners. Road construction contractors stop all work because they fear the city will not pay them. Many homeowners stop paying their assessment bills.
To meet this immediate revenue crisis, the Browne administration devises a plan to issue $500,000 in municipal bonds to be sold over a three to four year period. The Labor Council opposes the bonding measure and organizes to defeat the measure when the referendum makes it to the ballot. The City of Houston has to find another way to compensate for $300,000 in uncollected taxes.
Browne represents Houston in the Texas House of Representatives from 1897 to 1899, and again in 1907.
John Thomas Browne dies August 19, 1941 died of pneumonia in Houston and is buried at Glenwood Cemetery.
George Brent, Irish-born American stage, film, and television actor in American cinema, is born on March 15, 1904 in Ballinasloe, County Galway.
Brent was born George Patrick Nolan to John J. and Mary (née McGuinness) Nolan. His mother is a native of Clonfad, Moore, County Roscommon. During the Irish War of Independence, Brent is part of the Irish Republican Army (IRA). He flees Ireland with a bounty set on his head by the British government, although he later claims only to have been a courier for guerrilla leader and tactician Michael Collins.
He eventually moves to Hollywood, and makes his first film, Under Suspicion, in 1930. Over the next two years, he appears in a number of minor films produced by Universal Studios and 20th Century Fox, before being signed to contract by Warner Bros. in 1932. He remains at Warner Bros. for the next 20 years, carving out a successful career as a top-flight leading man during the late 1930s and 1940s.
Brent drifts into “B” pictures from the late 1940s and retires from film in 1953. He continues to appear on television until 1960, having appeared on the religion anthology series, Crossroads. He is cast in the lead in the 1956 television series, Wire Service. In 1978, he makes one last film, the made-for-television production Born Again.
George Brent receives two stars on the Hollywood Walk of Fame, the first, at 1709 Vine St., for his film contributions, the second star, at 1614 Vine St., for his work in television.
Brent is married five times: Helen Louise Campbell (1925–1927), Ruth Chatterton (1932–1934), Constance Worth (1937), Ann Sheridan (1942–1943), and Janet Michaels (1947-1974). His final marriage to Janet Michaels, a former model and dress designer, lasts 27 years until her death in 1974. They have a son and a daughter.
Brent also carries on a lengthy relationship with his frequent Warner Bros. co-star, actress Bette Davis, who describes her last meeting with Brent after many years of estrangement. He is suffering from advanced emphysema, and she expresses great sadness at his ill health and deterioration. George Brent dies on May 26, 1979 in Solana Beach, California.
In January 1921, at his first Dáil meeting after his return to a country gripped by the War of Independence, de Valera introduces a motion calling on the Irish Republican Army (IRA) to desist from ambushes and other tactics that are allowing the British to successfully portray it as a terrorist group, and to take on the British forces with conventional military methods. This they strongly oppose, and de Valera relents, issuing a statement expressing support for the IRA, and claims it is fully under the control of the Dáil. He then, along with Cathal Brugha and Austin Stack, bring pressure to bear on Michael Collins to undertake a journey to the United States himself, on the pretext that only he can take up where de Valera had left off. Collins successfully resists this move and stays in Ireland.
The British government’s proposal of a Truce and negotiations over Ireland’s future is a result of both domestic and international factors. The British have been unable to defeat the Irish struggle for independence and there is a danger that the longer it continues the more radicalised it is becoming. In March 1921 Southern Unionist leader Lord Midleton also points to the strengthening of the independence movement, telling David Lloyd George and Hamar Greenwood that the resistance is now three times stronger than in July 1920. The following month Greenwood himself is talking of pacification taking years rather than months. British government policy in Ireland is also creating problems for it both internationally (especially in the United States) and in Britain itself. At the same time Britain is facing growing independence struggles in Egypt and India. It also faces an increasingly difficult financial situation. British foreign trade suffers a substantial collapse in 1921 as its exports fall by 48 percent over a twelve-month period, its imports drop by 44 percent, and unemployment rapidly increases. The Economist describes 1921 as one of the worst years of depression since the industrial revolution began.
There is a substantial debate in the British Cabinet about whether or not to proceed along these lines. An example of this is the May 12, 1921 Cabinet meeting. Greenwood appears to have revised his view about how long pacification will take. He is opposed to the Truce proposal at this stage, feeling that the republicans are being worn down. Health Minister Christopher Addison disagrees and favours a truce. Winston Churchill, who has been in favour of the substantial escalation of coercion, now supports a truce partly because things are getting “very unpleasant as regards the interests of this country all over the world; we are getting an odious reputation; poisoning our relations with the United States.” Herbert Fisher, who is a historian and head of the Board of Education as well as a politician, also worries, “the present situation is degrading to the moral life of the whole country; a truce would mean a clear moral and political gain” and that if the IRA accepts the truce it will be hard for them to start up again, it will also “create a big rift in Sinn Féin ranks, the moderate Sinn Féin would have to come out into the open.” This meeting rejects the idea of a truce. In June, however, a memorandum from Nevil Macready states that beating the republicans will require coercion being carried out to the maximum and if this is done the cabinet will have to stand by 100 executions a week. Such a policy is a political impossibility. In this situation, Lloyd George proposes an Anglo-Irish conference and negotiations.
Clancy is one of eleven children and the eldest of four boys born to Johanna McGrath and Bob Clancy. During World War II he serves as a flight engineer in the Royal Air Force in India. After his demobilization, Clancy works as a baker in London. In 1947 he emigrates to Toronto, Canada with his brother Tom Clancy. The following year, the two brothers move to Cleveland, Ohio to stay with relatives. Later, they attempt to move to California, but their car breaks down and they relocate to the New York City area instead.
After moving to Greenwich Village in 1951, both Patrick and Tom devote themselves primarily to careers in the theater. In addition to appearing in various Off-Broadway productions and television shows, they produce and star in plays at the Cherry Lane Theatre in Greenwich Village and at a playhouse in Martha’s Vineyard. After losing money on some unsuccessful plays, the brothers begin singing concerts of folk songs after their evening acting jobs are over. They soon dub these concerts “Midnight Specials” and the “Swapping Song Fair.” Patrick and Tom are often joined by other prominent folk singers of the day, including Pete Seeger, Woody Guthrie, and Jean Ritchie.
In 1956 their younger brother, Liam Clancy, immigrates to New York, where he teams up with Tommy Makem, whom he had met while collecting folk songs in Ireland. The two begin singing together at Gerde’s Folk City, a club in Greenwich Village. Patrick and Tom sing with them on occasion, usually in informal folk “sing-songs” in the Village. Around the same time, Patrick founds Tradition Records with folk-song collector and heiress Diane Hamilton, and in 1956 the Clancy Brothers and Tommy Makem release their first album, The Rising of the Moon, with only Patrick’s harmonica as musical accompaniment. However, the Clancys and Makem do not become a permanent singing group until 1959.
In the late 1950s, Clancy with his brothers and Makem begin to take singing more seriously as a permanent career, and soon they record their second album, Come Fill Your Glass with Us. This album proves to be more successful than their debut album, and they begin receiving job offers as singers at important nightclubs, including the Gate of Horn in Chicago and the Blue Angel in New York City. The group garners nationwide fame in the United States after an appearance on The Ed Sullivan Show, which leads to a contract with Columbia Records in 1961. Over the course of the 1960s, the Clancy Brothers and Tommy Makem record approximately two albums a year for Columbia. By 1964, Billboard magazine reports that the group was outselling Elvis Presley in Ireland.
The group performs together on stage, recordings, and television to great acclaim in the United States, Ireland, the United Kingdom, Canada, and Australia until Tommy Makem leaves to pursue a solo career in 1969. They continue performing first with Bobby Clancy and then with Louis Killen until Liam leaves in 1976 also to pursue a solo career. In 1977 after a short hiatus, the group reforms with Patrick, Tom, and Bobby Clancy and their nephew Robbie O’Connell. Liam returns in 1990 after the death of Tom Clancy.
In 1968, after two decades in North America, Clancy returns to live in Carrick-on-Suir, where he purchases a dairy farm and breeds exotic cattle. When not on tour or working on his farm, he spends much of his time fishing, reading, and doing crossword puzzles. In the late 1990s, he is diagnosed with a brain tumor. The tumor is successfully removed, but he is also stricken with terminal lung cancer around the same time. He continues performing until his failing health prevents him from doing so any longer.
Patrick Clancy dies at home of lung cancer on November 11, 1998, at the age of 76. He is buried, wearing his trademark white cap, in the tiny village of Faugheen, near Carrick-on-Suir.
Holland, the second of four siblings, all boys, is born in a coastguard cottage in Liscannor, County Clare, where his father, John Philip Holland, Sr., is a member of the British Coastguard Service. His mother, a native Irish speaker from Liscannor, Máire Ní Scannláin, is John Holland’s second wife. His first wife, Anne Foley Holland, believed to be a native of Kilkee, dies in 1835. The area is heavily Irish-speaking and Holland learns English properly only when he attends the local English-speaking St. Macreehy’s National School, and from 1858, in the Christian Brothers in Ennistymon.
Holland joins the Irish Christian Brothers in Limerick and teaches in CBS Sexton Street in Limerick and many other centres in the country, including North Monastery CBS in Cork, St. Joseph’s CBS in Drogheda, and as the first Mathematics teacher in Coláiste Rís in Dundalk. Due to ill health, he leaves the Christian Brothers in 1873 and emigrates to the United States. Initially working for an engineering firm, he returns to teaching again for an additional six years in St. John’s Catholic school in Paterson, New Jersey.
While a teacher in Cork, Holland reads an account of the battle between the ironclads USS Monitor and USS Merrimack in the Battle of Hampton Roads during the American Civil War. He realizes that the best way to attack such ships would be through an attack beneath the waterline. He draws a design, but when he attempts to obtain funding, he is turned away. After his arrival in the United States, Holland slips and falls on an icy Boston street and breaks a leg. While recuperating from the injury in a hospital, he uses his time to refine his submarine designs and is encouraged by a priest, Isaac Whelan.
In 1875, his first submarine designs are submitted for consideration by the U.S. Navy, but are turned down as unworkable. The Fenians, however, continue to fund Holland’s research and development expenses at a level that allows him to resign from his teaching post. In 1881, Fenian Ram is launched, but soon after, Holland and the Fenians part company on bad terms over the issue of payment within the Fenian organization, and between the Fenians and Holland. The submarine is now preserved at Paterson Museum in New Jersey.
Holland continues to improve his designs and works on several experimental boats, prior to his successful efforts with a privately built type, launched on May 17, 1897. This is the first submarine having power to run submerged for any considerable distance, and the first to combine electric motors for submerged travel and gasoline engines for use on the surface. The submarine is purchased by the U.S. Navy on April 11, 1900, after rigorous tests and is commissioned on October 12, 1900 as USS Holland (SS-1). Six more of her type are ordered and built at the Crescent Shipyard in Elizabeth, New Jersey. The company that emerges from under these developments is called The Electric Boat Company, founded on February 7, 1899. Isaac Leopold Rice becomes the company’s first President with Elihu B. Frost acting as vice president and chief financial officer. The company eventually evolves into the major defense contractor General Dynamics.
The USS Holland design is also adopted by others, including the Royal Navy in developing the Holland-class submarine. The Imperial Japanese Navy employs a modified version of the basic design for their first five submarines, although these submarines are at least 10 feet longer at about 63 feet. These submarines are also developed at the Fore River Ship and Engine Company in Quincy, Massachusetts. Holland also designs the Holland II and Holland III prototypes. The Royal Navy ‘Holland 1’ is on display at the Submarine Museum in Gosport, England.
Arthur Shields, Irish actor on television, stage, and film, is born on February 15, 1896, into an Irish Protestant family in Portobello, Dublin. Shields starts acting in the Abbey Theatre when he is 17 years old. He is the younger brother of Oscar-winning actor Barry Fitzgerald. They are the sons of Adolphus Shields, who is well-known in Dublin as a labor organizer although the 1901 census lists his occupation as “press reader,” and Fanny Sophia Sheilds.
Shields returns to the Abbey Theatre and has a varied career there from 1914-1939 as actor, assistant director, director, and stage manager. He appears in more than 300 roles in 350 plays while he is at the Abbey. Three of the productions he appears in are by Irish playwright Teresa Deevy – The Reapers, Temporal Powers, and Katie Roche. Three times he brings the Abbey Company to the United States.
Shields dies of complications related to emphysema on April 27, 1970, in Santa Barbara, California. He is survived by his wife, actress Laurie Bailey, a daughter, a son, and four great-grandchildren. His body is cremated, with the ashes taken to Dublin, where a burial with full military honors takes place.
Delia Murphy Kiernan, singer and collector of Irish ballads, dies of a massive heart attack on February 11, 1971, five days before her 69th birthday. She records several 78 RPM records in the 1930s, 1940s, and 1950s. In 1962 she records her only LP record, The Queen of Connemara, for Irish Prestige Records, New York, on the cover of which her name appears alongside the LP title. Her notable voice gives her the nickname the “Queen of Connemara.”
Murphy is born on February 16, 1902, in Ardroe, Roundfort, County Mayo, to a well-off family. Her father, John Murphy, from nearby Hollymount, makes his fortune in the Klondike Gold Rush. While in America, he marries Ann Fanning from Roscrea, County Tipperary. They return to Ireland in 1901 and purchase the large Mount Jennings Estate in Hollymount. Murphy’s father encourages her interest in singing ballads from a young age. He also allows Irish travellers to camp on the estate. According to her own account, she learns her first ballads at their campfires.
Murphy is educated at Presentation Convent in Tuam, Dominican College in Dublin, and University College Galway (UCG), where she graduates with a Bachelor of Commerce degree. While at UCG she meets Dr. Thomas J. Kiernan, and they marry in 1924, on her 22nd birthday. Kiernan then joins the Irish diplomatic service, where his first posting is to London. While there Murphy sings at many venues including many gatherings of Irish emigrants and becomes quite well-known. In 1939 she records The Blackbird, The Spinning Wheel, and Three Lovely Lassies for HMV.
In 1941, Kiernan is appointed Irish Minister Plenipotentiary to the Holy See in Rome. The Irish legation is the only English-speaking legation to remain open after the United States enters World War II. Murphy becomes one of those who assist Monsignor Hugh O’Flaherty in saving the lives of 6,500 Allied soldiers and Jews. In 1943, when Italy changes sides, many escaped POWs are helped by the legation to leave Italy.
Kiernan later serves as Irish High Commissioner and later first Ambassador in Australia, and later to West Germany, Canada, and the United States. In 1961, while living in Ottawa, Murphy makes the recording of The Queen of Connemara produced by Ken Goldstein. Murphy and Kiernan purchase a farmhouse in Jasper, Ontario, near the Rideau Canal where she spends most of her time, even after Kiernan is posted to Washington, D.C. Tom Kiernan dies in December 1967.
By 1969 Murphy’s health is in decline. In November of that year, she sells her farmhouse in Canada and returns to Ireland. She lives in a cottage in Strawberry Beds, Chapelizod, County Dublin, until her death. During her lifetime she records upwards of 100 songs.
Eleanor McEvoy, one of Ireland’s most accomplished contemporary singer/songwriters, is born in Dublin on January 22, 1967. McEvoy composes the song “Only A Woman’s Heart,” the title track of A Woman’s Heart, the best-selling Irish album in Irish history.
McEvoy’s life as a musician begins at the age of four when she begins playing piano. At the age of eight she takes up violin and, as a teen, she joins the Junior Irish Youth Orchestra. Upon finishing school, she attends Trinity College, Dublin where she studies music by day and works in pit orchestras and music clubs by night.
McEvoy graduates from Trinity with an Honors Degree in music and spends four months busking in New York City. In 1988, she is accepted into the RTÉ National Symphony Orchestra where she spends four years before leaving to concentrate on songwriting.
During a solo date in July 1992, she performs a little-known, self-penned song, “Only a Woman’s Heart.” Mary Black, of whose band McEvoy is a member, is in the audience and invites her to add the track to an album of Irish female artists. The album is subsequently titled A Woman’s Heart and the track is released as the lead single. The album goes on to sell over three-quarters of a million copies in Ireland alone and remains the biggest selling Irish album of all time. The record’s success makes McEvoy a superstar virtually overnight.
Eleanor McEvoy, the self-titled debut offering, recorded in Windmill Lane Studios, is released in February 1993, and tours in the United States, Asia, and Europe follow. Back on Irish soil, McEvoy is awarded Best New Artist, Best New Performer, and Best Songwriter Awards by the Irish entertainment and music industries.
McEvoy signs a contract with Columbia Records and begins working on a new, edgier second album, which is eventually entitled What’s Following Me? The album is released in 1996 and the sound is louder and grungier than her debut.
McEvoy releases her third album Snapshots in 1999. Her primary goal is to make Snapshots her most song-oriented album to date. Toward that goal, she hooks up with legendary producer Rupert Hine, who has worked with Stevie Nicks, Tina Turner, Suzanne Vega, and Duncan Sheik, and records the album at Rupert’s “Chateau de la Tour de Moulin” and then in Metropolis Studios in London.
As the century closes, McEvoy has had enough of major-label involvement, making the decision to take the fourth album and head down the independent road. Yola was a turning point in McEvoy’s musical direction. Released in 2001, it reflects the acoustic, jazz-influenced style she had developed on stage with Brian Connor.
March 2004 sees the release of Early Hours, produced by McEvoy and Brian Connor. The style differs from McEvoy’s previous work, taking on a jazz/blues feel for many of the songs. She continues to tour with Brian Connor until April 2005. She then begins performing solo, accompanying herself on bass guitar, electric guitar, mandolin, and violin.
Naked Music (2016) is McEvoy’s twelfth studio album. It is recorded at the Grange Studio in Norfolk, UK. McEvoy records the tracks by “studio-performing,” in other words, playing the songs as she would in a live performance. The album features exclusive artwork by famed painter Chris Gollon.
seamus dubhghaill 